Frank Davis Movies

Vin Diesel opted to not appear in the sequel to the film the shot him to stardom in the first place, The Fast and the Furious. With the character of Dominic Toretto out of the picture, 2 Fast 2 Furious concentrates exclusively on the latest exploits of undercover agent Brian O'Connor, played by Paul Walker. In addition, with director Rob Cohen passing, producers have added a dash of credibility to the sequel by hiring John Singleton to helm. What does completely remain from the first film is the presence of fast-living underground street-racing gangs. Moving from Los Angeles to Miami, O'Connor is looking to redeem himself after the events of the first movie, so he again goes undercover to infiltrate another group of thuggish car enthusiasts. This time around he's enlisted the help of ex-con Roman Pierce (Tyrese) and fellow agent Monica Celemente (Eva Mendes) to bring down Carter Verone (Cole Hauser), an importer/exporter who heads up a massive drug trafficking operation. Heading up the supporting cast are hip-hop stars Ludacris and Fabolous. ~ Matthew Tobey, All Movie Guide

In this sequel to the urban comedy Friday, rap music star Ice Cube returns as Craig Jones, a streetwise man from South Central Los Angeles who has a knack for getting into trouble. This time out, Craig is still trying to outsmart neighborhood bully Debo (Tommy "Tiny" Lister Jr.); after Craig gets the better of Debo in a fist fight, Debo is determined to flatten Craig in a rematch. Looking to stay out of Debo's way, Craig decides that it would be a good time to visit his cousin (Mike Epps) and uncle (Don "DC" Curry), who have recently won the lottery and moved into a spacious new home in the suburbs. Like Friday, Next Friday was written by Ice Cube and his frequent musical collaborator DJ Pooh; music video director Steve Carr made his feature debut with this film. ~ Mark Deming, All Movie Guide

Originally planned as a silly vehicle for Chris Farley, in the hands of director Ben Stiller and star Jim Carrey, The Cable Guy became an opportunity for Carrey to flex some of his darker comedic muscles as stalker Chip Douglas. Matthew Broderick plays Steven, an average Joe who is forlorn over his recent breakup with girlfriend Robin (Leslie Mann). When he moves into a new apartment, Steven comes in contact with Chip, who shows up to hook up the cable. Before he knows it, and whether he likes it or not, Steven has a new best-friend in the obnoxious and clingy Chip. However, Steven soon learns that obnoxious is a walk in the park compared to Chip's behavior when Steven tells him he doesn't want to be his pal anymore. What's worse, no one -- including Robin or his family -- believes Steven when he accuses the seemingly harmless Chip of being a malevolent menace. George Segal and Jack Black also star along with Stiller, who plays twins loosely-based on the Menendez brothers. ~ Matthew Tobey, All Movie Guide

Alan Rudolph wrote and directed this typically off-beat drama. A brief romantic liaison between a wealthy European and an American ballet dancer results in a pair of identical twins, who are separated and raised by others shortly after birth. Henry (Matthew Modine) was adopted by Pete (M. Emmet Walsh), an auto mechanic, and Henry grows up to follow in his Pete's footsteps. Emotionally fragile, Henry is in a relationship with Beverly (Lara Flynn Boyle), a rich but painfully shy woman who is terrified by sex. Henry, however, finds his own sexual appetite increasing, and he becomes involved with Rosie (Marisa Tomei), a prostitute living in his neighborhood. Meanwhile, Henry's brother, Freddy (also played by Matthew Modine), lives in the same city, though they've never met. Freddy is a gangster and hired killer working for crime kingpin Mr. Paris (Fred Ward). While Freddy is cool and confident on the surface, deep down he hates his job and tells his wife, Sharon (Lori Singer), that he wishes he had enough money to quit and move away. As fate would have it, Freddy and Henry's mother, who sank into a severe depression after losing her children and her lover, has died, leaving a substantial fortune to her two sons, who must now meet in order to collect their inheritance. Equinox premiered at the 1992 Seattle Film Festival, though it would not open theatrically until a year later. ~ Mark Deming, All Movie Guide

The central "gimmick" of the comedy-adventure Twins is established early on. Unbeknownst to one another, king-sized Arnold Schwarzenegger and gnomeish Danny De Vito are twin brothers. Even better: Schwarzenegger is a mild-mannered, bookish type, while De Vito is a vitriolic troublemaker. The film takes satiric jabs at the notion of "perfect" genetics, and makes several pointed comments concerning the dangers of youthful pre-conditioning by insensitive parents. ~ Hal Erickson, All Movie Guide

John DeBello, the man who brought you The Attack of the Killer Tomatoes back in 1978, was responsible for the 1987 fantasy farce Happy Hour. The premise: a Coors-like beer manufacturer stumbles onto a secret ingredient that compels the guzzlers of America to consume its product exclusively. The complication: the magic formula has been stolen by a rival brewery. The original beermeisters send Rich Little out to steal back the formula, while the rival company dispatches Jamie Farr to prevent Little from completing his mission. Upon meeting one another, Rich and Jamie discover that they're old college chums and former student activists. Together, Little and Farr attempt to foil the mercenary machinations of both beer companies. Is Happy Hour as funny as John DeBello imagined it to be? Let us merely observe that the film's high point is a shot of a group of six-year-olds chugging beer, and that the closing image is of a pretty blonde who chastises the audience for not being smart enough to follow the plot. ~ Hal Erickson, All Movie Guide

John Frankenheimer directs Burt Lancaster in the tense spy thriller The Train. Lancaster plays Labiche, a French railway inspector. Allied forces are threatening to liberate Paris, so Col. Franz von Waldheim (Paul Scofield) is ordered to move the priceless works of art from the Jeu de Paume Museum to the fatherland. The head of the museum (Suzanne Flon) attempts to convince Labiche that he should sabotage the train on which they are transporting the art. Labiche is more focused on destroying a trainload of German weapons. After his friend is killed trying to stop the train with the art, and after a consciousness-raising conversation with a hotel owner (Jeanne Moreau), Labiche resolves to save the antiquities. Lancaster and Frankenheimer had worked together previously on both Birdman of Alcatraz and Seven Days in May. ~ Perry Seibert, All Movie Guide

A meteor crashes somewhere in the West, killing a miner named Cannon (Jim McCullough). The miner's son Charles (Stephen Parker) survives the ordeal, but grows into a hairy, bestial moron, given to killing sheep, cattle and stray humans. Charles is protected by his long-suffering mother Ruth (Anne Gwynne), who does her best to clean up her son's messes. When mercenary waitress Kathy (Gloria Castillo) learns of Charles' existence, she blackmails Ruth to secure her silence. Kathy also goads Charles into killing a few of her own enemies, leading him on by pretending to be in love with him (a BIG mistake!) Originally (and subsequently) titled Meteor Monster, this tacky little sci-fier was originally released on a double bill with The Brain From Planet Arous. ~ Hal Erickson, All Movie Guide

Reminiscent of Destry Rides Again, this feature is about peaceable young lawyer Tom Brewster (Will Rogers Jr.), who sets up shop in a rowdy western town. Though perfectly able to wield a six-gun, Brewster refuses to use brawn when brain will do. He is galvanized into action when his old pal Wallace Ford is murdered by the villains. Brewster cleans up the town and wins the heroine (Nancy Olsen) in the bargain. One of two Will Rogers Jr. vehicles produced at Warner Bros. (the other was the life story of Rogers' famous father), The Boy From Oklahoma served as the basis for Warners' later TV series, Sugarfoot. Watch for a supporting appearance by a young and callow Merv Griffin! ~ Hal Erickson, All Movie Guide

Springfield Rifle was Gary Cooper's third western in a row, released not long after the classic High Noon. Cooper plays Union army officer Lex Kearney, who undertakes a covert investigation to find out why the North's supply of horses has suddenly diminished. Because of the top-secret nature of his mission, Kearney is forced to distance himself from everyone he knows, including his wife Erin (Phyllis Thaxter) and son Jamie (Michael Chapin). Heading to a remote cavalry post, he discovers that renegade soldiers have been stealing horses and selling them to the South. Someone at the post has been operating as the thieves' "inside man," and Lex, posing as a dishonorably discharged soldier, aims to ferret out the traitor. Had it not followed directly on the heels of the critical and financial success of High Noon, Springfield Rifle might have fared better with audiences and reviewers. ~ Hal Erickson, All Movie Guide

Burt Lancaster stars as Jim Thorpe, the Native American sports whiz whom many consider the greatest athlete of the 20th century. We first see Thorpe as a child on the reservation, highly resistant to the notion of going to school. He proves to be an excellent student, eventually attending the all-Indian college in Carlisle, Pennsylvania. Still, Thorpe doesn't feel like mixing much with the other students until coach Charles Bickford encourages the lad to go out for the track team. Thorpe finds that he can be more "articulate" as an athlete than as a scholar, and soon excels at all school sports. He also marries his college sweetheart, non-Indian Phyllis Thaxter. After graduation, Thorpe tries to get a coaching job, but is frozen out by the white establishment. Determined to make a name for himself, he enters the 1912 Olympics at Stockholm, where he earns more gold medals than anyone else and is praised as the world's greatest athlete by the King of Sweden. Unfortunately, the fact that Thorpe briefly played semi-professional baseball while attending Carlisle costs him his amateur status--and every one of his medals. Things go from bad to worse for Thorpe after this; his son dies, his marriage disintegrates, and he crawls into a bottle. Thorpe has hit rock bottom when he is reunited with his old coach Bickford, who offers Jim a ticket to the 1932 Olympics in Los Angeles. It is the first small step on the road to regeneration for Jim Thorpe (alas, real life was not so kind; Thorpe died in near-poverty, and it was not until years after his death that his Olympic medals were restored). Jim Thorpe, All American was directed by Michael Curtiz, who previously had secured small acting roles for the real Thorpe in such films as Knute Rockne: All American (1940). ~ Hal Erickson, All Movie Guide

"Boys Town" goes to turn-of-the-century St. Louis in this moving drama that chronicles the love of a determined priest struggling to turn around the lives of a street-wise gang of newsboys living at his homeless shelter. The good father has little money and must use his wits and ability to convince others to help out to supply the little shelter. Much of the story centers on his relationship with a troubled lad who accidentally kills someone. ~ Sandra Brennan, All Movie Guide

One-time movie song-and-dance man James Dunn won an Academy Award for his "comeback" performance in A Tree Grows in Brooklyn. Based on the best-selling novel by Betty Smith, the film relates the trials and tribulations of a turn-of-the-century Brooklyn tenement family. The father, Dunn, is a likable but irresponsible alcoholic whose dreams of improving his family's lot are invariably doomed to disappointment. The mother, Dorothy McGuire, is the true head of the household, steadfastly holding the family together no matter what crisis arises. The story is told from the point of view of daughter Peggy Ann Garner, a clear-eyed realist who nonetheless would like to believe in her pie-in-the-sky father, whom she dearly loves. Joan Blondell co-stars as the family's brash, freewheeling aunt, whose means of financial support is a never-ending source of neighborhood gossip. This first film directorial effort of Elia Kazan earned a special Oscar for "Most Promising Juvenile Performer" Peggy Ann Garner. A Tree Grows From Brooklyn was remade for TV in 1974, and also served as the basis of a Broadway musical. ~ Hal Erickson, All Movie Guide