Marcus de Leon Movies

Made for cable, Walkout is the true story of a little-known but profoundly significant moment in the history of the Latino community in East Los Angeles. In 1968, Lincoln High School honor student Paula Crisostomo (Alexa Vega), outraged at the shabby treatment afforded Chicano students in the L.A. school system -- including habitually lowered expectations, poor facilities, a total absence of bilingual courses or textbooks, unfairly administered penalties for slight infractions, demeaning corporal punishment, and out-of-hand refusal to write letters of recommendation to choice colleges -- challenges the authority of her elders for the first time in her life by organizing a mass student walkout at five barrio high schools. Mentored by dedicated young teacher Sal Castro (Michael Pena), Paula and her fellow student activists intend to make their protest a peaceful one, but the L.A. cops typically use brute force to quell the "radicals." Even when it seems that the school board will capitulate to the Chicano students' demands, the kids are betrayed (there's an undercover police officer in their midst) and the leaders of the walkout are threatened with lengthy prison sentences on trumped-up "conspiracy" charges. It will not spoil the ending of the film to reveal that the students are ultimately successful; as directed by actor Edward James Olmos (who also plays one of the school board members), the dramatic thrust of the story is the lasting effect that the protest has on its participants -- especially the idealistic Paula Crisostomo. Executive producer Moctesuma Esparza, who'd been one of the original walkout organizers back in 1968, spent a full two decades getting this story on film; Esparza is played by Bodie Olmos, son of the director, while Esparza's daughter Tonantzin Esparza is seen as Vickie Castro. Also, Paula Crisostomo's daughter Marisol Crisostomo-Romo is seen as Mita -- and in addition, several of the former student activists are interviewed during the closing credits, or appear as extras in the crowd scenes. Produced for HBO, Walkout originally aired on March 18, 2006. ~ Hal Erickson, Rovi

Neighborhood pride runs deep in Echo Park, so when two lifelong friends join the local gang as a matter of course, they're handed down gang names from the previous generation of homegirls. Unfortunately, Sad Girl (Angel Aviles) and Mousie (Seidy Lopez) don't remain friends for long. When Mousie withdraws into herself to cope with the responsibilities of young motherhood after bearing the child of her one true love, Ernesto (Jacob Vargas), Sad Girl and Ernesto turn to each other for comfort. Soon, Sad Girl herself ends up pregnant, and warm sisterhood cools to an icy feud. Ernesto starts dealing drugs to support his two young families -- and to outfit the gussied-up low rider that he hides from both of his unsuspecting girlfriends. The economic and romantic entanglements of these three characters serve as the entry point into this multifaceted exploration of L.A. street life, but Mi Vida Loca rapidly expands in scope to take in other characters, most of them female. Bleach-blond Whisper (Nelida Lopez), for instance, learns the drug-dealing ropes from Ernesto and considers crossing gender lines to open her own operation. The slightly older Giggles (Marlo Marron), however, refuses to fall into old dependencies and habits after being imprisoned for four years for a crime her boyfriend committed. Sad Girl's sister, La Blue Eyes (Magali Alvarado), the only character to choose college over gang life, chances upon a poem written by a prison inmate and becomes hopelessly smitten, abandoning her books for a passionate jailhouse correspondence. The focus of Mi Vida Loca shifts freely between these and several other characters, many of whom take turns providing narration and context. The director's daughter, Tiffany Anders, has a small role in the film alongside many real-life Echo Park denizens; several musicians and film directors also make cameos, among them Spike Jonze, Kurt Voss, Kid Frost, and the members of Los Lobos. Salma Hayek got her SAG card by playing a tiny role. ~ Brian J. Dillard, Rovi

In this semi-improvised look at life along the edges of L.A.'s rock scene, Chris D. (real name Chris Desjardins, leader of the L.A. punk band The Flesh Eaters) plays Jeff, a singer/songwriter who has suddenly gone missing. Two of his friends, bandmate Dean (John Doe, from the group X) and faithful roadie Chris (Chris Shearer), seem anxious to get in touch with him, and with good reason: Jeff and his band were stiffed by a club owner on payment for a recent gig, so they broke into the club's safe and took off with the loot. Now Jeff and the money have vanished, and Dean and Chris are torn between their concern for their friend's safety and their need to get their hands on the cash. Meanwhile, Jeff wanders aimlessly in Mexico, seemingly content after cutting himself off from the turmoil of his life in Los Angeles. Border Radio features members of several important California punk and roots bands in significant roles, including Dave Alvin of The Blasters and Texacala Jones of Tex and the Horseheads; Green on Red are shown playing a club date and The Lazy Cowgirls are featured on the soundtrack. Co-directors Allison Anders, Dean Lent, and Kurt Voss were UCLA film students who met while working on the crew of Wim Wenders's Paris, Texas; Anders went on to make several notable features, including Gas Food Lodging and Grace of My Heart. ~ Mark Deming, Rovi