Grace Zabriskie Movies

Lies told, secrets kept and truths revealed make for a riveting third season of Big Love, the critically acclaimed HBO drama about your average American polygamous family. As the season opens, the Henricksons are still reeling from publicity generated by the U.S. government's raid on the Juniper Creek compound, and worrying that Nikki's association with the now imprisoned Roman Grant (Harry Dean Stanton) will reveal their closely guarded secret. Their exclusion from a neighborhood block party seems to confirm their fears, and only the quick thinking of Nikki (Chloë Sevigny) at the event saves them from disaster. However, Nikki has secrets of her own. She's working at the DA's office under Margene's name to find out information about Roman's upcoming trial. And she's letting the family think she's having fertility issues while secretly taking the pill. Both deceptions place her marriage to Bill (Bill Paxton) in jeopardy. Meanwhile, Sarah (Amanda Seyfried) hides her pregnancy and makes plans to get away from her family after learning they're considering taking on Ana (Branka Katic) as a fourth wife. But Sarah's condition is not something she's able to hide for long. Meanwhile, "boss lady" Barb (Jeanne Tripplehorn) has troubles of her own. After enduring a cancer scare, she must defend herself in front of a Mormon disciplinary council for her polygamous lifestyle-but not before undergoing a sacred Mormon ceremony shown in a controversial episode. Margene (Ginnifer Goodwin) shows her independent side and begins a new business venture. Tragedy strikes for Bill's brother Joey (Shawn Doyle) and his already troubled family. As for the Henrickson patriarch, Bill finds his efforts to launch the casino continually thwarted. But soon a new opportunity shows itself. Season 3 guest stars include Ellen Burstyn as Barb's loving but disapproving mother. ~ Dianne Zoccola, Rovi

Meet the Henricksons. They're the typical suburban American family, occupied with hectic schedules and bills to pay, as well as trying to make sense of an increasingly complicated world. Oh, and they also happen to be polygamists. In the first season of this unconventional, critically acclaimed drama, every day is a new adventure for patriarch Bill Henrickson (Bill Paxton), who lives outside Salt Lake City with his three wives -- Barb (Jeanne Tripplehorn), Nicki (Chloë Sevigny) and Margene (Ginnifer Goodwin) -- and their collective brood of seven children, including Bill and Barb's teenagers, Ben (Douglas Smith) and Sarah (Amanda Seyfried). Owner of a profitable home-improvement superstore, Bill is anxious to expand his empire (and support his growing family) by opening another Home Plus location with his business partner and fellow polygamist, Don Embry (Joel McKinnon Miller). However, an unwanted investor hoping to share in Bill's good fortune emerges: Roman Grant (Harry Dean Stanton), the scheming "Prophet" of the remote Juniper Creek polygamist compound who is also Nicki's father. There's been bad blood between Bill and Roman ever since the former was expelled from Juniper Creek as an adolescent, largely by the latter's hand. Bill also clashes with Adaleen (Mary Kay Place), one of Roman's wives, and their power-hungry son and chief enforcer, Alby (Matt Ross). But Bill is not alone in this feud, as his father Frank (Bruce Dern), mother Lois (Grace Zabriskie) and brother Joey (Shawn Doyle) still live at Juniper Creek and identify, to varying degrees of familial allegiance, with Bill's enmity for Roman. On the home front, third wife Margene risks exposing the Henricksons' illicit lifestyle by befriending a Mormon neighbor; Nicki tries to hide a shopping addiction and the tens of thousands of dollars of credit-card debt that goes with it; and Barb tiptoes into the spotlight after one of her kids nominates her for Utah's Mother of the Year award. ~ Joe Friedrich, Rovi

In trying to figure out the extent of baby Wyatt's powers -- and, eventually, to take over those powers herself -- the Crone (Grace Zabriskie) imposes the Curse of the Monkey Totem on the Charmed Ones. As a result, each girl loses one of her senses: Phoebe (Alyssa Milano) is deaf ("Hear no evil"), Piper (Holly Marie Combs) is blind ("See no evil"), and Paige (Rose McGowan) is mute ("Speak no evil"). In addition to compounding the girls' domestic, professional, and personal problems, their afflictions also leave little Wyatt defenseless -- or so it seems. Despite being unable to speak throughout most of the episode, Paige manages to belt out a rendition of Peggy Lee's "Fever." ~ Rovi

Filmmaker Mark Anthony Galluzzo debuts with this gritty account of two poor boys in rural Florida whose lives are irreparably changed after witnessing a friend's thoughtless hunting death. For Sunny (Jeremy Sisto), life becomes meaningless, and he decides to take as much as he can from the world. The trauma causes Anthony (Eric Michael Cole), who has won a couple of high school writing awards, to re-evaluate his life and his future. Though his grades and his relationship with the middle class C.J. (Jaime Pressly) indicate that the future is bright, Anthony is painfully aware that he does not deserve his good fortune. Trash was screened at the 1999 Boston Film Festival. ~ Jonathan Crow, Rovi

Once Jerry (Jerry Seinfeld) buys an expensive Wizard organizer for his dad, he finds himself trapped in a vicious cycle. Kramer (Michael Richards) figures he'll never have to work again after a Hollywood producer options his coffee-table book...about coffee tables. Elaine (Julia Louis-Dreyfus) is involved in an interracial romance -- but is she the "different" race, or is he? And George (Jason Alexander) resorts to a lie (notify the media!) to get out of a commitment to the Susan Ross Foundation. ~ Hal Erickson, Rovi

This independent comedy-drama concerns George (David Morse), who works as a janitor cleaning up at a bar in a small town. While no one's sure if George is retarded, he doesn't seem to live in the same world as the rest of them; if he's not unintelligent, he is unfortunately gullible and trusting and lacks the ability to dodge around people's emotions in conversation. George has always thought of his birthday as his good luck day, so one year he decides to celebrate by taking a trip to Reno, and for a change George's hunch is right on the money -- he wins big and comes home with enough money to buy his own house and start his own cleaning business. George finds he's lonely in his new home, and he asks Angela (Nina Siemaszko), a young woman who works at a discount store, to move in with him. Angela doesn't care for her job and is desperate to get away from her harridan mother, so she agrees, though life with George proves to be both funny and troubling. George B. was shown in competition at the 1996 Sundance Film Festival. ~ Mark Deming, Rovi

George (Jason Alexander) is willing to get over the death of his fiancée, Susan, but her parents have other ideas as Seinfeld begins its eighth season. Also, Jerry (Jerry Seinfeld) renews his acquaintance with the "woman whose name rhymes with a body part." Elaine (Julia Louis-Dreyfus) is left in charge of the office when Peterman (John O'Hurley) goes to Burma. And Kramer (Michael Richards) becomes a truly "towering" figure when he learns karate. ~ Hal Erickson, Rovi

Friendship and racism in 1880s America is explored in this made-for-television drama. Sidney Poitier stars as Gypsy Smith, a bounty hunter who, much to the chagrin of the local white population, leads a group of black settlers to Oklahoma to form their own free community. The film shows how racial tensions erupt between the black and white homesteaders. The Native American experience of racism is intertwined into the plot as well, with the story of a young Cheyenne boy who has lost his roots. Sidney Poitier and Regina Taylor were nominated for Image awards for their performances. Based on the novel by Clancy Carlile, the film originally aired in two parts. ~ Bernadette McCallion, Rovi

The full title of this derivative comedy is Hometown Boy Makes Good. A pre-ER Anthony Edwards plays a young medical student who sends home glowing success reports to his mother. In reality, Edwards is washing dishes rather than scrubbing up. Deciding to return home and confess all, our hero is ordered to set up a psychiatric practice by the town mayor. Despite his protests, Edwards become the community's resident "shrink"-and, amazingly, his highly uniformed technique works! It's essentially Hail the Conquering Hero and Doc Hollywood rolled into one, but it's fun. ~ Hal Erickson, Rovi

In classic noir tradition, the protagonist of the made-for-TV Double Deception is hard-boiled private eye John Kane (James Russo), who provides the first-person narration for the deliciously convoluted plotline. Kane knew that former call girl Pamela Sparrow (Alice Krige) was a keg of dynamite the minute she uncrossed her beautiful stems in his seedy office. "Please help me," pleaded Pamela in that come-hither voice, "My husband is missing." But the dame wasn't up front at first, failing to mention that her soul-mate was tied in with a 10-year-old murder case. Funny thing: Pamela reminded Kane of his dead wife -- and funnier still, there are some things just don't stay dead. It figured that Kane would get a few lumps on the casaba along the way, and that he'd have a couple of waltz-arounds with the top brass. But a case is a case, and when murder's involved, someone's got to do something about it, or it's bad for business. Double Deception was originally broadcast by NBC on June 21, 1993. ~ Hal Erickson, Rovi

Lou Diamond Phillips stars in this contrived but entertaining thriller (which he also wrote) as Mitchell Osgood, an aspiring writer who runs a Los Angeles bookstore. When a heartfelt book about his father Haing S. Ngor fails to win him a publishing deal, Osgood decides to write something more eye-catching -- a book about recently-released serial killer Albert Merrick Clancy Brown. The media beats him to it, so the ruthlessly ambitious Osgood decides to spur Merrick to commit more crimes, hiring him to work at the bookstore and playing cruel mind games in hopes of setting Merrick off. He does, but the results are quite different from what Osgood had anticipated. Phillips' performance is weak, and the screenplay is predictably bland, but the film remains worthwhile thanks to a terrific job by Brown as the killer. Brown has turned in a number of fine psycho performances, but he has rarely been better than he is here, building from understated diffidence to full-blown psychosis in expert fashion. Grace Zabriskie and Willard E. Pugh co-star with Cecilia Peck. ~ Robert Firsching, Rovi

The groundbreaking and influential Twin Peaks series originally ran on the ABC network for the short time between April 1990 and June 1991. Created by film director David Lynch (Blue Velvet) and writer Mark Frost (Hill Street Blues), it gained an enormous following of viewers while challenging genre conventions and changing the standard of television programming. The story begins with Special Agent Dale Cooper (Kyle MacLachlan) of the FBI arriving in the small town of Twin Peaks, WA, to investigate the murder of a popular high school girl named Laura Palmer. When the first season ended without answering the pressing question of "Who killed Laura Palmer?", the loyal audience had to wait all summer until next season to find out. However, the series proved to be more than just an engaging soap opera or juicy murder mystery. The dark supernatural subject matter was offset by moments of absurd humor, and the haunting musical score from Angelo Badalamenti was well suited to the cinematically rendered images. The creators succeeded in blending a very human drama into a humorous and entertaining crime show against a small-town background of eccentric characters and places. Offering plenty of symbolism, the series became highly discussed for exposing the darkness underneath apple-pie America, among other issues. For a series that gains layers of meaning with repeated viewing, it was also accused of alienating casual viewers. Some of the audience just lost interest during the second season, after the central mystery was solved. Nevertheless, the eerie mood and unusual themes of Twin Peaks continue to influence numerous television series from Northern Exposure to The X-Files. A rebroadcast on the Bravo cable channel in the late '90s added the Log Lady opening introductions to each episode of the series. ~ Andrea LeVasseur, All Movie Guide