Grace Zabriskie Movies
To say that Grace Zabriskie has specialized in maternal roles is hardly adequate. Many of the mothers portrayed by Zabriskie in films and on TV are the sort of parents that you wouldn't wish on your worst enemy: clinging, castrating, and constantly jabbering away about nothing in particular (to be fair, she has essayed a few benign, likeable moms). She has been prominently featured in such films as Norma Rae (1979), Drugstore Cowboy (1988), and The Big Easy (1989). Her TV work includes the roles of Laura Palmer's hysterical mother in Twin Peaks (1990) and the recurring part of Thada Duvall in the NBC daytimer Santa Barbara. Undoubtedly, Zabriskie's most bizarre screen assignment was her S&M sex scene in Chain of Desire (1991). As brash and outspoken as ever, Grace Zabriskie played Granny in first-time director Anjelica Huston's controversial Bastard out of Carolina (1996). ~ Hal Erickson, Rovi
Meant to cash in on the breakdancing mania of the early 1980s, this run-of-the-mill teen movie is undercut by casting Lorenzo Lamas in the role of Chilly D, a breakdancing king, while Magick (La Ron A. Smith) who teaches Chilly the fine art of the acrobatic moves is a real pro. Once Chilly has mastered his new talent, he gets an offer to perform in a high-class club. Lusting after fame and status, Chilly leaves his girlfriend, mother, and buddies behind to focus on a new lifestyle that includes an upscale apartment, a new girlfriend, and as one might guess, all the things he never really wanted. ~ Eleanor Mannikka, Rovi
- Starring:
- Lorenzo Lamas, Vicki Frederick, (more)
- 1983
Mariette Hartley portrays Candy Lightner, the founder of Mothers Against Drunk Drivers, in this made-for-television movie produced and written by Michael Braverman. After her daughter is killed by a drunk driver in a hit-and-run accident, Lightner forms M.A.D.D. to enact legislation curbing the spread of alcohol-related driving. ~ John Bush, Rovi
- Starring:
- Mariette Hartley, Paula Prentiss, (more)
Richard Gere plays Zack Mayo, an aloof, taciturn man who aspires to be a navy pilot. Once he's arrived at training camp for his 13-week officer's course, Mayo runs afoul of abrasive, no-nonsense drill sergeant Emil Foley (Louis Gossett Jr.). Mayo --or "Mayonnaise," as he is dubbed by the irascible Foley -- is an excellent cadet, but a little cold around the heart. Foley rides Mayo mercilessly, sensing that the young man would be prime officer material if he weren't so self-involved. Zack's affair with working girl Paula Pokrifi (Debra Winger) is likewise compromised by his unwillingness to give of himself. Only after Mayo's best friend Sid Worsley (David Keith) commits suicide over an unhappy romance does Zack come out of his shell and mature into a real human being. Take away the R-rated dialogue and the sex scenes, and Officer and a Gentleman could have been a 1937 MGM flick, maybe with Robert Taylor as Zack, Wallace Beery as Foley, and Jimmy Stewart as Sid. An Officer and a Gentleman was nominated for 7 Oscars, with wins to Gossett and to the hit song "Up Where We Belong." The closing scene has surely become a classic of movie romance. ~ Hal Erickson, Rovi
- Starring:
- Richard Gere, Debra Winger, (more)
- 1982
Real-life brother and sister Jimmy and Kristy McNichol star in this made-for-television drama about a claustrophobic cult. Jimmy McNichol stars as David, oldest son of the seemingly well-adjusted Bowers. When David disappears from his family to live with the Light of Salvation cult, sister Janet (Kristy McNichol) refuses to automatically side with her parents and dismiss the group. Young Janet tries to give her brother's judgement the benefit of the doubt, looking for her own answers, as her desperate parents consult a mind de-programming expert. Taut and edgy at times, the film shows how vulnerable young people get targeted by cults and their charismatic leaders -- only to turn into mindless drones. ~ Bernadette McCallion, Rovi
- Starring:
- Kristy McNichol, Anne Jackson, (more)
Tommy Lee Jones won an Emmy for his searing performance as wanton killer Gary Gilmore in The Executioner's Song. The film covers the last nine months of Gilmore's life, beginning with his release from prison in 1976. Linking up with teen-age divorcee Nicole Baker (Rosanna Arquette), Gilmore makes a half-hearted effort to go straight, but ends up embarking on a robbery spree that culminates in two cold-blooded murders. Arrested and sentenced to be executed, Gilmore insists upon being put to death (Utah law required a firing squad for this); he spends his final days as a poster boy for anti-death penalty activists and as a "client" for an entrepreneur (Steven Keats) who wants to make a film of Gilmore's life. Adapted by Norman Mailer from his own book, The Executioner's Song originally aired in two parts on November 28 and 29, 1982. It has since been boiled down to a 97-minute theatrical film for European consumption, with additional scenes of violence and nudity. ~ Hal Erickson, Rovi
- Starring:
- Tommy Lee Jones, Rosanna Arquette, (more)
The 1955 film version of John Steinbeck's East of Eden will always be popular because of the presence in the cast of James Dean. Even so, the film covered only a small portion of the original novel. For those Steinbeck completists who prefer a more thorough treatment, we submit for your approval the TV miniseries adaptation of East of Eden, which first aired February 8, 9 and 11, 1981. This eight-hour dramatization begins in the years following the Civil War. Braggadocio union officer Cyrus Trask (Warren Oates) is the father of gentle, loyal Adam (Timothy Bottoms) and hellraiser Charles (Bruce Boxleitner). Enter the bewitching, mean-spirited Cathy Ames (Jane Seymour), who leads both brothers on and causes an irreparable rift between them. Eventually, Adam marries Cathy, taking her and their twin sons to a 900-acre farm in California's Salinas Valley. Cathy rebels against this cloistered existence and runs off to work in a house of ill repute. In Part Three, we finally meet the "James Dean" character: Cal Trask (played by Timothy Bottoms' brother Sam), who can never hope to come up to the standards of his "good" twin brother Aron (Hart Bochner) in the eyes of his father. Cal's "bad" reputation obscures his good intentions, but by film's end he is compelled to reveal to brother Aron that their mother had not died as father Adam has claimed, but in fact has become a hard-bitten bordello "madam". Adapted for television by Richard Shapiro, East of Eden was part of ABC's informal "Novels for Television" series. ~ Hal Erickson, Rovi
- Starring:
- Timothy Bottoms, Jane Seymour, (more)
Also known as Planet of Horrors, this film follows a group of astronauts as they travel into space to retrieve the survivors of a spaceship crash. When they arrive on the planet, the crew runs into some hostile aliens who attempt to gorily wipe them out. ~ Iotis Erlewine, Rovi
- Starring:
- Edward Albert, Erin Moran, (more)
Tim Conway and Don Knotts play two bumbling Scotland Yard investigators out to solve a double murder in this silly send-up of vintage, "old dark house" films. The intrepid Winship (Knotts) and his assistant Tart (Conway) arrive at a Gothic mansion occupied by the grieving heiress Phyllis (Tricia Noble), whose parents have just perished under suspicious circumstances. Meanwhile, a quirky crew of servants ranging from a butler with serious rage issues to a samurai warrior cook and busty maid with a bubbly personality all display likely motives for murder. As a mysterious, black-cloaked killer methodically dispatches with the help, the inept investigators search for clues while being watched by paintings with moving eyes, exploring a frightful a torture chamber, and attempting to communicate with their superiors at Scotland Yard via carrier pigeons who never seem to reach their intended destination. ~ Jason Buchanan, Rovi
- Starring:
- Tim Conway, Don Knotts, (more)
Two Montana saddletramps head for bustling Music City and open up a detective agency in this comical adventure that was originally the pilot of a television series. Not only do the two have to accustom themselves to strange big-city ways, they have to learn to become less inept at the gumshoe game as they try to expose extortionists and return a missing singer. Singers Barbara Mandrell and Roy Acuff make cameo appearances. On video the film is titled Ramblin' Man. ~ Sandra Brennan, Rovi
- Starring:
- Roy Acuff, Claude Akins, (more)
Norma Rae finds Sally Field cast in the title role, a minimum-wage worker in a cotton mill. The factory has taken too much of a toll on the health of Norma Rae's family for her to ignore her Dickensian working conditions. After hearing a speech by New York union organizer Reuben (Ron Leibman), Norma Rae decides to join the effort to unionize her shop. This causes dissension at home when Norma Rae's husband, Sonny (Beau Bridges), assumes that her activism is a result of a romance between herself and Reuben. Despite the pressure brought to bear by management, Norma Rae successfully orchestrates a shutdown of the mill, resulting in victory for the union and capitulation to its demands. Based on a true story, Norma Rae is the film for which Sally Field won her first Oscar; an additional Oscar went to David Shire and Norman Gimbel for the film's theme song, "It Goes Like It Goes." ~ Hal Erickson, Rovi
- Starring:
- Sally Field, Beau Bridges, (more)
- 1979
Muhammad Ali made his TV-movie dramatic debut in this adaptation of Howard Fast's novel Freedom Road. Though some of the names are changed, the story concerns the true-life efforts of senators Charles Sumner and Thaddeus Stevens to bring political order and racial equality to the post-Civil War South. Ali is cast as Gideon Jackson, an ex-slave who is elected to the U.S. senate during the Reconstruction Era. Interestingly enough, the character upon whom Jackson is based was depicted as the villain of D.W. Griffith's 1915 Civil War epic Birth of a Nation. Just as Griffth offered his own biased slant on the facts, so too did Fast rewrite history to promote his own political ideology. As for Muhammad Ali, his performance is no threat to Olivier, but he acts with sincerity and a commendable lack of bravado. Made for TV, Freedom Road represented the final film effort of Czechoslovakian director Jan Kadar. It was first telecast in two parts on October 29 and 30, 1979, an event that warranted a cover story in TV Guide. ~ Hal Erickson, Rovi
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