Ray Collins Movies
A descendant of one of California's pioneer families, American actor Ray Collins' interest in the theatre came naturally. His father was drama critic of the Sacramento Bee. Taking to the stage at age 14, Collins moved to British Columbia, where he briefly headed his own stock company, then went on to Broadway. An established theatre and radio performer by the mid-1930s, Collins began a rewarding association with Orson Welles' Mercury Theatre. He played the "world's last living radio announcer" in Welles' legendary War of the Worlds broadcast of 1938, then moved to Hollywood with the Mercury troupe in 1939. Collins made his film debut as Boss Jim Gettys in Welles' film classic Citizen Kane (1940). After the Mercury disbanded in the early 1940s, Collins kept busy as a film and stage character actor, usually playing gruff business executives. Collins is most fondly remembered by TV fans of the mid-1950s for his continuing role as the intrepid Lt. Tragg on the weekly series Perry Mason. ~ Hal Erickson, All Movie GuideAlthough Perry Mason was showing signs of fatigue as the series entered its seventh season, the producers were able to stir up a great deal of publicity and audience interest with the announcement that, in the season's fourth episode "The Case of the Deadly Verdict", the unthinkable would happen: Brilliant defense attorney Perry Mason (Raymond Burr) would finally lose a case to prosecutor Hamilton Burger (William Talman), and his client (played by Julie Adams) would be sentenced to death). Not to give anything away, but it can be noted that Mason loses only because his client withholds information--a fact that affords our hero the opportunity to clear the poor woman in a second trial. Otherwise, Season Seven is fairly undistinguished, save for the always solid performances of supporting players Barbara Hale (as Della Street), William Hopper (Paul Drake), and Ray Collins (Lt. Tragg), who makes his final appearance this season due to illness. Of the guest stars, standouts include little Billy Mumy (pre-Lost in Space, and very pre-Babylon Five) in "The Case of the Shifty Shoebox", future superstar Ryan O'Neal in "The Case of the Bountiful Beauty", Oscar-winnner-to-be Strother Martin in "The Case of the Drowsy Mosquito", Man From UNCLE's David McCallum in "The Case of the 50 Millionth Frenchman", ventriloquist Paul Winchell as the murder victim in "The Case of the Nervous Neighbor", and Jerry Van Dyke in his first non-comic role in "The Case of the Woeful Widower". ~ Hal Erickson, All Movie Guide
As a move to bolster up CBS' sagging Thursday-night schedule, the network's evergreen legal drama Perry Mason was moved from its traditional Saturday night slot in the fall of 1962, going head-to-head with ABC's popular sitcom lineup and the NBC hit Doctor Kildare. Unfortunately, to paraphrase the series' traditional episode-title format, Perry Mason's sixth season very nearly became "The Case of the Missing Star." Undergoing surgery early in the season, Raymond Burr was unable to make anything but token appearances in four episodes. To compensate for this, the scripters contrive to have Perry Mason, likewise hospitalized, briefly replaced by four of his most trusted associates, played consecutively by Bette Davis in "The Case of Constant Doyle", Michael Rennie in "The Case of the Libelous Locket", Hugh O'Brian in "The Case of the Two-Faced Turnabout", and Walter Pidgeon in "The Case of the Surplus Suitor". For many years thereafter, these four Mason-less episodes were missing from the series' syndication package, and only recently have been restored. Other guest stars this season include Adam West of Batman fame in the opener, "The Case of the Bogus Books"; Leonard Nimoy (of you-know-what fame) in "The Case of the Shoplifter's Shoe", future film favorite Ellen Burstyn (billed as Ellen MacRae) in "The Case of the Dodging Domino", veteran movie funnyman Stuart Erwin in a surprising characterization in "The Case of the Double-Entry Mind", and, in his second series appearance, Bill Williams, the husband of series regular Barbara Hale (Della Street) as the murder victim in "The Case of the Bluffing Blast". Worth mentioning for historical purposes are the Season Six episodes "The Case of the Velvet Claws", adapted from the very first Perry Mason novel, written in 1933 by Erle Stanley Gardner); and "The Case of the Greek Goddess", in which defendant is played by John Larkin, who portrayed Perry Mason on radio. And finally there is the season closer, "Case of the Witless Witness", marking one of the few times that Mason loses a case (albeit NOT a murder case). ~ Hal Erickson, All Movie Guide
Season Five of Perry Mason marked the series' last stand in its traditional Saturday-night timeslot. Though ratings were quite good (the series ended the season in the Top Five), the CBS executives thought that the show would be more valuable on Thursdays, where the network had been floundering--so Thursdays it was, beginning with Season 6. Raymond Burr of course is still in harness as the fabulously successful defense attorney Perry Mason, with Barbara Haleas secretary Della Street, William Hopperas Paul Drake and William Talman (now fully reinstated after the unpleasantness of Season 3, during which the actor had been briefly fired because of his off-camera shenanigans) as prosecutor Hamilton Burger. Ray Collins is also on hand as irascible Lt.Trag, though illness had forced the veteran actor to curtail his appearances. The guest star roster this season includes Denver Pyle in the opener, "The Case of the Jealous Journalist"; Burt Reynolds in "The Case of the Counterfeit Crank", James Coburn in "The Case of the Angry Astronaut; future TV icons Alan Hale Jr. (Gilligan's Island) and DeForest Kelley (Star Trek) in "The Case of the Unwelcome Bride"; and James Drury, one year removed from his ascent to stardom as The Virginian, in "The Case of the Missing Melody". Significant to the overall Perry Mason saga is the presence of Bill Williams, real-life husband of series regular Barbara Hale, as the defendant in "The Case of the Crippled Cougar"; and Wesley Lau, who later joined the cast as Lt. Anderson, in a markedly different role in "The Case of the Impatient Partner". ~ Hal Erickson, All Movie Guide
Several of the episodes in Perry Mason's fourth season did without the services of costar William Talman (aka luckless prosecutor Hamilton Burger), who as a result of a wild and highly publicized party at his home was fired from the series by CBS. Raymond Burr, who of course headed the cast as defense attorney Perry Mason, rallied his coworkers Barbara Hale, William Hopper and Ray Collins, demanded that Talman be reinstated, threatening to quit the show himself unless CBS reversed its decision. Ultimately of course, Talman was rehired, but not before such guest actors as Walter Burke and Paul Fix filled the gap by portraying various one-shot prosecutors. Outside of these backstage intrigues, Season Four was distinguished by a wealth of familiar faces in the supporting-player category, beginning with a young Robert Redford in the season opener "The Case of the Treacherous Toupee" and including in later episodes such future Oscar winners as Louise Fletcher and James Coburn. Also seen were quite a few TV-series stalwarts, including Sue Randall (Miss Landers on Leave It to Beaver), Connie Hines (Carol Post on Mister Ed), John Banner (Sgt. Schultz on Hogan's Heroes), Adam West (Batman himself) and Gavin McLeod (The Mary Tyler Moore Show, Mister Ed). Despite a shaky start, the season ended on a high note, with Raymond Burr winning his second Emmy Award. ~ Hal Erickson, All Movie Guide
In this tearjerker, a morally disparate father and son attempt to reconcile their differences. The father is a major construction magnate who has dreamed of his son taking over the lucrative family business. The father's heart is devastated when the son decides to become a missionary after graduating with an engineering degree and a great rift is formed between them, one that does not heal until a terrible tragedy ensues. ~ Sandra Brennan, All Movie Guide
By the time Perry Mason rolled into its third season in the fall of 1959, the series was the 10th most popular program in America, and the uncontested leader in its Saturday night timeslot--despite formidable competition from the upstart NBC western Bonanza. Ironically, Perry Mason would ultimately wither on the vine in its ninth season when once again CBS moved it opposite the by-now extremely profitable Bonanza, but that was still several years in the future. Ratings and popularity, aside, the series' star Raymond Burr and his costars Barbara Hale, William Hopper and Ray Collins had ample reason for complaint this season, thanks to a corporate decision by parent network CBS. In March of 1960, William Talman, who played defense attorney Mason's friendly adversary, prosecutor Hamilton Burger, was hauled into jail for throwing a wild party (marijuana may or may not have been involved). Though Talman was never charged with anything, the network invoked the "morals clause" in his contract and fired him on the spot. Only the combined protests of the cast members--led by Burr, who threatened to quit the show if Talman wasn't reinstated--and tons of supportive fan mail compelled CBS to reverse its decision in December of 1960. By this time, however, Talman had missed several episodes (most of which were seen in the series' fourth season). March 1960 Talman had his wild party. Fay Wray murdered in "The Case of the Watery Witness", "The Case of the Lucky Legs", in "The Case of the Prudent Prosecutor", Burger asks Mason's help to clear an old friend on a murder charge. Otherwise, things moved smoothly on the series, with Perry Mason consistently proving the innocence of his clients and and exposing the real murderer on a weekly basis. Also, as in previous years, Season Three had its share of noteworthy guest performers, ranging from old-timer Francis X. Bushman to comparative youngsters Barbara Bain, Bert Convy and future Oscar winner Louise Fletcher. ~ Hal Erickson, All Movie Guide
This baroque nightmare of a south-of-the-border mystery is considered to be one of the great movies of Orson Welles, who both directed and starred in it. On honeymoon with his new bride, Susan (Janet Leigh), Mexican-born policeman Mike Vargas (Charlton Heston) agrees to investigate a bomb explosion. In so doing, he incurs the wrath of local police chief Hank Quinlan (Welles), a corrupt, bullying behemoth with a perfect arrest record. Vargas suspects that Quinlan has planted evidence to win his past convictions, and he isn't about to let the suspect in the current case be railroaded. Quinlan, whose obsession with his own brand of justice is motivated by the long-ago murder of his wife, is equally determined to get Vargas out of his hair, and he makes a deal with local crime boss Uncle Joe Grandi (Akim Tamiroff) to frame Susan on a drug rap, leading to one of the movie's many truly harrowing sequences. Touch of Evil dissects the nature of good and evil in a hallucinatory, nightmarish ambience, helped by the shadow-laden cinematography of Russell Metty and by the cast, which, along with Tamiroff and Welles includes Charlton Heston as a Mexican; Marlene Dietrich, in a brunette wig, as a brittle madam who delivers the movie's unforgettable closing words; Mercedes McCambridge as a junkie; and Dennis Weaver as a tremulous motel clerk. Touch of Evil has been released with four different running times -- 95 minutes for the 1958 original, which was taken away from Welles and brutally cut by the studio; 108 minutes and 114 minutes in later versions; and 111 minutes in the 1998 restoration. Based on a 58-page memo written by Welles after he was barred from the editing room during the film's original post-production, this restoration, among numerous other changes, removed the opening titles and Henry Mancini's music from the opening crane shot, which in either version ranks as one of the most remarkably extended long takes in movie history. ~ Hal Erickson, All Movie Guide
- Starring:
- Charlton Heston, Janet Leigh, (more)
Despite a less than spectacular showing during its first season, the marathon courtroom series Perry Mason quickly built up an enthuastic following, and by Season Two the series was ranked 19th in TV's "Top 25", just one notch below the western Cheyenne. Joining stars Raymond Burr, Barbara Hale, William Hopper, Ray Collins and William Talman this season is an impressive guest lineup. Edgar Buchanan (Petticoat Junction) and Joe Kearns ("Mr. Wilson" on Dennis the Menace are seen in "The Case of the Perjured Parrot", with the voice of Mel Blanc as the title character. Future [#Happy Days mom Marion Ross is Perry's client in "The Case of the Romantic Rogue". Singer Frankie Laine and jazz great Bobby Troup figure prominently in "The Case of the Jaded Joker". Longtime movie favorite Ann Rutherford (one of Scarlett O'Hara's sisters in Gone with the Wind) is in "The Case of the Howling Dog"; and the ubiquitous Tom Browne Henry, who'd once been Raymond Burr's teacher at the Pasadnea Playhouse, shows up in "The Case of the Dubious Bridegroom". Finally, real-life jockey (and TV quiz show winner) Billy Pearson essays the title role in "The Case of the Jilted Jockey". Perry Mason's prestige received an enormous boost this season when both Raymond Burr and Barbara Hale received Emmy awards for their work. ~ Hal Erickson, All Movie Guide
Here's one for the "Trivial Pursuit" crowd: What was the title of the first episode of Perry Mason, and who was Mason's first client? The answer: "The Case of the Restless Redhead", based on Erle Stanley Gardner's 1954 novel of the same name; and Evelyn Bagby, played by Whitney Blake,the mother of Meredith Baxter and later cocreator of the sitcom One Day at a Time. Needless to say, Evelyn is innocent of the murder charge--and of course, defense attorney Perry Mason (Raymond Burr) proves his client's innocence by exposing the actual miscreant in the middle of the trial, to the bewilderment of hapless prosecutor Hamilton Burger (William Talman). In addition to Burr and Talman, all the familiar Masonregulars are on hand from the beginning: loyal secretary Della Street (Barbara Hale), private detective Paul Drake (played along more rough-hewn lines than in later episodes by William Hopper) and phlegmatic police lieutenant Arthur Tragg (Ray Collins). Also making their earliest appearances this season are semi-regulars George E. Stone as the ubiquitous court clerk (he would make 45 appearances in all, more than any other actor, but seldom had a line to speak), Connie Cezon as Perry's receptionist Gertie, and Morris Ankrum and Kenneth MacDonald playing the first of their many nameless judges. Among the noteworthy guest performers this season are Angie Dickinson in "The Case of the One-Eyed Witness"; Fay Wray (King Kong) in "The Case of the Prodigal Parent", Barbara Eden (I Dream of Jeannie) in "The Case of the Angry Mourner"; Frances Bavier (Aunt Bee on The Andy Griffith Show) in "The Case of the Crimson Kiss", Werner Klemperer (Col. Klink on "Hogan's Heroes" in "The Case of the Desperate Daughter"; and, in "The Case of the Lazy Lover", Neil Hamilton and Yvonne Craig, cast as father and daughter long before their similar roles on Batman. Finally, Season One yields one of the few times that Perry Mason loses in court, in "The Case of the Terrified Typist"...but fear not, he ultimately triumphs on a technicality. ~ Hal Erickson, All Movie Guide
Every time Republic Pictures head honcho Herbert J. Yates starred his minimally talented wife Vera Ralston in a film, the studio's stockholders began trembling in their boots. Like most of its predecessors, the 1957 Ralston vehicle Spoilers of the Forest just barely made back its cost. Vera plays Joan Milna, who shares several thousand acres of valuable Montana timberland with her stepfather (John Alderson). Coveting Joan's property, lumber baron Eric Warren (Ray Collins) sends out his foreman Boyd Caldwell (Rod Cameron) to persuade her to sell. Instead, Caldwell falls in love with the girl, vowing to protect her trees from the eco-unfriendly Warren. Republic's wide-screen Naturama process is shown to good advantage throughout Spoilers of the Forest. ~ Hal Erickson, All Movie Guide
- Starring:
- Rod Cameron, Vera Ralston, (more)
The reclusive Enright sisters, Cissie (Dorothy Stickney) and Joanna (Carmen Mathews), are no fans of Mr. Brenner (Ray Collins), the real estate developer who has made a down payment on their house. Inviting Mr. Brenner to tea, the sisters poison the man, then discuss various methods of finishing him off and disposing of the body. This gives Brenner enough time to revive himself, thereby setting the stage for the episode's unsettling denouement. ~ Hal Erickson, All Movie Guide
This emotional drama concerns a WWII medic who marries a German woman but leaves her in a jealous rage, taking their baby with him. They lose touch after she is arrested behind the Iron Curtain after the war. Eight years later, she sees him in a Chicago cafe, rushes across the street to see him, and is hit by a truck. He operates on her and saves her life, and they get back together. Eventually, the daughter accepts her mother, and the whole family is reunited. ~ Steve Huey, All Movie Guide
- Starring:
- Rock Hudson, Cornell Borchers, (more)
The Solid Gold Cadillac was adapted from the George S. Kaufman-Howard Teichmann Broadway hit of the same. Both the play and film were predicated upon the notion of a humble ten-share stockholder triumphing over a corrupt big-business board of directors, but there was one significant difference. In the stage version, septuagenarian Josephine Hull starred as Laura Partridge, a sweet little old lady who asks several embarrassing questions at a stockholder's meeting. In the film version, Laura's age is lowered by at least four decades to accommodate star Judy Holliday. In both versions, a romance develops between Laura Partridge and Edward L. McKeever, the owner of the corporation she takes on. McKeever (played in the film by Paul Douglas, Holliday's co-star in the Broadway version of Born Yesterday) is an honest man, which is more than can be said for his self-serving board of directors (Fred Clark, John Williams, Ray Collins et. al.) With McKeever's covert help, Laura, who has been given a dummy executive position in the corporation in hopes that she'll shut up, forms a stockholder's association intent upon throwing the rascals out. Though the dialogue in Solid Gold Cadillac is consistently entertaining, the film's best line goes to Judy Holliday: Describing her brief career as an actress in a Shakespearean troupe, she recalls ruefully that "No one's allowed to sit down unless you're a king." George Burns, taking over from the stage version's Fred Allen, provides the wry scene-setting narration. Currently available TV prints of The Solid Gold Cadillac have restored the original Technicolor final shot. ~ Hal Erickson, All Movie Guide
- Starring:
- Judy Holliday, Paul Douglas, (more)
Claudette Colbert makes a long-overdue entree into the Western genre in Texas Lady. Looking at least a decade younger than her 50 years, Ms. Colbert plays Prudence Webb, who arrives in the wide-open town of Fort Ralston, Texas, to assume control of her late father's newspaper. Her first major print crusade is aimed at gambler Chris Mooney (Barry Sullivan), whom Prudence holds responsible for her dad's suicide (Mooney isn't, but it takes our heroine nearly eight reels to find this out). She then takes aim at a couple of crooked cattle barons (Ray Collins and Walter Sande), who'd like nothing better than to put Prudence out of the way for keeps. ~ Hal Erickson, All Movie Guide
- Starring:
- Claudette Colbert, Barry Sullivan, (more)
Based on the novel and play by Joseph Hayes, which in turn was inspired by an actual event, The Desperate Hours is the prototypical "family-trapped-by-criminals" drama. Escaped convicts Humphrey Bogart, Robert Middleton and Dewey Martin, seeking an appropriate hideout until they can make contact with their money supply, deliberately choose the suburban home of Fredric March and his family. The cold-blooded Bogart wants no trouble with the police, and he knows he can cower a family with children into cooperating with him. The convict orders March, his wife Martha Scott, and their children Richard Eyer and Mary Murphy, to go about their normal activities so as not to arouse suspicion. Young Eyer, upset that March won't lift a hand against Bogart, assumes that his father is a coward. The authorities are alerted when March, at Bogart's behest, draws money for the convict's getaway from the bank. Pushed to the breaking point, March begins subtly turning the tables on the convicts. Bogart's character in Desperate Hours was originally written for a much younger man, which explains why Paul Newman was able to play the part in the original Broadway production. The film was slated to co-star Bogart with his old pal Spencer Tracy, but this plan fell through when the two actors couldn't agree on who would get top billing. Desperate Hours was remade in 1991 with Mickey Rourke in the Bogart role. ~ Hal Erickson, All Movie Guide
- Starring:
- Humphrey Bogart, Fredric March, (more)
The 20th Century-Fox Hour (later syndicated as The Hour of Stars) ran on CBS just shy of two years, from October 1955 through September 1957. An anthology program, the series typically featured readaptations of 20th Century-Fox feature films for a sixty-minute TV airslot. The 1955 production of Miracle on 34th Street - a reworking of George Seaton's 1948 blockbuster and Christmas perennial - was just such an example and became one of the first episodes of the series. The program makes its home video debut following recent appearances on The Fox Movie Channel. In this slightly condensed version of the Seaton story, Thomas Mitchell takes over the Edmund Gwenn role, portraying Kris Kringle, Teresa Wright plays Doris Walker, and Sandy Descher stars as her daughter, Susan Walker, filling the role originally made famous by Natalie Wood. ~ Nathan Southern, All Movie Guide
- Starring:
- Thomas Mitchell, Teresa Wright, (more)
Health faddist Mulvain (Louis Calhern) and his astrology-minded wife Salome (Norma Varden) hold court over their seven musical-prodigy daughters. Each girl is named after a mythical Greek: Athena (Jane Powell), Minerva (Debbie Reynolds), Niobe (Virginia Gibson), Aphrodite (Nancy Kligas), Medea (Jane Fischer), Calliope (Dolores Starr) and Ceres (Cecile Rogers). They also run around dressed in skimpy miniskirts, for those of you not interested in mythology. Athena falls in love with lawyer Adam Shaw (Edmund Purdom) and Minerva is ga-ga over crooner Johnny Nyle (Vic Damone), neither of whom come up to Mulvain's notions of mental and physical perfection. A lesser product from the Joe Pasternak musical mill, Athena is unremarkable save for an early appearance by future Hercules star Steve Reeves and a nicely bitchy performance by the usually resistable Linda Christian. ~ Hal Erickson, All Movie Guide
- Starring:
- Jane Powell, Debbie Reynolds, (more)
1954's Rose Marie is the third film version of the 1924 Otto Harbach-Oscar Hammerstein-Rudolph Frinl operetta of the same name. Though not a completely faithful adaptation, this version is closer to the original than the (admittedly enjoyable) Nelson Eddy-Jeanette MacDonald version of 1936. Ann Blyth stars as Rose Marie Lemaitre, a hoydenish French-Canadian lass who is "tamed" by cheerful mountie Mike Malone (Howard Keel). At first, Mike is only interested in using Rose Marie to capture her sweetheart, renegade trapper Duval (Fernando Lamas), but eventually he falls in love with her, and she with him. Counterpointing the romantic main plot are the comic antics of Bert Lahr, who elucidates his sorry lot in life with the song "I'm the Mountie Who Never Gets His Man." The original Rudy Friml score is well in evidence, along with several new Friml compositions and a few extra tunes penned by Georgie Stoll and Herbert Baker. There's also a remarkable "Indian sacrifice" production number spotlighting a young Rita Moreno. Original Cinemascope prints of Rose Marie included a nine-minute prologue, wherein conductor Alfred Wallenstein led the MGM orchestra in a rendition of "Poet and Peasant Overture" (this was evidently inspired by the similar symphonic prologue which opened 20th Century Fox's How to Marry a Millionaire). ~ Hal Erickson, All Movie Guide
- Starring:
- Ann Blyth, Howard Keel, (more)
The film Bad For Each Other, together with stars Charlton Heston and Lizabeth Scott and director Irving Rapper, were originally assembled into a package by producer Hal Wallis for Paramount. Shortly thereafter, however, Wallis found it expedient to sell the whole package to Columbia, though the film still has the "look" of a Paramount "A"-picture. Heston plays poor-but-proud Army doctor Tom Owen, who through the influence of Pittsburgh socialite Helen Curtis (Lizabeth Scott) builds up a posh society practice. Though he's happy with the money and prestige, Dr. Owen is at heart a man of the people, and he'd much prefer tending to the families of the local steel miners. During a moment of extreme crisis, Owen is forced to choose immediately between the life offered him by Helen and the course he knows he should be following. Dianne Foster plays Joan Lasher, the girl Owen left behind when he began pursuing the ice-princess. ~ Hal Erickson, All Movie Guide
- Starring:
- Charlton Heston, Lizabeth Scott, (more)
This fifth entry in Universal's "Ma and Pa Kettle" series finds the Kettle family taking a trip to Paris (courtesy of the Universal back lot). All the standard "innocents abroad" gags are in attendance, including Pa Kettle's (Percy Kilbride) efforts to extinguish a flaming serving of crepes suzettes, and Ma's (Marjorie Main) entanglement with a team of Apache dancers. Somewhere along the way, the Kettles agree to help the American authorities trap a gang of international spies. A running gag finds Pa Kettle trying to purchase a set of postcards depicting "zee beauties of Paree." There's even a throwaway joke about the Marshall Plan! Sharp-eyed viewers will spot Rita Moreno as a nightclub chanteuse in one scene. Of the nine "Kettle" programmers produced by Universal, Ma and Pa Kettle on Vacation is arguably the most memorable. ~ Hal Erickson, All Movie Guide
- Starring:
- Marjorie Main, Percy Kilbride, (more)
The Desert Song is the third film version of the famous Sigmund Romberg/Oscar Hammerstein Jr. stage operetta. Gordon MacRae plays the wimpish American tutor of lovely Kathryn Grayson, the daughter of a military officer stationed in Arabia. Under cover of night, MacRae assumes the identity of the Red Shadow, head of the Riffs, who fights against the oppression of a cruel local potentate (Raymond Massey). Circumstances force MacRae to kidnap Grayson and spirit her away to his desert headquarters, where she eventually sees the wisdom of his mission and falls in love with him. With Grayson's help, the Red Shadow thwarts Massey's plans to massacre all "foreigners" living in his domain. The story was old-fashioned even when Desert Song was first produced in the 1920s, but the songs, including One Alone, The Riff Song and the title tune, still retain their audience appeal. The only serious detriment to the 1953 Desert Song is the comedy relief of Dick Wesson as a wisecracking American reporter, a wearisome carryover from the stage original. ~ Hal Erickson, All Movie Guide
- Starring:
- Kathryn Grayson, Gordon MacRae, (more)
Audie Murphy is suitably cast as cavalry lieutenant Jed Sayre in Universal's Column South. Stationed in Navajo country, Sayre has a pretty good understanding of, and rapport with, the local Indians, but his new CO Lee Whitlock (Robert Sterling) is of the "only good Indian is a dead Indian" school of thought. Eventually Sayre is able to make Whitlock see the light -- and, as a bonus, he gets to romance Whitlock's sister Marcy (Joan Evans). Further complications arise when Confederate General Storey (Ray Collins) hatches an underhanded scheme -- one that will potentially cost many innocent lives -- to force the cavalry troops to join the Southern cause when the Civil War commences. Of interest to modern viewers is the presence of Dennis Weaver, here cast as Navajo chief Menguito. ~ Hal Erickson, All Movie Guide
- Starring:
- Audie Murphy, Joan Evans, (more)
Despite the lighthearted promotional campaign mounted by 20th Century-Fox when the film was first released, The Kid from Left Field is not a comedy. The title character is young Christy Mathewson Cooper (Billy Chapin), the son of former big-league ballplayer Larry Cooper (Dan Dailey), who is now reduced to hawking peanuts at the ballpark. Securing a job as a batboy with a team called the Bisons, Christy amazes the players and management by giving them tips on how to win games. What no one knows is that Christy is passing along information provided by his father. Impressed by Christy's apparent expertise, third baseman Pete Haines (Lloyd Bridges) tells team secretary Marion Foley (Anne Bancroft) about the boy. She, in turn, tells Bisons owner Whacker (Ray Collins), a "Bill Veeck" type ever on the alert for a new publicity gimmick. Whacker promptly appoints the pint-sized Christy as manager of the team, replacing the ill-tempered Billy Lorant (a truly venomous performance by Richard Egan). Larry is about to spill the beans concerning Christy's baseball knowledgeability, but he decides not to, considering himself a burnt-out has-been. And that's all that can be revealed without giving away the ending. Its whimsical premise notwithstanding, Kid from Left Field is treated as a straight drama, with several near-noir long shots of the shadow-drenched ballpark. The film was remade for television in 1978 as a vehicle for Gary Coleman. ~ Hal Erickson, All Movie Guide
- Starring:
- Dan Dailey, Anne Bancroft, (more)
The Young Man with Ideas in this MGM production is idealistic lawyer Maxwell Webster (Glenn Ford). Too self-effacing for his own good, Webster vegetates in Montana with his wife Julie (Ruth Roman) and children for nearly 10 years before starting life anew in California. Living penuriously while studying for his California bar exam, Webster tries out several moneymaking schemes, most of which come acropper. Along the way, he inadvertently gets involved with a bookie ring, culminating in a climactic courtroom scene wherein Webster defends himself -- and surprise, he doesn't have a fool for a client. In typical Hollywood fashion, the script requires the talented Ruth Roman to express jealousy when a brace of lovely females played by Nina Foch and Denise Darcel briefly set their caps for the ingenuous Glenn Ford. ~ Hal Erickson, All Movie Guide
- Starring:
- Glenn Ford, Ruth Roman, (more)
Bronislau Kaper's haunting musical score for A Life of Her Own (1951) was recycled in the romantic melodrama Invitation. Dorothy McGuire stars as Ellen Bowker, a wealthy young woman with a rare heart condition. Knowing that his daughter may have only a year or so to live, Ellen's father Simon Bowker (Louis Calhern) wants to make certain that her last months on earth will be happy ones. To that end, he arranges for Dan Pierce (Van Johnson) to marry the girl. More interested in Ellen's millions than in Ellen herself, Dan agrees. Eventually, of course, he genuinely falls in love with the girl. But trouble looms on the horizon when Ellen discovers the real reason behind Dan's whirlwind courtship. How can a happy ending possibly result from all this? It's best to reveal no more at this point. ~ Hal Erickson, All Movie Guide
- Starring:
- Van Johnson, Dorothy McGuire, (more)

















