Ry Cooder Movies

Legendary filmmaker Wong Kar-Wai directs Jude Law, Natalie Portman, Rachel Weisz, and Norah Jones in his first English-language feature film -- a romantic road movie detailing the cross-country journey of a woman who sets off across the United States in hopes of mending her broken heart. Elizabeth (Jones) has just been through a particularly nasty breakup, and now she's ready to leave her friends and memories behind as she chases her dreams across the country. In order to support herself on her journey, Elizabeth picks up a series of waitress jobs along the way. As Elizabeth crosses paths with a series of lost souls whose yearnings are even greater than her own -- including a troubled cop (David Strathairn), his estranged wife (Rachel Weisz), and an embittered gambler (Natalie Portman) -- their emotional turmoil ultimately helps her gain a greater understanding of her own problems. ~ Jason Buchanan, All Movie Guide

The late John Lee Hooker was an icon of American blues music. Merging a spare, skeletal guitar style and unusual song structures with a propulsive sense of rhythm earned him a reputation as "the King of the Boogie." Hooker's music provided a stylistic bridge between the rural blues of the '30s and the raw, gutbucket electric sounds that emerged in the '50s and '60s. Produced with the participation of Hooker's estate, John Lee Hooker: Come and See About Me features interviews with Hooker, members of his family, and fellow musicians alongside filmed performances from 1960 to 1994. Including collaborations with Bonnie Raitt, Van Morrison, Foghat, John Hammond, Ry Cooder, and the Rolling Stones, John Lee Hooker: Come and See About Me features the songs "Boogie Chillen'," "Boom Boom," "Bottle Up and Go," "Serves Me Right To Suffer," "I'm Bad Like Jesse James," and many more. ~ Mark Deming, All Movie Guide

Mike Nichols directed this Elaine May screenplay adapted from the 1996 bestseller by "Anonymous" (Joe Klein), who fictionalized Bill Clinton's first presidential campaign. In the New Hampshire primary, Governor Jack Stanton (John Travolta) convinces Henry Burton (Adrian Lester), grandson of a respected civil rights pioneer, to become his deputy campaign manager. Stanton's smart wife Susan (Emma Thompson) always comes through with public support for her philandering husband. The film's parallel for James Carville is Stanton's redneck advisor Richard Jemmons (Billy Bob Thornton), who knows every strategy and tactic but worries, "The woman thing, that's the killer." Sure enough, problems during the New Hampshire primary include charges of adultery. To get a handle on past peccadillos, Stanton's staff brings in an old family friend, lesbian Libby Holden (Kathy Bates), who knows how to clean up dirt. Stanton, a strong debater, moves on to Florida and New York. When one opposing candidate drops dead of a heart attack, he's replaced by Florida's Governor Fred Picker (Larry Hagman), but Holden holds the skeleton key to the skeleton in Picker's closet. Just how the Stantons put this information to use reveals whether they are ruthless politicians or inspirational leaders with ideals. ~ Bhob Stewart, All Movie Guide

The traditions of the western and the gangster film meet head-on in this dark crime drama. Jericho is a small town in Texas that in the 1920s looks much like it did in the 1860s, except that two violent gangs of rival bootleggers have driven away nearly all of the citizens not involved in the booze racket. Strozzi (Ned Eisenberg) leads a gang of Italian rum-runners with the help of his right-hand-man Giorgio (Michael Imperioli), while Doyle (David Patrick Kelly) is the head of an Irish mob, with Hickey (Christopher Walken) serving as his enforcer; the town's sheriff, Ed Galt (Bruce Dern) is powerless to stop the crime in Jericho, and he mainly tries to stay out of the way and keep an uneasy peace between Strozzi and Doyle. John Smith (Bruce Willis) is a ruthless and amoral gunman on the run from the law who passes through Jericho on his way to Mexico. Sizing up the situation, Smith quickly hatches a scheme by which he'll sell his services first to one of the gangs, and then the other, eventually turning the two sides against each other while he stays in the middle and takes the profits generated by both sides. Writer and director Walter Hill based his screenplay on Akira Kurosawa's classic samurai picture Yojimbo, which also inspired Sergio Leone's ground-breaking spaghetti western A Fistful of Dollars. ~ Mark Deming, All Movie Guide

Legendary bluesman John Lee Hooker is joined by the likes of Bonnie Raitt, Ry Cooder, and Robert Cray in this compilation of live performances. John Lee Hooker & Friends, 1984-1992 features a total of ten songs, including "Baby Lee," "When My First Wife Left Me," "I'm Bad Like Jesse James," "I'm In the Mood," "Father Was a Jockey," and "Crawlin' Kingsnake." ~ Matthew Tobey, All Movie Guide

Robin Williams stars in this oddball comedy about a fast-talking car salesman who is down on his luck and in over his head until an extreme situation forces him to use his sales skills to save lives. Joey O'Brien (Williams) is the stereotypical car salesman: enterprising, aggressive, and desperate to make enough money to spend on his high-maintenance girlfriends. But suddenly the pressure is really on: he owes money to the mob, his ex-wife is nagging him about not spending enough time with their teenage daughter, and if he doesn't sell at least a dozen cars by the time the big sale is over on Saturday, he's going to lose his job. As Joey attempts to placate several potential buyers, his day is interrupted by Larry (Tim Robbins), the insanely jealous husband of dimwitted showroom receptionist Donna (Annabella Sciorra), who's been having an affair with someone who works at the dealership. With the police surrounding the place, his job (and life) on the line, Joey realizes that it's up to him to use his wits to persuade Larry -- who's not even sure what he wants out of the situation -- not to kill anyone. ~ Don Kaye, All Movie Guide

It isn't often that a popular TV series is inspired by a literary property that all but destroyed a particular industry, but such was the case with the weekly, half-hour horror anthology Tales From the Crypt. Most of the episodes depicted herein were based on stories originally published in the EC comic book series Tales from the Crypt, Vault of Horror, and Shock Superstories in the 1950s. In these grim little morality plays, a number of nasty characters deservedly met grisly fates appropriate to their misdeeds. Examples included the compulsive neat freak who is cut up into little pieces and then tidily repackaged into carefully labeled mason jars, or the homicidal baseball player whose bloody body parts are used as bats, balls, and bases in a grim nocturnal ball game played by the vengeful teammates of his last victim. It was this sort of merry mayhem that brought down the wrath of professional do-gooders (such as the infamous Dr. Frederick Wertham) and their political co-conspirators, who demanded that the comic book industry immediately purge itself of all horror magazines -- and never mind these were among the best written and illustrated comics in the business.
At any rate, the old EC comics had become classics by the time Tales From the Crypt made its HBO debut on June 10, 1989. The series, like the comic books that inspired it, was hosted by the ghoulish "Cryptkeeper," seen here as a skeletal animatronic puppet whose voice was provided by actor John Kassir. Cracking delightfully gruesome jokes all the while, The Cryptkeeper introduced each episode, and showed up at the denouement to make a few additional creepy comments. In keeping with the standards set by the comics, the individual episodes dealt primarily with unpleasant people who were given their just desserts in an even more unpleasant fashion, usually with supernatural assistance. Several top filmmakers contributed their directorial talents to Tales from the Crypt, among them Robert Zemeckis, Walter Hill, Steven E. de Souza, John Frankenheimer, Elliot Silverstein, and even Arnold Schwarzenegger and Tom Hanks. The casts were equally impressive, boasting the likes of Joe Pantoliano, Amanda Plummer, Kirk Douglas, Miguel Ferrer, Teri Hatcher, Harry Anderson, Teri Garr, Beau Bridges, Christopher Reeve, Mimi Rogers, Martin Sheen, Shelley Hack, Natasha Richardson, and Ewan McGregor. The seven seasons of Tales from the Crypt, totalling 93 episodes, aired first in uncut, uncensored form on HBO, then were rebroadcast with a few judicious trims and expurgations here and there by the Fox Network. The last first-run episode was telecast July 19, 1996. ~ Hal Erickson, All Movie Guide

A passion for blues music is evident in this drama based on a contest-winning script by former blues musician John Fusco -- and featuring one of the decade's best-received motion picture soundtracks, written and performed by Ry Cooder. Eugene Martone Ralph Macchio is a classically trained guitarist who desperately wants to locate a long-lost blues song. At a Harlem nursing home, Eugene finds Willie Brown (Joe Seneca), a legendary blues man who may be able to help him. Eugene becomes part of the master guitarist's scheme to reclaim his soul from the Devil, which he sold in exchange for musical greatness at a rural crossroads many decades before. Making their way across the Mississippi Delta, the duo meets Frances (Jami Gertz), a runaway who becomes a love interest for Eugene. After launching his career with the sale of his script for Crossroads (1986), which is loosely based on the mythical character of Faust and a fable involving real-life blues legend Robert Johnson (played in the film by Tim Russ), Fusco went on to write the highly successful Young Guns (1988). ~ Karl Williams, All Movie Guide

Director Louis Malle scrutinizes modern-day racism in Alamo Bay. The scene is the Texas coast, where local fishermen resent the "intrusion" of Vietnam refugees. Fair-minded shrimp supplier Wally (Donald Moffat) hires several Vietnamese workers, which serves to further infuriate the locals. The most vociferous of Moffat's opponents is a fisherman, Shang (Ed Harris), who faces bankruptcy due to loss of business. A town meeting designed to settle the issue erupts into violence when Vietnamese emigre Dinh (Ho Nguyen) accuses some of the locals of bending the law for their own purposes. A desperate Shang asks his former lover Glory (Amy Madigan) for financial aid, a delicate situation in that she is Wally's daughter. When the Ku Klux Klan arrives on the scene to drive the Vietnamese out, Glory sides with the refugees, resulting in strong friendship between herself and Dinh. ~ Hal Erickson, All Movie Guide

Award-winning singer/songwriter Randy Newman is joined by Ry Cooder and Linda Ronstadt in this 1983 concert presentation. Randy Newman: At the Odeon Rock features Newman on the songs "I Love L.A.," "Burn on, Big River," "Simon Smith and His Amazing Dancing Bear," "Marie," "Christmas in Capetown," "Short People," "Texas Girl at the Funeral of Her Father," "Linda," "Real Emotional Girl," "Rednecks," "Guilty," "Sail Away," "Mama Told Me Not to Come," "Let's Burn Down the Cornfield," "Political Science," "God's Song," "My Life Is Good," "Rider in the Rain," "I Think It's Going to Rain Today," and "Lonely at the Top." Released by WEA and Rhino Home Video, the program runs 57 minutes. ~ Matthew Tobey, All Movie Guide

More like a series of MTV sequences than a long-term narration, this super-thin story line focuses on a kidnapped singer (Diane Lane) and her ex-boyfriend (Michael Pare) who goes forth to save her through rainy streets, the roar of elevated subways, several alleys, and the usual warehouses. Each thrust of the story has rock music that follows along with the narration. ~ Eleanor Mannikka, All Movie Guide

Tom Jones director Tony Richardson might seem a curious choice to direct the contemporary western The Border, but he does his best to emulate Sam Peckinpah. Jack Nicholson stars as an El Paso border guard, saddled with avaricious wife Valerie Perrine. Hoping to stifle her nagging about money matters, Nicholson begins accepting payoffs to allow Mexican aliens to cross the border without interference. This leads to a relationship with a young Mexican mother Elpidia Carillo. Harvey Keitel and Warren Oates lend strong support to this atmospheric tale. ~ Hal Erickson, All Movie Guide

The hook in Walter Hill's mythic retelling of the James-Younger outlaw legend is in the casting; the James, Younger, Miller, and Ford Brothers are played by a string of acting brothers, the Keachs, the Carradines, the Quaids and the Guests. The film begins as outlaws are robbing a bank. After the robbery, Ed Miller (Dennis Quaid) finds himself kicked out of the gang for needlessly killing a man during the robbery. Jesse James (James Keach) hands over Ed's share of the money and tells him to leave, a feeling held mutually by Ed's brother Clell (Randy Quaid). After the killing the gang decides to split up for awhile. The James boys return to their wives and farms, while Cole Younger (David Carradine) travels to Texas with his prostitute girlfriend Belle Starr (Pamela Reed). After the brief respite, the gang reunites to rob a well-stocked bank in Northfield, Minnesota. The robbery turns out disastrously, with most of the gang either wounded or dying. The James boys are the only ones not seriously hurt, and they leave the rest of the gang behind, escaping while they can. After the James boys leave, the remnants of the gang are captured. But trailing the Jameses is a relentless posse. Frank and Jesse manage to keep one step ahead until the Ford brothers (Christopher Guest and Nicholas Guest) make a deal with the Pinkerton detectives trailing the outlaws. ~ Paul Brenner, All Movie Guide