John Beal Movies

In this drama, based on the best-selling novel by John Grisham, Mitch McDeer (Tom Cruise) is a young man from a poor Southern family who has struggled through Harvard Law School to graduate fifth in his class. Mitch is entertaining offers from major firms in New York and Chicago, but when Memphis-based Bendini, Lambert, & Locke offer him a 20 percent higher salary than the best offer he's received, in addition to an enticing variety of perks and fringe benefits, he decides to sign on and remain in the South. Mitch's wife, Abby (Jeanne Tripplehorn), warns him that the deal sounds almost too good to be true, but it's not until after several weeks of working with Avery Tolar (Gene Hackman) that Mitch discovers that the vast majority of BL&L's business is tied to organized crime, with crime boss Joey Morolto (Paul Sorvino) using the firm to launder Mafia money. FBI agents Wayne Tarrance (Ed Harris) and F. Denton Voyles (Steven Hill) try to blackmail Mitch into helping them make a case against the firm, while BL&L's "security director" William Devasher (Wilford Brimley) is blackmailing him to do as he's told after Mitch foolishly allows himself to be seduced by a prostitute hired by the firm. The Firm was adapted for the screen by acclaimed playwright David Rabe and features performances by Hal Holbrook, Holly Hunter, and Gary Busey. ~ Mark Deming, Rovi

The third installment in the haunted-house saga discards any pretense of being based on actual events in order to provide the requisite cheap thrills sought by audiences during the short-lived 3-D revival of the early '80s. When a skeptical reporter (Tony Roberts) with a penchant for debunking phony psychic hoaxes moves into the Long Island house to disprove its nightmarish legend, he and his family are set upon by all manner of supernatural beasties. Many such manifestations leap wildly out at the screen to fully exploit the 3-D effect, making the cheap gags all too obvious in the "flattened" video and cable prints (often released under the title Amityville 3: The Demon). Remarkably violent for a PG-rated film (those with an intense fear of fire might want to fast-forward through Candy Clark's death scene), Amityville 3-D has a certain cheesy appeal for anyone who likes touring Halloween spook-houses. Look closely to spot a young Meg Ryan in a small doomed-teen role. This 3-D version was followed by even more sequels, including Amityville: The Evil Escapes, Amityville 1992: It's About Time, The Amityville Curse, and Amityville: A New Generation. ~ Cavett Binion, Rovi

First aired March 13, 1977, Eleanor and Franklin: The White House Years was the brilliant follow-up to the equally praiseworthy 1976 TV movie Eleanor and Franklin: The Early Years. The film is framed in a flashback experienced by first lady Eleanor Roosevelt (Jane Alexander) while accompanying the casket carrying the body of her husband Franklin Delano Roosevelt (Edward Herrmann) to its final resting place in Hyde Park. Elected in 1933, FDR endeavors to pull the country out of the Depression with the New Deal during his first term, while Eleanor emerges as a formidable public figure in her own right during the second term, tirelessly working on behalf of social change and reforms. Ever under the baleful eye of his mother Sara (Rosemary Murphy), Roosevelt tries to maintain family equilibrium in the White House as he seeks an unprecedented third term. Sara dies in December of 1941, two days before Roosevelt, in his "Day of Infamy" speech, declares war on Japan. Despite health problems, FDR successfully pursues a fourth term in 1944; he dies in office in April of 1945, a scant few months before the end of World War II. Despite her long-standing displeasure over her husband's long-ago affair with artist Lucy Mercer (Linda Kelsey), a stiff-lipped Eleanor puts on a brave front when Roosevelt dies in the company of Deakins at a health spa in Georgia. Based on Joseph P. Lash's Pulitzer prize-winning biography, Eleanor and Franklin: The White House Years earned Emmies for "Outstanding Special" and for director Daniel Petrie. ~ Hal Erickson, Rovi

"Lizzie Borden took an axe/And gave her mother forty whacks/When she saw what she had done/She gave her father forty-one". New England spinster Lizzie Borden was acquitted of the charge of murdering her father and stepmother in 1892, but this made-for-TV movie, like most recreations of the murders and subsequent trial, adheres to the popular consensus that Borden was guilty. Elizabeth Montgomery takes a break from playing victims to portray the enigmatic Borden. The trial scenes are lifted directly from the original court records; scripter William Bast's speculation as to what really happened the night the elder Bordens were hacked to death is pure (but credible) conjecture. Accompanied by a "parental guidance suggested" tag, The Legend of Lizzie Borden was first broadcast February 10, 1975. ~ Hal Erickson, Rovi

As a favor to pretty young sociologist Lindsay Walker (Sian Barbara Allen), Kojak (Telly Savalas) embarks on a search for her boyfriend, paroled convict Lou Giordino (played by a pre-Starsky and Hutch Paul Michael Glaser). But Lou has no intention of being located by Kojak or any other law-enforcement official. He has jumped parole in order to locate his ex-wife--and also settle accounts with his former cohorts, who had let him take the fall for a crime while they escaped scot-free. ~ Hal Erickson, Rovi

On the strength of Grimes' deathbed accusation, Quentin (David Selby) is found guilty of witchcraft and sentenced to be beheaded in the public square. As a result, things don't look too good for Quentin's accused co-conspirator, Desmond, and, it also appears that Gerard's (James Storm) diabolical scheme has come to full fruition. This episode was originally telecast on January 8, 1971. ~ Hal Erickson, Rovi

Lamar (Jerry Lacy) decides to testify against Quentin (David Selby) despite Barnabas' (Jonathan Frid) threat, using the story of Quentin's letter to the deceased Joanna Mills (Lee Beery) as proof of Quentin's witchcraft. His testimony is instantly discredited when Joanna herself appears in court. Now Gerard (James Storm) and Charles (Humbert Allen Astredo) realize that the only way to get rid of Quentin is to use the disembodied head of Judah Zachary. Listed as the 1,181th installment of Dark Shadows (there was no 1,180 due to a New Year's Day preemption), this episode was originally broadcast on January 4, 1971. ~ Hal Erickson, Rovi

Samantha (Virginia Vestoff) testifies against Quentin (David Selby) in his witchcraft trial. Even worse, Charles Dawson (Humbert Allen Astredo), the cohort of Gerard Stiles -- who, possessed by Judah Zachary, was responsible for framing Quentin -- is named as special prosecutor. This episode originally aired on December 11, 1970. ~ Hal Erickson, Rovi

Frightened by the reappearance of Barnabas (Jonathan Frid), Lamar (Jerry Lacy) decides not to testify against Quentin in the latter's witchcraft trial. During a recess, Barnabas calmly tells Lamar that he will kill him, adding to Lamar's terror by not informing him when, or where, he is slated to die. This episode first aired on December 31, 1970. ~ Hal Erickson, Rovi

Judge Vail (John Beal) gives Quentin (David Selby) a scant three hours to find a new lawyer to replace Desmond (John Karlen), who is now also under arrest for witchcraft. Lamar Trask's smugness turns into horror when he sees Quentin's new defense counsel: Barnabas Collins (Jonathan Frid), the same man whom Lamar (Jerry Lacy) bricked up in the wall of the mortuary and left for dead. This episode originally aired on December 30, 1970. ~ Hal Erickson, Rovi

Critics consistently consider this historical drama one of the worst films Disney ever made. It is the true-tale of ten heroes from the Civil War who ride down the raging Colorado in hopes of mapping it. The mission is led by the Major John Wesley Powell who lost an arm during the war. Their fateful 1869 river trip is arduous and long and in the end only six make it out of the Grand Canyon alive. ~ Sandra Brennan, Rovi

In this filmed adaptation of William Faulkner's seminal work, Yul Brynner stars as Jason Compson, the oldest son of a once-proud Southern family rife with inner turmoil. His promiscuous sister, Caddy (Margaret Leighton), has suddenly rolled back into town with an illegitimate daughter called Quentin (Joanne Woodward) in tow. Finding no love in her own clan, Quentin opts for a relationship with Charlie Bush, an irresponsible circus worker played by Stuart Whitman. Meanwhile, Ben (Jack Warden), a mentally-handicapped uncle, is a never-ending source of embarrassment for all concerned. Directed by Martin Ritt, this was the first film to be made from The Sound and the Fury. ~ Matthew Tobey, Rovi

Small-town doctor Paul Beecher (John Beal) is given some strange pills by a dying elderly researcher. Later, when Paul gets a severe headache, his young daughter accidentally gives him the mystery pills. He's later puzzled by a series of strange deaths in which all the blood was drained from the bodies of the victims and then discovers the old researcher was working on a project involving vampire bats. The horrified Paul gradually begins to suspect that he himself is the killer. ~ Bill Warren, Rovi