Jeannie Berlin Movies

Elaine May and Marlo Thomas star in this black comedy taking place in the black comedy capital of the world -- New York City. Elaine May plays Marianne Flan, who moves back to a nightmare New York City from Beverly Hills after her husband, Roger (Peter Falk), has been fired from his job. She hires ditzy psychic Reva Prosky (Marlo Thomas) to redecorate her apartment, and they end up being pursued by a crazed killer. They flee the city and end up at a new-age retreat in upstate New York. Jeannie Berlin, Elaine May's daughter, co-wrote the script with Laurie Jones and appears briefly as the Flan's strumpet neighbor. ~ Paul Brenner, All Movie Guide

In Elaine May's second directorial outing, Charles Grodin stars as Lenny, a slick salesman who, while honeymooning with his new bride, Lila (Jeannie Berlin, May's daughter), begins to have second thoughts about his marriage. Once Lenny spots the gorgeous Kelly (Cybill Shepherd), he is lost forever. Legally divesting himself of poor Lila, he follows Kelly to her upper-middle-class home, where he runs into the formidable opposition of her father (Eddie Albert), who states bluntly that he'd rather be dragged from a horse by his tongue than allow Lenny to become his son-in-law. The picture received critical kudos for Neil Simon's adroit screenplay, May's knowing direction, and Grodin's on-target performance. ~ Hal Erickson, All Movie Guide

When their lavish home is invaded by a violent and unstable black criminal, a high-living white Beverly Hills couple is forced to confront their worst nightmares in filmmaker Larry Cohen's satirical black comedy. Famous car dealer Bill (Andrew Duggan) and his wife, Bernadette (Joyce Van Patten), go through the motions of their mundane day-to-day existence while coasting on a fragile web of lies and tentative affection. When Bill discovers a rat in the filter of his pool, he is frozen with fear until Bone (Yaphet Kotto) mysteriously appears and removes the threatening vermin. Their gratitude is short-lived when Bone forces his way into their posh home with the intention of raping Bernadette and making off with a tidy sum. However, when he discovers some questionable discrepancies with their financial records, Bill is forced to make a trip to the bank to make a withdrawal while Bone and Bernadette await his return -- but Bone warns that he will not hesitate to kill Bernadette if Bill doesn't return in due time. Their transparent façade forever shattered, captor and captive form an unusual bond while Bone's meal ticket opts for an ominous change of plan that he believes will rid him of excess baggage while also drawing a substantial profit. ~ Jason Buchanan, All Movie Guide

This humorless comedy finds Hiram Jaffe (Elliott Gould) earning a living as a pornography writer and dog walker to the rich in New York. When he and wife Dolly (Paula Prentiss) decide to move to a new apartment, the problems cause Hiram to blur the line between his fantasy writing and reality. John Larch is the mounted policeman who tickets Hiram repeatedly while remaining oblivious to continual and more serious criminal activity. Music is inflicted by Marvin Hamlisch. ~ Dan Pavlides, All Movie Guide

"Movies like Getting Straight are ceasing to be tolerable" complained one conservative movie magazine of 1970. Today, the once-relevant but now merely entertaining Getting Straight is not only tolerable, but downright user-friendly. Elliot Gould plays a Vietnam vet who decides to attend college after his tour of duty. Though much too old and worldly to truly fit in with the naive flower-power generation, Gould becomes swept up in the various activist movements on campus. The leading character's crisis of conscience concerns his field of study: he wants to be a teacher for idealistic reasons, while his Establishment professors try to convince him that it's just another job, and hardly the best one at that. He finally chooses which side he's on while attempting to act as a mediator between students and faculty during a campus riot. Candice Bergen plays Gould's girlfriend, while Robert F. Lyons steals every scene he's in as a draft dodger who'll go to any lengths to avoid military service. Getting Straight represents the final screen appearance of Cecil Kellaway, here cast as a hidebound tenured professor. ~ Hal Erickson, All Movie Guide

Vincente Minnelli directed, and Alan Jay Lerner adapted the stage musical he had written with Burton Lane, for this this feature film version. Barbra Streisand stars as Daisy Gamble, a chain smoker who, at the urging of her uptight fiance Warren (Larry Blyden), seeks help in kicking the habit from a psychiatrist, Dr. Marc Chabot (Yves Montand). While undergoing hypnosis, however, Daisy and Dr. Chabot discover that she is clairvoyant and can remember a past life as a 19th century heiress named Melinda. As their sessions continue, Dr. Chabot falls in love not with Daisy, but Melinda, while Daisy begins to fall for Chabot and decides she's had enough of Warren. Excised from the final cut of On a Clear Day You Can See Forever (1970) was a musical number performed by Jack Nicholson, who costars as Daisy's stepbrother. ~ Karl Williams, All Movie Guide