Peter Breck Movies

When a rival businessman (Scott Hylands) threatens his daughter Diana (Darlene Vogel), tycoon John Wellington (Peter Breck) hires Secret Serviceman Jack Travis (Robert Patrick) to protect her. In turn, Travis hires the eccentric mercenary Baxter (Peter Weller), also a former SS agent, to assist. It all seems simple enough at the beginning, but shortly after the bodyguards meet Diana they quickly find themselves in an increasingly complex and deadly situation in which almost no one is exactly who she or he seems to be. ~ Sandra Brennan, All Movie Guide

Highway 61 is an offbeat, comedic road movie about a small-town Canadian barber (Don McKellar) who finds a dead body. When a woman claiming to be the corpse's roadie sister (Valerie Buhagiar), arrives in town, he agrees to drive her and the body from Ontario to New Orleans, following Highway 61 over the entire journey. Along the way, they meet several odd characters. Though the story is poorly-paced, it has enough off-center humor and the performances are engaging enough to make it worthwhile. Rockers Jello Biafra and Tav Falco make cameos. ~ Stephen Thomas Erlewine, All Movie Guide

This is an unusual entry in the knights-in-armor genre. Set in medieval England, the film follows the exploits of a young swordsman, Talon (Lee Horsley). Working as a mercenary knight, Talon possesses a unique three-bladed sword which fires its two extra blades when he touches a button. By chance, Talon learns that he is a prince who has forgotten his royal heritage. Using his sword and his wiles, he attempts to regain control of his kingdom, which has been taken over by a sadistic tyrannical knight and an evil sorcerer. In doing so, he can save a princess who has been taken hostage by the usurpers. Comedy is interspersed with gory and licentious drama throughout the film, which was directed and written by Albert Pyun. ~ Michael Betzold, All Movie Guide

An instant family classic, Benji is shot mostly from the a dog's-eye view , adding even more characterization to a title character well-played by canine veteran Higgins. Benji is an intelligent homeless mutt adopted by a loving family; when the kids are kidnapped, it's the little dog to the rescue in the best tradition of bigger doggie heroes like Rin Tin Tin and Lassie. Believe it or not, Higgins really acts; his captivating performance and the simple, straightforward telling of the story makes for all-around family fun. A sequel didn't fare as well, but the original Benji is still a furry favorite. ~ Don Kaye, All Movie Guide

The Big Valley was the last major successful network Western series of the 1960s, running four seasons, from 1965 through 1969; none of the others that came after it, Branded, Hondo, Lancer, etc., even came close to that kind of longevity. Most of its appeal, besides high production values, lay in its casting and the starring role played by Barbara Stanwyck (or "Miss Barbara Stanwyck" as she was referred to in the credits) as Victoria Barkley, the matriarch ruling over a huge ranch outside of Stockton, CA, and the San Joachin Valley. Stanwyck was also a partner in the series' production company, Four Star. The Big Valley opens in the year 1876, six years after the death of Victoria's husband, Thomas Barkley, who was shot to death amid a battle with the railroad, and in the first episode the railroad is once more trying to take the land of the homesteaders adjacent to the Barkley ranch. The series' model was very obviously Bonanza (along with elements of the movie Duel in the Sun), which, with a relatively inexperienced cast, was already a hit in its fourth season at the time this series was conceived. The sensibilities of the period being what they were, Victoria Barkley could not have produced four siblings from different husbands, as Lorne Greene's Ben Cartwright had by different wives on Bonanza -- but her offspring were still as varied as the Cartwright family. The Barkleys, in the opening, include three brothers, Jarrod (Richard Long), the oldest and the lawyer, mature and deliberative; Nick (Peter Breck), the ramrod of the ranch, bold but also very hot-tempered; and Eugene (Charles Briles), the youngest, who looks up to both of his brothers (who goes off to college and, after the first season, is never seen or mentioned again); and one daughter, Audra (Linda Evans), who is by turns spoiled and vulnerable, and solitary.

In the first episode, a mysterious young man named Heath (Lee Majors) arrives at the ranch, claiming to be Tom Barkley's illegitimate son -- which sends Nick into a rage that nearly has him killing the visitor, until he joins the Barkley brothers in defending their neighbors from the railroad. The Barkley ranch may not have been as big as the Ponderosa on Bonanza, but it was just as attractive to would-be interlopers and troublemakers, and across four seasons the series managed to put some fresh twists on a lot of Western conventions, mostly by virtue of what Stanwyck's presence allowed in the way of scripting. With more acting and filmmaking experience than the rest of the cast combined, she could put her own stamp and fresh, interesting interpretations on stories as old as the "Vanishing Lady" ("The Disappearance") -- the same story that inspired Hitchcock's The Lady Vanishes -- and even prison stories ("Four Days to Furnace Creek") in later seasons. The other prime actor in the series was, oddly enough, Lee Majors, who, at the outset of his career, understood the notion of less being more. His approach to the role of Heath in the first seaon is reminiscent of Steve McQueen with a touch of James Dean and Dennis Hopper. Whereas Richard Long did his best with a role that was usually fairly dullish, Breck tended to overact in his role, which, when it wasn't very physical, tended to get difficult speeches that required more subtlety than he had as an actor. As for Linda Evans, she was so untrained as an actress that she was actually occasionally interesting to watch in her scattershot approach to the role, which, as a solitary romantic dreamer, lent itself to a certain amorphous quality. To the audience's relief, she also got better during the later seasons of the show and was a fully competent actress by the series' end.

The first season of the series was devoted principally to establishing who the Barkleys were, the dimensions of their 30,000-acre ranch (which, in addition to cattle, included a mine, timber, a vineyard, orange groves, and -- in keeping with the sensibilities of the mid-'60s -- included at least one black ranch hand), and establishing the characters' individual personalities. Stanwyck evidently believed that scarcity created demand, and in many of the episodes, her work was confined to no more than two or three major scenes, enough to keep audiences satisfied while not overexposing her on the small screen. By the end of the season, youngest son Eugene was gone from memory and Jarrod, Nick, Heath, and Audra were the focus of the series, along with Victoria. The series was the creation of renowned author A.I. Bezzerides and Louis F. Edelman, and produced by Arthur Gardner, Arnold Laven, and Jules Levy. ~ Bruce Eder, All Movie Guide

In the conclusion of a three-part story, Jason McCord (Chuck Connors) manages to lure a gang of Mexican bandits into a trap at a US Army post, as part of his undercover mission on behalf of President Grant. Unfortunately, Jason is unable to convince the post's commanding officer Major Whitcomb (Wendell Corey), that he himself is not a bandit. Savoring the opportunity of executing "the coward of Bitter Creek", Whitcomb turns down McCord's demand to contact the President's office in Washington--and as time runs short, Jason must place his life is in the hands of the condemned Mexicans, the only ones in the fort who know the whole story. Unlike the rest of Branded's first-season episodes, "The Mission" was filmed in color (though whether or not it was originally broadcast in color is still a matter of dispute). ~ Hal Erickson, All Movie Guide

Perry Mason (Raymond Burr) is in Reno, helping Pete Warren (Peter Breck) finalize his divorce from his wife Myrna. When an incriminating photo reveals that Myrna (Myrna Fahey) is mixed up in a counterfeit gambling-chip scam at a local gambling casino, Pete tells a pack of lies to the authorities to save his soon-to-be "ex" from prosectuion. Before long, Pete is facing a far more serious charge than counterfeiting: Myrna has been murdered, and all the evidence points to him. ~ Hal Erickson, All Movie Guide

Recovering alcoholic William Sherwood (Peter Breck) falls off the wagon when he sees his wife Ruth (Janet Dey)--who was supposed to have died five years ago! Later, Sherwood finds Ruth's body--again--and calls Perry Mason (Raymond Burr) for help. He'll need all the help he can get: with his bloody fingerprints all over the murder scene, Sherwood is charged with his wife's murder (and she's dead for keeps this time). ~ Hal Erickson, All Movie Guide

A small town in the Midwest goes in big for the folk music craze that followed in the wake of the twist. The thin plot has some romantic interplay between two amorous couple, but mainly the film serves as a showcase for some non-offensive music from the collection of stars. Johnny Cash, Sheb Wooley, The Brothers Four and George Hamilton IV are some of the musical acts featured. Wooley, famous for his novelty tune "Purple People Eater", co-wrote the title song with musical supervisor Fred Karger. ~ Dan Pavlides, All Movie Guide