John Beckman Movies

Harvey Fierstein's Pulitzer Prize-winning Broadway hit was adapted for the screen by Fierstein himself. The playwright also repeats his stage role of female impersonator Arnold Beckoff, aka nightclub entertainer "Virginia Hamm." The three-part plotline, whittled down to accommodate the film's 117-minute running time, concerns Arnold's seriocomic efforts to find a lasting relationship. We first meet Arnold in 1971, when his heart is broken by his bisexual lover, Ed (Brian Kerwin). Next we find Arnold in 1973, enjoying short-lived happiness with his true love, Alan (Matthew Broderick). The final act takes place in 1980: Arnold, still grieving over Alan's sudden death and struggling to raise the young boy that the couple had adopted, has a long-anticipated showdown with his uncompromising mother, superbly played by Anne Bancroft. A witty film that is by turns touching and outrageous, Torch Song Trilogy works well despite its somewhat soft-pedaled approach to the material. ~ Hal Erickson, Rovi

In this made-for-TV movie, Meredith Baxter plays Kate, a homemaker who suffers from the eating disorder bulimia. On the surface, slim, attractive Kate's life seems perfect. Her husband, Jack (Ben Masters), is a successful lawyer, while her daughter, Becky, a Junior Girl Scout, adores her. But between strenuous workouts and gossip sessions with Gail (Shari Belafonte), her best friend and personal trainer, Kate binges on junk food and then purges by vomiting. Any stressful situation can set off these bulimic episodes, and Kate has three separate sources of aggravation to deal with: Jack is about to make partner in his firm; Monica (Leslie Bevis), another lawyer, is making a play for Jack; and Kate's controlling mother (Georgann Johnson) has just arrived for an extended visit. Soon, Kate's vomiting spirals out of control as she binges everywhere from a grocery-store dairy aisle to her own suburban kitchen. One afternoon, weak from lack of food and too much exercise, Kate crashes her car, almost killing herself and Becky. Soon an eating-disorder specialist, Dr. Resnick (Edward Asner), reveals Kate's secret to her husband and mother, and Kate must enter a clinic to face her demons in the company of the other bulimics and anorexics. Her roommate, Patch (Tracy Nelson), a gorgeous young model, teaches Kate the therapeutic ropes, but the road to healing isn't as smooth as either woman would like. Kate's Secret premiered on November 17, 1986. In addition to Family and Family Ties star Baxter and Mary Tyler Moore Show vet Asner, Kate's Secret featured fellow sitcom survivor Mackenzie Phillips, of One Day at a Time fame, as another clinic patient. ~ Brian J. Dillard, Rovi

Richard Thomas plays a single man named David Benjamin in the made-for-TV To Find My Son. While tutoring a speech-impaired young man named Tommy (Justin Dana), David becomes determined to adopt the boy. The Child Welfare people, however, have different ideas. But David will not be dissuaded, tilting at the windmills of bureaucracy for nearly two hours' worth of TV time. To Find My Son debuted October 6, 1980. ~ Hal Erickson, Rovi

In this feature-length TV series pilot, Andy Griffith stars as maverick junk dealer Harry Broderick (evidently a pun on Harry Brock, the junk-king villain of Garson Kanin's play Born Yesterday. Figuring that NASA has left millions of dollars' worth of discarded equipment on the moon, Harry hits upon a scheme to retrieve the paraphernalia and turn over a huge profit. Together with his youthful assistants Skip (Joel Higgins) and Melanie (Trish Stewart), Harry assembles his own ramshackle space ship and blasts off to the moon. Though the takeoff, landing, and Lunar scavenger hunt prove to be successful, getting back to Earth may not exactly be a bowl of cherries--or even scrap iron. Salvage made its ABC network bow on January 20, 1979, one week before the official premiere of the weekly series (renamed Salvage 1). ~ Hal Erickson, Rovi

Rex Stout's corpulent, orchid-loving detective Nero Wolfe would eventually headline his own 1980s TV series, courtesy of star William Conrad. This earlier unsold TV pilot stars Thayer David, whom some Stout devotees consider the best of the many media Wolfes (which included Walter Connolly and Sidney Greenstreet). Frank D. Gilroy wrote and directed this adaptation of the Stout novel The Doorbell Rang, in which Wolfe protects his client (Anne Baxter) by taking on "the whole damned federal government". As always, Wolfe remains in his easy chair to do the brainwork, while his faithful assistant Archie Goodwin (Tom Mason) handles the rough stuff. Nero Wolfe tested well in the ratings, and might well have gone on immediately to a regular weekly series, but the sudden death of star Thayer David put the whole project in mothballs--until Bill Conrad was available. ~ Hal Erickson, Rovi

"Mom" is Connie Stevens, who stars in this made-for-TV comedy. Stevens plays a small-town waitress who is appointed the housemother for a rambunctious fraternity house on the local college campus. The frat boys assume that freewheeling Stevens will allow them to party to their hearts' content, but "Mom" takes her job quite seriously and compels the students to behave themselves. She also becomes involved in a campus feminist movement that threatens to topple the college's male power structure (headed by dean Van Johnson). Call Her Mom was the pilot for a Connie Stevens TV series that found neither a sponsor nor a network. ~ Hal Erickson, Rovi

This comedy begins when Peter Ingersoll (Jerry Lewis) hears from Dr. Carter (Peter Lawford) that he has only a few months to live. Peter's wife Nancy (Anne Francis) suggests her husband spend his remaining days fishing, so Peter embarks on a world-wide expedition, fishing in the most exotic locales at every corner of the globe. After running up over $100,000 on his credit card, Peter is surprised to see Dr. Carter, who has followed him to Lisbon. The good doctor informs Peter that a mistake has been made; he is not going to die. However, the shock of his credit card debt almost does kill him. He and the good doctor agree he should feign his demise in order to collect on the life insurance. Peter goes along with the plan until he discovers his wife and doctor are in cahoots and plan to use the money for themselves. Lewis provides his legendary physical comedy that has made him an international star, most notably in France. ~ Dan Pavlides, Rovi

Insurance investigator Richard Cutting (Patrick O'Neal) is summoned to look into the sinking of some ships owned by wealthy shipping-magnate Curt Valayan (John Gielgud). Traveling to Switzerland, he interviews the owner and finds that his henchmen Matt (Herbert Lom) and the Big Man (Leon Greene) may be on Curt's payroll but are definitely looking out for their own interests. One agent has already been killed, and the local police inspector Ruff (Oscar Homolka) briefs Richard on the situation. Dominique (Joan Hackett) is on her way to provide some valuable information before being violently murdered. Richard tries to keep himself alive in a foreign country as he tries to solve the crimes. ~ Dan Pavlides, Rovi

The Trouble With Angels opens on the first day of school for a new batch of students at St. Francis Academy, run by a very strong-willed Mother Superior (Rosalind Russell). She is used to having things her way, but she may have met her match in the headstrong and independent Mary Clancy (Hayley Mills) and her newfound friend, Rachel Devery (June Harding). Mary, easily bored and ready to rebel at the drop of a hat, comes up with an endless series of "scathingly brilliant" schemes designed either to amuse her and Rachel, torture insufferable schoolmate Marvel-Ann, or in some way help them get ahead. Rachel, who would never come up with such ideas on her own, is delighted to go along with them. The duo starts right away by convincing several of the girls to join them in giving fake names to the sisters that register them. Future escapades include guided tours of the nuns' living quarters, illicit cigarette smoking that brings about the fire brigade, replacing sugar with soap bubbles, and many others. Several times the Mother Superior is on the brink of expelling the girls, but she relents, knowing something of their home lives and that they will benefit from the more nurturing environment of the school. By the end of the film, the girls have indeed grown, and Mary, in particular, has developed a special love for the Academy. ~ Craig Butler, Rovi

This Stephen Sondheim/Jules Styne/Arthur Laurents musical comedy Gypsy had been a Broadway smash with Ethel Merman in the lead. Based on the autobiography of striptease artist Gypsy Rose Lee, it centers on the antics of Mama Rose (here played by Rosalind Russell), the Stage Mother from Hell who prods and pushes her daughters June and Louise into a vaudeville career. Rose pins most of her hopes for fame on older daughter June (billed as "Dainty June"), while little Louise reluctantly goes along for the ride. Karl Malden plays the girls' agent, who falls in love with Rose but is ultimately turned off by her ruthless ambition. When June escapes the act to get married, Rose puts the unwilling Louise in the star spot, but vaudeville is dying and soon the only booking they can get is in a cheap burlesque house. The strippers take Louise under their wing and advise her that "You've gotta have a gimmick" to survive on the bump-and-grind circuit. The nervous Louise rises to stardom as stripper Gypsy Rose Lee, whose "gimmick" is to adopt a self-mocking attitude and to put on pseudo-sophisticated airs. Rose resents Gypsy's rise to the top, but a bravura eight-minute musical soliloquy reveals that Rose had forced her daughters on the stage because she wanted to live out her own dreams of stardom. Louise--aka Gypsy--is played by Diane Pace as a girl and by Natalie Wood as an adult; June (better known as June Havoc) is portrayal by Suzanne Cupito (later billed as Morgan Brittany) as a little girl and Ann Jillian as an adolescent. Most of the best songs, including "Let Me Entertain You," "Small World," and "Everything's Coming Up Roses," remain intact from the original Broadway production. Gypsy was remade for television in 1993, with Bette Midler as Rose. ~ Hal Erickson, Rovi

This standard love story adapted by Leonard Spigelgass from his stage play was acclaimed when it was released for probing into the nature of prejudice. Rosalind Russell plays Mrs. Jacoby, a Jewish widow living in Brooklyn whose daughter Alice (Madlyn Rhue) is married to Jerome (Ray Danton), a U.S. diplomat newly assigned to Japan. Because of Jerome's new post, Mrs. Jacoby decides to visit the land of the rising sun, and once there, she meets Koichi Asano (Alec Guinness). Asano is a suave, sophisticated, and wealthy man with an aesthetically impressive Tokyo home. After the two meet, love starts to blossom. This was one of the rare '60s films geared to the older set but it is significant that even during this period Hollywood still chose to cast a white actor (albeit Alec Guinness!) in the role of Asano. ~ Eleanor Mannikka, Rovi

Wake Me When It's Over is a zany service comedy in which Ernie Kovacs plays the latest in his long line of military captains. Kovacs and his men are stationed at a dead-end Japanese island. World War II vet Dick Shawn, redrafted through a clerical error, arrives on the island and decides to liven things up. Using the materials at hand, he supervises the building of a hotel, using the island girls as the staff. The military brass investigate when it's obvious than the servicemen are having too much fun on the island. Kovacs would love to have Shawn stay, and says so at Shawn's court-martial, but the reluctant draftee is mustered out of the service as accidentally as he'd been brought back in. Ernie Kovacs and Dick Shawn work so well together in Wake Me When It's Over that one can only feel an intensified loss over the early deaths of these two comic masters. ~ Hal Erickson, Rovi