Harold Daniels Movies

A transient finds the corpse of a murdered policeman and decides to steal his clothing and his identity to find the killers and bring them to justice. What makes this routine crime drama out of the ordinary is that it was shot in "Psychorama" a process in which subliminal messages were inserted to heighten the suspense. Used once before in director Harold Daniels' Terror in the Haunted House, it wasn't all that effective. ~ Sandra Brennan, Rovi

Danger on Wheels is one of the 14 Richard Arlen-Andy Devine adventure films ground out by Universal Pictures between 1939 and 1941. Arlen is cast as daredevil test-car driver Larry Taylor, while Devine brings up the rear as Larry's mechanic. A rivalry develops between Larry and hotshot motorist Bruce Cowley (Jack Arnold), culminating in Bruce losing his job before an important race. Larry takes Bruce's place in the contest, whereupon he accidentally kills the brother of his sweetheart Pat (Peggy Moran). Our hero redeems himself in everyone's eyes by proving the efficiency of a new oil-burning motor invented by Pat's father (Herbert Cothrell). Danger on Wheels is allegedly based on the exploits of real-life stunt driver Lucky Teeter, who is represented throughout via stock footage. ~ Hal Erickson, Rovi

Errol Flynn are the on-screen spark plugs in this bracing propaganda yarn, which relies on the personalities of its casts as well as the lively direction of Raoul Walsh to overcome the improbabilities of its plot. In 1942, a lone RAF bomber flying deep into Germany (just inside the old Polish border) is shot down after completing its mission. The skipper is killed, and left in command is Flight Lieutenant Terry Forbes (Errol Flynn), an Australian who plans on leaving damage behind on the ground so the Germans remember him, even if he doesn't make it back to England. The rest of the crew consists of brash American bombardier Johnny Hammond (Ronald Reagan), bookish Canadian navigator Jed Forrest (Arthur Kennedy), wide-eyed Flight Sergeant Lloyd Hollis (Ronald Sinclair), the son of a World War I hero, and First World War veteran Kirk Edwards (Alan Hale, Sr.). They're captured in short order, and brought before Luftwaffe Major Otto Baumeister (Raymond Massey) for interrogation -- they not only manage to escape, but gather some information vital to the Allied war effort. Now they only have to figure out how to cross most of Germany and Holland, avoiding capture along the way by a mix of sheer daring, blind luck, and assistance from two anti-Nazi Germans (Nancy Coleman, Albert Bassermann) -- and just when it seems that all of the odds have turned against them, they find themselves faced with a German plot to wipe out a major part of London, and one last opportunity to get home. ~ Bruce Eder, Rovi

In this Argentine western, a South American gaucho saves a beautiful girl from a shady bandido who masquerades as the Spanish don to whom she is betrothed. Songs include: "Little White Rose," "Song of the Open Road," "Bandit Song," and "Panchita." ~ Sandra Brennan, Rovi

A weird little low-budget item featuring Lon Chaney, Jr. and John Carradine as the DeSarde brothers, a pair of sorcerers with opposing powers. The evil brother (Chaney) sports devil's horns and torments the captive guests at the DeSarde mansion, while the invalid benevolent brother (Carradine) languishes in his sickbed. This lackluster production is hampered by a weak story overstuffed with metaphysical mumbo-jumbo and spiced up with belly-dancers and cut-price werewolves, and it keeps its dueling warlocks (who look decidedly bored with the entire ordeal) from sharing any scenes together. Apparently three separate directors contributed footage to this project; the resulting lack of cohesion is obvious. ~ Cavett Binion, Rovi

Produced by silent-film comedian Harold Lloyd, My Favorite Spy is a vehicle for bespectacled bandleader Kay Kyser, who resembles Lloyd more than somewhat. Just before embarking on his honeymoon with new bride Terry (Ellen Drew), Kyser is drafted into the Army. Proving to be a monumentally inefficient soldier, our hero is nonetheless pressed into service by US intelligence officer Major Allen (Moroni Olsen). It seems that Nazi agents have been passing secrets in the nightclub where Kyser's band performs, and Allen wants Kay to act as a counter-espionage agent. To maintain his cover, Kay is discharged from the army in disgrace, and is ordered to noisily make himself a "security risk", so that Nazi chieftan Robinson (Robert Armstrong) will invite Kay to join his spy operation. Trouble is, Kyser must keep his espionage activities secret from everyone-even his wife Terry, who is growing ever more impatient over Kay's unexplained absences from her boudoir. Making matters worse, Kyser is teamed with glamorous blonde secret agent Connie (Jane Wyman), whom Terry understandably suspects of being Kay's clandestine sweetheart. A multitude of slapstick situations follow, culminating in a wild chase through an abandoned theater, with Kay Kyser making like Harold Lloyd to rescue his wife from the Nazis. As directed by Tay Garnett, Kyser's ongoing marital woes seem more pathetic than funny; in addition, his Secret Service cohorts come off as the most sadistic bunch of "good guys" in screen history, bursting with laughter every time Kay's wife throws him out of their apartment. Even so, My Favorite Spy has a few genuine laughs, especially in the final reels. ~ Hal Erickson, Rovi

The "psycho"-logical melodrama My World Dies Screaming was appropriately released on a double bill with Lost, Lonely and Vicious, which also featured a profoundly disturbed protagonist. In My World, Gerald Mohr plays Philip Tierney, who hopes to expunge the inner demons plaguing his wife Sheila (Cathy O'Donnell). He persuades her to return to the crumbling old mansion where, as a child, she witnessed a brutal axe murder. Incredibly, the killers do not return to finish the job; instead, the audience is treated to all manner of pseudo-Freudian symbolism as Sheila subconsciously battles her way towards normalcy. My World Dies Screaming isn't bad: it's just that the films substitutes style for substance. ~ Hal Erickson, All Movie Guide

The calculatedly sleazy Bayou stars Lita Milan as Marie, the daughter of slovenly Cajun fisherman Herbert (Douglas Fowley). Marie falls in love with Northern architect Martin (Peter Graves), which rests not at all well with her ardent--and psychotic--local suitor Ulysses (Tim Carey at his most loathsome). Martin is afraid to fight the brutish Ulysses, but for Marie's sake he summons up the courage for a violent climactic set-to. Sharp-eyed viewers will notice that, in addition to his role as the heroine's father, Douglas Fowley doubles in a bit as the hero's contractor friend. A model of decorum by today's standards, Bayou nevertheless enjoyed a healthy second life on the exploitaiton circuit under the title Poor White Trash. ~ Hal Erickson, Rovi

Bud Abbott & Lou Costello invade the wild west in Ride 'Em Cowboy. The boys play Duke and Willoughby, a couple of rodeo peanut vendors who get mixed up in the travails of western novelist Bob Mitchell (Dick Foran). Ostensibly a true Son of the Frontier, Bob has actually never been west of Brooklyn in his life. To prove that he's got the "right stuff," Bob heads to a dude ranch, where he tries to curry favor with pretty ranchowner's daughter Anne Shaw (Anne Gwynne). Meanwhile, tenderfeet Duke and Willoughby run afoul of a local Indian tribe, whose chief Jake Rainwater (Douglass Dumbrille) demands that Willoughby marry Jake's porcine daughter (Babe London). The obligatory climactic slapstick chase finds Foran teaming up with authentic westerner Alabam (Johnny Mack Brown) to foil a gang of modern-day crooks, while Duke and Willoughby do their best to elude Jake and his war-whooping braves. Not quite as consistently funny as previous Abbot & Costello efforts, Ride 'Em Cowboy suffers from a bit too much directorial interference-especially during the classic "Crazy House" routine, which is weakened by director Arthur Lubin's attempts to make it more "cinematic." Even so, the film is an enjoyable melange of comedy and music, the latter commodity provided by Dick Foran, the Merry Macs, the Hi-Hatters, the Jivin' Jacks and Jills, and even Ella Fitzgerald! Best musical number: "I'll Remember April", brilliantly sung by Foran and gorgeously photographed by John W. Boyle. ~ Hal Erickson, Rovi

In this crime drama set on the seedy waterfront of San Francisco, a longshoreman studies in his spare time to become an aircraft mechanic. He is also in love with a barmaid who works at her father's saloon. One day at the bar, the longshoreman gets into a fight with a man who is later found dead. Naturally, the longshoreman becomes the prime suspect and is arrested. There are two men who can prove him innocent, but they are in league with the real killer, a fugitive from Alcatraz. Meanwhile, a priest, a drunk, and the girl's father try to prove that the longshoreman is innocent by finding the fugitive's wife. The barmaid and the trampy wife then get in a big fight. In the end, the priest and the fugitive wrestle it out and the thief gets his just desserts. ~ Sandra Brennan, Rovi

Released by RKO, Sword of Venus was independently produced by "B"-flick mavens Aubrey Wisberg, Jack Pollexfen and Albert Zugsmith. Set in the early 19th century, the film stars Robert Clarke as Dantes, the son of the legendary Count of Monte Cristo (the film, in fact, was released in Britain as Island of Monte Cristo). Like his father before him, Dantes is cheated out of his vast estate by villainous conspirators. This time, however, Dantes is able to turn the tables on the bad guys before too much damage can be inflicted. The heroine of Sword of Venus is played by Catherine McLeod, whom baby-boomers of the 1960s will recall as the woman in the Anacin commercials who uttered the immortal phrase, "Mother, PLEASE! I'D RATHER DO IT MYSELF!" ~ Hal Erickson, Rovi

This film was made to promote the annual Easter passion play of the Lawton Congregational Church in Lawton, Oklahoma. The first half of the film presents the history of the pageant, which began in 1926. The rest of the film presents the actual pageant which takes place in the Wichita Mountains during Holy Week. ~ Sandra Brennan, Rovi