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Mario Camus Movies

Spanish filmmaker Mario Camús is most famous for two critically acclaimed films, La Colmena/The Beehive (1982) and Los Santos Inocentes/The Holy Innocents (1983). A cinema buff from his college days as a law student, Camús entered the Escuela Oficial de Cinematografía in 1956. Following graduation in 1962 with his diploma short El Borracho/The Drunkard, Camús made his feature directorial debut with Los Farsantes/The Pretenders (1963). In addition to a busy career in feature films, Camús has also been active in television. ~ Sandra Brennan, Rovi
2008  
 
An elderly man is forced to come to terms with his age and his future in this drama from director Mario Camus. Alfonso (Alvaro de Luna) is in his early Seventies and while he still feels sharp, looking after Nanda (Mari Gonzalez), who cared for him as a child and has only a short time to live, is making him painfully aware of his mortality. Luisa (Marian Aguilera) is a social worker who keeps tabs on Nanda, and through her Alfonso meets her brother Martin (Oscar Abad), who hopes to turn his passion for bike racing into a career. Alfonso was a passionate cyclist in his youth, and he becomes a mentor to the younger man as he looks back on his lost youth. Meanwhile, Luisa is looking for new excitement in her own life, and thinks she's found it in a romance with Ramiro (Antonio de la Torre), a mechanic who works on motorcycles. ~ Mark Deming, Rovi

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Starring:
Alvaro de LunaMarian Aguilera, (more)
 
2004  
 
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An aging author's life story sets the stage for an look back at the political turmoil and social upheaval of Argentina in the 1950s and '60s in this historical drama from filmmaker Adolfo Aristarain. Acclaimed novelist Joaquín Góñez (José Sacristán) has agreed to write his memoirs, and young Manuel Cueto (Juan Diego Botto) has been hired by his publisher to transcribe his dictation. Cueto, however, soon discovers his job is more complex than imagined; the disillusioned Góñez has been suffering from writer's block, and Cueto must ingratiate himself with the author in order to draw him out. Góñez was raised by a pair of open-minded musicians, and he enjoyed an especially cordial relationship with his mother, Roma (Susú Pecoraro). When his father died, Góñez and Roma were left on their own, and she had a difficult time adjusting to her loss while raising her son. As he grows older and the '50s give way to the '60s, Góñez (now also played by Botto) becomes a bohemian hipster who has quit school to hang out with his girlfriend, Betty (Carla Crespo), and their circle of creatively minded pals. As Góñez begins his life as a writer, he also becomes more aware of politics, and his activist friends soon find themselves roughly handled by the police; as his ideals are challenged and his romantic relationships begin to crumble, Góñez falls into a romance with his best friend's wife, leading to an emotional crisis that leads him back to Roma. ~ Mark Deming, Rovi

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2002  
 
Veteran Spanish filmmaker Mario Camus directed La Playa De Los Galgos (The Beach of the Greyhounds) from his own script. Pablo (Gustavo Salmeron) tends to his elderly mother and is forever taking steps to find his missing brother. One day he meets Berta (Claudia Gerini), whom he becomes involved with. They seek out a psychiatrist named Dubbini (Miguel Angel Sola), as he may possess information on Pablo's brother. Both men fall madly in love with Berta, but her violent past will haunt everyone in the film. ~ Perry Seibert, Rovi

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Starring:
Carmelo GómezClaudia Gerini, (more)
 
1999  
NR  
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One of the finest filmmakers of Spain, Mario Camus turns his lens to a joyful and sad period of Spanish history in this historical drama about one man's struggle for a better life towards the end of the 18th century. Onofre Bouvila (Olivier Martinez) is a young man who has not had much luck in his short life. His father abandoned the family to make his fortune in Cuba and the boy grew up in misery with his suffering mother. Now grown up, he decides to make it in the big city and arrives in Barcelona on the eve of the Universal Exposition of 1888. He is immediately attracted to his landlord's beautiful daughter, Delfina (Emma Suarez), who has other plans for him. While the city is drowning in poverty and disease, the criminal gangs are having a field day. Onofre's attempts at finding a job fail. He is thrown out of his lodgings for lack of money to pay the rent. Just at that moment, Delfina appears with an answer to the problem. She puts him to work distributing revolutionary pamphlets for her anarchist organization to the workers at the Exposition. The relationship between the two young people soon turns into a passionate one, but a violent encounter with the police brings back unpleasant memories of the domestic misery Onofre left behind. He realizes that politics will not help him in his quest for fortune, which was the reason he came to Barcelona in the first place. The only thing standing in the way of social climber Onofre is his deep love for Delfina, and he is caught between ambition and love. La Ciudad de los Prodigios (The City of Marvels), which is based on Eduardo Mendoza's best-selling novel, was in competition at the 1999 Montreal World Film Festival. ~ Gönül Dönmez-Colin, Rovi

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Starring:
Olivier MartinezEmma Suarez, (more)
 
1997  
 
Based on a popular novel by Spanish author Antonio Gala, this romantic melodrama centers on the struggles on a Seville rancher's dissatisfied wife. Poor Palmira; her husband Willy has not slept with her in ages, her teenaged son is sexually confused, her sister a lesbian, and her daughter is seeing a man on the sly. Matters worsen when Palmira finds out that her husband is having an affair, that her daughter is pregnant with a hemophiliac child and her son has died in a motorcycle accident. If that weren't enough, she learns of his homosexuality shortly after the funeral from his bisexual best friend, the one with whom Palmira had a brief affair. Overwhelmed, Palmira leaves the family to search for herself and for her long-lost first love. ~ Sandra Brennan, Rovi

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1997  
 
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Though her son is doing his best to force her out of the beloved country house, the stubborn and feisty Lola refuses to leave as she and Clementina (her niece) are trying to adopt a Bosnian war orphan. Opportunistic runaway Bartolome needs a few meals and so convinces the grandmother that he is the refugee they are awaiting. Later Clementina finds a gradual friendship developing between herself and Lola's lawyer. When aging fisherman Colo finds a raft of drugs floating in the ocean, he figures that all he has to do is sell the stuff and then use the money to save Lola's home. Unbeknownst to him, the smugglers who lost the drugs are eager to get them back. Though their lives are interconnected, each main character has his or her distinct storyline. A deceptively simple piece that manages to be as gritty as it is lyrical, El Color de las Nubes is one of Spanish director Mario Camus' best films. ~ Sandra Brennan, Rovi

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Starring:
Julia Gutiérrez CabaAna Duato, (more)
 
1996  
 
In this keen-witted, darkly comical Spanish allegory, the death of the family dog nearly destroys a successful businessman's well-ordered middle-class life. Up until the dog gets mysteriously ill, Andre led an idyllic suburban existence with his wife and two kids. Concerned for the ailing pet, he brings it to the veterinarian who tells Andre that the dog is terminally ill and must be put to death without delay. In his shock, Andre agrees and the dog dies swiftly, but then another problem arises: the vet has no way to dispose of the body because it is a weekend and so Andre must do it himself while feverishly thinking of a way to tell his family. ~ Sandra Brennan, Rovi

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1993  
 
Carmen (Mercedes Sampietro) is a puzzle to all the people who surround her: her parents, her grown son, and a charming literature professor. They cannot understand how she can prefer solitude to being in their company. Her work certainly thrives in solitude, as she is a restorer of old paintings. She is content to care for one of her infant grandchildren and a new puppy in splendid isolation. ~ Clarke Fountain, Rovi

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Starring:
Mercedes SampietroJosé M. Sacristán, (more)
 
1993  
 
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Ana (Carmen Maura) is a veterinarian living in the country with her daughter. She has a comfortable, settled life. From time to time, Dario (Fernando Valverde), one of her co-workers, stops by her farmhouse for a meal, but otherwise her life seems placid and timeless. This all changes when she meets Jose (Joaquim de Almeida), a handsome young man who becomes her lover. Not until she is thoroughly involved with him does she discover that he is an ex-convict and an arms smuggler. Inevitably, she is drawn into some shady business. ~ Clarke Fountain, Rovi

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Starring:
Carmen MauraJoaquim de Almeida, (more)
 
1992  
 
In this mystery, a Picasso painting has been stolen. Various people are involved in the resolution of the story, including a lawyer with an eye for the women, and that lawyer's diffident shy client who winds up with the lawyer's gorgeous girlfriend. ~ Clarke Fountain, Rovi

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Starring:
Carmelo GómezAna Belén, (more)
 
1991  
 
In 1946, Darman (Terence Stamp) followed orders from his Communist Party superiors, and went to Spain to kill someone the party had designated as a traitor, and he hasn't been comfortable with himself ever since. Now, it is 1962, and he receives word that he is wanted to perform a similar service. Obediently, he leaves his cozy, book-lined cottage in Britain and heads to Poland, where he gets his orders in some detail. Then he heads for Madrid, evading the Falangist regime's police forces and contacting the city's underground communists. He continues going through the motions of locating his victim, even though he is still very ambivalent about his assignment. At the end, he gets off the hook because another communist does the job. The complex situation grows more complex, leading to a final shootout. This political thriller is based on a novel by Antonio M. Molina and was quite well received in Spain. ~ Clarke Fountain, Rovi

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Starring:
Terence StampPatsy Kensit, (more)
 
 
1987  
 
This plodding romantic drama concerns two people trying to cope with the political changes in post-Franco Spain. Begona (Angeli Van Os) is a beautiful law professor who meets the prosperous government official Juan (Didier Flamand) at a left-wing political rally. He pursues her, and Begonia eventually falls for Juan. Heated political discussions always precede their passionate love making. A government agent with a compromising picture of the amorous duo convinces Juan that Begona is a KGB agent, and Juan is blackmailed into negotiating with Basque terrorists with headquarters in Paris and Brussels. Juan discovers he has been fooled when his Basque contact is assassinated. Unsure if she is really a spy, Juan prepares to sacrifice everything for love. Begona is slowly drawn to the prosperous comfortable lifestyle that Juan can afford and fears she is losing her political passion. ~ Dan Pavlides, Rovi

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Starring:
Didier FlamandMuntsa Alcañiz, (more)
 
1987  
R  
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In this somber and slow-moving drama, the overbearing mother of six daughters is consumed by the emotional trauma of her husband's death. One daughter is compelled to hang herself when she realizes she will never escape her mother's icy emotional grip. The story is taken from the play by Federico Garcia Lorca. ~ Dan Pavlides, Rovi

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Starring:
Ana BelénFlorinda Chico, (more)
 
1986  
 
This adaptation of Geothe's The Sorrows of Young Werther offers a chilly and remote view of love and its passions. The setting is changed to Spain, and Werther (Eusebio Poncela) has taken a job tutoring the son of an estranged husband and wife. The boy's mother is a surgeon and therefore a rather uncommon woman for her society. She and Werther gradually become romantically involved, and his feelings for her begin to run much deeper than is apparent on the surface. ~ Eleanor Mannikka, Rovi

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Starring:
Eusebio PoncelaMercedes Sampietro, (more)
 
1985  
 
While at a Spanish resort town, a wealthy man is lifted of $3 million as part of a nefarious scheme. ~ John Bush, Rovi

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1985  
 
In this downbeat and drawn-out story of personal woe in exile, Martin (Federico Luppi) takes his daughter and leaves Uruguay to live in a specific city in northwestern Spain. Passing himself off as a basketball coach (a total scam -- he knows zip about the game), he manages to support the two of them and at the same time, he goes out looking for the woman he once loved. Meanwhile, his wife's divorce lawyer is requesting the daughter to come home and live with her mother, and when Martin finally hunts down his former lover, she has about as much interest in him as his estranged wife. The exiled Uruguayan is definitely between a rock and a hard place, as his circumstances deteriorate from there. ~ Eleanor Mannikka, Rovi

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Starring:
Federico LuppiCharo Lopez, (more)
 
1985  
 
The poetic and iconoclastic lights of Bohemia have been dimmed in this interpretation of the original play by Ramon Valle-Inclan. Set at the turn of the 20th century in Madrid, the focus is on a perpetual drunk, the blind Max Estrella (Francisco Rabal) and his verses, sayings, and total disregard for his wife and daughter as he pursues both the bottle and the muse. His friend, Don Latino (Agustin Gonzalez) accompanies Max on his travels through the city. Max is rarely sober and can be found in unlikely situations, such as dressing down a government minister for his bourgeois success or commiserating with an anarchist in prison. ~ Eleanor Mannikka, Rovi

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Starring:
Francisco RabalAgustin Gonzalez, (more)
 
1984  
 
Meant to reflect the harsh realities of segments of society in 1960s, Franco-era Spain, this slow-moving, drawn-out story is about a struggling, impoverished family who work on the estate of a wealthy aristocrat. Paco (Alfredo Landa) is the head of his small family who constantly tries to placate his irascible overlords and also teaches them how to hunt birds. His wife Régula (Terele Pávez) is as subservient as Paco. The family is rounded out by a mute, crippled daughter, a son away at military service, and Azarias (Francisco Rabal), an uncle whose mental stability is in question. These individuals are contrasted with Señor Iván (Juan Diego) who rules over them with a detached incomprehension that brands the family as not much different than the animals he hunts. The señor has no compunction about shooting Azarias's pet bird, or forcing Paco to continue with a bird hunt even though he has fallen and broken his leg. Given the insane behavior of the aristocratic Iván, the half-crazy Azarias might be the only one to get through to him on his own level. The 1984 Cannes Film Festival awarded Alfredo Landa and Francisco Rabal a shared "Best Actor" Award for their roles in this film. ~ Eleanor Mannikka, Rovi

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Starring:
Alfredo LandaFrancisco Rabal, (more)
 
1983  
 
Gonzalo (Arturo Fernández) is a local "playboy" type who has landed in jail and is forced to talk one of the inmates, Gines (Francisco Rabal) into protecting him against the rowdier low-lifes in the prison. Gonzalo promises that when he is on the outside in a few months, he will repay Gines for the protection he needs now. Little does he know that the payment will involve hiring Gines as his gardener -- a gardener who would rather run Gonzalo's business ventures than pull weeds. It is the conflict between the meddling, tough-guy prisoner and the sophisticated Gonzalo that causes the most unexpected results in this comedy about the immiscibility of oil and water. ~ Eleanor Mannikka, Rovi

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Starring:
Francisco RabalArturo Fernandez, (more)
 
1982  
 
Based on a 1943 book of the same title by Camilo José Cela, Colmena features the comings and goings of a wide variety of characters, all trying to survive in a poverty-stricken Madrid during World War II. Rather than feature any single story line, these people from all walks of life cross paths almost randomly as they come to a café to sip their one cup of coffee and work on a book, or pick up a prostitute, or get their shoes shined, or play billiards, or just warm themselves on a cold winter's day. This primary setting is complemented by a brothel where a dirt-poor journalist sleeps if there is a room available that night, while during the day he tries to make ends meet one way or another. The demeanor of the people in the café or in the brothel effectively conveys the atmosphere of a long-lost era that may have had hardships but also brought a subtle sense of camaraderie to very disparate human beings. ~ Eleanor Mannikka, Rovi

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Starring:
Victoria AbrilAna Belén, (more)
 
1978  
 
At the end of the Spanish Civil War (1936-39), there was still some resistance from small groups hiding in Spain's numerous small rural mountain regions. In this story, Juana is a schoolteacher who misses her lover, one of those hold-out guerillas who is hiding in the hills to continue fighting the Guardia Civil. She takes a school-teaching job in a remote area of the Santander Province in order to have a chance to see him once more. ~ Clarke Fountain, Rovi

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Starring:
MarisolAntonio Gades, (more)