Françoise Bonnot Movies

Set against the anti-war protests, rock & roll revolution, and mind-expanding psychedelia of the 1960s, Julie Taymor's hallucinogenic musical follows the arduous journey of star-crossed lovers Jude (Jim Sturgess) and Lucy (Evan Rachel Wood) as they and a small group of musicians are swept up in the raging waters of the volatile counterculture movement. Guided through their journey by a pair known only as Dr. Robert (Bono) and Mr. Kite (Eddie Izzard), Jude and Lucy are eventually forced to find their way back to one another after being split apart by powerful forces beyond their control. The music in the film consists exclusively of songs made popular by the Beatles during the time period depicted in the movie. ~ Jason Buchanan, Rovi

After being attached to a number of actors, directors, and producers, this long-gestating biography of one of Mexico's most prominent, iconoclastic painters reaches the screen under the guiding hand of producer/star Salma Hayek. Hayek ages some 30 years onscreen as she charts Frida Kahlo's life from feisty schoolgirl to Diego Rivera protégée to world-renowned artist in her own right. Frida details Kahlo's affluent upbringing in Mexico City, and her nurturing relationship with her traditional mother (Patricia Reyes Spindola) and philosophical father (Roger Rees). Having already suffered the crippling effects of polio, Kahlo sustains further injuries when a city bus accident nearly ends her life. But in her bed-ridden state, the young artist produces dozens upon dozens of pieces; when she recovers, she presents them to the legendary -- and legendarily temperamental -- Rivera (Alfred Molina), who takes her under his wing as an artist, a political revolutionary, and, inevitably, a lover. But their relationship is fraught with trouble, as the philandering Rivera traverses the globe painting murals, and Kahlo languishes in obscurity, longing to make her mark on her own. Frida was directed by Julie Taymor, whose Broadway production of The Lion King won her international acclaim. ~ Michael Hastings, Rovi

One of William Shakespeare's lesser-known plays, Titus Andronicus was staged in New York by award-winning theatrical director Julie Taymor in an acclaimed 1995 production, before her widely praised Broadway version of The Lion King. Taymor revisits that production for her first motion picture, with the addition of a star-studded cast. Roman General Titus Andronicus (Anthony Hopkins) has returned from defeating the Goths in a bloody battle, but the victory has left him with mixed feelings, as the war took the lives of several of his sons. Titus is reminded by his first-born son Lucius (Angus Macfadyen) that their faith demands the sacrifice of an enemy prisoner as a gift to the gods for their victory. Titus chooses the eldest son of Tamora (Jessica Lange), the Queen of the Goths, who has since been taken hostage by Titus's troops. Tamora pleads for her son's life, but Titus goes ahead with the sacrifice. She then becomes the lover of the new emperor of Rome, Saturninus (Alan Cumming), a weak-willed and corrupt man. Tamora uses her connection to the throne for her own ends: in retaliation for the death of her son, Tamora and her surviving sons, Chiron (Jonathan Rhys Myers) and Demetrius (Matthew Rhys), brutally rape Titus's beloved daughter, Lavinia (Laura Fraser). This act sets in motion an ever-tightening spiral of revenge and retaliation that leaves few of the participants unscathed. The supporting cast includes Colm Feore as Marcus, Harry Lennix as Aaron, and James Frain as Bassianus. ~ Mark Deming, Rovi

Investigative TV journalist Max Brackett (Dustin Hoffman) suffers setbacks and winds up filing routine reports from Madeline, California. Max and his eager intern Laurie (Mia Kirshner) are doing a story at the local Museum of Natural History when a bigger story erupts. The Museum's director, Mrs. Banks (Blythe Danner), refuses to talk to former museum security guard Sam Baily (John Travolta) about his firing due to budget cuts. Angered, Sam shoots a shotgun, accidentally hitting another security guard. Realizing he's in the middle of breaking news, Max phones his supervisor (Robert Prosky) and goes to live coverage. A class of young children is visiting the Museum, and Sam holds them hostage. Sam's link to the outside world is the opportunistic Max, who manipulates the situation, telling Sam what to say on camera. Within hours, as the event escalates to national interest, vendors arrive to hawk products at the museum grounds, while the entire country tunes in the ongoing coverage. The screenplay by Eric Williams and Tom Matthews (former managing editor of Boxoffice) is a technological updating of the 1951 Billy Wilder classic Ace in the Hole (aka The Big Carnival) about a scheming journalist (Kirk Douglas) who delays the rescue of a man trapped by a rockfall in order to continue his newspaper reports. Acknowledging the Wilder film, the name "Brackett" is an obvious nod to Charles Brackett, Wilder's long-time collaborator. Filmed in Los Angeles and San Jose, where the San Jose Athletic Club served as the museum location site. Shown at the 1997 Denver Film Festival. ~ Bhob Stewart, Rovi

A boy, blaming himself for his parent's break-up, devises a scheme to bring them back together in this entertaining French film. Antoine is angry because he can't have a leather jacket so he steals one from a boutique. He couldn't have one because his parents couldn't afford it. His father is a teacher and makes a modest salary. His mother, to help out, takes a job as a telephone operator for an advertising agency. She quickly advances within the company and is soon out earning her husband, who resents it, has an affair, and leaves the house. Antoine, to ease his self-blame and restore harmony, begins hatching his elaborate plan. ~ Sandra Brennan, Rovi

Based on a best-selling novel, this drama, set amongst a remote Eskimo tribe in 1935, was -- at the time it was produced -- the most expensive Canadian motion picture ever made, with a budget of $31 million. Lou Diamond Phillips stars as Agaguk, the rebellious son of tribal leader Kroomak (Toshiro Mifune). The two men disagree strongly over the growing presence of white men in the area. Agaguk wants nothing to do with the interlopers, while his father has opened a fur trade with one of them, Brown (Bernard-Pierre Donnadieu). Agaguk and Kroomak also clash over Igiyook (Jennifer Tilly), a beautiful woman whom both men want to marry, but Agaguk wins her hand. After he slays Brown in an argument, Agaguk is cursed and cast out of the tribe by his father. Agaguk takes Igiyook into the wilderness and struggles to survive there as she gives birth to a child, while Henderson (Donald Sutherland), a lawman, shows up to investigate Brown's death. ~ Karl Williams, Rovi

Adapted from Mario Puzo's novel, The Sicilian is an attempt to chronicle the life and times of Mafia leader, patriot and real-life Robin Hood Salvatore Giuliano, the infamous bandit who, together with his rag-tag band of guerillas, attempted to liberate 1940s Sicily from Italian rule and make it an American state. Giuliano (Christopher Lambert) robs from the rich conservative landowners to give to the poor, serf-like peasants, who in turn hail him as their savior. As his popularity grows, so does his ego, and he eventually thinks he is above the power of his backer, Mafia Don Masino Croce (Joss Ackland). The Don, in turn, sets out to kill the upstart by convincing his cousin and closest advisor Gaspare (John Turturro) to assassinate him. Nearly thirty minutes of screen time were haphazardly hacked off director Michael Cimino's original cut by the studio. ~ Jeremy Beday, Rovi

This ambitious attempt to film a portion of Marcel Proust's epic novel Remembrance of Things Past stars Jeremy Irons as Charles Swann, a Jewish intellectual who has managed to overcome growing anti-Semitism in 19th century France and travels in an elite social circle. But Swann has become obsessed with Odette (Ornella Muti), a courtesan who cares more for money than Swann's passion for her. In time they marry, but Swann soon realizes his desire for her is based purely on physical lust for someone with whom he has no rapport, or even much affection, and the relationship begins to erode the social acceptance Swann struggled to achieve. Meanwhile, the Baron de Charlus (Alain Delon) finds himself similarly attracted to a young man who does not share his desires. Un Amour de Swann was much praised for its production design and the cinematography of frequent Ingmar Bergman collaborator Sven Nykvist, though many felt director Volker Schlondorff failed to capture the narrative depth and complexity of Proust's novel. ~ Mark Deming, Rovi

In this political drama, Hannah Kaufman, a Jewish-American attorney, must defend Selim Bakri, a young Palestinian suing Israel for the right to live on his Left Bank ancestral land. The government's lawyer, a cocky Israeli attorney, is Hannah's lover and the father of her unborn child. Conflict ensues when Hannah and Selim also become lovers. ~ Sandra Brennan, Rovi

Based on the novel by Bernice Rubens, I Sent a Letter to My Love stars Simone Signoret as a woman who has reached middle age without truly learning how to live. Responsible for the constant care of her paraplegic brother Jean Rochefort, Signoret seeks a brief respite from her confinement by inaugurating a pen-pal relationship with a man she has never met. Gradually, Signoret falls in love with her mystery correspondent, a love that is apparently reciprocated. No, we will not divulge the ending. Also featured in I Sent a Letter to My Love is cult favorite Delphine Seyrig. ~ Hal Erickson, Rovi

Noted political filmmaker Costa-Gavras turned his attention to personal issues in this drama. Michel (Yves Montand) has had to deal with the death of his wife, while Lydia (Romy Schneider) is mourning the loss of her daughter. Both Michel and Lydia are lonely, and they are attempting to start a relationship together, but neither has been able to purge themselves of their sorrows, which makes it difficult for them to live in the moment. Clair de Femme was based on a novel by Romain Gary. ~ Mark Deming, Rovi