Roger Corman Movies

Lingering tensions clash with new hopes in director Jonathan Demme's ensemble drama set during an idyllic wedding that threatens to descend into chaos with the appearance of the bride's estranged sister -- a volatile and unpredictable girl whose turbulent history of personal crisis and family conflict quickly threatens to take precedence over the happy ceremony. Rachel Buchman (Rosemarie DeWitt) is about to be married to the love of her life, but while the weather outside may be perfect, there's a storm blowing in. That storm goes by the name Kym (Anne Hathaway). Kym is the family black sheep, and wherever she goes disaster is sure to follow. Now, as friends and family gather together for a memorable day of dining, dancing, and celebration, everyone braces themselves knowing that, at any given moment, old skeletons may be dragged out and dusted off for display by the bombshell who seems to have an acerbic one-liner for every situation, and a flare for drama that could set their family home ablaze. Bill Irwin and Debra Winger co-star. ~ Jason Buchanan, All Movie Guide

Two actors who owe their entire careers to the western genre seek revenge against a legendary screenwriter who once mistreated them on the set of an early film in this eclectic send-up of The Searchers from Repo Man director Alex Cox. Mel and Fred have been acting in westerns since as far back as either man can remember, but the one thing they recall above all is the terrible mistreatment they suffered as children while working on the film "Buffalo Bill vs. Doc Holliday." In those days, celebrated screenwriter Fritz Frobisher seemed more like a real-life monster than a master storyteller, and seemed steadfast in his determination to make the two child actors suffer as much as humanly possible. While chances are good that Frobisher has long forgotten his fateful transgression, Mel and Fred have been harboring their bitter grudge for years now. One day, the vengeful duo discover that Frobisher is set to make a personal appearance at a special movie screening in Monument Valley - the very sight where John Ford's famous westerns were filmed - and eagerly begin packing their bags for the ultimate revenge road trip. Despite the fact that Mel and Fred have been waiting for this day since the last time they set eyes on the sadistic scribe, things suddenly take an unexpected turn that leave the fate of all involved hanging on their knowledge of Euro-Western maestro Sergio Leone. ~ Jason Buchanan, All Movie Guide

The battle continues as the fearless Marines who single-handedly took on Al-Qaeda return to thwart a deadly terrorist plan to steal an anti-hijack device and crash an airplane into a top-secret U.S. Military Intelligence base in a non-stop, adrenaline-charged action thriller starring Mark Dacascos, Theresa Randle, and Jeff Fahey. The Ground Control Encoder was designed to lock out the pilot's instruments and allow Air Traffic Control to fly the aircraft to safety in the event of a terrorist hijacking. When terrorists hatch a plan to steal the Ground Control Encoder and use it to crash a plane into a U.S. Military Intelligence base located deep in Southeast Asia, the Strike Force team must stealthily venture into hostile territory to seek out and recover the stolen device before terrorists use it to expose the U.S. military and potentially take out hundreds of innocent lives in the process. ~ Jason Buchanan, All Movie Guide

"It feeds on fear!" read the advertising tagline for this Roger Corman-produced shocker. What could be scarier than a rogue crocodile, except maybe a rogue dinosaur? How about a combination thereof -- a DinoCroc? Hoping to create a cheap alternative to expensive prescription medicines, the greedy Gereco Corporation genetically manipulates a small supply of DNA from a prehistoric creature called the Sarcosuchus. Suddenly revived and very hungry, this ancient "DinoCroc" kills indiscriminately (in some very gory scenes that border on the grotesquely hilarious), but has a special fondness for human flesh. Professional herpetologist and crocodile hunter Dick Sydney (Costas Mandylor) is brought in from Australia to stop the rampaging beast, with the grudging assistance of female scientist Paula Kennedy (Joanna Pacula) and the more willing cooperation of Sheriff Harper (Charles Napier) and his ever-imperiled daughter, Diane (Jane Longnecker). Along the way, the viewer is treated to gratuitous dollops of sex and bad language, which along with the excessive violence earned the film an R rating in its original form. The climax is right out of the movie Them, with a bit of urban legend-spinning thrown in. Filmed under the title PrimeEvil, DinoCroc was given a very, very limited theatrical release before it aired over the Sci-Fi Channel on April 24, 2004. ~ Hal Erickson, All Movie Guide

Based upon Peter Biskind's book of the same name, this BBC-produced documentary traces the rise of a generation of Hollywood filmmakers who briefly changed the face of movies with a more personal approach that pushed the boundaries of what was acceptable onscreen. Influenced by such European directors as Jean-Luc Godard, François Truffaut, and Federico Fellini, the movement kicked off in the mid-'60s with two films directed by Arthur Penn: Mickey One and Bonnie and Clyde. (The latter had been offered to both Godard and Truffaut before it wound up with producer/star Warren Beatty and Penn.) What really kicked it into gear was the unexpected success of Easy Rider, a biker-road movie that became that rare film phenomenon: acclaimed at the Cannes Film Festival and a huge commercial success. Film school graduates, the first generation brought up with movies as their main cultural reference, flooded the studios (whose own regimes were changing) with production chieftains such as Robert Evans of Paramount and David Picker at United Artists; they approved risky-looking projects and allowed relatively untested filmmakers like Francis Ford Coppola to take on heavyweight movies such as The Godfather or Hollywood newcomers like Britain's John Schlesinger to make quirky stories like Midnight Cowboy. Enriched by success with their TV show The Monkees, producer Bert Schneider and director Bob Rafelson formed a company that produced not only Easy Rider but seminal '70s films such as Five Easy Pieces and the Oscar-winning Vietnam War documentary Hearts and Minds. Another godfather to the new movement was producer Roger Corman, who gave early career opportunities to Coppola, Martin Scorsese, Peter Bogdanovich, and Jonathan Demme on low-budget projects that allowed them to learn their craft.

Two things brought this movement to an end: Some individual filmmakers' personal excesses (such disastrous flops as Dennis Hopper's follow-up to Easy Rider, appropriately titled The Last Movie, and Scorsese's New York, New York), and the studios growing fascination with special effects-driven B-movies. An outgrowth of two box-office and marketing juggernauts -- Jaws and Star Wars -- the resulting films became entertainments rather than personal statements of the directors. Narrated by William H. Macy, Easy Riders, Raging Bulls features vintage clips of Coppola, Scorsese, Beatty, George Lucas, Sam Peckinpah, Roman Polanski, Robert Altman, and Pauline Kael. It also includes original interview material with Penn; Corman; Bogdanovich; Hopper; Picker; writer/directors John Milius and Paul Schrader; actresses Karen Black, Cybill Shepherd, Margot Kidder, and Jennifer Salt (the latter two shared a house in Malibu, a social center for young filmmakers); actors Peter Fonda, Kris Kristofferson, and Richard Dreyfuss; producers Jerome Hellman, Michael Phillips, and Jonathan Taplin; editor Dede Allen; production designer Polly Platt; writers David Newman, Joan Tewksbury, Gloria Katz, and Willard Huyck; cinematographers Laszlo Kovacs and Vilmos Zsigmond; agent Mike Medavoy; and former production executive Peter Bart. Among the films discussed are Rosemary's Baby, The Wild Bunch, Mean Streets, American Graffiti, The Rain People, Midnight Cowboy, M*A*S*H, McCabe and Mrs. Miller, The Last Picture Show, Shampoo, Taxi Driver, and Raging Bull. (Three interviewees -- cinematographer Gordon Willis, critic Andrew Sarris, and writer-director Monte Hellman -- listed in the Variety review of this film, were not included in this version from a screening on Bravo.) ~ Tom Wiener, All Movie Guide

The low-budget drama Rage and Discipline tells the tale of a young man who spends a great deal of time training to be a professional fighter. In order to make a living he also sells drugs. Soon his criminal life compromises his dreams, and the young man fully embraces the most dangerous aspects of the criminal world in order to strike back at those from his boxing life that he feels let him down. ~ Perry Seibert, All Movie Guide

Pauline Kael once wrote that since movies were so rarely great art, if one weren't interested in great trash, there wasn't much reason to pay attention to them, and one could reasonably argue that few periods brought us more top-quality cinematic trash than the 1950s and '60s. With drive-ins and grindhouses across the United States making room for low-budget exploitation films of all stripes (such as horror, science fiction, teen exploitation, biker films, beach pictures, nudies, and much more) as the major studios were focusing their attention on big-budget blockbusters and television, this was a boom time for inspired trash, and Schlock! The Secret History of American Movies takes a look at the low-budget wonders of the 1950s and '60s, as well as the men and women who made them and the social and psychological subtexts lurking behind many of these movies. Schlock! includes interviews with Roger Corman, Peter Bogdanovich, David F. Friedman, Doris Wishman, Samuel Z. Arkoff, Dick Miller, Vampira, and more. ~ Mark Deming, All Movie Guide

Gwyneth Gibby directs the Roger Corman-produced release of Nightfall, a straight-to-video release based on the highly acclaimed science fiction story by Isaac Asimov. Filmed in India, the story takes place on a planet that lives in the constant light of six suns. Every thousand years, the suns disappear during an eclipse and the population experiences darkness for the first time. The opposing forces of the planet become overwhelmed with fear and start a violent war. Jennifer Burns and Winsome Brown are the protagonists. Also starring David Carradine. ~ Andrea LeVasseur, All Movie Guide

Roger Corman revives his tradition of bringing low-budget literary adaptations to the screen with this stylish reworking of Robert Louis Stevenson's The Suicide Club, directed by Rachel Samuels. Lev L. Spiro strips the book down to its essence while also devising subplots that are not in the original work. Set in 1899, Henry Joyce (David Morrissey) is on the brink of suicide after losing the great love of his life. His buddy Captain May (Neil Stuke) calms him down some, but soon both find themselves under the spell of an equally suicidal Shaw (Paul Bettany), who leads them to The Suicide Club, run by the shadowy Bourne (Jonathan Pryce). The rules of the Suicide Club are simple: the members, all well-bred citizens with a penchant for death, decide the murderer and victim from a draw of the cards. Bourne quickly and ruthlessly dispatches with those who do not want to abide by the rules. Soon Henry finds himself sucked into this underworld with no chance of escape. ~ Jonathan Crow, All Movie Guide

In this period thriller, college student James (Andrew Bowen) discovers that his girlfriend is pregnant. He convinces her to have an abortion, and they make arrangements with a "doctor" for the clandestine operation. However, the abortionist proves dangerously incompetent, and James's sweetheart dies in agony. James is distraught, and he meets with Professor Ambrose (Michael York), a man with a shadowy past and a long history of personal misfortune. This adaptation of the Henry James story was produced by low-budget legend Roger Corman. ~ Mark Deming, All Movie Guide

Vince Connors (Michael Dudikoff) is an Air Force test pilot who has been helping to perfect the Mach 2 fighting jet, a state-of-the-art weapon which incorporates special stealth technology which makes the plane invisible to both radar and the human eye. However, a band of Libyan terrorists have somehow gotten wind of the new jet, and in a daring raid they steal the Mach 2. Connors and his partner Jannick (Gary Hudson) are quickly sent on a secret emergency mission to recover the Mach 2, where Connors discovers that the terrorists are not his only enemies. Black Thunder also features Frederic Forrest, Nancy Valen, and Richard Norton. ~ Mark Deming, All Movie Guide

Here's something new in the annals of made-for-cable movies: a dysfunctional family of three in outer space. Coming across a derelict spaceship, Foster Carver (Corbin Bernsen), his wife, Katrina (Lara Harris), and their daughter, Amy (Brittany Ashton Holmes), rescue the vessel's sole survivor, a handsome fellow named Adam (Richard Grieco). It soon develops that everyone else on the derelict ship has been murdered, and that Adam is an android who has been programmed without morals or conscience -- as proven when Adam brazenly sets about to seduce Katrina and wipe out the rest of her family. An extraterrestrial variation on the old theatrical feature Dead Calm, Inhumanoid originally aired July 23, 1996, as part of the Showtime channel's "Roger Corman Presents" series. ~ Hal Erickson, All Movie Guide