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Peter Zadek Movies

1998  
 
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Three criminals - Fatty, Trinity-Moses and Mrs. Begbick -- on the lam from the police found the city of Mahagonny in a desolate area in America. Erecting the "Here-You-May-Do-Anything Inn," they dedicate the city to the hedonistic ideal of doing anything you want (as long as you have the means to pay for it). A group of prostitutes, which includes the young Jenny, quickly sets up shop in Mahagonny, and a quartet of lumberjacks come to sample their wares. One of these men, Jim, falls in love with Jenny. Mahagonny is soon threatened by a hurricane, which unleashes even more anarchy among its residents. Spared when the hurricane changes course, the citizens fall even deeper into debauchery. One lumberjack eats himself to death, and in a prize fight, another is killed by Trinity-Moses. Unfortunately, Jim had placed all his money on the loser in this fight; when it comes out that he cannot pay for the drinks he has imbibed, he is put on trial and condemned to death. After his execution, catastrophes of all kinds befall Mahagonny, and the citizenry marches forward, crying that we "cannot help ourselves or you or anyone" as the curtain falls. Kurt Weill's eclectic scores includes the popular "Alabama Song" ~ Craig Butler, Rovi

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1993  
 
The title of this documentary on Rainer Maria Fassbinder is just slightly changed from the title of a film that director made in 1976, entitled Ich Will Doch Nur, Dass Ihr Mich Liebt (I Only Want You to Love Me). The wunderkind of postwar German filmmaking died at age 36 in 1982 after making over 50 films in his short fifteen year career. He tended to produce resolutely experimental films using members of his theatrical troupe, the "Anti-Theater." Hanna Schygulla, frequently the female lead in his films, speaks about the man and his character as a director, as do others who were members of his extended filmmaking family. This is the first attempt to produce a documentary of the audacious, controversial director since his death, and it is interesting that it shuns personal controversies (his homosexuality, drug use) that he never shied away from in real life. Those looking for a deeper perspective on the man's character and development will have to wait for another feature; his complex and far-reaching career will surely yield quite a few. ~ Clarke Fountain, Rovi

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Starring:
Rainer Werner FassbinderHanna Schygulla, (more)
 
1983  
 
This film is a superficial extravaganza on the "roaring 1950s" in West Germany and West Berlin, when the rich, according to director Peter Zadek, were partying through the decade with little else on their minds than hedonistic pleasures, and the poor were struggling to become richer. Documentary clips bring in the realities of the Berlin Wall and the Cold War, and their honesty stands in sharp contrast to the exaggerated lifestyles that permeate the screen. The story focuses on the super-rich Jakob Formann (Juraj Kurkura) and his exploits and friends in high and low places. ~ Eleanor Mannikka, Rovi

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Starring:
Boy GobertPeter Kern, (more)
 
1982  
R  
Originally Die Sehnsucht de Veronika Voss, this Rainer Werner Fassbinder spin on Sunset Boulevard stars Rosel Zech as film actress Veronika Voss. Once the toast of Germany, Veronika had allegedly been an intimate of Joseph Gobbels. But the Third Reich is dead...and Veronika may as well be. Playing to an increasingly diminishing fan following, Veronika turns to drugs to cushion her against the cruelties of life. Her self-destruction is accelerated by her "Doctor Feelgood" Annemaire Duringer, who plys Veronika with morphine in order to gain control of the actress's money and property. Well-meaning sportswriter Hilmar Thate tries to save Veronika from herself, sacrificing his own personal happiness -- and the life of his girlfriend Cornelia Froeboess -- in the process. Allegedly an amalgam of several true stories, Veronika Voss is the last of Fassbinder's "postwar trilogy" (the first two were The Marriage of Maria Braun and Lola). ~ Hal Erickson, Rovi

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Starring:
Rosel ZechHilmar Thate, (more)
 
1975  
 
Based on a very successful play of the same name by Tankred Dorst, this film tells a story about Norwegian author Knut Hamsun (here played by O.E. Hasse), a Nobel prizewinner for literature who was notorious for having collaborated with the Nazi regime. After the war, rather than hand him over for prosecution, he was sent to a retirement home. A young man, bitter about the war, tracks him down and begins to harass him in various ways. The author handles everything that comes to him with remarkable dignity, which eventually removes some of the taint from his actions. ~ Clarke Fountain, Rovi

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Starring:
O.E. HasseHannelore Hoger, (more)
 
1970  
 
This independent film is a satirical look at a group of successful, middle aged business people. Included are a film director, a writer and others who talk of love, sex and politics. They are portrayed as cynical and bored with life, and the viewer may feel the same way about the feature. This is the second effort from director Peter Zadek after his critically acclaimed I Am An Elephant, Madame. ~ Dan Pavlides, Rovi

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Starring:
Anton DiffringGisela Fischer, (more)
 
1968  
 
Rull (Wolfgang Schneider) is in his last year at a classical German state school. Believing all authority figures are repugnant, he engages in a series of bizarre behaviors. He literally acts like a bull in a china shop, alienates his friends, loses his girlfriend and infuriates his teachers. When he paints a swastika on a wall of the Parliament building, he really gets in trouble. This film is based on the novel The Unadvised by Thomas Valentin. In the novel, the principle character was a hero, but he turns into an alienating buffoon in the celluloid version. Neither authority figures nor the counterculture is spared in this satire. Music is provided by Andy Warhol and the Velvet Underground. ~ Dan Pavlides, Rovi

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Starring:
Guenther Lueders