William Conrad Movies

Actor/director/producer William Conrad started his professional career as a musician. After World War II service, he began building his reputation in films and on Hollywood-based radio programs. Due to his bulk and shifty-eyed appearance, he was cast in films as nasty heavies, notably in The Killers (1946) (his first film), Sorry Wrong Number (1948) and The Long Wait (1954). On radio, the versatile Conrad was a fixture on such moody anthologies as Escape and Suspense; he also worked frequently with Jack "Dragnet" Webb during this period, and as late as 1959 was ingesting the scenery in the Webb-directed film 30. Conrads most celebrated radio role was as Marshal Matt Dillon on Gunsmoke, which he played from 1952 through 1961 (the TV Gunsmoke, of course, went to James Arness, who physically matched the character that the portly Conrad had shaped aurally). In the late 1950s, Conrad went into the production end of the business at Warner Bros., keeping his hand in as a performer by providing the hilariously strident narration of the cartoon series Rocky and His Friends and its sequel The Bullwinkle Show. During the early 1960s, Conrad also directed such films as Two on a Guillotine (1964) and Brainstorm (1965). Easing back into acting in the early 1970s, Conrad enjoyed a lengthy run as the title character in the detective series Cannon (1971-76), then all too briefly starred as a more famous corpulent crime solver on the weekly Nero Wolfe. Conrad's final TV series was as one-half of Jake and the Fatman (Joe Penny was Jake), a crime show which ran from 1987 through 1991. ~ Hal Erickson, All Movie Guide
1991  
R  
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Michael Lehmann directed this post-modernist hash of To Catch a Thief and The Naked Gun starring Bruce Willis as Hudson Hawk, a cat burglar who wants to go straight, but the circumstances won't allow it. The story begins in a pre-credit sequence that takes place in the renaissance. Leonardo Da Vinci (Stefano Molinari) is rushing through his Mona Lisa painting to work on his latest invention -- a machine to turn lead into bronze. But Da Vinci makes a mistake and, instead of bronze, the machine turns the lead into gold. Realizing the danger of his invention if the contraption gets into the wrong hands, he hides three parts of the apparatus inside three of his other works. Four hundred years later, Hudson Hawk, the world's greatest cat burglar, is being released from jail after pulling a ten-year stretch. He wants to retire from the profession of cat burglary and drink some cappuccino, but two screwball billionaires -- Darwin and Minerva Mayflower (Richard E. Grant and Sandra Bernhard) -- won't let him. Their nefarious plot is to steal the three Da Vinci works, restore Da Vinci's gold-making machine, and destroy the world's monetary system. They blackmail Hawks into working with them to steal the Da Vincis by threatening the life of Hawks's pal Tommy Five-Tone (Danny Aiello). Along with the power-mad billionaires, Hawks has to deal with the CIA, in the person of George Kaplan (James Coburn), breathing down his neck. He also has Vatican art restorer Anna Baragli (Andie MacDowell) falling for his smirk. ~ Paul Brenner, All Movie Guide

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Starring:
Bruce WillisDanny Aiello, (more)
1989  
 
In this suspenseful drama, a bereaved bricklayer vows to avenge the brutal murder of his parents. The killer is brought in, but is not given the death penalty. The young man then decides to take matters into his own hands. He oversteps the law and eventually begins to question his actions. ~ Sandra Brennan, All Movie Guide

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1988  
 
1985  
R  
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In a complex story of automotive intrigue, oil barons, corporate finance, and international villainy, the inventor of an environmentally friendly car powered by energy cells becomes the target of killers. After Ralph Korda (Jurgen Prochnow) has given his patented worldcar to a German automaker for testing, he is confronted by ominous men, eager to get their hands on his patent. Evil Arab petroleum lords also want to stop this threat to the gasoline market any way they can. Unable to disentangle himself from the women who keep him distracted, Korda is slow to realize that even his closest associates may be trying to send him six feet under. ~ Eleanor Mannikka, All Movie Guide

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Starring:
Jürgen ProchnowSenta Berger, (more)
1985  
 
In Like Flynn is Remington Steele cross-pollinated with Romancing the Stone. The title "character," Jason Flynn, is a fictional James Bond-like adventurer created by reclusive author Daryl E. Raymond. Raymond's bestselling books are seemingly the sole source of income for the publishing firm where Jenny Seagrove works as editor and researcher. What nobody knows is that Daryl E. Raymond doesn't really exist--in fact, "he" is none other than the plucky Ms. Seagrove. In this busted pilot film, "Raymond" (that is, Seagrove) is dispatched halfway across the world on a delicate rescue assignment. ~ Hal Erickson, All Movie Guide

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1984  
 
Angela Lansbury is reunited with her onetime The Picture of Dorian Gray costar Hurd Hatfield in this episode, in which Jessica Fletcher (Lansbury) attends a special performance by a Soviet ballet troupe. Just as two of the dancers decide to defect, the KGB official assigned to the troupe is killed. When one of the defecting dancers also turns up murdered and a terrified ballerina is accused of the crime, Jessica reluctantly joins forces with a gruff government official to solve the crimes. ~ Hal Erickson, All Movie Guide

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1984  
 
In this made-for-TV movie, a teenage boy runs away from home and joins a circus, discovering that his new life is not exactly what he thought it would be. When the boy is the witness to a murder, he must struggle to keep himself out of the killer's way. ~ Iotis Erlewine, All Movie Guide

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1982  
 
This drama is based on Dr. R. Adams Cowley's true story of how he and his colleagues developed the very first medical shock trauma unit. ~ Sandra Brennan, All Movie Guide

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1982  
 
This video presents a 1982 production of the Gilbert and Sullivan operatic farce The Mikado. Although the setting and characters come from Japan, the play is a satire of English Victorian society. Its foibles are exposed in this comedy starring William Conrad, Clive Revill, and Stafford Dean. The London Symphony Orchestra and the Ambrosian Opera Chorus provide the music for the production. ~ Rose of Sharon Winter, All Movie Guide

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1980  
 
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The second of Rankin/Bass' animated TV specials based on the works of J.R.R. Tolkien, Return of the King plots the quest to defeat the evil wizard Sauron. Frodo, nephew of The Hobbit protagonist Bilbo Baggins, vows to destroy the Ring, even if it costs him his own life. He carries the Ring to the volcanic innards of Mount Doom. All this he does on behalf of good-guy Aragon, who will never be able to escape the dreaded land of Sauron so long as the Ring retains its evil powers. Orson Bean, who'd been the voice of Bilbo Baggins in the 1977 Hobbit cartoon special, returns to portray Frodo. Return of the King originally aired May 11, 1980. ~ Hal Erickson, All Movie Guide

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1980  
 
As made obvious by its title, this TV movie was an attempt to revive the once-popular private eye series Cannon, which ran from 1971 to 1976. Emerging from self-imposed retirement, corpulent gumshoe Frank Cannon (William Conrad) investigates the death of an old friend who formely worked for the CIA. Officially, the death has been ruled a suicide, but Cannon, as usual, has his doubts. Also mixed up in the intrigue is Cannon's former sweetheart and a Hughes-like millionaire. First telecast November 1, 1980 on CBS, The Return of Frank Cannon did not result in a weekly series, but William Conrad was able to find solace in his starring role on the subsequent weekly Nero Wolfe. ~ Hal Erickson, All Movie Guide

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1980  
 
Originally intended as the pilot for a never-sold cop series titled Battles, this made-for-TV meller stars William Conrad as William Battles, a retired Los Angeles police detective spending his golden years in Hawaii. Somewhat bored by inactivity, Battles takes a job at a local college as assistant football coach and security chief. Not unexpectedly, our corpulent hero is soon up to his neck in a murder investigation, this time with a recent homicide bearing a remarkable resemblance to a similar killing in the 1940s (as described in a mock newsreel narrated by no less than Lowell Thomas). Assisting Battles in bringing the culprit to heel are his niece Shelby (Robin Mattson), collegiate football star Deacon Joe Jackson (Lane Caudell) and his own boss, Dean Mary Phillips (Marj Dusay). The Murder That Wouldn't Die debuted March 9, 1980, on NBC. ~ Hal Erickson, All Movie Guide

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Starring:
Lane Caudell

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