Fern Buchner Movies

A story about a career television journalist who eclipses her mentor, this drama's plot resembles that of A Star Is Born, and it shares the same screenwriters as those who penned the 1976 version of that film, John Gregory Dunne and Joan Didion. It's based loosely on the real-life story of newscaster Jessica Savitch. Sally Atwater (Michelle Pfieffer) gets a job at a Miami TV station based on a demo tape from her hometown of Reno, Nevada. The station's news director is Warren Justice (Robert Redford), a former high-profile Washington newsman whose career has suffered from his insistence on integrity. He makes Sally his gofer and criticizes her clothes and appearance while she begs him for a chance to go on-air. She becomes the station's weathercaster and Warren gives her the stage name of Tally. With Warren's constant advice, she breaks into news reporting and her star rises quickly as the two become romantically involved. She takes a better job in Philadelphia, with Warren's blessing, and there she soon eclipses the anchorwoman Marcia McGrath (Stockard Channing). From there, Tally's career continues to flourish, while her relationship with Warren takes some strange twists and turns. ~ Michael Betzold, Rovi

This emotion-filled story stars Whoopi Goldberg, Mary-Louise Parker, and Drew Barrymore as three women from different walks of life who find comfort in each other through tragedy. Parker plays Robin, an HIV-positive real estate executive who meets Jane (Goldberg), a lesbian lounge singer on her way to the West Coast who needs a driver. Robin volunteers for the job, and along the way, they stop in Pittsburgh to visit her friend Holly (Barrymore), who is pregnant and abused by her boyfriend. In an attempt to save Holly, all three decide to head West together to begin a new life. But they get only as far as Arizona before Robin falls ill and the three are forced to learn to rely on one another for growth and emotional sustenance. Jane, though concerned about Robin's condition, also finds herself with a romantic interest in her ailing companion. Holly confronts her need to be with abusive men, while Robin comes to grips with her fear of being alone and the realization of her own impending death. Fans of Herbert Ross' earlier Steel Magnolias (1989) might appreciate this movie, which tackles some of the same themes. Sometimes referred to as a "feminist road movie," the film deals with women who find one another in a time of crisis and realize that the bonds among women are more powerful than any of life's obstacles. ~ Don Kaye, Rovi

In this psychological thriller, a needy young woman finds fulfillment by trying to literally become her successful roommate. Attractive Manhattanite Allison Jones (Bridget Fonda) has it all: a handsome beau, a rent-controlled apartment, and a promising career as a fashion designer. When boyfriend Sam (Steven Weber) proves unfaithful, Allison strikes out on her own but must use the classifieds to seek out a roommate in order to keep her spacious digs. In steps Hedra Carlson (Jennifer Jason Leigh), who's timid and frumpy but puppy-dog sweet. The self-centered Allison finds Hedra's eager friendship flattering, but soon she grows annoyed as Hedra begins emulating everything about her. After Allison gets back with Sam and asks Hedra to please vacate the premises, the pert beauty really gets to see her weird new roomie's bad side -- Hedra, it seems, is downright homicidal. Directed by Barbet Schroeder, who wowed Hollywood with Barfly and Reversal of Fortune. Single White Female was the second screenplay from future Opposite of Sex director Don Roos. ~ Brian J. Dillard, Rovi

A woman learns the value of friendship as she hears the story of two women and how their friendship shaped their lives in this warm comedy-drama. Evelyn Couch (Kathy Bates) is an emotionally repressed housewife with a habit of drowning her sorrows in candy bars. Her husband Ed (Gailard Sartain) barely acknowledges her existence, and while he visits his aunt at a nursing home every week, Evelyn is not permitted to come into the room because the old women doesn't like her. One week, while waiting out Ed's visit, Evelyn meets Ninny Threadgoode (Jessica Tandy), a frail but feisty old woman who lives at the same nursing home and loves to tell stories. Over the span of several weeks, she spins a whopper about one of her relatives, Idgie (Mary Stuart Masterson). Back in the 1920s, Idgie was a sweet but fiercely independent woman with her own way of doing things who ran the town diner in Whistle Stop, Alabama. Idgie was very close to her brother Buddy (Chris O'Donnell), and when he died, she wouldn't talk to anyone except Buddy's girl, Ruth Jamison (Mary-Louise Parker). Idgie gave Ruth a job at the cafe after she left her abusive husband, Frank Bennett (Nick Searcy). Between her habit of standing up for herself, standing up to Frank, and serving food to Black people out the back of the diner, Idgie raised the ire of the less tolerant citizens of Whistle Stop, and when Frank mysteriously disappeared, many locals suspected that Idgie, Ruth, and their friends may have been responsible. Evelyn finds herself looking forward to her weekly visits with Ninny, and is inspired by her story to take a new pride in herself and assert her independence from Ed. Fried Green Tomatoes was based on the novel Fried Green Tomatoes at the Whistle Stop Cafe by actress-turned-author Fannie Flagg, who makes a cameo appearance as the leader of a self-help group. ~ Mark Deming, Rovi

Woody Allen's character study of a well-kept, upscale Manhattan woman (Mia Farrow) takes the title character on a journey through a Wonderland of her own making, in which she learns some truths about herself, her relationships, and the universe in general. Alice leads a comfortable life, except for some nagging aches and pains, but when she visits the mysterious Dr. Yang (Keye Luke), he discovers that what really ails Alice is her own lack of true human experience. Alice has been married for sixteen years to Doug (William Hurt), an emotionally detached stockbroker, and she lives a perfectly maintained life in a perfectly maintained apartment, with a pair of children and the requisite support staff. All that changes when a chance meeting with a neighbor (Joe Mantegna) leads Alice to consider an affair. Dr. Yang, seizing the opportunity, gives Alice herbal potions that make her both invisible and seductive, allowing her to free herself from her inhibitions. Plunging into her new fantasy world, Alice ultimately comes to terms with her family, her husband, and her life. ~ Don Kaye, Rovi

Rusty Sabich (Harrison Ford) is a bland, oppressed man who burns with a quiet, corrosive intensity that can flare uncontrollably. A Philadelphia prosecutor, Sabich's fire seems to have one outlet: his job. He loves prosecuting people. Otherwise, his life is dead-ended. He has a loveless marriage to a neurotic woman (Bonnie Bedelia) and an overbearing boss (Brian Dennehy) in a labyrinthine law enforcement world of corruption and twisted relationships. Then Carolyn Polhemus (Greta Scacchi) comes into his life. Lovely and seductive, Polhemus easily entices him to break his marital vows, but she schemes to get him to try for his boss' job. When he refuses, she leaves him. When she turns up dead, the victim of an apparent rape-murder, clues begin to point to Sabich. His blood type almost perfectly matches that in the semen found in the victim, carpet fibers at the crime scene match those found in his house, and most damning, his fingerprints are found on a beer glass in Polhemus' apartment. His protestations of innocence ignored, Sabich is put on trial for the murder and hires his biggest adversary (Raul Julia) to defend him. ~ Nick Sambides, Jr., Rovi

Woody Allen spent most of the 1980s and '90s veering between comedy and drama, and he rarely combined the two with greater success than in Crimes and Misdemeanors, in which he weaved together two stories, one deadly serious, one often funny, both ending in sadness. Martin Landau plays Dr. Judah Rosenthal, a prominent ophthalmologist with a successful practice, a loving family, and a reputation for generous charity work. But Rosenthal also has a secret: his mistress, Dolores (Anjelica Huston). What began as a casual fling has become uncomfortably intimate, and as he tries to break off the relationship, Dolores threatens to expose his infidelity to his wife and some unorthodox financial arrangements to his colleagues. Fearful that Dolores will make good on her threats, Judah confesses his secret to his brother Jack (Jerry Orbach), who has ties to organized crime and offers to "make the problem go away." Meanwhile, Cliff Stern (Woody Allen) is a filmmaker working on his pet project, a documentary about philosopher Prof. Louis Levy (Martin Bergmann). However, films about philosophers don't pay the rent, so Cliff's wife Wendy (Joanna Gleason) arranges for him to make a documentary for public television about her brother Lester (Alan Alda), a famous TV comedian whose vapidity is exceeded only by his arrogance. While Cliff tries to bite the bullet and finish the film, he finds himself falling in love with PBS producer Halley Reed (Mia Farrow). ~ Mark Deming, Rovi

Grad-school administrative head Marion Post (Gena Rowlands) is in the midst of writing a book. The walls are thin in the apartment she's taken for work purposes, and soon Marion begins listening to the sessions conducted by her neighbor, an analyst. One of the patients is Hope (Mia Farrow), whose marriage is in tatters. As Hope prattles on, Marion begins flashing back to highlights (and lowlights) of her own marriage. Her musings are constantly interrupted by the memory of the man (Gene Hackman) she'd once ardently loved. Later on, chance encounters with old friends force Marion to face the fact that she has lived her life sheltering herself from her true emotions. Director Woody Allen's career-long indebtedness to Ingmar Bergman is underlined in Another Woman via Bergman's frequent cinematographer Sven Nykvist. ~ Hal Erickson, Rovi

Woody Allen's gentle and nostalgic tribute to the glory days of radio and coming-of-age during World War II plays like Fellini's Amarcord filtered through Neil Simon. The nominal star is Seth Green as Joe, a teenage Jewish boy, growing up with a house full of relatives in Brooklyn. Allen cuts between Joe's working class neighborhood of Rockaway Beach, Queens, and the glittery and glamorous world of radio in Manhattan. ~ Paul Brenner, Rovi

A Woody Allen Manhattan mosaic, Hannah and Her Sisters concerns the lives, loves, and infidelities among a tightly-knit artistic clan. Hannah (Mia Farrow) regularly meets with her sisters Holly (Dianne Wiest) and Lee (Barbara Hershey) to discuss the week's events. It's what they don't always tell each other that forms the film's various subplots. Hannah is married to accountant and financial planner Elliot (Michael Caine), who carries a torch for Lee, who in turn lives with pompous Soho artist Frederick (Max Von Sydow). Meanwhile, Holly, a neurotic actress and eternal loser in love, dates TV producer Mickey (Allen), who used to be married to Hannah and spends most of the film convinced that he's about to die. Appearing in supporting parts are Lloyd Nolan and Maureen O'Sullivan (Farrow's real mom), as the eternally bickering husband-and-wife acting team who are the parents of Hannah and her sisters. The film begins and ends during the family's traditional Thanksgiving dinner, filmed in Farrow's actual New York apartment. Unbilled cameos are contributed by Sam Waterston as one of Wiest's brief amours and Tony Roberts as one of Allen's friends. Hannah and Her Sisters collected Oscars for Michael Caine, Dianne Wiest, and Woody Allen's screenplay. ~ Hal Erickson, Rovi

Woody Allen blurs the the boundaries between the real and unreal in this unique comic fantasy. The scene is a small town in the mid-1930s. Trapped in a dead-end job and an abusive marriage, Cecelia (Mia Farrow) regularly seeks refuge in the local movie house. She becomes so enraptured by the latest attraction, an RKO screwball comedy called The Purple Rose of Cairo, that she returns to the theatre day after day. During one of these visits, the film's main character Tom Baxter (Jeff Daniels), pauses in his dialogue, turns towards the audience, and says to Cecelia, "My God, how you must love this picture." Then he climbs out of the movie, much to the consternation of the rest of the audience and the other characters on screen. Liberated from his customary black-and-white environs, he accompanies Cecelia on a tour of the town, eventually falling in love with her. Meanwhile, the other Purple Rose characters, unable to proceed with the film, carry on a discussion with themselves. Desperately, the RKO executives seek out Gil Shepherd, the actor who played the hero of Purple Rose. Shepherd (also played by Daniels), is sent to Cecelia's hometown to see if he can repair the damage. ~ Hal Erickson, Rovi

A smaller, amusing comedy from writer/director Woody Allen, Broadway Danny Rose begins with a bunch of show business vets sitting around a table at New York's Carnegie Deli and reminiscing about the legendary titular character, a loser of an agent who would represent anyone, including blind xylophonists, piano-playing birds, and has-been crooners with drinking problems. Allen plays Rose as a befuddled, warm-hearted schlub who finally has a shot at getting somewhere when he signs washed-up lounge singer Lou Canova (Nick Apollo Forte) and nearly brings his career back to life. Danny gets him a date at the Waldorf, where Milton Berle is in the audience, looking for guests for his TV special. Canova has a complicated love life, juggling both a wife and a girlfriend. so he enlists Danny to take the girlfriend, Tina Vitale (Mia Farrow), to the concert. But Canova and Tina have a fight, she goes back to her Mafioso boyfriend, and Danny winds up getting chased halfway around New York and New Jersey by the Mob. And of course, once Canova gets his big break, he dumps Danny for another agent. Allen, Forte, and especially Farrow all do strong work with characters that could have easily become stereotypes, and the film has a lighter, warmer touch than the Allen films that preceded it (Stardust Memories and Zelig). ~ Don Kaye, Rovi

When a young, single, neurotic New Yorker finds the perfect woman, he tries desperately to get her to fall for him. Young director Jonathan Kaufer has been compared to Woody Allen with this, his first feature. ~ Kristie Hassen, Rovi