Adriano Celentano Movies
A true superstar of Italian pop music,
Adriano Celentano essayed virtually every genre and style, from rock 'n' roll to rap, and was able to extend his success to films and television. His first public success was associated with his participation in the first Italian Rock 'n' Roll Festival in his native Milan in 1957. The song "Ciao Ti Dirò" became an immediate hit. His 1959 song "Il Tuo Bacio è Come Un Rock" topped the Italian hit-parade, and since then Celentano went on to produce at least one hit single every year. By 1960 he was already a recognizable face, and
Federico Fellini invited him to make a brief appearance as a rock 'n' roll singer in
La Dolce Vita (Celentano made his first film appearance in I Frenetici two years earlier.)
In 1961 he participated for the first time in the Sanremo festival, the biggest annual showcase for Italian pop music. His song "Ventiquattromila Baci" won only a second prize but later sold a million copies and topped Italian charts. Such a disparity caused controversy, and the Sanremo festival even became subject to a Parliamentary hearing. The same year Celentano founded his own record label Clan Celentano, in order to have complete artistic control over his music. Stai Lontana Da Me, released in May of 1962, was the first record by the Clan. In 1963, during the shooting of Il Monaco Di Monza he met his future wife, actress Claudia Mori. They got married the next year.
Though the singer made regular appearances in film, he didn't get much critical attention until
Serafino (1969), directed by the veteran comedy-maker
Pietro Germi. With the 1974
Yuppi-du Celentano debuted as a film director. He also wrote, produced and starred in it. The original soundtrack, also composed by Celentano, went to No.1 on Italian charts as did the title song. The next ten years were the most successful for his film career. Such comedies as
Il Bisbetico Domato (1980) and
Innamorato Pazzo (1981), directed by
Castellano and
Pipolo and co-starring the beautiful Ornella Muti, became megahits in Italy and successfully played in some other European countries. However, his subsequent comedies were increasingly formulaic; they relied too heavily on the presence of beautiful actresses, and Celentano's acting verged on self-conscious mugging.
In 1985 Celentano wrote, directed, scored and starred in the film Joan Lui, his most ambitious project, an allegorical fable about the Second Coming of Christ. Dismissed by critics as a self-indulgent big-budget musical extravaganza, the film also flopped commercially, and the singer lost interest in cinema. In 1987 he ventured into television with a weekly show named
Fantastico. He proved to be very successful as a TV host, as nobody could remain indifferent to his witty and provocative speeches. On the wave of this success he released the album La Pubblica Ottusità, that went to No. 1 in Italy. The same year he wrote the book Il Profeta e i Farisei ("The Prophet and the Pharisees") based on his experiences on television. In 1991 he released the album Il Re Degli Ignoranti, as well a book by the same title. In 1992 Celentano launched a new TV show,
Svalutation, that became famous for its unpredictability and improvisation. ~ Yuri German, Rovi

- 2008
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Legendary Italian pop singer Adriano Celentano served as writer, director, songwriter and star for this one-of-a-kind fusion of musical melodrama and socio-political commentary. Celentano plays Felice, a humble boatman and amateur musician who lives with his wife Adalaide (Claudia Mori) in a tiny cottage far from the smog and the corruption of the big city. But Felice's life takes an unexpected turn with the appearance of Silvia (Charlotte Rampling), the woman he used to love. Felice and Silvia were once pledged to marry, but her heart was stolen away by a wealthy man and she followed him to Milan, where she was believed to have died under mysterious circumstances. As Silvia turns away from the life she knew in the big city, Felice learns more of the evils of a corporate culture that ravages the environment, treats workers with dangerous indifference, and widens the divide between the rich and the poor. Yuppi Du was a critical success and became a cult favorite in Italy following its release in 1975, but the film was never released in North America and had fallen out of circulation when a restored print was screened as a special presentation at the 2008 Venice Film Festival. The festival revival was followed by the film's release on DVD in Italy (its first appearance on home video), appropriately in eco-friendly recycled packaging. ~ Mark Deming, Rovi
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- 1993
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The very young computer whizzes in this big-big budget Italian movie are beginning to lose their focus on their assignment: to create a computer-generated Eden. In order to inspire them, an innocent gardener (rock-star and comedian Adriano Celentano) is brought in. For a while, this works, as they start taking their models from nature and make some real progress. Unfortunately, a weird phenomenon sends one of the youths hurtling into the computerized world, and it is up to the gardener and a relative to haul him back out. ~ Clarke Fountain, Rovi
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- Starring:
- Adriano Celentano, Kate Vernon, (more)

- 1987
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In this light comedy and mystery film, Mary is a waitress living in New York. She is also a newlywed, blonde, and none too bright into the bargain. One day, she gets a call from her husband, who instructs her to take the next plane to Florence because he's struck it rich. However, when she lands in Italy, her husband is nowhere to be found. She throws herself on the mercy of a crusty lawyer whom she meets, and he grudgingly allows himself to become her ally and protector while the two of them search for her missing spouse. Using a coded map, they track down the promised treasure, which seems to have come from a bank robbery Mary's husband participated in. ~ Clarke Fountain, Rovi
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- Starring:
- Adriano Celentano, Debra Feuer, (more)

- 1985
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- 1985
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Viewers should be warned off this failed attempt at farce by its title alone. The film makes just about as much sense. Scripted, directed, and edited by Adriano Celentano a total of $10,000,000 was spent to poke almost violent "fun" at Christ's Second Coming. Joan Lui (Christ, played by Celentano), dressed in a hippie-style band and rimless glasses rides a 19th-century train filled with obviously hostile blacks. He gets off at a rural station and suddenly crosses over into a future world at war. Helicopters fly overhead, cars crash into each other, kidnappings occur and all the while Joan Lui is hanging out with the locals, talking. Episodes "condemning" hedonism or hypocrisy continue from there, but many segments are sure to be unconvincing and unfunny to some viewers at least. Song-and-dance numbers add to the confusion, and only a miracle of re-editing could save this film. ~ Eleanor Mannikka, Rovi
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- Starring:
- Adriano Celentano, Claudia Mori, (more)

- 1983
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The popular Italian comic Adriano Celentano stars in this light comedy as Mattia, a wealthy novelist besieged by female admirers who recruits the aid of his young neighbor to discourage any women from proposing marriage as a logical outcome of their affections. Federica Moro plays Michela, feigning to be Mattia's daughter when she is introduced to the altar-prone women and always finding the necessary "faults" to end their relationship. The Celentano comedy technique is one of exaggeration, or role reversal -- as when he is rejected by the parents of an African woman he is chasing because they do not like whites, so he spends a fortune on sun tan oil trying to get his skin dark. Women stare at him as he walks down the street, they pinch him, or distracted, they run their cars into telephone poles -- a great take-off on male behavior patterns. ~ Eleanor Mannikka, Rovi
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- Starring:
- Adriano Celentano, Federica Moro, (more)

- 1982
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Like his more famous loin-clothed tree-swinging, yodeling counterpart, Bingo Bongo was raised in the jungle by apes. This Italian comedy follows his lively adventures after he is captured, caged and sent back to civilization. There he begins working with a pretty anthropologist who teaches him all he needs to know about speaking, eating correctly and falling in love. ~ Sandra Brennan, Rovi
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- Starring:
- Adriano Celentano, Carole Bouquet, (more)

- 1982
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Four popular Italian comedians (Adriano Celentano, Carlo Verdone, Enrico Montesano, and Diego Abantantuono), at the time this film was shot, play characters who either work in or visit a large hotel. Each comedian reprises some of the roles or attitudes that made him famous in a series of connected vignettes. Unfortunately, the supposedly comic treatment of women and one black bellhop carry enough outmoded gender and racial stereotypes to offend more than a few viewers. ~ Eleanor Mannikka, Rovi
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- Starring:
- Adriano Celentano, Carlo Verdone, (more)

- 1981
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Cristina (Ornella Muti) is a rich, spoiled princess visiting Rome with her royal parents. The mission of their visit is to marry her off to a super-wealthy corporate type and thereby start to turn around the losses their small kingdom is experiencing in its casino business. These less-than-noble intentions get derailed when Barnaba, a zany bus driver (Adriano Celentano) enters their lives and falls madly in love with the gorgeous Cristina. He is nuts enough to succeed in this romantic chase after royalty, as love seems to fuel his determination to rid Cristina of her elitism and to make her see his own irrepressible attractions. ~ Eleanor Mannikka, Rovi
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- Starring:
- Adriano Celentano, Ornella Muti, (more)

- 1981
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On his wedding night, of all times, a husband appropriately named "Ace" (Adriano Celentano) gambles away the night at a local bar -- and wins a handy amount of money. As Ace heads home to his waiting bride Bocconcino (Edwige Fenech), he is killed by a hired gun. When he reappears to see his wife, he has a hard time convincing her that only she can see him -- he is definitely invisible to everyone else, and definitely quite dead. Aghast at his wife's determination to go to work as a dancer on the stage, he undermines her rehearsal and then connives to get her married off to an appropriately aged and wealthy banker. So the next question arises: Is there divorce after death? ~ Eleanor Mannikka, Rovi
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- Starring:
- Adriano Celentano, Edwige Fenech, (more)

- 1980
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- 1980
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- 1980
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This Taming of the Shrew in Italian is also a take off on the 1970 French film L'ours et la Poupee, and showcases the popular singer/comedian Adriano Celentano as an irascible country farmer named Elia, who locks horns with Lisa (Ornella Muti), a gorgeous society snob. Elia is a notoriously obnoxious, confirmed bachelor. The story begins as Lisa finds herself seeking help at Elia's farmhouse when her car breaks down on a rainy night. Elia's maid (Edith Peters) has been after Elia to marry a good woman and when she opens the door to Lisa, the action starts to head toward fulfillment of the maid's wishes. Lisa's beauty is not only ignored by Elia right away, he also treats her quite rudely -- a new experience for her. So Lisa decides to "conquer" him simply because the challenge presents itself. Much to her chagrin, nothing she attempts has the expected effect on Elia, who remains miraculously impervious to her very obvious charms. When Lisa accepts defeat and leaves for Milan, Elia undergoes a change of heart. His slow reaction time only leads to a deeper and more intensive longing for Lisa, and the second half of the film is involved with their involvement. There is one final accomplishment waiting for Elia just before the ending that shows his interests have not been completely subverted to the new pursuit of love and its pleasures. ~ Eleanor Mannikka, Rovi
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- Starring:
- Adriano Celentano, Ornella Muti, (more)

- 1979
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This Italian anthology uses the standard sex comedy format but lacks the subtle social commentary present in its predecessors. In the "Saturday" episode, a modest accountant is sent by his boss to entertain a visiting Japanese engineer who turns out to be a pretty woman (Edwige Fenech). In the "Sunday" episode, a truck driver (Michele Placido) has to help his suicidal neighbor (Barbara Bouchet) by posing as her husband when her Sicilian parents come visiting. In the "Friday" episode, a variety show owner (Adriano Celentano) tries to get back his star dancer who decided to marry a notorious gangster. ~ Yuri German, Rovi
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- 1979
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Guido (Italian pop-music superstar Adriano Celentano) is a millionaire who has made his fortune by inventing an unbreakable glass. He has everything he wants except for casual sex from a woman who knows nothing of his wealth. While riding the subway, his Rolex watch is lifted by the beautiful felonious female Tilli (Eleanora Giorgi). Guido falls for Tilli and spends the rest of his time trying to keep his identity a secret from her and her larcenous family. Celentano plays the role with slapstick flair reminiscent of Jerry Lewis and the smooth deportment of Cary Grant. ~ Dan Pavlides, Rovi
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- Starring:
- Adriano Celentano, Eleonora Giorgi, (more)

- 1977
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- 1976
- PG
Marcello Mastroianni stars as an eccentric aristocrat who befriends an organ grinder. Soon after, the street musician convinces a prostitute (Claudia Mori) to pose as the nobleman's imaginary wife. ~ Jason Ankeny, Rovi
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- 1976
- PG
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Sergio Corbucci directs the 1976 caper Il Grande Bluff, an Italian crime comedy inspired by he Sting, which has been released under several different titles. Bang (Anthony Quinn) gets out of prison and joins with young protege Félix (Adriano Celentano). The teacher and the student scam each other as they attempt a master plan to swindle criminal leader Belle (Capucine). ~ Andrea LeVasseur, Rovi
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- Starring:
- Anthony Quinn, Adriano Celentano, (more)

- 1975
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Composer, songwriter, director, producer, and star performer Adriano Celentano has put together this tale of a seedy aristocrat's two loves, drawing upon the inspiration of Elvis Presley and Jerry Lewis. Felice (Celentano) has two wives, and he loves them both. His first, Silvia (Charlotte Rampling), faked a suicide in order to be the mistress of a wealthy man and live comfortably (divorce was not possible in Italy at this time). His second, Adelaide (Claudia Mori) cares deeply about his happiness. When Silvia comes to Felice hoping to make a baby with him, romantic complications abound, jeopardizing both relationships. ~ Clarke Fountain, Rovi
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- Starring:
- Adriano Celentano, Charlotte Rampling, (more)

- 1975
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- 1973
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This bloody and comical look at the 1848 Italian revolution was director Dario Argento's only foray outside the horror-thriller genres. Adriano Celentano wanders Milan with a goofy baker and witnesses the growing corruption and horror that turns a just cause into senseless violence, rape, and mayhem. The script, co-written by Luigi Cozzi, isn't very funny -- the most amusing part of the film involves a squashed rat in a guy's mouth -- and proved to Argento that comedy was not his forte. Fans of the director will find it worthwhile, but the script is so insular that non-Italians are likely to find most of it uninvolving. ~ Robert Firsching, Rovi
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- 1973
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- 1973
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- 1971
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- 1971
- R
This comic Italian melodrama recounts the story of a friendship which develops out of a romantic obsession. The Italian communist party was largely independent of the Eastern Bloc, and has played a large political role in that country, particularly on the local level. This story tells of Annibale Pezzi (Adriano Celentano), a hospital patient who is also the local communist party boss, and of Sister Germana (Sophia Loren), the nursing nun who is treating him. Annibale successfully invents one ailment after another in order to avoid having to leave the delightful ministrations of this special woman. Though she is at first antagonistic to him and his beliefs, their mutual respect grows until he is finally able to accept the idea of being discharged. ~ Clarke Fountain, Rovi
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