Paul Brooke Movies

One of the most popular stage musicals in the history of Broadway and London's West End makes its long-awaited arrival on the motion-picture screen in this lavish adaptation directed by Joel Schumacher. Christine (Emmy Rossum) is a beautiful and gifted young woman who longs to join the company of the Paris Opera House. During rehearsals for one of the opera's grand productions, a backdrop falls and crashes to the floor, nearly crushing leading lady Carlotta (Minnie Driver). When several members of the company suggest this could be the work of the "Phantom of the Opera," a spectral presence said to haunt the building, Carlotta drops out of the show, and the fates permit Christine to step in as her replacement. Christine's performance is a triumph, and on opening night she becomes reacquainted with Raoul (Patrick Wilson), a former childhood friend who is now a wealthy and well-known nobleman. Christine soon finds herself smitten with the handsome Raoul, but the same evening she makes a startling discovery -- the story of the Phantom is not just a legend. A brilliant but horribly disfigured composer (Gerard Butler) lives deep in the depths of the opera house, and taken with the beauty of Christine's voice, he abducts her and brings her to his lair, where he offers to help her perfect her talents, offering to write an opera especially for her. As the terrified Christine is comforted by Raoul, the two fall in love, but the phantom sees her affection for Raoul as a tremendous betrayal, and the jealous phantom nearly kills Christine as he nearly killed Carlotta. When the phantom emerges to present the opera's management with the piece he has written for Christine, the singer is asked to put her life on the line in an effort to capture the mad genius once and for all. Andrew Lloyd Webber's musical version of Gaston Leroux's novel, which had already enjoyed several stage and screen adaptations in the past, opened in London in 1986 and has been a popular favorite around the world ever since; the show was still running in New York and London when the film version premiered in late 2004. ~ Mark Deming, All Movie Guide

A director of contemporary comedies, Charles Shyer makes a genre leap into period costume drama with this lavish epic based on a controversial chapter of French history. Hilary Swank stars as Jeanne de la Motte Valois, a countess whose royal title has been stripped from her family by the crown in late 18th century. Determined to restore her good name and privilege, Jeanne schemes politically and sexually with a trio of co-conspirators that includes her gigolo lover, Retaux de Villette (Simon Baker), her husband, Nicolas (Adrien Brody), and a mysterious Italian count (Christopher Walken) to obtain a diamond necklace worth millions. Jeanne's cabal concocts a series of forged letters linking Marie Antoinette (Joely Richardson) and the stunning 2,800-carat jewelry to the debauched Cardinal Louis de Rohan (Jonathan Pryce), an act that could end up restoring rank to the Valois family or fanning the flames of growing revolutionary sentiments. The Affair of the Necklace (2001) co-stars Brian Cox as the narrator Minister Breteuil. ~ Karl Williams, All Movie Guide

Adapted from Lorenza Mazzetti's acclaimed autobiographical novel inspired by her experiences in WWII Tuscany, Il Cielo Cade is a coming-of-age tale that pits the emotional growth of its young protagonists against the encroaching horrors of war. In 1944, newly-orphaned pre-teen sisters Penny (Veronica Niccolai) and Baby (Lara Campoli) come to live in the Tuscan villa of their Uncle Wilhelm (Jeroen Krabbe) and his wife, Katchen (Isabella Rossellini). Wilhelm, a German-Jewish intellectual, and Katchen subtly discourage the pro-Mussolini and fascist sympathies the girls inherited from their late father, and Penny and Baby gradually make friends in their new surroundings and become somewhat smitten with their uncle and his group of cultured friends. As war rages around them, Wilhelm receives warnings from the local priest to flee with his family to Switzerland. He refuses, putting his loved ones at risk. Everything comes to a climax as the family members, who are awaiting the arrival of Italy's British allies, are caught off-guard by the return of the Nazis to their small town. ~ Rebecca Flint Marx, All Movie Guide

Franz Kafka's classic tale of Josef K., a bank clerk who is placed on trial for an unnamed, unknowable crime, is given a faithful, if not overly literal, treatment in this drama. Knowing only that he has been charged, Josef naturally sets out to defend himself, but soon finds himself deeply mired in a battle against an incomprehensible government bureaucracy. Following Orson Welles's adaptation of the book by some three decades, director David Jones chooses to avoid the earlier film's expressionistic approach. Instead, he sets Josef's travails against a realistic background that specifically recalls Eastern Europe during the early 20th century, the time of the book's writing. Similarly, the screenplay by famed British playwright Harold Pinter, whose own darkly absurd vision owes much to Kafka, hews closely to the original text. This faithful approach helps ground the story in historical reality, and allows for a good use of brooding Prague locations. However, many critics have found this approach less effective than the low-budget abstraction of Welles' version, which is more successful at highlighting the universality and symbolic nature of the tale. ~ Judd Blaise, All Movie Guide

Written by George Eliot (of Silas Marner fame), the 1859 novel Adam Bede trenchantly addresses the issues of ingrained social prejudices. Played in this British TV adaptation by Iain Glen, the titular Adam Bede is a humble carpenter, enamored of the beautiful but shallow Hetty Sorel (Patsy Kensit). Surrendering to the "political correctness" of her times, Hetty spurns Adam in favor of a wealthy marriage to a nobleman, Lord Arthur (James Wilby). Though he is deeply hurt by this, Adam never relinquishes his love for Hetty and spends the balance of the story trying to win her back in his own single-minded, diligent fashion. Counterbalancing the romantic melodrama is the calm, good-hearted presence of Adam's erstwhile sweetheart, Dinah Morris (Susannah Harker), perhaps the only character in the novel without an agenda. Adapted for television by Maggie Wadey, Adam Bede made its BBC debut in 1991, then aired as part of the PBS anthology Masterpiece Theatre on March 1, 1992. ~ Hal Erickson, All Movie Guide

Schoolteacher Ben du Toit (Donald Sutherland) has been insulated all his life from the horrors of apartheid in his native South Africa. Perhaps he really didn't want to know. When the son of his black gardener is arrested and beaten as a result of a schoolboy protest in Soweto, at first he imagines the police must have had their reasons. However, the boy is picked up again, and this time he doesn't come back. Ben promises his servant that he will look into the incident, and discovers that the boy was killed simply to gratify the violent urges of Captain Stolz (Jurgen Prochnow), a "special branch" policeman. At long last he has gotten a glimpse into the truly arbitrary and violent nature of the system he has so long benefitted from, and he hires Ian Mackenzie (Marlon Brando) to prosecute the killer. It is a foregone conclusion that Stolz will not be punished, but Mackenzie rises to new heights of withering sarcasm and irony in the courtroom. This situation turns Ben into a radical firebrand, which alienates him from his white friends and neighbors, as well as members of his family. ~ Clarke Fountain, All Movie Guide

Ken Russell's Lair of the White Worm uses Dracula author Bram Stoker's final novel as the basic springboard into a surreal and dark-humored tale concerning a bizarre cult and a series of sacrificial murders in honor of an ancient pagan god. When archeologist Angus Flint (Peter Capaladi) discovers the mysterious scull of an undiscovered beast, further investigation reveals a bizarre myth concerning a medieval knight slaying a fearsome dragon. Soon making the acquaintance of Lord James D'Ampton (Hugh Grant), the conquering knight's descendant, Flint begins to learn of local lore surrounding the creature and soon discovers that, throughout the years, many unexplained disappearances have haunted the local populace. With all trails leading back to the elegant mansion of mysterious recluse Lady Sylvia Marsh (Amanda Donohoe), Lord D'Ampton makes Marsh's acquaintance amidst growing speculation that the strangely seductive siren may have something to do with a rash of recent disappearances. As Flint and D'Ampton's stories begin to strangely intersect, a surreal and horrific journey into the lair of an ancient god may hold they key to an age-old mystery. ~ Jason Buchanan, All Movie Guide

This period drama about the American Revolution has an overlay of rhetoric that thwarts the action, flattening out the story about a man and his loved ones caught up in the events of the time. Tom Dobb (Al Pacino) falls in love with Daisy McConnahay (Nastassja Kinski), an aristocrat who deserts her class to fight alongside the rebels. Tom teaches his son Ned (Dexter Fletcher) everything he needs to learn, though the growing rebellion consumes most of his attention. Eventually, the Redcoats are mowed down in large battle scenes, as the ragtag Colonialists go to war. ~ Eleanor Mannikka, All Movie Guide

Adapted from a novel by Nigel Slater, the British miniseries The Mad Death managed to induce quite a few nightmares when it originally aired in 1983. The story was set in motion when a rabid cat was smuggled into England, sparking an appalling epidemic which spread to animals and humans alike. The scenes in which pet owners died frothing at the mouth were matched in horror only by the notorious sequences wherein a pack of dogs was slaughtered to prevent further spreading of the disease. Initially broadcast in three 50-minute episodes by the BBC's Scotland service, The Mad Death was later released to video in a truncated feature-film version. ~ Hal Erickson, All Movie Guide

The inaugural season of the British satirical comedy series The Black Adder ended on July 20, 1983, with the episode titled "The Black Seal." Having exhausted all efforts to usurp the throne of England, Edmund (Rowan Atkinson) resorts to drastic measures -- which, characteristically, are really drastic. Planning to seize the throne by force, Edmund enlists the aid of the Seven Most Evil Men in the land -- among them such worthies as Three-Fingered Pete (Roger Slomon), Sir Wilfred Death (John Hallam), and Mad Gerald (played by "himself," though he bears a marked resemblance to character comedian Rik Mayall). After "The Black Seal," The Black Adder would go on a lengthy hiatus, not to be seen again until 1986. ~ Hal Erickson, All Movie Guide