Gary Combs Movies

Adrenaline loving director Tony Scott teams with iconic action producer Jerry Bruckheimer for this high flung sci-fi action thriller concerning a New Orleans based maverick ATF agent named Doug Carlin (Denzel Washington) who is brought in on a top secret government program to catch the terrorist (Jim Caviezel) responsible for a ferry bombing that kills hundreds. Able to do what most law enforcement officers only dream of, Carlin is now able to look back in time at the perpetrator's movements, and at the life of the innocent woman whose death would set the events into motion. Carlin's instincts tell him that something is amiss, however, and while the government agent who tapped him for the job (Val Kilmer) and the team of ultra-cool scientists who run the project (Adam Goldberg, Erika Alexander) tell him one story about the quantum physics behind this marvel of technology, the hotshot agent suspects that there is a greater power at their fingertips--one that might not just solve the crime at hand, but prevent it. ~ Jason Buchanan, All Movie Guide

An inept cop suddenly gets a new partner in the person of a cabbie with attitude in this high-rolling comedy. Washburn (Jimmy Fallon) is a police officer who becomes the laughingstock of the department after a series of traffic accidents cause him to lose his driver's license. One day, Washburn gets an urgent call to head out to the location of a bank robbery; unable to drive himself there, he hails a cab. As it happens, the taxi is being driven by Belle (Queen Latifah), a single mom who, after making a name for herself as the fastest pizza delivery person in New York, has moved up to driving a hack. What begins as a wild ride to the scene of the crime gets even wilder as Washburn and Belle become unexpected allies while following the trail of a team of beautiful but reckless female bank robbers led by Vanessa (Gisele Bundchen). Adapted from a popular French action comedy with the same name, Taxi was Jimmy Fallon's first big-screen vehicle after leaving the cast of the popular sketch comedy series Saturday Night Live. ~ Mark Deming, All Movie Guide

Joel Grey returns as eager, willing but woefully inexperienced angel Ronald, who aspires to bring hope into the life of teenager Alex Wilson (Robert Ri'chard), currently incarcerated for fatally shooting former jazz musician Henry Baldwin (Bill Cobbs) during a botched robbery. Making the youth's plight all the more painful is the fact that Henry had been his mentor and role model, and now Alex feels betrayed--not only by Henry, who was in the wrong place at the wrong time, but by the whole world. Visiting the juvenile detention center where Alex is being temporarily held, Ronald and Monica (Roma Downey) try to help the youngster via the roundabout method of organizing a singing group comprised of Alex's fellow inmates--played by the members of the real-life singing aggregation Plus One (Nate Cole, Gabe Combs, Jeremy Mhire, Jason Perry and Nathan Walters. Songs: "When Your Spirit Gets Weak" and "The Promise". ~ Hal Erickson, All Movie Guide

Stephen Somers wrote and directed this $50 million science-fiction action-thriller. Set in the South China Sea, the story has been described as a cross between The Poseidon Adventure, Alien, and Die Hard. On the maiden voyage of the luxury liner Argonautica, pickpocket Trillian (Famke Janssen) is caught stealing jewels and locked up. After the ship's communication system is infected with a virus, the ship collides with a massive underwater object. When John Finnegan (Treat Williams) and others board the Argonautica, they are surrounded by death. Survivors Trillian, builder Simon Canton (Anthony Heald), and others talk of sea monsters, but Hanover (Wes Studi) doesn't believe them -- until the fanged, squid-like creature (designed by Rob Bottin) extends its huge tentacles and makes its presence known to all. Filmed in Vancouver and the northern Pacific under the working title Tentacles. ~ Bhob Stewart, All Movie Guide

B-movie director Rafal Zielinski adds another sordid tale to his CV with this C. Thomas Howell vehicle. In the film, Howell plays a cop who gets involved with a murder witness, only to find out that she's part of an international ring of sex-for-hire beauties. ~ Michael Hastings, All Movie Guide

Despite his status as a major action star, Sylvester Stallone has made a number of attempts to remodel himself as a comic actor; one of his more infamous efforts in this direction was Stop! or My Mom Will Shoot!. Police detective Joe Bromowski (Sylvester Stallone) has just broken off his relationship with his girlfriend (and fellow police officer) Gwen Harper (JoBeth Williams), so Joe's mother Tutti (Estelle Getty) decides it's time to pay him a visit. Tutti proceeds to make Joe's life miserable by nagging him about his clothes, cleaning his apartment, washing his gun, tagging along on investigations, and somehow getting involved with a gun-running organization that the police have been trying to infiltrate. After this film, Stallone would stay away from comedy until 1997, when he played a cameo in another unenthusiastically received film, An Alan Smithee Film -- Burn, Hollywood, Burn. ~ Mark Deming, All Movie Guide

This gripping, emotional story of a roving photographer's transformation from a neutral artist with a camera to an involved human rights activist with a camera begins in Chad, travels to Nicaragua in the early 1980s, and ends when the Nicaraguan dictator Somoza takes off for the palm trees and beaches of Florida. Nick Nolte brilliantly interprets his role as the photographer Russell Price, and Joanna Cassidy is Claire, the radio journalist he meets while in Chad, along with her lover, Time Magazine reporter Alex (Gene Hackman), who ends up opting for a plush job as a TV anchorman and a quiet life on Long Island. When Alex leaves, Claire heads off to the next hot spot, Nicaragua, and Russell decides to tag along -- not because he is that interested in Nicaragua, but because he is interested in Claire. Once in the war-torn, Central American country, it does not take Russell long to see the vast difference between the corrupt, U.S.-backed dictatorship and the struggling guerrilla forces who have been fighting for a decade already. As his eyes are opened, he and Claire decide to go along with the rebels and film their fighting behind the lines. During one battle, the much-venerated rebel leader is shot dead, and Russell reluctantly agrees to fake a photo of the man as though he were still living, so as not to demoralize the army that looks up to him for leadership. The photo appears in the news around the world and causes such a furor that Alex shows up to demand an interview with the leader for national American television. It is on the way to this supposed interview that Alex leaves the car for a moment and is senselessly shot and killed by a government soldier, the whole episode filmed for the world by Russell's camera. This outrage (which actually occurred when journalist Bill Stewart was inhumanly shot by a Somoza soldier in full view of the video camera) soon makes global news and helps to hasten the overthrow of the corrupt dictatorship. Meanwhile, Russell has new issues to consider once his camera has become an "active" and not a "passive" observer of political unrest. René Enriquéz who plays the dictator Somoza in this film is a native Nicaraguan, related to a newspaper reporter killed by Somoza's government. ~ Eleanor Mannikka, All Movie Guide

Straight-laced Henry Winkler takes a night-shift job as a morgue attendant. Winkler falls under the spell of wheeler-dealer coworker Michael Keaton, whose catchphrase "Is this a great country or what?" is the clarion call for his many get-rich-quick schemes. His latest plan is to turn the morgue into a nocturnal brothel, for the benefit of anything-goes hooker Shelley Long-and incidentally, to line their own pockets. Director Ron Howard and his frequent scripters Lowell Ganz and Babaloo Mandel turn the potentially lurid story material of Night Shift into an endearing comedy, with winning performances from its three often miscast stars. Keep an eye out during one of the party sequences for Kevin Costner as a carousing college boy. ~ Hal Erickson, All Movie Guide

This fun, silly thriller written and directed by Michael Crichton manages to combine the dramatic murders of beautiful models, a secret conspiracy to use TV commercials for mind-control, and an unusual seeing-eye device which makes the wearer invisible. Plastic surgeon Larry Roberts (Albert Finney) becomes the prime suspect after two models on whom he operated are killed. Larry becomes suspicious because both of the women came into his office asking for very precise and seemingly unnecessary physical alterations. Agreeing to operate, because the women's jobs depended on the surgery, Larry must now clear his own name and save his life and career. With the aid of a friend and model Cindy (Susan Dey), Larry discovers and foils the plot led by corporation-head John Reston (James Coburn). Larry must then fight for his life against Reston's thugs who are equipped with the devices, called "Lookers." This is good, if silly fun and Albert Finney does his best with a somewhat implausible script. ~ Linda Rasmussen, All Movie Guide

The real Belle Starr was a homely, ill-tempered woman whose career as a western bandit was blown out of proportion by the "dime novels" of the era. Previous media Belle Starrs have included such attractive performers as Gene Tierney, Isabel Jewell and Abby Dalton, all of whom appeared to have included a cosmetician amongst their bandit cohorts. To her credit, Elizabeth Montgomery tries hard to deglamorize Belle in this 1980 TV movie, but she's still Elizabeth Montgomery. The script, by James Lee Barrett, attempts to stick closer to the facts than the earlier versions of Belle's exploits. ~ Hal Erickson, All Movie Guide

The presence of Paul Lynde, in a small role, reveals more about the quality and tone of this film than the three top names. A farce with plenty of slapstick, it offers Kirk Douglas as a road agent dealing with a naive hero (a young Arnold Schwarzenegger) who is seemingly out of western serials in the '40s and a beautiful, sexy saloon girl (Ann-Margret). The silly jokes are the point, not the plot, though Needham includes some impressive stunts. Some of the most notable draw blatantly on Warner Brothers roadrunner and Daffy Duck cartoons; notably, the film came from Columbia, not Warner. The film's attempt at satire is too heavy-handed to have bite. ~ Bill Wu, All Movie Guide

A tough-guy cop (Joe Don Baker) pursues two drug runners (Martin Balsam, John Saxon) across the city to bust a large syndicate. ~ John Bush, All Movie Guide

Paul Newman plays the title role in John Huston's surreal, revisionist western as the infamous Texas hanging judge. Upon arriving in the tiny West Texas town of Vinegaroon, Roy Bean draws a moustache on a wanted poster of himself, marches into a saloon, and declares his presence. He is immediately robbed, beaten within an inch of his life, tied to a horse and dragged out into the prairie, then left to die. Rescued by a young Mexican girl, Maria Elena (Victoria Principal), Roy Bean heads back into town and murders everyone in the local saloon, declaring that he'll kill anyone of the same sort who turns up. He also sets himself up as the sole arbiter of law and order and renames the town Langtry, in honor of the legendary actress Lily Langtry (Ava Gardner). The community prospers as Judge Bean dispenses his own brand of frontier justice upon strangers passing by, robbing or killing anyone who tries to make their way through the town. But when Maria dies, Bean's old associates begin to turn on him, one at a time (in response to his constant harping on their wives, many of whom were former prostitutes) and Bean is forced to leave. Years later, Bean rides back into town, called back to the place to save his daughter from trouble - and finds that the community has been taken over by a shady character called Frank Gass (Roddy McDowall) - a circumstance that requires Bean to dispense his own unique brand of justice once again. Stacy Keach lends a neat comic turn to the film as Bad Bob, an albino gunslinger whose dining habits consist of chowing down on raw onion, drinking hot coffee from a pot, and demanding that an entire horse be cooked for his supper. John Milius (Red Dawn) scripted.
~ Paul Brenner, All Movie Guide