Arthur Cohn Movies

As China is ravaged by war in the late '30s, a young English journalist named George Hogg (Jonathan Rhys-Meyers) leads 60 orphans over the Liu Pan Shan mountains and into the safety of the Mongolian desert. Joining the journalist and the children on their arduous journey are an American nurse (Radha Mitchell) and the fearless leader of a Chinese partisan group (Chow Yun-Fat). The journey won't be easy, but as they boldly forge forward through snow-covered mountains and unforgiving desert, they learn the true meaning of responsibility, courage, and love. Jane Hawksley pens a drama based on actual events and directed by renowned filmmaker Roger Spottiswoode. ~ Jason Buchanan, All Movie Guide

For a variety of reasons, mostly political, Charlie Chaplin left the United States in the early fifties living the final quarter-century of his life in Switzerland. Charlie Chaplin: The Forgotten Years documents this last act in the legendary director's life. The film intersperses personal footage of the man with interviews from those who knew him during this period. ~ Perry Seibert, All Movie Guide

Former documentary filmmaker Walter Salles (Foreign Land) directed this Brazilian-French road movie tracing the travels and travails of a young boy and an aging woman across the Brazilian landscape. In Rio de Janeiro's central railroad station, callous Dora (leading Brazilian stage/screen actress Fernanda Montenegro) works at a stand where she writes letters for a parade of poor and illiterate. Some of these remain undelivered because she chooses not to mail all of the letters. One of her customers is a woman whose nine-year-old son, Josue (Vinicius de Oliveira), hopes to see the father he has never met, but after the mother dictates two letters to the father, she's killed when hit by a bus. Since Josue is left homeless, Dora reluctantly takes him home to her small apartment overlooking the railroad tracks, where she sometimes spends time with her neighbor Irene (Marilia Pera). Dora places Josue with people who claim to find adoptive parents. When Irene informs her they actually sell children who are then killed for their organs, Dora rescues Josue, and the two board a bus. After a failed attempt to abandon Josue at a roadside stop, Dora and Josue hitch a ride from a religious truck driver. Failing to locate his father, they arrive penniless at a huge rural religious convocation, where Josue suggests Dora bring her letter-writing skills back into play. The notion works, and Dora profits by writing letters to saints for the more devout among the assembled multitudes. Continuing on, they arrive at a sprawling-mass housing development -- and hopefully, a solution to the problem of a family for Josue. Young actor de Oliveira was a shoeshine boy who beat out more than 1,500 other children who auditioned or were interviewed for the Josue role. Made with grants from the Sundance Institute, NHK, and the French Ministry of Culture, this film was shown at 1998 film festivals (Sundance, Berlin). ~ Bhob Stewart, All Movie Guide

Depicting the effects of a mid-1980s strike by the employees of a Hormel meat-packing plant in Austin, Minnesota, Barbara Kopple's Academy Award-winning documentary American Dream observes both the daily struggles of the striking workers and the behind-the-scenes conflicts amongst the union leaders. Upset at a proposed pay cut, the local union chapter begins the strike against the advice of their parent organization, hiring an outside consultant who encourages the workers. This consultant's aggressive, no-compromise approach turns the conflict into national news but also alienates management. Soon, despite the efforts of a seasoned negotiator sent by the parent union, the company has locked out the workers and hired scabs, leading to a series of violent conflicts amongst members of the community. The workers' resolve progressively fades as the battle extends into months and years, and the financial hardships they and their families suffer leads some to doubt the value of their efforts. Kopple, who had previously covered an extended miner's strike in the acclaimed 1977 documentary Harlan County, USA, focuses on the personalities and emotions behind the strike, creating a highly charged portrait of labor that is sympathetic to the workers' distress without ignoring the strike's greater ambiguities. ~ Judd Blaise, All Movie Guide

In a direct, effective approach to the holocaust and its meaning, this historical documentary features film clips on the Warsaw ghetto, the gas chambers, bodies bulldozed into mass graves, and other Nazi atrocities, and contrasts these silent scenes with propaganda tirades by Hitler and his minions. Long-time Nazi hunter Simon Wiesenthal introduces the documentary in straightforward language that emphasizes the importance of never forgetting these horrors in the hope that nothing like this will ever be repeated again. ~ Eleanor Mannikka, All Movie Guide

The inaugural film effort of French director Jean-Jacques Annaud, Black and White in Color is set during World War I. Upon the outbreak of hostilities, a French trading post in West Central Africa finds itself at odds with a formerly peaceful German post, for no other reason than their parent countries are at war. The newly xenophobic French traders attack the Germans, only to fail in their efforts. Socialist Jacques Spiesser is put in charge of the debilitated French contingent, utterly discarding his former high ideals in the process. Filmed on location on the Ivory Coast, the satirical Black and White in Color (originally La Victoire en Chantant) won the American Academy Award for Best Foreign Film of 1976. ~ Hal Erickson, All Movie Guide

Lo Chiameremo Andrea is an Italian comedy by famed director Vittorio De Sica. It tells the story of Paolo (Nino Manfredi) and Maria (Mariangela Melato) two elementary schoolteachers whose "biological clock" is ticking. They have been married for some time, and desperately want a child of their own. So powerful is this desire that Maria suffers for a while from a hysterical pregnancy. The film focuses on their efforts to overcome sterility and the humor to be found in the affectionate lack of understanding each has for the other . ~ Clarke Fountain, All Movie Guide

This disturbing feature finds two friends who can only become sexually aroused when they are with the same girl at once. Mike (Arthur Brauss) and Werner (Klaus Loewitsch) perform with the same girl to the mutual satisfaction of al three participants. Mike watches Werner before he takes his turn, making it a sex game of victim and assailants. The two meet Alice (Helga Anders), the pretty teenage girl who resists Mice's advances. Fighting ferociously to fend off the boy, Alice is raped by Mike. When it is Werner's turn, he attacks Mike and the two engage in a vicious and bloody battle employing pounding fists, ropes and knives. Alice tries to mediate when it is clear the boys may fight to the death. A policeman hears the commotion and investigates, but Alice dismisses the incident to the lawman as just a disagreement between two good friends. ~ Dan Pavlides, All Movie Guide

Vittorio De Sica directed this sudsy romantic drama, which received punishing reviews on its initial release. Recently-divorced fashion designer Julia (Faye Dunaway) arrives in Venice from the U.S. and meets handsome race car driver Valerio (Marcello Mastroianni) at the airport. While she initially brushes off his advances, she soon has a change of heart and invites him to spend a few days with her at the villa where she'll be staying. After several days divided between lovemaking and sightseeing, a party at Julia's home turns into an orgy, and Valerio decides that he's bitten off more than he can chew and leaves her. However, Valerio soon learns that there's a reason for Julia's reckless abandon -- she is suffering from a terminal illness and has a very short time to live. Faye Dunaway and Marcello Mastroianni were romantically involved at the time Amanti was in production, though little of their personal chemistry appears onscreen. ~ Mark Deming, All Movie Guide

French explorer and director Pierre-Dominique Gaisseau traveled to what was then Dutch New Guinea to film a trek into deep jungle, up mountains measured in thousands of feet, and into high plateaus, just to make this documentary. Since this area was not a spot where camera crews had gone before, Le Ciel et la Boue called attention to itself almost immediately. As admirable and daring as the expedition was -- Gaisseau and his crew had to be dropped provisions when they ran out -- it is regrettable that more ethnological research did not precede the trip. The people Gaisseau incredibly terms "pygmies" are the Una, and while Gaisseau considers them stone age (not without merit), much of their culture and art and beliefs remain a glaring blank in this documentary. In later epoches other explorers like Lorne and Lawrence Blair would go in with cameras and come out with an impressive and entertaining compendium of sights, sounds, and information that educated along the way. ~ Eleanor Mannikka, All Movie Guide