Lewis John Carlino Movies

Adapted by Lewis John Carlino from the speculative novel by Anne Edwards, Haunted Summer recounts one of the most tempestuous "menage a quatres" of the 19th century. During an Italian holiday in 1816, novelist Mary Godwin (Alice Krige) meets the man she is destined to marry, bisexual poet Percy Byshe Shelley (Eric Stoltz). In so doing, Mary finds herself in emotional conflict with Shelley's possessive mentor Dr. Polidori (Alex Winter) and his fellow poet and erstwhile lover, the tortured Lord Byron (Philip Anglim). The erotic adventures that follow make the Gothic goings-on in Mary Shelley's subsequent novel Frankenstein seem like a day at the beach, though it is suggested that Frankenstein might never have happened had it not been for Mary's fateful "Summer of '16." Also figuring into the proceedings is one Claire Claremont, played by Laura Dern, who arguably delivers the film's best performance. ~ Hal Erickson, All Movie Guide

With a plot that is a cross between a teen, low-brow farce and a coming-of-age story, Class opens with scenes of two best friends -- nerdy whiz Jonathan (Andrew McCarthy) and carefree jock Skip (Rob Lowe) -- going around in lingerie; they also barf on a double date, break into a quiet meeting at a girls' school, and generally behave as emotional throwbacks. But when the nerd Jonathan is picked up in a Chicago bar by Skip's mother Ellen (Jacqueline Bisset), the tone changes completely. The affair between the student and the older woman is torrid until they rendezvous in New York and Ellen dumps Jonathan because she finds out he is not a Ph.D. candidate from Northwestern University. Meanwhile, Jonathan does not know who Ellen is until Skip brings him home for the Christmas holidays and the two clandestine, September-May ex-lovers come face to face with the truth. ~ Eleanor Mannikka, All Movie Guide

Bull Meechum (Robert Duvall) loves fighting almost as much as he loves the Marine Corps. Profane, cocky, and arrogant, he's a great fighter pilot -- and he knows it. His boss hates his guts, but knows that if he's going to straighten out his lagging squadron, Meechum is the man to do it. The story and irony of The Great Santini is in Meechum's total intolerance of family life and fatherhood. Meechum has a lovely, supportive wife, Lillian (Blythe Danner), an earnest, likeable son, Ben (Michael O'Keefe), three smaller children, and a good home, but Meechum finds the pastoral nature of peacetime totally incompatible with his gung-ho nature. So he begins to drink. He drills his family unmercifully, like recruits. He hammers his son relentlessly until, in a basketball game, his son fights back, and the family cheers Ben's efforts. Tension builds in the household until, during one drunken night, Meechum breaks down. Based on a best-selling novel by Pat Conroy, The Great Santini earned critical raves but fared poorly at the box office. Duvall's performance as Meechum is generally regarded as one of his greatest. ~ Nick Sambides, Jr., All Movie Guide

A distraught youth is troubled by his mother's new relationship with her sailor boyfriend who occasionally drops by when his ship is in. The sailor (Kris Kristofferson) is a caring man who offers a supportive relationship to the woman as well as a kind word for the youth. In his confused and addled adolescent state (which isn't helped any by his association with a local perverted youth) the boy plans a vengeful rite for his mother's beau. ~ All Movie Guide

Gay Talese's bestseller Honor Thy Father is given a superb, albeit slightly expurgated, treatment in this made-for-TV movie. Joseph Bologna plays Bill Bonanno, the son of New York City Mafia-don Joe "Bananas" Bonanno (Raf Vallone). When his father disappears in 1964, Bill is compelled to take over the "family business." This proves well-nigh impossible as several Mafiosi fall over themselves trying to stake their own claims within the Bonanno empire. Lewis John Carlino, the script writer for the 1968 Mafia flick The Brotherhood, adapted the Talese novel for television. Joseph Campanella "appears" as the slyly noncommittal off-screen narrator. Honor Thy Father was first telecast March 1, 1973. The producers sagaciously withheld the film from the critics until that night to make certain no reviewer would spoil the audience's enjoyment by prematurely cataloging the differences between the film and the book. ~ Hal Erickson, All Movie Guide

In A Reflection of Fear a young woman, Marguerite (Sondra Locke), cloistered in a turn-of-the-century Victorian dream-world by her mother, vies for the attention of her visiting dad, Michael (Robert Shaw), both conventionally and sexually, in hopes that she'll get to live with him. Her plans are complicated by a series of murders that may or may not be by Marguerite or her eerie life-size doll Aaron. The perpetrator moves around the estate through secret passageways. The first victims are Marguerite 's mother and grandma. While the investigation is under way, a local boy tries to woo the girl, but whenever he gets too close, the girl lashes out in unpredictable ways. Meanwhile Michael's fiancée, Anne (Sally Kellerman), becomes suspicious of Marguerite and what she understandably sees as Marguerite's creepy competitions for her dad's love. Anne's initial efforts to befriend Michael's daughter turn into exasperation and disgust. As the situation spirals out of control, the long-absent father is forced to confront Marguerite 's twisted personality and upbringing. ~ Michael Buening, All Movie Guide

Based on a novella by D.H. Lawrence, this drama concerns Jill (Sandy Dennis) and Ellen (Anne Heywood), a lesbian couple who live in a remote, snowbound cabin. While Ellen dominates the relationship, she has also grown dissatisfied and is no longer sure she wants to stay with Jill. When Paul (Keir Dullea), a handsome stranger, happens by, the women invite him in. Soon Paul and Ellen are having an affair, which leads to an ugly confrontation among all three. The Fox won a Golden Globe Award as Best English Language Foreign Film of 1968 (it was made in Canada). Originally rated R in 1968, it was re-edited and rated PG in 1973. ~ Mark Deming, All Movie Guide