Gary Brockette Movies

The romantic comedy Shut Up and Kiss Me concerns two best friends, one a stockbroker and the other a slacker surfer, who each fall in love with the perfect girl the same day. The situation gets complicated when the uncle of one of the girls turns out to be a mob boss who is troubled by the thought of his niece dating the surfer. ~ Perry Seibert, All Movie Guide

This sci-fi tearjerker has the distinction of being one of the most obviously commercial films ever made with constant plugs for MacDonalds, Coca-Cola companies, candy and other products. These not so subtle endorsements are woven into the story of a wheel-chair bound boy and the stranded alien MAC (not as in "Big" but rather Mysterious Alien Creature) who become friends and help each other with their family problems. ~ Sandra Brennan, All Movie Guide

This science fiction thriller was inspired by a mythical real-life event, the WWII era disappearance of an entire naval vessel during a radar-cloaking test. In 1943, David Herdeg Michael Pare and Jim Parker Bobby DiCicco are sailors stationed aboard a Virginia battleship. Their vessel is undergoing an experiment conducted by brilliant scientist Dr. Longstreeet (Eric Christmas), who is attempting to render Allied craft invisible to radar. The ship becomes briefly invisible, but the test is a disaster and most of the crew are horribly killed. However, two crewmen are missing. In 1984, Herdeg and Parker emerge in the Nevada desert, having somehow traveled through time. Longstreet, still trying to perfect the device after 40 years, is running another experiment that pulls the missing sailors into the present. Realizing what's occurred, Herdeg and Parker flee, fearing for their lives. Fugitives, they befriend a skeptical modern woman, Alison Hayes (Nancy Allen). An effect of time pulls Parker back into 1943, leading to a bizarre reunion between Herdeg, still trapped in the future, and Parker, now a senior citizen. The film was followed by a sequel nine years later. ~ Karl Williams, All Movie Guide

Produced by Hollywood iconoclast BBS Productions, film critic-turned-director Peter Bogdanovich's 1971 film pays homage to Hollywood's classical age as it chronicles generational rites of passage in Anarene, a fictional one-horse Texas town. In 1951, high school seniors Sonny (Timothy Bottoms) and Duane (Jeff Bridges) play football, go to the movies at the Royal Theater, hang out at the pool hall owned by local elder statesman Sam the Lion (Ben Johnson), and lust after rich tease Jacy Farrow (Cybill Shepherd in her film debut). As the year passes, Sonny learns about the pitfalls and compromises of adulthood through an affair with his coach's wife Ruth (Cloris Leachman) and a thwarted elopement with Jacy after she dumps Duane. Following two tragic deaths, and with Duane gone to Korea and Jacy packed off to college in Dallas, Sonny is left behind in Anarene, wise enough to absorb the life lessons of Sam the Lion and Jacy's mother Lois (Ellen Burstyn). He is determined to honor Sam's legacy as the town's conscience, despite a telling sign of incipient communal disintegration: the closing of the Royal Theater after a final showing of Howard Hawks's Red River. Paying tribute to classical Hollywood directors like Hawks and John Ford, Bogdanovich used old-time cinematographer Robert Surtees and shot The Last Picture Show in crisp black-and-white, with a restrained style devoid of the kind of "new wave" techniques (jump cuts, zooms, and jittery hand-held camerawork) used by such contemporaries as Arthur Penn, Robert Altman, Mike Nichols, and Martin Scorsese. As in such Ford films as The Grapes of Wrath (1940), Bogdanovich relies on careful visual composition in deep focus to help communicate the regret over the passing of an era. Hailed as one of the best films by a young director since Citizen Kane (1941), The Last Picture Show premiered at the New York Film Festival and went on to become a hit. It was also nominated for eight Oscars, including Best Picture, Best Director and Best Screenplay for Larry McMurtry's and Bogdanovich's adaptation of McMurtry's novel. John Ford stalwart Johnson won Supporting Actor and Leachman won Supporting Actress, beating out their cohorts Bridges and Burstyn. For an audience steeped in movie history and caught up in the chaotic 1971 present, The Last Picture Show presented a nostalgic look backward that was not so much an escape from the present as a coming to terms with what the present had lost. Its 1990 sequel Texasville, in which Bridges and Shepherd played later incarnations of their original characters, was not as successful. ~ Lucia Bozzola, All Movie Guide