Richard Dreyfuss Movies
Stocky, frequently bespectacled, eventually balding, and prematurely gray, Richard Dreyfuss is an unlikely candidate for a movie star. Even so, he has been one of Hollywood's most versatile, charismatic, and energetic leading men since the mid-'70s. Born in Brooklyn, NY, on October 29, 1947, Dreyfuss moved to Los Angeles with his family when he was nine. There he became friends with Rob Reiner and began acting in school productions and at the Beverly Hills Jewish Community Center. He attended San Fernando Valley State College, but was expelled after getting into a heated argument with a professor over Marlon Brando's performance in Julius Caesar (1953). Not wanting to be drafted for Vietnam, he registered as a conscientious objector and spent two years as a clerk at a Los Angeles hospital instead of enlisting.During this time, Dreyfuss started getting a few acting jobs on network television series such as Bewitched and Big Valley; he had his first film role in 1967's The Graduate, speaking the lines "Shall I call the cops? I'll call the cops" to Dustin Hoffman. He continued playing bit parts in a couple more films, but did not get his first big break until he played Baby Face Nelson in the bloody biopic Dillinger (1973). A memorable leading role as an intelligent, contemplative teen in George Lucas' American Graffiti (1973) earned Dreyfuss critical acclaim, as did his portrayal of an entrepreneurial Jewish youth in The Apprenticeship of Duddy Kravitz (1974).
In 1975, the actor's career exploded when he starred as an arrogant shark expert in Steven Spielberg's Jaws. He worked for Spielberg again two years later, playing an average Midwestern working stiff who learns that we are not alone in the universe in Close Encounters of the Third Kind. Further success followed that same year when Dreyfuss portrayed a failed actor in Neil Simon's romantic comedy The Goodbye Girl. His performance won him an Oscar, making him, at the age of 29, the youngest performer ever to receive the Best Actor honor. After that, Dreyfuss was in demand and, until 1981, he continued to find steady work in a number of films. However, none of these proved particularly popular, and the actor's career began to nosedive. Matters were worsened by his reported drug use and Hollywood party antics; in 1982, he was involved in a car accident and arrested for possession of cocaine.
Fortunately, Dreyfuss managed to turn his life around, and after appearing in the rarely seen Buddy System (1984), made a big comeback in Paul Mazursky's hit comedy Down and Out in Beverly Hills (1986), starring opposite Bette Midler and Nick Nolte. With his reputation restored, Dreyfuss went on to appear in lead and supporting roles in numerous films of varying quality. Highlights included Rosencrantz and Guildenstern Are Dead (1990), Postcards From the Edge (1990), What About Bob? (1991), and Quiz Show (1994). In 1996, Dreyfuss played one of his finest roles as a high school music teacher who sacrifices his dream of becoming a famous composer to help his students in Mr. Holland's Opus (1996). The role earned Dreyfuss an Oscar nomination. That same year, he won acclaim of a different sort, lending his voice to a sarcastic centipede in Tim Burton's animated adaptation of Roald Dahl's James and the Giant Peach. He went on to appear in Sidney Lumet's Night Falls on Manhattan (1997) and to star in Krippendorf's Tribe in 1998. The following year, he could be seen as titular Jewish gangster Lansky, a made-for-TV biopic scripted by David Mamet.
In 2001, with his film career struggling a bit, Dreyfuss took his first stab at series television since 1964's short-lived sitcom Karen. The hour-long CBS drama The Education of Max Bickford starred the actor as a college history professor opposite Marcia Gay Harden and received largely positive reviews from critics. However, despite the accolades, the show failed to garner a substantial audience and was cancelled after one season.
The following years would see Dreyfuss continuing to appear on screen, appearing most notably in movies like W., Leaves of Grass, and Red, and on TV shows like Weeds and Parenthood. ~ Sandra Brennan, Rovi
- 1995
This documentary from the American Film Institute salutes Hollywood's premiere director Steven Spielberg by awarding him a lifetime achievement award. The most prolific filmmaker of all time, this video displays his three-minute childhood films through to his three-hour epic masterpiece Schindlers List. Hosted by Oscar winning actor Tom Hanks, Philadelphia and Forrest Gump, this tribute recognizes the genius of Spielbergs work. Highlights include everything from the bite he took out of audiences with Jaws to the horrific realism of the D-Day landing in Saving Private Ryan. With a slew of clips from his films and featuring most of Hollywood's A-list actors, this tribute is mandatory viewing for all fans of movies. ~ C. Dwayne Smith, Rovi
In this slightly dark comedy about romantic obsession, Sam (Matthew Broderick) is an astronomer who likes his life in the small New England town he calls home and loves his fiancée, Linda (Kelly Preston). But one day, Linda tells Sam that she's moving to New York because she has found a new job -- and a new boyfriend. Sam is shocked and doesn't want to give Linda up, so when she moves to Manhattan, Sam follows her. Moving into an empty loft across the street from Linda's new apartment, Sam constructs a camera obscura that allows him to watch what she and her new beau, a French restaurateur named Anton (Tcheky Karyo), are up to. Sam's convinced that Linda is just going through a phase, and when she gets tired of Anton, he'll be there to pick up the pieces. But Sam soon has company in his obsessive watch over Linda's new flat: Anton's former girlfriend, Maggie (Meg Ryan), crashes Sam's hideout and joins him in his spy mission. While Sam just wants Linda back, Maggie is seething with rage against Anton after he dumped her and now she's out for revenge. Addicted to Love was the directorial debut of actor and producer Griffin Dunne; he cast his father, noted author Dominick Dunne, in a small role as a food writer. ~ Mark Deming, Rovi
- Starring:
- Meg Ryan, Matthew Broderick, (more)
For all its state-of-the-art special effects, Always is essentially a remake of the 1943 Spencer Tracy-Irene Dunne fantasy vehicle A Guy Named Joe--minus the wartime context. Richard Dreyfuss stars as a reckless fire-fighting pilot who is killed in what was to have been his final mission. Ascending to Heaven, Dreyfuss is introduced to businesslike angel Audrey Hepburn (playing the equivalent of the Lionel Barrymore role in A Guy Named Joe). Hepburn instructs the spectral Dreyfuss to pass on his aviation knowhow to his young successor, Brad Johnson. Our ghostly hero also smoothes the course of romance for his earthly girl friend Holly Hunter, who after several months' worth of grieving has fallen in love with Johnson. John Goodman injects a dose of comedy relief as Dreyfuss' faithful buddy. ~ Hal Erickson, Rovi
- Starring:
- Richard Dreyfuss, Holly Hunter, (more)
America's national infrastructure was once considered one of our crowning achievements, but in this documentary narrated by Academy Award winner Richard Dreyfuss and directed by Emmy Award-winning investigative journalist Leslie Cardé, viewers learn how our country's crumbling bridges, dams, levees, and highways put millions of Americans at risk every day. Using an investigation into the little-known causes of the post-Katrina levee failures as a springboard to examine how corruption, collusion, and cronyism have infected the highest levels of government, Cardé and company reveal how the Army Corps of Engineers -- the very agency charged with insuring that our national infrastructure remains intact -- has sacrificed the needs of our nation in favor of entering into self-serving deals with corporate America. Having wasted billions of dollars in taxpayer money on rebuilding other nation's infrastructures while neglecting to ensure that our own are properly maintained, we are forced to watch our streets crumble as lobbyists and gluttonous politicians funnel money into pointless pet projects, and those sent to investigate the matter are bribed into covering up their true findings. Interviews with Pulitzer Prize-winning journalists, top scientists, United States senators and congressmen, and whistleblowers who risk their lives and livelihood in order to speak out, America Betrayed is a sobering wake-up call to anyone who places blind trust in government, and a challenge to Washington to hold corrupted officials accountable for their misdeeds. ~ Jason Buchanan, Rovi
- Starring:
- Richard Dreyfuss
It's the last night of summer 1962, and the teenagers of Modesto, California, want to have some fun before adult responsibilities close in. Among them are Steve (Ron Howard) and Curt (Richard Dreyfuss), college-bound with mixed feelings about leaving home; nerdy Terry "The Toad" (Charles Martin Smith), who scores a dream date with blonde Debbie (Candy Clark); and John (Paul Le Mat ), a 22-year-old drag racer who wonders how much longer he can stay champion and how he got stuck with 13-year-old Carol (Mackenzie Phillips) in his deuce coupe. As D. J. Wolfman Jack spins 41 vintage tunes on the radio throughout the night, Steve ponders a future with girlfriend Laurie (Cindy Williams), Curt chases a mystery blonde, Terry tries to act cool, and Paul prepares for a race against Bob Falfa (Harrison Ford), but nothing can stop the next day from coming, and with it the vastly different future ushered in by the 1960s. Fresh off The Godfather (1972), producer Francis Ford Coppola had the clout to get his friend George Lucas's project made, but only for $750,000 on a 28-day shooting schedule. Despite technical obstacles, and having to shoot at night, cinematographer Haskell Wexler gave the film the neon-lit aura that Lucas wanted, evoking the authentic look of a suburban strip to go with the authentic sound of rock-n-roll. Universal, which wanted to call the film Another Slow Night in Modesto, thought it was unreleasable. But Lucas' period detail, co-writers Willard Huyck's and Gloria Katz's realistic dialogue, and the film's nostalgia for the pre-Vietnam years apparently appealed to a 1973 audience embroiled in cultural chaos: American Graffiti became the third most popular movie of 1973 (after The Exorcist and The Sting), establishing the reputations of Lucas (whose next film would be Star Wars) and his young cast, and furthering the onset of soundtrack-driven, youth-oriented movies. Although the film helped spark 1970s nostalgia for the 1950s, nothing else would capture the flavor of the era with the same humorous candor and latent sense of foreboding. ~ Lucia Bozzola, Rovi
- Starring:
- Richard Dreyfuss, Ron Howard, (more)
In Stakeout, cop Richard Dreyfuss fell in love with Madeline Stowe, the woman he and his partner Emilio Estevez were watching during a police stakeout. Stowe's back in Another Stakeout, but her part is fleeting and unbilled. On the other hand, we get plenty of Dreyfuss and Estevez, still both as cantankerous and obnoxious as ever. This time, our two heroes are in search of a Mafia witness who has disappeared after an attempt on her life. While holed up in a judge's mansion, staking out the apartment where the woman may or may not return, the pair are subject to the comic aggravation of DA's assistant Rosie O'Donnell, who's brought her "darling" little rotweiler along for company. Another Stakeout works a little harder for its laughs than its predecessor; the best scenes go to Ms. O'Donnell and to nonplussed supporting players Dennis Farina and Marcia Strassman. ~ Hal Erickson, Rovi
- Starring:
- Richard Dreyfuss, Emilio Estevez, (more)
- 1966
A young Richard Dreyfuss guest stars as Rodney, a warlock who wants to marry Samantha. Hoping to disrupt the relationship between Sam and her husband, Darrin, Rodney transforms himself into a dog and invades the Stephens household. Using his own special brand of witchcraft, the "shaggy" Rodney plants the seeds of suspicion in Darrin's mind. Written by Bernard Slade, "Man's Best Friend" originally aired on May 12, 1966. ~ Hal Erickson, Rovi
- Starring:
- Elizabeth Montgomery, Dick York, (more)
Part of the Biogrpahy television series from A&E, this documentary revies the career and personal life of Academy Award winning actress, Audrey Hepburn. Born Edda Kathleen van Heemstra Hepburn-Ruston, in Brussels, Belgium. She trained as a ballet dancer in Amsterdam, and at the Marie Rambert school in London, making her film and stage debuts in London in 1948. Noticed by the French writer Colette, she was given the lead in the Broadway production of her novel, Gigi (1951), and went on to win international acclaim for Roman Holiday (1953, Oscar), in which she starred with Gregory Peck. One of the most enchanting stars of the 1950s and 60s, her popular film roles included Sabrina (1954), The Nun's Story (1959), Breakfast at Tiffany's (1961), all Oscar nominations, and My Fair Lady (1964). Contrasting roles included Two for the Road (1967), and as the blind girl terrorized in Wait Until Dark (1967, Oscar nomination). She travelled extensively as a goodwill ambassador for UNICEF.
~ John Patrick Sheehan, Rovi
~ John Patrick Sheehan, Rovi
- 2005
- Add Boffo! Tinseltown's Bombs and Blockbusters to Queue Add Boffo! Tinseltown's Bombs and Blockbusters to top of Queue
Take a walk on the fine line between box-office blockbusters and instantly forgettable bombs as Oscar and Emmy-winning producer/director Bill Couturie sets out to explore just what separates such high-profile hits as Jaws from such room-clearing disasters as Howard the Duck. Executive produced by Variety editor Peter Bart, this documentary includes interviews with such movie industry heavies as Steven Spielberg, Danny DeVito, Peter Bogdanovich, Robert Evans, Pierce Brosnan, and Sydney Pollack, exploring precisely how the road to the Razzies is paved with good intentions. ~ Jason Buchanan, Rovi
- 1997
Richard Dreyfuss narrates this made-for-cable adaptation of the classic novel by Jack London. This particular version of the tale has been hailed as one of the most accurate dramatic presentations of London's work. The story tells the exciting and often brutal tale of Buck, a dog who is stolen from his caring owner in California and sent to the Yukon, where he's forced into service as a sled dog by his new (and violent) masters. Rutger Hauer stars. ~ Mark Deming, Rovi
Actor Richard Dreyfuss narrates this documentary examining the life and career of Stanley Sheinbaum, an anti-war activist who helped to set up the police force of South Vietnam during the 1950s, and subsequently landed on President Richard M. Nixon's enemies list for his efforts in revealing the truth about America's questionable foreign affairs. A rather poor student in high school, Sheinbaum used the GI bill to earn his doctorate in economics at Stanford, eventually landing a teaching job at Michigan State University in 1954, where he landed a position as co-director of the Vietnam Project, as well. His responsibilities as part of the Vietnam Project included hiring men to travel to South Vietnam and set up a police force, but during a trip to Saigon, Sheinbaum realized that not only had he unknowingly become a puppet for the CIA, but that his own men were using torture techniques to interrogate Vietcong prisoners. Confronted by journalist Robert Scheer about the incident nearly a decade later, Sheinbaum joined his accuser in traveling to Saigon and revealing the truth about his past blunder. In 1967, Sheinbaum proved that Andres Papandreou, future Prime Minister of Greece, has been framed by the junta during a military coup, though it was his efforts in organizing the defense of Daniel Ellsberg that landed the outspoken advocate a coveted spot on President Nixon's Most Wanted list. Two decades later, Sheinbaum made history by convincing Yassir Arafat to denounce terrorism and recognize the state of Israel before he UN, and it was Sheinbaum's efforts in removing Los Angeles Police Chief Darryl Gates from power following the Rodney King incident that finally prompted Californians to conclude that justice was served. Enlisted by President Bill Clinton to serve as a diplomatic back-channel to Syria, Sheinbaum's efforts in supporting the Middle East peace process continue well into the early 21st century. ~ Jason Buchanan, Rovi
- Starring:
- Stanley K. Sheinbaum, Robert Scheer, (more)
- 1977
- PG
- Add Close Encounters of the Third Kind to Queue Add Close Encounters of the Third Kind to top of Queue
Steven Spielberg followed Jaws (1975), his first major box-office success, with this epic science fiction adventure about a disparate group of people who attempt to contact alien intelligence. Roy Neary (Richard Dreyfuss) is an electrical lineman who, while sent out on emergency repairs, witnesses an unidentified flying object, and even has a "sunburn" from its bright lights to prove it. Neary's wife and children are at first skeptical, then concerned, and eventually fearful, as Roy refuses to accept a "logical" explanation for what he saw and is prepared to give up his job, his home, and his family to pursue the "truth" about UFOs. Neary's obsession eventually puts him in contact with others who've had close encounters with alien spacecraft, including Jillian (Melinda Dillon), a single mother whose son disappeared during her UFO experience, and Claude Lacombe (celebrated French filmmaker François Truffaut), a French researcher who believes that we can use a musical language to communicate with alien visitors. Lacombe's theory is put to the test when a band of government researchers and underground UFO enthusiasts (including Neary) join for an exchange with alien visitors near Devil's Tower, Wyoming. In 1980, a "Special Edition" was released. While its primary selling point was the addition of scenes inside the alien spaceship, Spielberg claimed that he also cleaned up some choppy editing in the second act. ~ Mark Deming, Rovi
- Starring:
- Richard Dreyfuss, François Truffaut, (more)
Paul Mazursky's Coast to Coast features a couple whose marriage is on the rocks. Barnaby (Richard Dreyfuss) and Maxine (Judy Davis) are attempting to salvage what might be left of their broken marriage by taking a road trip together. As they stop at various places and interact with a variety of people, they begin to bridge the wide gap that had taken its toll on their relationship. ~ Perry Seibert, Rovi
- Starring:
- Richard Dreyfuss, Judy Davis, (more)
John Milius's first directorial effort in its own small way set the stage in the 1970s for a subgenre of action films that depict a nostalgia for historical figures tinged with a hard-edged skepticism. Warren Oates stars as John Dillinger, whose short-lived career as Public Enemy No.1 was, at least according to Milius, promoted by Dillinger with a self-absorbed boosterism, comforting his victims by telling them, "Someday you'll tell your grandchildren about this." The film captures the highlights of Dillinger's criminal career, as seen through the eyes of Melvin Purvis (Ben Johnson), the FBI agent whose obsession with capturing Dillinger led to Dillinger's death in the back alley of Chicago's Biograph Theater. ~ Paul Brenner, Rovi
- Starring:
- Warren Oates, Ben Johnson, (more)
Down and Out in Beverly Hills is an updated remake of the 1932 Jean Renoir film Boudu Saved From Drowning. Philandering businessman Dave Whiteman (Richard Dreyfuss) rescues scraggly tramp Jerry Baskin (Nick Nolte) from drowning himself in Dave's swimming pool. Much against his will, Jerry is invited to enjoy the hospitality of Dave, his social-climbing wife, Barbara (Bette Midler), and their sexually ambivalent son, Max (Evan Richards). The hapless hobo bonds only with the family dog, Matisse, which fascinates Barbara to the point that she's willing to share her bed (and a few other things) with him. Dave is twice cuckolded when Jerry makes out with the maid (Elizabeth Peña), with whom he has been carrying on a torrid -- and noisy -- affair. He plans to wreak revenge on the tramp, but several plot twists result in Dave and Jerry becoming bosom companions. Little Richard appears as the family's easily irritated next-door neighbor. Down and Out in Beverly Hills was the R-rated film that compelled Disney to create its adult-oriented Touchstone Films division. The property was later cleaned up for TV consumption and converted into a short-lived Fox-network sitcom. ~ Hal Erickson, Rovi
- Starring:
- Nick Nolte, Richard Dreyfuss, (more)
Based upon Peter Biskind's book of the same name, this BBC-produced documentary traces the rise of a generation of Hollywood filmmakers who briefly changed the face of movies with a more personal approach that pushed the boundaries of what was acceptable onscreen. Influenced by such European directors as Jean-Luc Godard, François Truffaut, and Federico Fellini, the movement kicked off in the mid-'60s with two films directed by Arthur Penn: Mickey One and Bonnie and Clyde. (The latter had been offered to both Godard and Truffaut before it wound up with producer/star Warren Beatty and Penn.) What really kicked it into gear was the unexpected success of Easy Rider, a biker-road movie that became that rare film phenomenon: acclaimed at the Cannes Film Festival and a huge commercial success. Film school graduates, the first generation brought up with movies as their main cultural reference, flooded the studios (whose own regimes were changing) with production chieftains such as Robert Evans of Paramount and David Picker at United Artists; they approved risky-looking projects and allowed relatively untested filmmakers like Francis Ford Coppola to take on heavyweight movies such as The Godfather or Hollywood newcomers like Britain's John Schlesinger to make quirky stories like Midnight Cowboy. Enriched by success with their TV show The Monkees, producer Bert Schneider and director Bob Rafelson formed a company that produced not only Easy Rider but seminal '70s films such as Five Easy Pieces and the Oscar-winning Vietnam War documentary Hearts and Minds. Another godfather to the new movement was producer Roger Corman, who gave early career opportunities to Coppola, Martin Scorsese, Peter Bogdanovich, and Jonathan Demme on low-budget projects that allowed them to learn their craft.
Two things brought this movement to an end: Some individual filmmakers' personal excesses (such disastrous flops as Dennis Hopper's follow-up to Easy Rider, appropriately titled The Last Movie, and Scorsese's New York, New York), and the studios growing fascination with special effects-driven B-movies. An outgrowth of two box-office and marketing juggernauts -- Jaws and Star Wars -- the resulting films became entertainments rather than personal statements of the directors. Narrated by William H. Macy, Easy Riders, Raging Bulls features vintage clips of Coppola, Scorsese, Beatty, George Lucas, Sam Peckinpah, Roman Polanski, Robert Altman, and Pauline Kael. It also includes original interview material with Penn; Corman; Bogdanovich; Hopper; Picker; writer/directors John Milius and Paul Schrader; actresses Karen Black, Cybill Shepherd, Margot Kidder, and Jennifer Salt (the latter two shared a house in Malibu, a social center for young filmmakers); actors Peter Fonda, Kris Kristofferson, and Richard Dreyfuss; producers Jerome Hellman, Michael Phillips, and Jonathan Taplin; editor Dede Allen; production designer Polly Platt; writers David Newman, Joan Tewksbury, Gloria Katz, and Willard Huyck; cinematographers Laszlo Kovacs and Vilmos Zsigmond; agent Mike Medavoy; and former production executive Peter Bart. Among the films discussed are Rosemary's Baby, The Wild Bunch, Mean Streets, American Graffiti, The Rain People, Midnight Cowboy, M*A*S*H, McCabe and Mrs. Miller, The Last Picture Show, Shampoo, Taxi Driver, and Raging Bull. (Three interviewees -- cinematographer Gordon Willis, critic Andrew Sarris, and writer-director Monte Hellman -- listed in the Variety review of this film, were not included in this version from a screening on Bravo.) ~ Tom Wiener, Rovi
Two things brought this movement to an end: Some individual filmmakers' personal excesses (such disastrous flops as Dennis Hopper's follow-up to Easy Rider, appropriately titled The Last Movie, and Scorsese's New York, New York), and the studios growing fascination with special effects-driven B-movies. An outgrowth of two box-office and marketing juggernauts -- Jaws and Star Wars -- the resulting films became entertainments rather than personal statements of the directors. Narrated by William H. Macy, Easy Riders, Raging Bulls features vintage clips of Coppola, Scorsese, Beatty, George Lucas, Sam Peckinpah, Roman Polanski, Robert Altman, and Pauline Kael. It also includes original interview material with Penn; Corman; Bogdanovich; Hopper; Picker; writer/directors John Milius and Paul Schrader; actresses Karen Black, Cybill Shepherd, Margot Kidder, and Jennifer Salt (the latter two shared a house in Malibu, a social center for young filmmakers); actors Peter Fonda, Kris Kristofferson, and Richard Dreyfuss; producers Jerome Hellman, Michael Phillips, and Jonathan Taplin; editor Dede Allen; production designer Polly Platt; writers David Newman, Joan Tewksbury, Gloria Katz, and Willard Huyck; cinematographers Laszlo Kovacs and Vilmos Zsigmond; agent Mike Medavoy; and former production executive Peter Bart. Among the films discussed are Rosemary's Baby, The Wild Bunch, Mean Streets, American Graffiti, The Rain People, Midnight Cowboy, M*A*S*H, McCabe and Mrs. Miller, The Last Picture Show, Shampoo, Taxi Driver, and Raging Bull. (Three interviewees -- cinematographer Gordon Willis, critic Andrew Sarris, and writer-director Monte Hellman -- listed in the Variety review of this film, were not included in this version from a screening on Bravo.) ~ Tom Wiener, Rovi
- Starring:
- Dede Allen, Peter Bart, (more)
A seemingly-minor electronic error sets the world on the verge of nuclear annihilation in this made-for-TV adaptation of the novel by Eugene Burdick and Harvey Wheeler (which was previously filmed in 1964). Due to the burn-out of a piece of circuitry, a computer orders a U.S. Air Force jet on a strategic bombing raid, destroying targets in Russia with nuclear weapons. As Generals Bogan (Brian Dennehy) and Black (Harvey Keitel) desperately search for a way to recall the planes once the mistake has been discovered, the bomber's commander, Col. Grady (George Clooney) sets out on his mission with grim determination, while the President (Richard Dreyfuss) and his translator (Noah Wyle) stay in contact with the Soviet premier, trying to convince him that this was all a terrible mistake. Fail Safe was first presented as a live television broadcast which aired on CBS on April 9, 2000. The supporting cast includes Hank Azaria, Don Cheadle, James Cromwell, and Sam Elliott. Star George Clooney spearheaded the unique project and served as executive producer. ~ Mark Deming, Rovi
- Starring:
- George Clooney, Noah Wyle, (more)
- 1966
Yes, that's 19-year-old Richard Dreyfuss guesting in this episode as neurotic teenager Durf the Drag. Hoping to bolster Durf's confidence, kindhearted Gidget (Sally Field) agrees to go out on a date with him. The plot thickens when Gidge is afforded the opportunity to date handsome UCLA student Ed Batson (Ed Griffith)--and she can't work up the gumption to tell poor Durf. This episode was originally scheduled to air on December 1, 1965. ~ Hal Erickson, Rovi
When irascible boss T.R. Hollister (Jim Backus) threatens to pull the plug on an underwater environmental living project, employee Fred Miller (Tony Randall) and his wife, Vivian (Janet Leigh), take their family down in the deep to live for 30 days. With all the modern conveniences of a home on land, the family even invites a rock & roll band to get down and record. Merv Griffin (himself) arranges an underwater interview for his television show while Mel Cheever (Ken Berry) schemes to get Fred's job back on dry land. Two of the Miller kids, Lorrie (Kay Cole) and Tommy (Gary Tigerman), join three others (Richard Dreyfuss, Roddy McDowall, and Lou Wagner) in the rock band. Friendly dolphins fend of shark attacks as the land sharks try to scuttle the underwater project in this family film. Music is provided by Jeff Barry. ~ Dan Pavlides, Rovi
- Starring:
- Tony Randall, Janet Leigh, (more)
- 2001
- Add In Search of Peace Part One: 1948-1967 to Queue Add In Search of Peace Part One: 1948-1967 to top of Queue
The difficult birth of the nation of Israel is the subject of this documentary feature, the first in a projected three-part series that explores how the nation came to be formed in the wake of World War II, and the frequent skirmishes between Arab and Israeli forces, leading up to the Six-Day War of 1967. Combining rare newsreel footage with interviews from a number of participants in Israel's struggle for peace, In Search of Peace Part One: 1948-1967 also features narration from actor Michael Douglas. Edward Asner, Richard Dreyfuss, Anne Bancroft, and Michael York also contribute readings of historical documents to the soundtrack. ~ Mark Deming, Rovi
- 1999
Come find out why so many who travel down to South America's Ecuador and Peru try to make a side trip off the coast to the Galapagos Islands. The talented, Academy award-winning actor Richard Dreyfuss serves as the tour guide. He narrates this video that was shot during his three-week journey to these wildlife islands, described by many as sheer paradise. Marine iguanas, sea lions, dancing albatross, and giant tortoises welcome Dreyfuss. Masked boobies, frigate birds, and the flightless cormorant can also be seen. You'll soon discover why these islands continue to draw some of this world's most sophisticated travelers. Though some might feel that Dreyfuss doesn't spend enough time describing some of the fish and other wildlife, it's a film truly worth seeing if you doubt you'll ever be visiting this unique destination that the Ecuadorian government has declared a national park. ~ Elizabeth Smith, Rovi
Mike Binder wrote and directed this reunion story in The Big Chill vein about of group of ex-campers, now in their twenties, who return to their old summer camp to get together again. Alan Arkin plays Uncle Lou, the old camp counselor and resident sage at Canadian summer camp Tamakwa. Leading a group of contemporary youngsters wearing Walkmans on their heads to glory in the beauty of a majestic moose in the Canadian Northwoods, he realizes that the children of today are not the way children were in ancient times before 1993, so he decides to close up shop and shut down Camp Tamkwa for good. But before he does he invites a group of campers from the camp's golden age -- men and women now in their twenties -- an assortment of veteran campers who return to reflect on the past and sort out their troubles. The campers include Beth (Diane Lane), a woman who is adjusting to her husband's accidental death; Jennifer (Elizabeth Perkins), a single woman looking forward to renewing her relationship with fellow camper Matthew (Vincent Spano); Kelly (Julie Warner), Matthew's wife, feeling insecure because she knows Matthew is unhappy in the marriage; and Jamie (Matt Craven), a swinging bachelor with an eye for younger women. Rounding out the pack is Jack (Bill Paxton), who as a boy was kicked out of the camp for a mysterious reason. When he shows up at the camp, the rest of the campers are stunned. ~ Paul Brenner, Rovi
- Starring:
- Alan Arkin, Matt Craven, (more)
Writer/director John Byrum filmed this bizarre and controversial period picture on one massive set. It takes place in the 1930s, and stars Richard Dreyfuss as Boy Wonder, a once-great Hollywood director, who spends all of his time in decrepitude in his rococo mansion (which will soon be leveled and replaced by a major highway), half-soused, unshaven and clad in his bathrobe and pajamas. Instead of shooting major Hollywood pictures, this impotent has-been is now reduced to shooting pornographic films with a coke-addled actress, Harlene (Veronica Cartwright) and a moronic leading man, Rex (Stephen Davies). Rex's employer, the financier Big Mac (Bob Hoskins) turns up, bringing along his shy and dim-bulb fiancee, Cathy Cake (Jessica Harper), whom he treats condescendingly but hopes to launch to megastardom as a movie actress. When Harlene overdoses, Rex and Big Mac haggle over her body. Mac then leaves Cathy with Boy Wonder, who tells the burned-out director that her one dream in life is to appear in movies, and asks if she could pose for insert shots for his next stag film. By shooting the inserts, Boy Wonder manages to regain his potency, but he is completely put off by Cathy, who suddenly realizes, after the fact, that the camera wasn't running. At that point, Big Mac returns and catches them in the filmmaking process. Although he is not really sure what went on, Big Mac vamooses with Boy Wonder's camera and paraphernalia and takes Cathy with him. Meanwhile, an aspiring thesp named Clark Gable turns up at the door, wanting Boy Wonder to direct him to stardom. ~ Paul Brenner, Rovi
- Starring:
- Richard Dreyfuss, Jessica Harper, (more)
- 1981
This is the made-for-TV version of the romantic drama that chronicles the exploits of a group of glamorous women caught up in the entertainment industry. This version contains material author Jacqueline Susann omitted from her original novel. ~ Sandra Brennan, Rovi
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