Benjamin Bratt Movies

The Nasty Boys refers not to a rock group but an elite corps of law enforcement officers. This fact-based TV movie is set in August, 1986. The place is drug-ridden North Las Vegas, Nevada. Unable to stem the drug trade by orthodox means, the police department organizes a group of "commando cops", who swoop down on the narcotics kingpins while garbed in identification-obscuring ski masks. These guerilla tactics worked beautifully in 1986, though the hooded vigilantism inherent in so extreme a police procedure has subsequently triggered racial tensions in some large cities. In 1989, however, The Nasty Boys was regarded as a merely a slam-bang piece of entertainment. It was designed as the pilot for a potential TV series, and was given a "sure-fire" network lead-in with the premiere episode of Baywatch (Baywatch clicked; The Nasty Boys clunked). ~ Hal Erickson, Rovi

This contemporary western stars Dermot Mulroney as a Montana teenager whose sanity is being eroded by his parent's domestic squabbles. Linking up with Lili Taylor, a Wyoming-bound transient with a checkered history, Mulroney embarks upon an odyssey of self-discovery. Unfortunately, he persists in crossing the paths of people even more emotionally disturbed than his mother and father. Adapted by Richard Ford from two of his short stories, Bright Angel is a film of short, pithy vignettes, handled with subtlety and sensitivity-at least until the unexpectedly brutal finale. ~ Hal Erickson, Rovi

In this made-for-cable actioner a good-hearted social worker embarks upon a one-man crusade to save Miami teens from getting further involved with a gang of crack dealers. The social worker does this in large part to ease his own guilt at having been responsible for the death of his own son back when he was drinking heavily. To save the teen, he pretends to be a dealer and infiltrates the gang. ~ Sandra Brennan, Rovi

Taylor Hackford directed this urgent melodrama about the realities of street crime, gangs, and prison life among the Chicanos of East Los Angeles. Miklo (Damian Chapa), Paco (Benjamin Bratt) and Cruz (Jesse Borrego) are three friends who are living in the East Los Angeles of 1972 as it is torn apart by violence. When the gang violence hits the three friends, they are affected by their participation in the bitter violence in different ways. Cruz, an artist, becomes crippled, and he sinks deeply into drug addiction. Paco, an accessory to murder, joins the military to avoid jail time, leading to a spot on the LAPD. Miklo, the kid with the gun, is sent to jail, where he slowly rises up in the ranks of La Onda, the San Quentin Latino gang. ~ Paul Brenner, Rovi

In a change-of-pace role designed to prove that she could carry high-concept genre films as well as character-driven dramas, Meryl Streep headlined this fast-paced adventure as Gail, a whitewater rafting guide. For a vacation, Gail is accompanying her son Roarke (Joseph Mazzello) and workaholic husband Tom (David Strathairn) on a river trip. Gail and Tom are experiencing marital troubles and contemplating divorce, but their problems take a back seat when they encounter some menacing rafters led by Wade (Kevin Bacon). After Tom saves Wade from drowning, they discover that the men are murderous fugitives using the river as an escape route. Kidnapped by the killers, Gail's forced to leave her husband stranded on shore and guide the villains through the "Gauntlet," a raging confluence of rivers that few rafters ever survive. Meanwhile, Tom proves to be wilier than anyone suspected, following the raft on foot and plotting his family's rescue. Following a quartet of popular B-grade thrillers, director Curtis Hanson attempted to break partially out of the genre with The River Wild, which, despite the presence of a psycho killer, played as more a stunt-filled action movie than a murder mystery. ~ Karl Williams, Rovi

Law & Order launched its sixth season with the addition of yet another new character, Detective Rey Curtis, played by Benjamin Bratt. As the replacement for Mike Logan (Chris Noth), previous partner of Detective Lennie Briscoe (Jerry Orbach), Curtis exuded enough youthful idealism and self-consciousness to counterbalance Briscoe's hard-boiled, world-weary persona. Ever so carefully, and without disturbing the plot-driven ambience of the series, the producers continued to provide quickie glimpses of the private lives of the six principal characters. The various casual affairs indulged in by Executive Assistant DA Jack McCoy (Sam Waterston) in the years before his association with DA Adam Schiff (Steven Hill) occasionally come back to haunt him, and never so dramatically as in the episode "Trophy," in which he is forced to prosecute a former lover whose false testimony in an earlier case had enabled him to advance professionally. Another episode, "Charm City," represents the first of three Law & Order crossovers with another NBC crime series, the Baltimore-based Homicide: Life in the Street. This required several Law & Order regulars to make guest appearances on Homicide, and vice versa, thereby opening old wounds between New Yorker Lennie Briscoe and his Baltimore counterpart, John Munsch (Richard Belzer). Inevitably, the 1995-1996 season of Law & Order ended with the departure of one of the regulars, in this instance Jill Hennessy as Assistant DA Claire Kincaid. Onscreen, Kincaid was seriously injured in an auto accident; in truth, Hennessy chose not to renew her contract with the series, leaving her free to pursue other roles. The question of whether Kincaid survived the accident would not be fully answered until well into season seven. ~ Hal Erickson, Rovi

This episode of Homicide: Life on the Street is the conclusion of "Charm City," a two-part story introduced on the TV series Law & Order. Baltimore homicide detectives Pembleton (Andre Braugher) and Bayliss (Kyle Secor) have gone to New York to investigate a subway bombing which may be linked to a similar case that occurred in their own city five years earlier. It soon becomes clear that their investigation is being thwarted by a widespread official coverup. Also involved in the case are three Law & Order regulars: detectives Rey Curtis (Benjamin Bratt) and Lennie Briscoe (Jerry Orbach), and ADA Claire Kincaid (Jill Hennessy). The presence of Briscoe ticks off Baltimore detective John Munch (Richard Belzer); it seems that Lennie was once intimate with John's ex-wife. ~ Hal Erickson, Rovi

Law & Order entered its seventh season on a note of uncertainty: Had Assistant DA Claire Kincaid (Jill Hennessy) been killed by that drunk driver at the end of season six? The answer would remain vague until it was determined by the producers that actress Hennessy had no intention of returning to the series; it was at this point that the unfortunate Kincaid was sadly and reverently referred to in the past tense. Her replacement was ADA Jamie Ross (played by Carey Lowell). The idealistic Ross, who struggled to balance her career with her home life as a single mom, proved to be an excellent opposite number for the jaded, unattached Executive ADA Jack McCoy (Sam Waterston). In addition to claiming Kincaid, death took its toll on another of the series' characters. Throughout season seven, the never-seen wife of DA Adam Schiff (Steven Hill) lay virtually comatose in a hospital bed, tenaciously hanging on to life. The final episode of the season concluded with a grieving Schiff sitting at bedside as the monitor attached to his wife flat-lined. Nor was the brief sojourn to Hollywood taken by detectives Briscoe (Jerry Orbach) and Curtis (Benjamin Bratt) fraught with merriment. They had gone to Tinseltown to investigate the brutal murder of a female studio executive, a plot line which necessitated the series' first (and, to this point, only) three-part story. This expanded time frame afforded ample opportunity to probe the private lives of two of the series' principals: Curtis, devoted to his ailing wife (who had earlier been diagnosed with multiple sclerosis), nonetheless briefly drifted from his marital vows with a sexy Hollywoodite, and new ADA Jamie Ross was bedeviled by her ex-husband, scheming defense attorney Neal Gordon (Keith Szarabajka), both in and out of court. After several years worth of Emmy nominations but no wins, Law & Order closed out season seven with two new statuettes, for Outstanding Drama Series and Outstanding Cinematography. ~ Hal Erickson, Rovi

Fans of Law & Order -- and there were many, many more than there had been in previous years -- were somewhat surprised that the series entered its eighth season with no changes in the regular cast. detectives Briscoe (Jerry Orbach) and Curtis (Benjamin Bratt) were still upholding the "Law" at the behest of their NYPD boss Lt. Van Buren (S. Epatha Merkerson), while ADAs McCoy (Sam Waterston) and Ross (Carey Lowell) continued to maintain "Order" on behalf of their superior, DA Adam Schiff (Steven Hill). In other carryovers from past seasons, the series staged its second crossover with the NBC crime drama Homicide: Life on the Street with the episode "Baby, It's You;" as before, selected Homicide cast members appeared on Law & Order, and vice versa. Also keeping in the tradition of its past, the series took home its third Emmy award for Outstanding Cinematography. In addition, the series continued tackling issues that were very much in the news. For example, the episode "Castoff" addressed the culpability of TV violence in fomenting real-life violence. Much more so than in previous seasons, the series boasted a number of narrative throughlines that enhanced its sense of reality and continuity. McCoy's questionable tactics in prosecuting a drunk driver in "Under the Influence" came back to haunt him in the season finale. Likewise, in that same episode, Cliff Gorman was introduced as a politically ambitious judge named Gary Feldman, who hoped to win the DA's office from Schiff in the upcoming election. Feldman received unexpected support in the form of powerful (and paranoiac) millionaire Carl Anderton (Robert Vaughn), who would not forget being "betrayed" by Schiff in the episode "Burned." Both Feldman and Anderton would converge upon the DA in the aforementioned series finale, which also boasted a subplot involving ADA Jamie Ross. To accommodate the fact that actress Carey Lowell planned to leave the series, Ross decided to retire to private practice so that she could devote her spare time to her second husband -- and to an ongoing child-custody battle with husband number one. And in more glimpses of the characters' private lives, Jennifer Bill appeared in a brace of episodes as Cathy Briscoe, the troubled, estranged daughter of detective Lennie Briscoe. The brevity of Bill's contribution to Law & Order was due to a devastating plot twist which threatened to push Briscoe over the edge and back into the bottle he'd successfully abandoned years earlier. ~ Hal Erickson, Rovi

With the eighth-season departure of series regular Carey Lowell as ADA Jamie Ross, Angie Harmon joined the cast of Law & Order at the beginning of its ninth season. Harmon, of course, played Ross' replacement, ADA Abbie Carmichael, who, if anything, was even more zealous in her pursuit of justice than her new partner Jack McCoy (Sam Waterston). Having racked up a 95 percent conviction rate while working in Special Narcotics, Carmichael tackled her new job with a zeal and ferocity that shocked even the ruthless McCoy -- to say nothing of her sanguine boss, DA Adam Schiff (Steven Hill). There were no ninth-season changes amongst the series' detectives, with Briscoe (Jerry Orbach) and Curtis (Benjamin Bratt) continuing to track down clues and collar perps under the supervision of Lt. Van Buren (S. Epatha Merkerson). However, actor Bratt was anxious to pursue other professional vistas, and thus it was arranged to write Rey Curtis out of the series during the final episode, explaining that he had requested a desk job so that he could devote more time to his wife, who was suffering from multiple sclerosis. But before his character's departure, Bratt managed to persuade his then-girlfriend, cinema superstar Julia Roberts, to appear in a guest role in the episode "Empire." The result was one of Roberts' finest performances, which earned the actress an Emmy. Of the many headline-inspired episodes in season nine, one was a standout: "Sideshow," the series' third and final crossover with the NBC crime drama Homicide: Life on the Street. Clearly inspired by the ongoing efforts to impeach President Bill Clinton, the episode featured a somewhat sinister independent counsel named William Dell, who, as played by George Hearn, bore a striking resemblance to the much-maligned Kenneth Starr. Law & Order closed its ninth season with a powerful two-parter involving the Russian mafia. On this occasion, Carolyn McCormick made a return visit to the series as former police psychologist Dr. Elizabeth Olivet, a recurring character who had been more or less supplanted during the previous two seasons by J.K. Simmons as Dr. Emil Skoda. ~ Hal Erickson, Rovi

An effort to circumvent global catastrophe becomes a disaster in its own right in this science fiction thriller. In the year 2050, Earth is on the verge of ecological disaster, and the Mars Terraforming Project has been created in hopes of making our neighboring planet habitable so that a colony of Earthlings might begin a new civilization there. But the project goes awry, and Commander Kate Bowman (Carrie-Anne Moss) is put in charge of a rescue mission to set the system back on its feet. Bringing along astronaut Robby Gallagher (Val Kilmer) and scientists Dr. Quinn Burchenal (Tom Sizemore) and Dr. Bud Chantillas (Terrence Stamp), Bowman and her crew set out for Mars, but disaster strikes and the landing craft crashes into the red planet. The crew is stranded without communications as Bowman struggles to find a way to get them home; to make matters worse, the robot that was designed to serve and protect them has gone haywire, and is now attempting to hunt them down as prey. Red Planet was originally to have been released as Mars, but the producers changed the title to avoid confusion with Mission to Mars, released earlier the same year. ~ Mark Deming, Rovi

Adapted from an Ernest Hemingway story by Hemingway's longtime friend and associate A. E. Hotchner, After the Storm spent years in development before filming of the movie version began in 2000, several years after Hotchner's death. Set in the Bahamas in 1936, the story concerns a young fisherman on the lam from gangsters, who stumbles upon a fortune in jewels from a yacht sunk in a recent storm. This sudden windfall results in nothing but unhappiness and betrayal for the fisherman -- and for everyone else who embarks upon the treasure hunt that consumes most of the action. When After the Storm failed to secure a theatrical release, it was licensed to the USA network for its first American TV showing. The R-rated video version was released on May 29, 2001. ~ Hal Erickson, Rovi