Anne V. Coates Movies

Director Anthony Hickox (Waxwork) returns to the horror genre with this rural frightener about a Wall Street stockbroker who begins to experience disturbing visions after moving into an English country mansion with her husband and their young son. English expatriate Emma (Natalie Press) made a killing on Wall Street, but now the time has come to reclaim her European roots. Her French husband, Henri (Matthieu Boujenah), is also a successful businessman, and he's just purchased a sprawling estate in the English countryside, where the happy couple plans to raise their son, Thomas. Almost immediately after they move in, however, a series of gruesome visions leaves Emma convinced that something terrible once happened in their house, and that the threat still lingers. To make matters worse, the bottom on Henri's business is starting to fall out, and young Thomas is growing obsessed with a particularly sinister doll. Of course it's always good to have the support of family and friends in such trying times, but somehow Emma can't help but feeling that her brother, Andrew (Lorcan O'Toole), and longtime family friend Charles (Hugh Bonneville) aren't being entirely benevolent with their repeated offers to pitch in around the house. In fact, they seem to be operating on some kind of hidden agenda that raises Emma's suspicions, and leads her to believe something is horribly amiss. ~ Jason Buchanan, Rovi

A woman faced with a tragedy discovers the man she loved was not all she imagined him to be in this romantic comedy-drama. Grey (Jennifer Garner) was a beautiful woman who found the man of her dreams in Grady Douglas, and was looking forward to spending the rest of her life with him until he suddenly died only a few days before they were to be married. With her wedding turned into an impromptu funeral, Grey is emotionally devastated but has to deal with the practicalities of her new life alone, including moving out of the house she shared with Grady. Short on cash and in need of emotional support, Grey moves in with two longtime friends, sloppy but philosophical Sam (Kevin Smith) and well-meaning but tightly wound Dennis (Sam Jaeger). Grey also finds herself often chatting with Fritz (Timothy Olyphant), Grady's best friend, through she's always regarded him as a sleazeball. As time passes, Grey discovers that Grady had a secret life he never shared with her -- including a young son from a previous relationship -- and as she tries to come to terms with the past of her former fiancé, she struggles to put her new life on track, and finds herself reevaluating her long-held feelings about Fritz. Catch and Release was the first directorial effort from screenwriter Susannah Grant, whose script credits include Erin Brockovich, 28 Days, and In Her Shoes. ~ Mark Deming, Rovi

The Cutting Edge: The Magic of Editing teaches the viewer how editors compile strips of film in order to create memorable moviegoing experiences. In addition to interviews with a variety of respected and award-winning editors, the movie offers clips form some of the most memorable films in the history of the artform. ~ Perry Seibert, Rovi

Diane Lane is a wayward wife and Richard Gere is her suspicious husband in Adrian Lyne's Unfaithful. Connie (Lane) leaves her suburban home on an errand, venturing into Manhattan during a wicked windstorm. On a trash-strewn Soho street, she literally runs into Paul Martel (Olivier Martinez), a handsome young Frenchman carrying a huge stack of books. Connie has a bad scrape on her knee, and is unable to get a cab, so Paul invites her up to his apartment. Paul is quietly flirtatious as he gives Connie some ice and a bandage for her knee. Connie phones home and explains to her son, Charlie (Erik Per Sullivan), that she's running late. Before she leaves, Paul gives her a book of Persian poetry, The Rubaiyat of Omar Khayyam. She mentions the encounter in passing to Edward (Gere), her husband, but it's clear that she's obsessing about Paul, and soon she's back in the city, with a pretext for calling him up. Soon, they are lovers, and they grow bolder and bolder in their passion. Edward begins to suspect, and eventually gets a private investigator (Dominic Chianese of The Sopranos) to follow Connie. His worst fears confirmed, Edward decides to confront Paul, a decision that will come to haunt him. While the screenplay for Unfaithful is credited to Alvin Sargent (Ordinary People) and William Broyles Jr. (Cast Away), the inspiration for Lyne's film came from Claude Chabrol's acclaimed 1969 film La Femme Infidele. ~ Josh Ralske, Rovi

Demi Moore stars in this unusual psychological drama about two women caught between reality and imagination. Marie (Moore) is an American widow trying to raise two children under difficult circumstances in a small town in France. Marty (also played by Moore) is a successful businesswoman in New York City who wants to leave her busy life and lead a quieter existence in Europe. But Marty is just a product of Marie's imagination -- or at least that's what Marie thinks. Marty, on the other hand, is convinced that Marie is just someone she dreamed up. Who is right? Or are both of them wrong? And where does it leave the men in their lives (Stellan Skarsgard and William Fichtner)? Passion of Mind was the first English-language film from French director Alain Berliner, best known for the arthouse success Ma Vie en Rose. ~ Mark Deming, Rovi

Steven Soderbergh directed this crime caper adapted from the novel by Elmore Leonard. When ex-con Jack Foley (George Clooney) robs a bank, his car goes dead, and Foley lands in a Florida prison. His escape from prison doesn't go as planned, since it's witnessed by deputy federal marshal Karen Sisco (Jennifer Lopez). Foley's pal Buddy Bragg (Ving Rhames) intervenes, with the result that Sisco winds up in the trunk of the getaway car with Foley, and the two realize they're attracted to each other, despite being on opposite sides of the law. However, that doesn't stop Sisco from her mission to capture Foley, who has spent much of his life in prison. Flashbacks introduce Foley's fellow prisoners, including dim dude Glenn Michaels (Steve Zahn), violent Maurice "Snoopy" Miller (Don Cheadle), and insider trader and billionaire Richard Ripley (Albert Brooks), who talks too much about his wealth. This later leads to a break-in at Ripley's posh Detroit estate by Miller, his brother-in-law Kenneth (Isaiah Washington), and menacing White Boy Rob (Keith Loneker). While seeking a hidden safe, the group threatens Ripley's housekeeper Midge (Nancy Allen). Foley and Bragg are in on this operation, but they wind up outwitting the others, and Sisco is close on their trail. The film features uncredited cameos by Michael Keaton and Samuel L. Jackson, and was shot in locations in Florida, Louisiana, and Michigan. ~ Bhob Stewart, Rovi

Based on Carl Hiaasen's satirical novel, Striptease tells the story of Erin (Demi Moore), who has just gotten a divorce from Darrell (Robert Patrick), the sleazy ex-con she foolishly married. However, the judge's memories of Darrell's days as a football hero win him custody of their daughter, and Erin, concerned for her child's safety, is determined to fight the decision. Erin has just lost her position as a secretary for the FBI, so, to cover her legal bills, she takes a job as an exotic dancer at a strip club called the Eager Beaver. While she has no experience taking off her clothes in front of an audience, Erin soon makes friends with the fellow dancers and finds a protector in the club's burly but good-hearted bouncer, Shad (Ving Rhames). She also makes a few fans among the regulars at the club, most notably David Dillbeck (Burt Reynolds), a drunken lout with a bottomless appetite for sleaze -- who also happens to be a conservative congressman with ties to right-wing religious groups. One of Erin's admirers snaps a photo of her with the congressman when a brawl breaks out at the club, and he suggests that it would make fine blackmail material. However, when the man with the photo turns up dead, Erin discovers that Dillbeck's people play a bit rougher than she expected. The home video version of Striptease contains two minutes of footage that was clipped from the theatrical release in order to win the film an R rating. ~ Mark Deming, Rovi

A dysfunctional family reunites during the Apollo XI moon landing in this drama starring real-life couple Ted Danson and Mary Steenburgen. In 1969, eccentric teacher Washington Bellamy (Danson) turns the arrival of men on the moon into a science project for his son Andy (Ryan Todd). They drive across the country to Idaho's Spires of the Moon National Park, where the odometer of Washington's classic Pontiac Chief will read 238,857, the exact mileage traveled by Apollo XI. Left behind is wife and mother Katherine (Steenburgen), an agoraphobic who never recovered emotionally from a miscarriage seven years earlier. On the road, Washington and Andy encounter a Native American soldier (Eric Schweig), a flirty barfly (Cathy Moriarty) and Washington's long-lost brother (Max Gail). Back home, Katherine nervously ventures outside to follow her family. When Washington's car breaks down, he steals a new engine, bringing the authorities after him and leading to a rendezvous at the park between father, son, mother, and cops, as the astronauts simultaneously land on the moon. Pontiac Moon (1994) was a critical lemon for director Peter Medak, who enjoyed more success with his British crime dramas such as The Krays (1990) and Let Him Have It (1991). ~ Karl Williams, Rovi

Partly based on Charlie Chaplin's My Autobiography, this humorous and dramatic biopic features an all-star cast including Oscar nominee Robert Downey Jr., Dan Aykroyd, Anthony Hopkins, Kevin Kline, Diane Lane, and Chaplin's real-life daughter, Geraldine Chaplin, who portrays his mentally ill mother. With the use of flashback, an elderly Chaplin discusses his autobiography with his editor (Hopkins), who urges him to be more vulnerable and emotionally honest with his memoirs while journeying through his poverty-stricken childhood, closest friendships, many marriages, merciless pursuit by J. Edgar Hoover (Kevin Dunn), and ingenious invention of "The Little Tramp." Highlighted works such as The Gold Rush (1925) and The Great Dictator (1940) illustrate significant turning points in Chaplin's prolific filmography. Director Richard Attenborough's film also explores the circumstances surrounding Chaplin's exile from America and his eventual return to receive an honorary Academy Award. ~ Lisa Kropiewnicki, Rovi

Lawrence Kasdan's black comedy about a wife's ultimate revenge against her womanizing husband is based on a true story about the wife of a pizzeria owner who decided to kill her cheating husband. When her attempt to murder him failed, the husband refused to press charges against her because he felt she had done the right thing. Kevin Kline is the pizzeria owner Joey Boca in I Love You to Death. Joey is a smooth Italian lothario, modeled after Marcello Mastroianni, who cheerfully dons his plumbers overalls to repair his female tenants' plumbing in the rental apartments the family owns. Joey feels he is justified in bedding down countless numbers of women because of all the hours he puts in day after day at the pizzeria. Plus, as he tells one of his women friends, "I'm a man. I got a lotta hormones in my body." His wife Rosalie (Tracey Ullman) sweetly ignores her husband's philandering -- that is until she visits the public library and sees Joey fondling one of tenants in the book stacks. At first Rosalie considers suicide, but finally, egged on by her mother Nadja (Joan Plowright), she determines that Joey must be the one to face the music. But the people Rosalie hires to do Joey in are of the cut-rate variety and are unsuccessful. They then try to knock Joey off by feeding him barbiturate-laced spaghetti, but also to no avail. Rosalie then enlists pizzeria employee Deco Nod (River Phoenix), who has a crush on Rosalie, to do the job. But even then, they have no luck. As a last resort, they try to hire professionals. What they get instead are two drugged-out junkies -- Harlan (William Hurt) and Marlin (Keanu Reeves) -- who arrive at the home and blast at a slumbering figure in the bedroom. Then, while they report on their progress downstairs, Joey ambles into the living room, very much alive. ~ Paul Brenner, Rovi

Though officially based on Pierre Schoendoerffer's novel L'Adieu au Roi, Farewell to the King also bears echoes of Conrad's Heart of Darkness and Lord Jim--with a lot of filmmaker John Milius' own Hemingwayesque slant thrown in. During World War II, American POW Learoyd (Nick Nolte) escapes a Japanese firing squad. Hiding himself in the wilds of Borneo, Learoyd is adopted by a head-hunting tribe of Nyak Indians, who consider him "divine" because of his elaborate tattoos. Before long, Learoyd is the reigning king of the Nyaks. When British soldiers approach him to rejoin the war against the Japanese, Learoyd resists (in language so flowery that it could have been written by Sir Walter Scott). But when his own tribe is threatened by the invaders, the "king" deigns to fight for their rights. Farewell to the King is breathtakingly photographed and quite exciting at times. ~ Hal Erickson, Rovi

A former FBI agent is recruited to root out the gangsters who killed a fellow agent's son in this Arnold Schwarzenegger action film. After being booted out of the bureau for excessive violence, Kaminski (Schwarzenegger) lives in small-town exile with his bitter wife, Amy (Blanche Baker). He gets the chance to return to the big city, however, when Chicago mobsters murder the son of his old colleague Shannon (Darren McGavin), as well as scads of prosecution witnesses against them in an impending court case. Shannon promises to reinstate Kaminski if he'll help engineer the downfall of gang leader Max (Robert Davi). Working undercover and without government sanction, Kaminski infiltrates the mob by posing as a bodyguard/assassin. Along the way, he tussles with beautiful gambling addict Monique (Kathryn Harrold), who starts off as an enemy but ends up more. The action comes to a head when Kaminski's mob bosses send him to kill none other than Shannon. Released post-Terminator and pre-Predator, Raw Deal is one of several non-science fictional action flicks that cemented Schwarzenegger's '80s box-office appeal. Director John Irvin would return the following year with the gritty Vietnam drama Hamburger Hill. ~ Brian J. Dillard, Rovi