John G. Avildsen Movies

In the late '60s, American culture experienced a period of change as the youth movement challenged conventional attitudes about politics, sex, drugs, and gender issues, while the advancement of the Vietnam War found many citizens questioning the actions and wisdom of their government for the first time. As American attitudes continued to evolve, so did the American film industry; as costly big-budget blockbusters nearly brought the major studios to the brink of collapse, smaller and more personal films such as Bonnie and Clyde, Easy Rider, and Five Easy Pieces demonstrated there was a ready audience for bold and challenging entertainment. As the '60s faded into the 1970s, American cinema moved into an exciting period of creativity and stylistic innovation, which led to such landmark films as The Godfather, MASH, The Last Picture Show, Shampoo, One Flew Over the Cuckoo's Nest, Chinatown, and Taxi Driver, and new freedom for directors and screenwriters. Ironically, however, it was another pair of big-budget blockbusters directed by students of the new wave of filmmaking -- Jaws and Star Wars -- which brought the studios back to power and put an end to Hollywood's flirtation with offbeat creativity. A Decade Under the Influence is a documentary which explores the rise and fall of new American filmmaking in the 1970s, and features interviews with many of the key directors, screenwriters, and actors whose work typified the movement, including Francis Ford Coppola, Robert Altman, Martin Scorsese, Paul Schrader, Roger Corman, Dennis Hopper, Jon Voight, and Julie Christie. A Decade Under the Influence received its world premier at the 2003 Sundance Film Festival, and an expanded version of the film was later shown on the premium cable outlet The Independent Film Channel; the documentary was the final work of co-director Ted Demme, who died shortly before the film was completed. ~ Mark Deming, Rovi

Luke Perry stars in this biography of the late Lane Frost, a champion bull rider who in 1987 won a rodeo world championship at the tender age of 21. In Eight Seconds (the title refers to the minimum amount of time a rider must stay on a bull in competition), Lane Frost is a young man from Oklahoma who learns to ride, hoping to win the approval of his emotionally distant father. As Lane works his way up the rodeo circuit with his best friend Tuff Hedeman (Stephen Baldwin), he meets Kelly Kyle (Cynthia Geary), a pretty barrel-race rider with whom he falls in love. Lane and Kelly marry, but Lane stubbornly refuses any help from Kelly's wealthy parents, forcing the young couple to live a hand-to-mouth existence, and while Lane's dedication to rodeo and its fans earns him a devoted following, it also keeps him away from Kelly and threatens to sink their relationship. Lane's hard work pays off when he wins the 1987 world championship, but the danger of the sport catches up with him two years later, when he dies as a result of an accident during competition. Country star Vince Gill appears onscreen with his band; keep an eye peeled for a brief appearance by Renee Zellweger, two years before her breakthrough role in Jerry Maguire. ~ Mark Deming, Rovi

Touted upon its release as the finale of the Rocky saga, this fifth entry in the long-running series of sports dramas reunites star Sylvester Stallone with John G. Avildsen, director of the Oscar-winning original. Stallone is Rocky Balboa, suffering from career-ending brain damage as a result of his punishing bout with Ivan Drago at the finale of the previous film. Upon their return to Philadelphia, Rocky and his wife, Adrian (Talia Shire), discover they are broke, their fortune squandered by an incompetent accountant. Forced to move back to their working-class neighborhood, Rocky finds that his only asset is the run-down gym willed to him by Mickey (Burgess Meredith, who appears in new flashback sequences). Resisting big money offered to him by Don King-like boxing promoter George Washington Duke (Richard Gant), Rocky becomes a trainer and finds a talented comer in Tommy Gunn (real-life boxer Tommy Morrison, nephew of John Wayne). Rocky's son (played by Stallone's real-life son Sage Stallone) feels neglected by his father, who lavishes attention on his protégé, but Tommy ultimately turns his back on his mentor to sign a more lucrative deal with Duke, leading to a street-fight showdown. ~ Karl Williams, Rovi

After earning rave notices for powerful supporting turns as a pimp in Street Smart (1987) and an alcohol abuse counselor in Clean and Sober (1988), actor Morgan Freeman began his ascent to stardom with this, his first lead role in a major motion picture. Freeman is real-life high school principal Joe Clark, a tough, harsh educator and administrator who in 1987 is given a nearly impossible task by his old friend, school superintendent Dr. Frank Napier (Robert Guillaume). Clark is asked to reform inner city Eastside High School in Paterson, NJ, a hotbed of delinquent kids and drug dealers. Considered the worst school in New Jersey, the state is threatening to take control of Eastside away from the local school board. If Clark can straighten out Eastside in time to get the school's basic-skills test scores up, he can have the job permanently. Although Clark's tyrannical approach and hard-line policies alienate many members of the staff and the community, his uncompromising campaign gets results and even makes him famous, much to the chagrin of his powerful enemies. ~ Karl Williams, Rovi

Happy New Year is an Americanized remake of the 1974 French film of the same name. Peter Falk and Charles Durning play Nick and Charlie, a pair of seedy but suave jewel thieves. Preparing to rob the exclusive Florida jewelry store managed by Tom Courtenay, Nick and Charlie meticulously pre-plan their heist, adopting a variety of false identities and silly costumes along the way. Unfortunately for our heroes, Nick becomes enamored of Caroline (Wendy Hughes, in her American film debut), the beautiful owner of the antique shop next door to the jewelry store. Nick's fascination with Caroline effectively scuttles his and Charlies' "perfect" crime. Claude Lelouch, writer/director of the original Happy New Year, appears in an amusing cameo role. Bedeviled with production problems, the Falk-Durning Happy New Year didn't see the light of day until nearly a year after its completion; after a fitful theatrical release, the film went straight to video, where it finally built up a following. ~ Hal Erickson, Rovi

Newly arrived in California from New Jersey, teenager Daniel (Ralph Macchio) almost immediately runs afoul of karate-trained high school bullies. He is rescued by Japanese janitor Miyagi (Noriyuki "Pat" Morita), who agrees to teach Daniel how to harness karate for good instead of brutality. The film culminates in a championship karate bout, pitting Daniel against his sworn enemy Johnny (William Zabka) -- the cruel and thuggish boyfriend of Ali (Elisabeth Shue), with whom Daniel has fallen in love (and vice versa). Real-life karate champ Chuck Norris was offered the role of Kreese, the sadistic coach who goads Johnny into fighting dirty, but Norris turned down the role, refusing to be shown utilizing his skills negatively onscreen. Vastly popular, The Karate Kid spawned three sequels of rapidly descending merit, as well as a Saturday-morning cartoon series. ~ Hal Erickson, Rovi

No one knows what evil lurks with the folks next door in this black comedy. Earl Keese (John Belushi) is a middle-aged suburbanite whose life is dull and uneventful, and that's just the way he likes it, though his wife, Enid (Kathryn Walker), isn't quite so happy. Earl soon learns that a new couple has just moved into the house next door, loudly leisure-suited Vic (Dan Aykroyd) and sexy Ramona (Cathy Moriarty). Earl is at once thrilled and terrified when Ramona unexpectedly attempts to seduce him, and he is quite puzzled when Vic and Ramona stop by for dinner the following evening and Ramona angrily accuses Earl of trying to take advantage of her. After an argument, Vic offers to make peace by buying dinner from a take-out restaurant. When Earl spies Vic cooking the meal in his kitchen a few minutes later, he realizes that his new neighbors are playing some sort of game with him, though he's not sure what or why. Neighbors marked the third and final screen pairing of Saturday Night Live stars John Belushi and Dan Aykroyd; Belushi died of a drug overdose three months after the film's release. ~ Mark Deming, Rovi

This sentimental tearjerker is also a slice-of-New York-life melodrama directed by John G. Avildsen as his follow-up to the career-high smash success of Rocky (1976). Paul Sorvino stars as Lou Friedlander, a Manhattan newspaper columnist who is instantly smitten by Sarah Gantz (Anne Ditchburn, who was nominated for a Golden Globe for her debut performance). A ballerina who's just moved into Lou's apartment building after a breakup with her boyfriend, Sarah soon gets the news that she is terminally ill and should quit her strenuous dancing career. Despite the medical advice, she continues anyway, and Lou begins writing a piece for his employer about her valiant struggle. As he assembles the article, he and Sarah begin to fall in love. At the same time, Lou is also nurturing a story about an orphaned Hispanic kid who's a junkie but is managing to rise above the harshness of life on the city's ghetto streets. The Friedlander character was reportedly inspired by and loosely modeled upon writer Jimmy Breslin. ~ Karl Williams, Rovi

This comedy film revolves around the unusual life of a fictional former American president (Zero Mostel) as he reveals the reasons behind his loss of power on a television program. Three short skits depict a randy and raucous life in the White House. ~ Iotis Erlewine, Rovi

Star Jack Lemmon was so eager to see Save the Tiger make it to the big screen that he waived his salary rather than have the film exceed its tiny budget. Lemmon portrays "the great American tragedy" as upwardly mobile garment manufacturer Harry Stoner, whose underhanded business tactics are beginning to catch up with him, and whose keeping-up-appearances lifestyle has forced him into bankruptcy. The script, by producer Steve Shagan, does nothing to endear us to Stoner: he flagrantly cheats on his wife, arranges business deals by servicing his clients with prostitutes, and finally agrees to torch his warehouse to collect the insurance money, all the while paying empty lip service to his lost ideals. Nonetheless, one "feels" for Stoner throughout, especially when he breaks down while giving a speech to his assembled buyers, imagining that the audience is populated by his dead army buddies, who gave up their lives to make the world safe for good-for-nothings like himself. Lemmon's performance won him an Academy Award. Appearing in supporting roles are Jack Gilford as Lemmon's conscience-stricken partner and Thayer David as a smarmy arsonist. ~ Hal Erickson, Rovi

A private detective is hired to study an alleged blackmailing scheme, but discovers that he is involved himself in the plot. ~ John Bush, Rovi

This uneven satire presents the hypocrisy of suburban attitudes towards sex education in school. Roger (Richard Carballo) is the sexually repressed moralist who tries to eradicate community perversion. Parents object to the school teachings while they engage in nude swimming parties and marital infidelities. Roger lives next to a couple who gives their teenage son a complex over their inability to express affection. His baby-sitter reads erotic literature to him. Roger's wife lures the boy into his first sexual encounter as his parents watch the action. Their sex lives are rejuvenated when they witness the proceedings, and the moralistic Roger soon discovers to his horror he is gay. ~ Dan Pavlides, Rovi