Roy Brocksmith Movies

Inspired by the characters of Robert E. Howard (whose best-known creation was Conan The Barbarian), this epic tale of swords and sorcery stars Kevin Sorbo as Kull, a barbarian warrior who kills the King of Valusia in the midst of a battle; with his last breath, the monarch hands Kull his crown and names him as his successor. Kull soon learns that possessing great power brings you great enemies, as Taligaro (Thomas Ian Griffith), leader of Valusia's Royal Guard, plots to murder Kull and take his place on the throne. Meanwhile, Kull's love for the comely slave Zareta (Karina Lombard) is tested when his head is turned by the exotic Akivasha (Tia Carrere), though Kull doesn't know at first that the leather-clad temptress is actually a 3,000-year-old demon given human form by a sorceress. Between the treachery of Taligaro and Akivasha, Kull finds his life and leadership threatened at every turn, and he must count on the help of his friends Zareta, holy man Ascalante (Litefoot), and pirate Juba (Harvey Fierstein) if he is to survive as Valusia's leader and put an end to slavery and the subjugation of women. Kull the Conqueror was, in its first drafts, planned as the third film in the Conan the Barbarian series, and it marked the first starring film role for Kevin Sorbo, who rose to fame on the TV series Hercules: The Legendary Journeys. ~ Mark Deming, All Movie Guide

In this made-for-TV sci-fi-drama, the world has entered into an age when travel between the planets has become an everyday event, and Driscoll Rampant (Neal McDonough), a medical student, finds himself taking an internship on the distant planet of Rusta. Unlike Earth, Rusta does not turn on its axis as it orbits through space, with one half of the planet in constant daylight and the other in permanent nighttime; as a result, Rusta has two very different civilizations, one a genteel land of ladies and gentlemen, the other a feudal kingdom. As Rampant travels between the two sides of Rusta, he struggles to build a bridge between both sides in a world where the essential duality of man is brought clearly to the forefront. White Dwarf also stars Paul Winfield, C.C.H. Pounder, and Ele Keats. ~ Mark Deming, All Movie Guide

Joel Coen and Ethan Coen concocted this stylish screwball comedic amalgam of Frank Capra and Howard Hawks. Tim Robbins stars as Norville Barnes, a dull-wit from Muncie, Indiana who wrangles a job with the big Hudsucker Industries. He has a singular idea for a new children's toy that he wants to present to corporate executive Sidney J. Mussberger (Paul Newman). As he makes his way up to Mussberger's office, the company president Waring Hudsucker (Charles Durning) is on his way down -- through the window of the forty-fourth floor boardroom! Hudsucker's death sets off a panic that Mussberger sees as an opportunity for taking over the company -- by installing a total incompetent in Hudsucker's place and devaluing the stock. When Barnes stumbles into Mussberger's office, Mussberger sees his pigeon and appoints Barnes as the new company president. The only problem is that the new product Barnes proposes for the company, the Hula Hoop, turns out to be a tremendous success, and Mussberger has difficulty manipulating his new corporate president. ~ Paul Brenner, All Movie Guide

This adaptation of the comic novel by T. Coraghessan Boyle is the story of real-life Corn Flakes inventor Dr. John Harvey Kellogg (Anthony Hopkins), an eccentric health nut in the early 20th century. Convinced of the benefits of holistic health practices (mostly involving irrigation of the bowels and colon), Kellogg opens a spa in Battle Creek, Michigan that immediately attracts the well-to-do of his time, including Will (Matthew Broderick) and Eleanor Lightbody (Bridget Fonda). A young couple with sexual and marital problems, the Lightbodys aren't helped much by the forced separation of sexes at Kellogg's sanitarium, and the situation is further exacerbated by Will's obliging nurse (Traci Lind) and Eleanor's encounters with a group of German sex therapists. Also at the spa are Charles Ossining (John Cusack), an ambitious con man who sees a fortune in Kellogg's cereal, and the unwashed, cretinous George Kellogg (Dana Carvey), one of the doctor's several dozen adopted children. A spoof as obsessed as its protagonist with its scatological subject matter, The Road to Wellville was an unusual effort for director-composer Alan Parker, known better for darker dramatic material and musicals. ~ Karl Williams, All Movie Guide

In this drama, the ingenious and lucrative scam of an excellent con artist comes crashing down when the IRS catches on. ~ Sandra Brennan, All Movie Guide

In Paul Verhoeven's wild sci-fi action movie Total Recall, Arnold Schwarzenegger plays a 21st-century construction worker who discovers that his entire memory of the past derives from a memory chip implanted in his brain. Schwarzenegger learns that he's actually a secret agent who had become a threat to the government, so those in power planted the chip and invented a domestic lifestyle for him. Once he has realized his true identity, he travels to Mars to piece together the rest of his identity, as well as to find the man responsible for his implanted memory. Verhoeven has created a fast, furious action film with Total Recall, filled with impressive stunts and (literally) eye-popping visuals. Though the film bears only a passing resemblance to the Philip K. Dick short story it was based on ("We Can Remember It For You Wholesale"), the movie is an entertaining, if very violent, ride. ~ Stephen Thomas Erlewine, All Movie Guide

In the film adapted from a book by Frederic Brown, a music composer (Randy Quaid) receives an invitation to score an upcoming science-fiction film. When the piece is accidentally broadcast on the radio, it encourages a rather pedestrian invasion force from Mars. The legion of green men instead cause havoc around the globe just by having fun, and it is the composer's duty to send them packing. ~ John Bush, All Movie Guide

A man who fails to make the grade as a Los Angeles cop goes on a killing spree as the dangerous "Sunset Killer," to show the dupes who wouldn't hire him. He uses all his cop smarts to try to elude all who dare try capture him. ~ All Movie Guide

Sylvester Stallone tries his luck with his first cop buddy movie in Tango and Cash, directed by Andrei Konchalovsky. Stallone is Ray Tango, a Los Angeles narcotics cop who dresses in fancy suits, wears wire-rim glasses, and talks to his stockbroker more than he talks to his mother. Kurt Russell is Gabriel Cash, another Los Angeles narcotics cop who has long, disheveled blonde hair and dresses in worn-out sweatshirts. Together, Tango and Cash are the two best narcs in LA, which causes drug baron Yves Perret (Jack Palance) no end of distress. Since Yves controls a billion-dollar drug empire, Tango and Cash have to be taken out of the picture in some way. So Yves arranges for Tango and Cash to be framed for a crime. But the duo accepts a plea bargain that will give them 18 months in a minimum-security prison. Unfortunately, Yves arranges for their destination to be diverted to a maximum-security hell-hole where Yves's minions proceed to torture Tango and Cash --although they still have time to trade quips with each other. Ultimately, they escape from their torture chamber and seek out Yves and his gang. ~ Paul Brenner, All Movie Guide

A darkly comic and surreal contemporization of Charles Dickens's A Christmas Carol, this effects-heavy Bill Murray holiday vehicle from 1988 sees the former SNL funnyman assuming the role of television executive Frank Cross, the meanest and most depraved man on earth. Cross will stoop to unheard of levels to increase his network's ratings -- even if it means mounting outrageous programs to retain an audience, such as "Robert Goulet's Cajun Christmas" and Lee Majors in "The Night the Reindeer Died," with an AK-47-toting Santa. Cross plots his foulest move, however, for the Christmas holiday, when he will force his office staff to mount a live production of A Christmas Carol on national television -- and thus work through Christmas Eve. Cross's life is turned upside down with visits from three ghosts: a craggy-faced cabbie known as The Ghost of Christmas Past (David Johansen); the sugar-plum fairy Ghost of Christmas Present (Carol Kane) (who gets her jollies by bonking Frank across the face with a toaster oven); and, eventually, the caped, headless Ghost of Christmas Future, who will send Frank sliding into a crematory oven -- just before he gives the sleazoid one last chance to redeem himself. Along the way, the spirits carry Frank to scenes from his past, present, and future (per Scrooge) and impart a glimpse of how he became so thoroughly rotten. The radiant Karen Allen co-stars as Frank's girlfriend, Claire Phillips, and the film packs in cameos from countless celebrities -- among them, Mary Lou Retton, John Houseman, Jamie Farr, and, in a truly grisly and tasteless bit, John Forsythe. Richard Donner directs, from a script credited to the late Michael O'Donoghue and Mitch Glazer. ~ Nathan Southern, All Movie Guide

When an institutionalized patient who is forcibly released commits murder, the treating psychiatrist's career is in jeopardy. ~ All Movie Guide