Loretta Young Movies

This is an epic Darryl F. Zanuck production that plays fast and loose with historical facts regarding early 19th century French politics and the building of the Suez Canal. Tyrone Power stars as Ferdinand de Lesseps, an engineer and son of a French nobleman (Harry Stephenson). At the start of the film, he is in love with Eugenie (Loretta Young), but so is the French President Louis Napoleon (Leon Ames). After his father is appointed French consul to Egypt, the younger de Lesseps travels there and conceives the idea of a canal connecting the Mediterranean and Red seas. Back in France, he is promised help by Eugenie, now Napoleon's mistress, in exchange for Count de Lesseps' agreement to dissolve the government temporarily. Napoleon then declares himself emperor, making Eugenie his empress. The elder de Lesseps dies of shock at the political betrayal, while the younger de Lesseps starts building the canal, overcoming attacks by tribal people and severe heat. France cuts off backing, and de Lesseps has to get help from England to finish the project. A sandstorm injures de Lesseps, and his French-Egyptian lover Toni (Annabella) straps him to a post to save him, sacrificing her own life for the canal. Power and Annabella married each other after the film. The descendants of de Lesseps sued 20th Century Fox for libel, but lost. ~ Michael Betzold, Rovi

Basically a filmed vaudeville presentation, The Show of Shows was Warner Bros.' entry in the "all star, all talking, all singing and all dancing" sweepstakes of 1929. Though slightly better than MGM's Hollywood Revue of 1929, the Warners entry pales in comparison to Fox Movietone Follies of 1929 and Paramount on Parade, due mainly to the film's master of ceremonies, the insufferable Frank Fay. Some of the individual acts seen in Show of Shows were pretty good, notably Winnie Lightner's delightful Singing in the Bathtub (a spoof of Hollywood Revue of 1929's Singin' in the Rain) and John Barrymore's brilliant rendition of Richard III's soliloquy from Shakespeare's Henry VI. Also easy to take was "Floradora Sextette," featuring such luminaries as Myrna Loy, Patsy Ruth Miller and cross-eyed comedian Ben Turpin, and "Eight Sister Acts," including such Hollywood siblings as Dolores and Helene Costello, Sally Blane and Loretta Young and Shirley Mason and Viola Dana (also teamed in this number are Ann Sothern and Marion Byron, who were not sisters). But for the most part, the acts are on a par with "Skull and Crossbones," a boring production number showcasing entertainer Ted Lewis, and "Recitations," a one-joke affair in which three different anecdotes (related by Frank Fay, Louis Fazenda, Lloyd Hamilton and Bea Lillie) are melded into one. Show of Shows was originally released in two-color Technicolor but now exists only in black in white, save for the "Chinese Fantasy" number featuring crooner Nick Lucas and Warner Bros. contractee Myrna Loy. ~ Hal Erickson, Rovi

Sol Glass (Ferdinand Gottschalk) is a man with a problem -- in the depths of the Great Depression, his garment business can't hold on to its accounts. It seems that the company's models, who've always been willing to "date" the visiting buyers looking for a night out, are too hard-boiled and mercenary for the taste of most of these men, and he's losing business -- and maybe his whole business -- because of it. Then his ace salesman, Tommy Nelson (Regis Toomey), has a brainstorm -- let them take out the girls in the company's stenographic pool; after all, as he reasons it out, they're nice girls and it will do them good to get out to a show and a good restaurant once in a while, and the buyers won't be hit up for cash or encouraged to give them expensive gifts. It will all be nice and innocent, or so he thinks, and the girls will get a bonus for their after-hours work -- although as one of the stenographers remarks, cautioning the others, "You may get a lot more than a bonus from a buyer." And that all works out until Tommy's own secretary/fiancee, Florence Denny (Loretta Young), becomes the object of interest for rakish businessman Danny Drew (Lyle Talbot). Tommy's jealousy kicks in and Flo is unfairly accused of being unfaithful. But her much more knowing, cynical friend Maizie (Winnie Lightner), who's been around the block a few times, shows her the truth -- that Tommy is no better or more faithful than the worst of the men who come into the office, and should be the last one to be making accusations. Now it's Flo's turn to be outraged, especially as he won't admit what he actually was doing. Soon their engagement is over and Flo is out of a job. Danny, trying to be a nice guy but clueless about what Flo is about, comes along with an offer that may get her lots of money but also wreck her reputation, and says something so awful about what he thinks she is, that she almost shocks the audience by agreeing to it. But she acquits herself in a way that is honorable and gets Danny what he wants in business -- a fact that has him thinking even less of her than he did before. For a time Flo is caught between Tommy and Danny, neither of whom thinks as highly of her as she deserves -- and she gets to Danny precisely how unfair he and almost every other man is to the women around them. The film ends in what is basically a race to see which of these two men wises up to how nice a girl she really is, and if they can wise up in time. Look for George Chandler and longtime character actor Charles Lane -- the latter in one of his rare portrayals of a character who is Jewish (his real-life background) -- in small roles, in this breezy, sometimes surprising pre-Code comedy/drama. ~ Bruce Eder, Rovi

In this drama, a vicious valet plans to kill another servant after he learns that she has secretly married his boss's son. ~ Sandra Brennan, Rovi

In this actioner, a sea captain saves a Shanghai whore who is being tossed out of town. He puts her on board and heads out to sea; unfortunately, the ship sinks and the two are trapped on a lifeboat until they are found by a ship filled with tough mutineers whom the hero quickly fights, thereby saving the other ship's captain and daughter. ~ Sandra Brennan, Rovi

First filmed in 1910, the venerable Helen Hunt Jackson novel Ramona was remade in 1936 in full Technicolor (20th Century-Fox's first such production). Loretta Young plays Ramona, a half-Indian girl raised by a white family in Spanish California. She falls in love with the young man of the household (Kent Taylor), but her joy turns to sorrow when the matriarch of the household expresses disgust at "race-mixing." Ramona turns instead to the family's Native American servant (Don Ameche), a relationship that proves fatal for him. Ramona is rare for a 1930s film in that it depicts its racist characters as being totally in the wrong, rather than treating them compassionately so as not to offend the bigots in the audience. ~ Hal Erickson, Rovi

Private Number is the old saw about the wealthy young man who marries his family's serving girl. This time Richard Winfield (Robert Taylor) is the handsome, aristocrat hero, while Ellen Neal (Loretta Young) is the gorgeous, low-born heroine. Though they oppose the match, Richard's parents cope with the situation as best they can, but arrogant family butler Wroxton (Basil Rathbone) works overtime to break up the happy couple. Wroxton, of course, is not entirely motivated by snobbery -- he has a craving for Ellen himself. Private Number is based on Cleave Kinkead's stage play Common Clay, previously filmed twice under that title. ~ Hal Erickson, Rovi

A rather bleak comedy-drama from Frank Capra, Platinum Blonde basically starts where Capra's later and much more buoyant It Happened One Night (1934) ends: the marriage between a brash newspaperman and a society dame. But where the latter comedy was enhanced by the director's patented optimism, Platinum Blonde, produced at the height of the Great Depression, expresses no faith in a common ground between the classes. Star reporter Stew Smith (Robert Williams) falls in love with the sister (Jean Harlow) of his latest victim (Donald Dillaway). They marry despite the misgivings of Ann Schuyler's blue-nosed mother (Louise Closser Hale) and Stew's cynical colleagues ("Ann Schuyler's in the blue book. You're not even in the phone book!"). Unable to stand life in a gilded cage for long, Stew upsets the Schuyler mansion by inviting his friends to a wild and woolly party. Returning home unexpected in the middle of the drunken revelry, Ann lays down the law and Stew bolts -- right into the arms of girl reporter Gallagher (Loretta Young), whom he has loved all along without realizing it. Jean Harlow is surprisingly realistic as the callous society girl but Robert Williams' wisecracking reporter comes across as rather grating. An up-and-coming comic lead, Williams died after an operation for appendicitis on November 3, 1931, less than a month after Platinum Blonde had premiered to mostly positive reviews. Ironically, Loretta Young, who received top billing, had demanded to star in this film when it was still known as "Gallagher," the name of her character. Harlow, needless to stay, stole the limelight completely and Capra changed the title much to Young's chagrin. ~ Hans J. Wollstein, Rovi

Naughty But Nice was based on The Bigamists, a story by Lewis Alen Brown. Gawky country girl Berenice Summers (Colleen Moore) is catapulted head-first into High Society when her Uncle Seth (Burr McIntosh) strikes oil. Shipped off to a fancy boarding school, Berenice suffers at the hands of her snooty classmates, but the last straw comes when she's publicly humiliated by local wise-guy Paul Carroll (Donald Reed). Attending her first formal dance, the now-beautified Berenice crosses Paul's path again. He is smitten by this duckling-turned-swan, but now she wants to have nothing to do with him -- or at least that's what she claims. So what does this all have to do with bigamists? Well, it seems that Berenice is a chronic liar, and somewhere along the line she claims to be married to two different men at once, leading to trouble aplenty for her ersatz husbands and nearly losing her the affections of Paul, with whom she's fallen in love. ~ Hal Erickson, Rovi

Loaned to MGM by her home studio of Warner Bros., Loretta Young suffers her way through the title role in Midnight Mary. A good girl led astray, Mary (Young) endeavors to save the life of her boyfriend Tom (Franchot Tone) by killing the aptly named Leo the Rat (Ricardo Cortez). As her case is heard in court, the clerk goes over Mary's record, and at this point the flashbacks begin, stretching all the way back to her days as an unwanted orphan. One bad break leads to another, and by the time she reaches adulthood Mary is mixed up with a gang of crooked gamblers. For the sake of Tom, a well-connected socialite who loves her unquestioningly, Mary tries to go straight, but her past, and the ill-fated Leo the Rat, catch up with her. No matter what disaster befalls her in Midnight Mary, Loretta Young always manages to look as though she's just stepped out of a beauty salon. ~ Hal Erickson, Rovi

Slightly reminiscent of Frank Capra's Platinum Blonde (31), this screwball comedy features those two stalwarts of 1930s comedies: The brash reporter and the giddy heiress. Tyrone Power is the reporter, who makes his living writing about the foibles of the idle rich. His special target is heiress Loretta Young, the daughter of an influential financier (Dudley Digges). Young gets even by announcing her engagement to Power; now it's his turn to have his every movement scrutinized by the Public. Both reporter and heiress connive to embarrass one another, but (as expected) they're headed for the altar at fadeout time. Love is News was remade in 1949 as That Wonderful Urge, with Tyrone Power reprising his role and Gene Tierney in the Loretta Young part. ~ Hal Erickson, Rovi

Life Begins is an episodic Warner Bros. programmer about one unusually busy night in a maternity ward. Loretta Young is the central character, a convicted murderess who has been impregnated by her gangster boyfriend. She is moved to the hospital to give birth, sharing ward space with hard-boiled Glenda Farrell, who's willing to sell her unborn child, and several other mothers-to-be from various walks of life. Under the benign supervision of head nurse Aline MacMahon, most of the babies are born safely, though the repentant Young dies in the process. Based on a play by Mary McDougal Axelson, Life Begins was remade as A Child Is Born (1940), which was not nearly as effective (or as frank) as the original. ~ Hal Erickson, Rovi