Bo Diddley Movies

A guy eager to leave some bad luck behind unexpectedly walks into a series of disasters in this comedy. Dino Condito (Carmine Famiglietti) has been persona non grata in his neighborhood in Queens ever since he flubbed a crucial play that cost his softball team the league championship against Hoboken. Months later, Dino is still the butt of jokes and he's losing all confidence in himself, so his cousin, Jubilene (Joseph Summa), decides to help him out. Cashing in his savings, Jubilene surprises Dino with a vacation in Cancun, Mexico, that he's convinced will lift his spirits. Unfortunately, a luggage mix-up at an airport in Mexico makes Dino and Jubilene the target of a handful of local gangsters and corrupt soldiers. Soon, the guys are being chased from one end of the country to the other and end up in all kinds of trouble before word gets back to their "crew" in Queens that their buddies need to be rescued. ~ Mark Deming, All Movie Guide

Dan Aykroyd and John Landis teamed to script this sequel to The Blues Brothers (1980), which they also co-scripted. With Landis once again at the helm as director, Aykroyd re-creates his role of rhythm-and-blues man Elwood Blues, and the film's numerous R&B performances and production numbers include Aretha Franklin singing her classic "Respect". Released from prison after serving 18 years for the havoc depicted in the first film, Elwood learns that while he was serving time, his pal Jake Blues (John Belushi) has died, as did their hi-de-ho music mentor Curtis (Cab Calloway). Times have changed, but the blues beat goes on. Elwood visits Mother Mary Stigmata (Kathleen Freeman), who runs the orphanage where Elwood and Jake were raised, and she puts 10-year-old Buster (J. Evan Bonifant) in Elwood's care. Seeking a loan, Elwood visits Curtis' son, Cabel Chamberlain (Joe Morton), and Buster picks Cabel's pocket. Now, 18 years after the original "mission from God," Elwood attempts to reorganize the Blues Brothers Band, beginning with bartender Mighty Mack McTeer (John Goodman) as a replacement for Jake. With the Russian Mafia in hot pursuit, Elwood, Mack, and Buster head cross-country, locating band members as they travel pell-mell toward a scheduled battle of the bands in Louisiana where the Blues Brothers Band competes with the Lousiana Gator Boys Band (Eric Clapton, B.B. King, Bo Diddley, Dr. John, Travis Tritt, Steve Winwood, Clarence Clemmons, Isaac Hayes). Filmed in Toronto and Chicago, this movie reunited Aykroyd and Goodman, who were seen previously in the 1996 video, The Return of the Blues Brothers, a performance taped January 24, 1995 at the House of Blues in Los Angeles. Elsewhere, the Blues Brothers are kept alive in a half-dozen or so websites, such as the House of Blues, and live stage productions. In England, the stage show A Tribute to the Blues Brothers began in 1991. At the request of Aykroyd and Judy Belushi, the title of that production was changed to The Official Tribute to the Blues Brothers. With various cast members in the roles of Jake and Elwood (Con O'Neill, Warwick Evans, Brad Henshaw, Simon Foster), the show toured Britain throughout the 1990s. The "original Blues Brother" (who coached John Belushi and originated some of the blues raps used by Belushi) is Curtis Salgado (of the Robert Cray Band). One cast member of Blues Brothers 2000, bluesman Junior Wells, the last of the great Chicago harmonica players, died in January 1998, only days before the film was released. ~ Bhob Stewart, All Movie Guide

A celebration of 30 years of rock & roll, this concert was filmed live at the Irvine Meadows Amphitheater in 1985, and highlights rock's blues and R&B roots. Centering on guitarist Bo Diddley, whose signature beat and style influenced countless rock musicians who came after him, the concert includes other rock stars such as Ron Wood and Mick Fleetwood. Songs performed include "I'm a Man," "Bo Diddley," "Bo Put the Rock in Rock 'n' Roll," "Who Do You Love," "Gun Slinger," and "Hey Bo Diddley." Various versions run 48, 52, or 55 minutes. ~ Steve Blackburn, All Movie Guide

This sequel to the rock & roll mystery Eddie and the Cruisers explains many of the questions concerning the mysterious death of 1960s rocker Eddie Wilson, who with his Cruisers was celebrating the success of their first album when he got in a terrible car wreck, from which his body was never recovered. Also missing were the masters from the group's upcoming second album. This story begins 25-years later as Eddie Wilson is found living in Montreal under an assumed name. At this time, the masters from the second album are finally released and suddenly the whole continent is caught up in a resurgence of "Eddiemania." This inspires Wilson, who continues to use an alias, to form a new band and hit the road. Once again, his music is provided by John Cafferty and the Beaver Brown Band. ~ Sandra Brennan, All Movie Guide

This music documentary is produced and directed by the same filmmaker who brought Monterrey Pop to the screen. It features performances from a 1969 Toronto rock 'n roll festival. The film shows performers Jerry Lee Lewis, Little Richard, Eric Clapton, Bo Diddley, Alan White, Klaus Voorman and John Lennon and Yoko Ono with the Plastic Ono Band. Although many other people appeared in the 12-hour-long festival, the filmmaker chose to record the whole performances of these few, rather than give highlights of the entire festival. Festival-goers booed and walked out on a performance by Yoko Ono and her brand new Plastic Ono Band. Film reviewers at the time were similarly affected. Latterly, though, both her performance and this film have grown in interest and watchability, particularly given the rarity of such thorough documentation of these key performers' work in concert. ~ Clarke Fountain, All Movie Guide

Zalman King wrote and directed this soft-core Harlequinesque Romance that plays like Tennessee Williams meets Fredericks of Hollywood. April Delongpre (Sherilyn Fenn) is the daughter of a powerful senator and heiress to an old and respectable Southern family. April is engaged to marry the granite-handsome Chad Douglas Fairchild (Martin Hewitt) within a few days. But Chad has gone to Tuscaloosa to sign papers for their condo and the rest of the family has headed off to the lake, leaving April in the house alone with nothing to do except take long and languid showers--until she sets her eyes on the pecs of carnival roustabout Perry (Richard Tyson). Soon the two are making tasteful love in every nook and cranny of April's mansion. Unfortunately for the two sexual athletes, April's grandmother (Louise Fletcher) has assigned the local sheriff (Burl Ives) to keep an eye on her. And an eye on her he keeps, so that during the wedding ceremony, he has quite a story to tell. ~ Paul Brenner, All Movie Guide

Popular African-American comedian Jo Jo Dancer is severely burned while free-basing cocaine. Producer/director/writer Richard Pryor insists that the movie is not autobiographical. While hovering between life and death, Dancer flashes back to his childhood, when he grew up in a brothel. Producer/director/writer Richard Pryor insists that the movie is not autobiographical. Dancer decides to become a comic, but has a great many difficulties rising to stardom until he begins making scatological comments about race relations. Producer/director/writer Richard Pryor insists that the movie is not autobiographical. As he rises to fame, Jo Jo has problems controlling his drug addiction and womanizing. Producer/director/writer Richard Pryor insists.....Well, you've caught on by now. If one were able to excise the excruciatingly boring "introspection" scene, Jo Jo Dancer, Your Life is Calling would stand as an excellent testimonial to Richard Pryor's cutting-edge comic brilliance. ~ Hal Erickson, All Movie Guide

This semi-documentary offers an interesting look at the infamous biker organization and makes the slightly slanted point, that despite their reputation as hell-raisers and violent thugs-on-wheels, they do in fact live by a strict code of honor and a genuine love of the road. The film chronicles their initial formation in the early '50s and features appearances by such performers as Willie Nelson, Jerry Garcia, and Johnny Paycheck. ~ Sandra Brennan, All Movie Guide

The "nature-nurture" theory that motivated so many Three Stooges comedies is the basis of John Landis's hit comedy. The fabulously wealthy but morally bankrupt Duke brothers (Ralph Bellamy and Don Ameche) make a one-dollar bet over heredity vs. environment. Curious as to what might happen if different lifestyles were reversed, they arrange for impoverished street hustler Billy Ray Valentine (Eddie Murphy) to be placed in the lap of luxury and trained for a cushy career in commodities brokerage. Simultaneously, they set about to reduce aristocratic yuppie Louis Winthorpe III (Dan Aykroyd to poverty and disgrace, hiring a prostitute (Jamie Lee Curtis) to hasten his downfall. When Billy Ray figures out that the brothers intend to dump him back on the streets once their experiment is complete, he seeks out Winthorpe, and together the pauper-turned-prince and prince-turned-pauper plot an uproarious revenge. With the good-hearted prostitute and Winthorpe's faithful butler (Denholm Elliott) as their accomplices, they set about to hit the brothers where it really hurts: in the pocketbook. ~ Hal Erickson, All Movie Guide

A highly entertaining rock documentary, Let the Good Times Roll combines film clips from the 1950s with footage from a rock & roll revival show filmed in the early '70s. As is not always the case with such things, most of the artists are in fine shape in their latter-day performances, with the Coasters jiving their way through "Charlie Brown," Little Richard acting as outrageous as ever, Bo Diddley electrifying the crowd with a loud blast of wild, primal guitar stomp, and Chuck Berry trading licks with Bo on a killer version of "Johnny B. Goode." One of the few movies about '50s rock that well and truly rocks, Let the Good Times Roll is a movie to play loud. ~ Mark Deming, All Movie Guide