Jimmy Yuill Movies

Two sisters engage in a subtle war for the affections of a man half their age in this British comedy drama. It's 1936, and Janet Widdington (Maggie Smith) and her sister, Ursula (Judi Dench), are a pair of elderly spinsters who share a home in Cornwall on the coast of England. After a storm, the sisters discover that someone has been washed up on the beach in front of their house. Bringing the body inside, they discover the victim is a handsome Polish man named Andrea Marowski (Daniel Brühl) who has suffered a broken ankle and speaks no English, only Polish and German. As the sisters patch up Andrea's ankle, Janet dusts off her old German textbook from school, and begins getting to know more about their guest. It isn't long before Janet develops an infatuation for the good-looking stranger, and attempts to teach him English, which is more than a bit maddening to Ursula, who has fallen head over heels for him -- especially after the sisters discover he's a gifted violinist and hear him display his craft on a borrowed instrument. As the sisters find themselves vying for Andrea's attention, they wonder if they should report his presence to the authorities, especially after Olga (Natascha McElhone), an attractive woman in her early thirties who lives nearby, becomes aware of Andrea's presence in the home and wants to make contact with him. Based on a short story by William J. Locke, Ladies in Lavender marked the directorial debut of actor Charles Dance. ~ Mark Deming, All Movie Guide

A nobody walks a dangerous path in a bid to become a big-shot in this gritty drama from the United Kingdom. Tony Cocozza (Ian Hart) is a small-time Scottish vocalist with a gimmick -- he loves the music of Frank Sinatra, and his repertoire consists almost entirely of songs associated with Ol' Blue Eyes. While Tony has a good voice and can bring off Sinatra's material quite well, he's a clueless nebbish offstage and hasn't been able to advance his career beyond the bottom rungs of the Scottish nightclub circuit. One night, while Tony waits out an intermission in his dressing room, an imposing-looking man named Chisolm (Brian Cox) arrives with a request -- his boss (Iain Cuthbertson) would prefer to hear some songs by Elvis Presley. Chisolm's boss turns out to be a powerful and dangerous crime kingpin, so Tony swallows his pride and sings like The King for a few minutes; the mobster is pleased, and Tony soon finds himself playing a better grade of nightclubs and spending his spare time with some of Glasgow's most notorious crime figures. Bill (Alun Armstrong), Tony's pianist and closest companion, warns Tony that he's getting in over his head with his new and dangerous friends, but imagining success is finally around the corner -- and emboldened by his new relationship with Irene (Kelly MacDonald), a pretty but cynical cigarette girl he met at a gig -- Tony refuses to listen to him. Strictly Sinatra also stars Tommy Flanagan and Richard E. Grant. ~ Mark Deming, All Movie Guide

When his professional career hits a lull, an actor attempts to revitalize his career by staging a production of Hamlet, directed by and starring himself. Director and star Kenneth Branagh would in fact release his own film version of Shakespeare's classic play a year later, but this comedy provides his fictional counterpart with far less in terms of production value. Lacking money and time, he recruits a rather motley group of drunks, incompetents, and oddballs, including a middle-aged female impersonator in the crucial role of Queen Gertrude. Given only three weeks of rehearsal, and an abandoned church in a remote town in the English countryside, this unlikely group nevertheless struggles valiantly to make theatrical magic. The film attempts to pay loving tribute to the madness that surrounds the staging of a play, with all of the backstage dramas, inevitable disasters, and unexpected triumphs, but the end result is often less amusing than it ought to be. The film was released in the United States under the title A Midwinter's Tale. ~ Judd Blaise, All Movie Guide

Director Kenneth Branagh's interpretation of Mary Shelley's classic horror novel stars Robert DeNiro as a terrifying monster created in an obsessive attempt to defeat death and stretch the limits of medicine in the early 19th century. With the use of flashback, a dying Dr. Viktor Frankenstein (Kenneth Branagh) divulges a tale of gruesome terror to a sea captain (Aidan Quinn): As a medical student, the rebellious Frankenstein elaborates on the work of a brilliant scientist (John Cleese), successfully bringing to life a "man" assembled from the body parts of corpses. Upon realizing the destructive consequences of his experiment, Dr. Frankenstein abandons the creature and attempts to return to a normal life with his medical partner, Henry (Tom Hulce), and his fiancée (and adopted sister), Elizabeth (Helena Bonham Carter). In the meantime, the nameless creature struggles with loneliness and rejection from society until he sets out to track down his creator in search of one of two things: a bride to keep him company or revenge. Mary Shelley's Frankenstein (1994) was produced by Francis Ford Coppola, who previously directed and produced monster-drama Bram Stoker's Dracula (1992). ~ Lisa Kropiewnicki, All Movie Guide

Fresh from the success of Henry V and Dead Again, British actor/director Kenneth Branagh recharged his creative batteries with a 23-minute short subject. Swan Song is a faithful adaptation of a one-act play by Anton Chekhov. John Gielgud stars as an aging actor who, while sitting alone in a darkened theatre, ruminates on his checkered past and his uncertain (and perhaps unlikely) future. Richard Briers costars as Gielgud's sounding board. Filmed on location at London's Criterion Theatre, Swan Song was nominated for a "best short subject" Academy Award. ~ Hal Erickson, All Movie Guide

Kenneth Branagh makes his feature film directorial debut with this adaptation of William Shakespeare's Henry V. After the Chorus (Derek Jacobi) introduces the play, young king of England Henry V (Kenneth Branagh) begins an angry dialogue with King Charles of France (Paul Scofield). The king's son, Dauphin (Michael Maloney), insults Henry and the argument escalates into war. In flashback, Henry is seen as a young man drinking in a tavern with Falstaff (Robbie Coltrane), Bardolph (Richard Briers), Nym (Geoffery Hutchings), Pistol (Robert Stephens), and Mistress Quickly (Judi Dench). Meanwhile, Henry and his captain, Fluellen (Ian Holm), assemble an army and invade France. The French greatly outnumber the British troops, yet Henry leads them to victory in the Battle of Agincourt after delivering his famous St. Crispin's Day Speech. Throughout this struggle, Henry also courts Katherine (Emma Thompson) and eventually wins her over. ~ Andrea LeVasseur, All Movie Guide

Director Bertrand Tavernier provides an unexpected feminist slant to the otherwise standard sci-fi trappings of Death Watch. Harvey Keitel plays a man of the future who has had a camera implanted in his brain. The mechanism, which is endowed with special X-ray properties, is activated by the user's eyes. Keitel is assigned by ruthless TV producer Harry Dean Stanton to secretly probe the subconscious of a dying woman, played by Romy Schneider. Stanton is only interested in the grim spectacle of what goes on inside the brain of someone who knows she's doomed. Keitel, on the other hand, becomes increasingly compassionate--and disgusted by the tawdriness of his assignment--as he stares into Schneider's tortured psyche. ~ Hal Erickson, All Movie Guide