Erica Yohn Movies
- 1998
The second elderly rape victim in as many weeks arrives at the ER. Elsewhere, things take a personal turn when Anspaugh's (John Aylward) young son Scott (Trevor Morgan), a recovering cancer patient, shows up at County General with stomach pains. Former ER head man Dr. Swift (Michael Ironside) pays a visit in connection with the cost-cutting organization Synergix. And while coping with her no-strings-attached relationship with Ross (George Clooney), Carol (Julianna Margulies) also must deal with disturbing news about one of her patients. ~ Hal Erickson, All Movie Guide
In this comedy-drama set in the late 1950s, Manny Singer (Ray Liotta) is a songwriter who makes his living penning jingles for radio and television commercials. Manny's wife has recently died, leaving him an emotionally broken man; Manny buries himself in his work rather than deal with his grief. His young daughter Molly (Tina Majorino) is taking it even harder; since her mother's passing, Molly has refused to speak. Manny realizes that he needs help taking care of the house and looking after Molly, so he places an ad looking for a maid who can double as a nanny. After a long series of unsuitable applicants, Manny meets Corrina Washington (Whoopi Goldberg), who isn't much on cooking, cleaning, or domestic chores -- but who strikes an immediate chord with Molly. Corrina gets the job, and her vivacious, unconventional personality brings the joy of living back to the Singer home. A romance also begins to bloom between Manny and Corrina, though Manny quickly discovers that being in an interracial relationship in 1959 is not always easy or pleasant. Joan Cusack and Don Ameche highlight the supporting cast. ~ Mark Deming, All Movie Guide
- Starring:
- Whoopi Goldberg, Ray Liotta, (more)
Marshall Herskovitz directed this tearjerking schizophrenic combination of The Wonder Years and To Kill a Mockingbird. It is 1972, and John Leary (Danny De Vito) and his two sons Jack (Robert J. Steinmiller Jr.) and Dylan (Miko Hughes) have just moved to Oakland, California. John is a television celebrity who has been fired from one station after another, appearing now on a cheap local station as the Saturday night host of a horror-film showcase. But John spends most of the time drinking and grieving over the loss of his wife, who was recently killed in an accident. The children try to adapt to their new school, and the family tries to adapt to the collection of kooks that populate their neighborhood. Foremost among them is Norman Strick (Gary Sinise), a sinister neo-Nazi who lives across the street. When Strick circulates a petition for the local white-supremacist candidate, John gets drunk and attacks him on his television show. As a result, Strick takes his revenge by abducting one of John's children. ~ Paul Brenner, All Movie Guide
- Starring:
- Danny DeVito, Robert J. Steinmiller, (more)
- 1993
Stuck at a fogbound airport in New York, Murphy (Candice Bergen) is unable to attend her son Avery's first birthday party. This traumatic state of affairs sets Murphy to rethinking her purpose in life, as illustrated in a series of "flash-forwards." Meanwhile, back in DC, Avery's party yields an unexpected highlight as Barry Manilow sings "I Am Your Child" (Manilow was something of a running gag on the series, but he stops running here). This final episode of Murphy Brown's fifth season also features an appearance by future NewsRadio regular Vicki Lewis. ~ Hal Erickson, All Movie Guide
- 1991
- G
- Add An American Tail: Fievel Goes West to QueueAdd An American Tail: Fievel Goes West to top of Queue
In this animated sequel to An American Tale, Fievel Mousekewitz strikes out from not-so-enthralling New York City in a wagon train headed West. Helping propel the departure is a crafty cat named Cat R. Waul who tells our Fievel that out West the cats and mice get along just fine. Once on the trail, Fievel finds that the cat's real plan is mice meat pie out of the little rodents, and Fievel tries his darndest to warn everyone, but to no avail. On his side, however, are a couple of friendly cats, including one named Tiger (voice: Dom Deluise) whose scattered one-liners will keep most audiences chuckling. Another wonderful character is the has-been sheriff Wylie Burp (voice: James Stewart). Although this film may be rightfully criticized as being a little too tame, even for toddlers, the endearing and humorous character side-play will likely appeal to most little ones, and very possibly some big people, too. ~ All Movie Guide
- Starring:
- Philip Glasser, James Stewart, (more)
The 1987 portmanteau comedy feature Amazon Women on the Moon lampoons several film genres in general and the 1954 sci-fi cheapie Cat Women of the Moon in particular. Other sketches in Amazon Women include an opening bit with Arsenio Hall; a vignette titled "Son of the Invisible Man" wherein a naked Ed Begley Jr. runs around in full view of the nonplussed supporting cast; the It's Alive parody "Hospital", which offers the spectacle of Michelle Pfeiffer giving birth to Mr. Potato Head; and a Siskel & Ebert takeoff, featuring Arche Hahn as a TV viewer whose entire life is given a "thumbs down." Directed by several hands, including Joe Dante, Carl Gottleib, Peter Horton, John Landis, and Robert K. Weiss, Amazon Women on the Moon also features a satire of the Kroger G. Babb school of "sex hygiene" exploitation cheapies, with syphilis victim Carrie Fisher being counseled by unctuous doctor Paul Bartel. ~ Hal Erickson, All Movie Guide
- Starring:
- Rosanna Arquette, Ralph Bellamy, (more)
An American Tail is a beautifully rendered animated flim that tells an overly familiar story in terms children can easily understand. Fievel Mousekewitz and his family of Russian-Jewish mice escape from their homeland in the late 1800s, boarding a boat headed toward America to evade the Czarist rule of the Russian cats. Fievel, however, is separated from his family upon his arrival in New York City, and he discovers to his horror that there are cats in America too (his father said there weren't). Fievel meets his share of friendly and hostile mice, and he eventually befriends a cat as well. Former Disney animator Don Bluth co-produced and directed this often heartwarming yarn, the first animated feature presented by Steven Spielberg, and it has its charms despite a number of cliché situations. ~ Don Kaye, All Movie Guide
- Starring:
- Cathianne Blore, Dom DeLuise, (more)
- 1986
"Not since Columbo has catching a killer been this clever!" That was the ad come-on for Diary of a Perfect Murder, a 1986 TV movie starring Andy Griffith as a homespun Georgia defense attorney. Griffith takes the case of a TV reporter (Steve Inwood) who has been accused of the murder of his ex-wife. In the tradition of Perry Mason, Matlock plays his cards close to the vest, then reveals the identity of the true murderer right in the courtroom. Sound familiar? It should: Diary of a Perfect Murder was the pilot film for Andy Griffith's still-running Matlock series. ~ Hal Erickson, All Movie Guide
- 1985
It seems terribly funny when gypsy fortuneteller Madame Loretta (Erica Yohn), cited for ontempt of court, places a curse on everyone in the courtroom. But no one is laughing when Bull (Richard Bull) suddenly becomes paralyzed and Dan's accountant (Herb Gilpin) abruptly drops dead during a tax audit. Judge Harry (Harry Anderson) must revert to his street-entertainer days and come up with some magic of his own to lift the curse. ~ Hal Erickson, All Movie Guide
- 1985
The Atlanta Child Murders is a five-hour, two-part dramatization of one of the most tragic and controversial homicide cases of the past twenty years. From 1979 through 1982, some 28 African-American children and young adults disappeared from Atlanta--some without a trace, but others to later turn up as murder victims. Part One (which debuted February 10, 1985) details the beginning of the manhunt conducted by the Atlanta Chief of Police (James Earl Jones). Screenwriter Abby Mann uses the actual events as a springboard for his thesis that the case and its outcome revealed many uncomfortable truths about the still-fragile state of race relations in the New South. Both parts of The Atlanta Child Murders were later combined into one 245-minute "feature film."
The second part of the five-hour TV docudrama The Atlanta Child Murders originally aired February 12, 1985. After 28 African-American children and young adults have either disappeared or been murdered, the Atlanta police finally have a suspect in custody: Small-time show business entrepreneur Wayne Williams (Calvin Levels). Scriptwriter Abby Mann utilizes actual court transcripts of Williams' trial, which results in a conviction on one count of murder. This decision in essence leaves the cases of the other 27 victims unresolved--and in so doing, Mann opens the door to speculations that Williams, a black man, was a "convenient" suspect, who might possibly have been railroaded in the authorities' haste to find a solution to the sordid case. Whatever Mr. Mann may have felt concerning Williams' guilt or innocence, the fact remains that the murders and disappearances stopped cold once Williams was in custody (as of this writing, Williams persists in his efforts to reopen the case, claiming that he was framed by the white power structure). Morgan Freeman served as narrator for both installments of The Atlanta Child Murders. ~ Hal Erickson, All Movie Guide
The second part of the five-hour TV docudrama The Atlanta Child Murders originally aired February 12, 1985. After 28 African-American children and young adults have either disappeared or been murdered, the Atlanta police finally have a suspect in custody: Small-time show business entrepreneur Wayne Williams (Calvin Levels). Scriptwriter Abby Mann utilizes actual court transcripts of Williams' trial, which results in a conviction on one count of murder. This decision in essence leaves the cases of the other 27 victims unresolved--and in so doing, Mann opens the door to speculations that Williams, a black man, was a "convenient" suspect, who might possibly have been railroaded in the authorities' haste to find a solution to the sordid case. Whatever Mr. Mann may have felt concerning Williams' guilt or innocence, the fact remains that the murders and disappearances stopped cold once Williams was in custody (as of this writing, Williams persists in his efforts to reopen the case, claiming that he was framed by the white power structure). Morgan Freeman served as narrator for both installments of The Atlanta Child Murders. ~ Hal Erickson, All Movie Guide
Co-written by Paul Reubens and Phil Hartman, Pee Wee's Big Adventure marks the debut of director Tim Burton, who stamps the entire film with his quirky trademark style. The premise: Pee Wee (Reubens), an overgrown pre-pubescent boy sporting a molded Princeton cut, blush, lipstick, and a shrunken gray flannel suit, lives an idyllic life in his bizarre home (some have compared the remarkable set design to the expressionistic The Cabinet of Dr. Caligari) until someone nabs his most prized possession: a fire engine-red customized bicycle. He then embarks on an epic cross-country search to find his lost love, not to mention more than a little adventure. Along the way, he makes friends with various oddball characters, visits the Alamo, endures various hallucinatory nightmares, and has a supernatural run-in with a spectral trucker. In this reprisal of his popular standup routine, Reubens is wonderful as the nerdy man child; he plays it silly, yet he manages to imbue the role with some sensitivity without ever seeming maudlin. The score by Danny Elfman is terrific -- as is the case in nearly every film Burton has directed -- and the script is fresh and inventive. Some of the most memorable moments: the opening sequence involving Pee Wee's morning activities is a stroke of genius (note the bunny slippers and talking breakfast), as are the scenes at the truck stop, and the "Hollywood" version of Pee Wee's story at the end (starring James Brolin and Morgan Fairchild in surprise cameos). In all, Pee Wee's Big Adventure is a delightful film, enjoyable for children as well as adults. ~ Jeremy Beday, All Movie Guide
- Starring:
- Paul Reubens, Elizabeth Daily, (more)
- 1985
This made-for-TV drama was inspired by the real-life Toughlove program, set up to help parents of kids with severe alcohol, drug and behavior problems. Lee Remick and Bruce Dern star as a middle-aged couple who have completely lost control of their teen-aged son Jason Patric. When all else fails, the couple joins Toughlove, adhering to the organization's policy of being cruel (but not abusive) in order to be kind. Their story alternates with the travails of Toughlove member Piper Laurie and her suicidal daughter DeDee Pfeiffer (sister of Michelle). Toughlove was originally telecast October 13, 1985. ~ Hal Erickson, All Movie Guide
- 1984
Ann Margret looks too healthy to portray Blanche DuBois, the physically and mentally fragile Southern-belle protagonist of Tennessee Williams' A Streetcar Named Desire, but we forget this discrepancy five minutes into her marvelous performance. This TV-movie version of Streetcar costars Treat Williams as faded aristocrat Blanche's rude 'n' crude brother-in-law Stanley Kowalski; Williams is persuasive, though he tries so hard not to be Marlon Brando that he comes off as a bit mechanical. The 1984 Streetcar is more realistically staged than the near-impressionistic 1951 Vivien Leigh/Marlon Brando filmization. The storyline, concerning the battle of wills between the earthy, pragmatic Stanley and the delusional Blanche, remains the same in both films, as does the script's tendency to avoid the homosexual elements that were so important to Williams' original play. The newer film's photography is bathed in an ambler tint throughout, conveying both nostalgia for the era in which it is set (the late 1940s) and a visual literalization of Blanche's "yellowed with antiquity" former lifestyle. The 1984 Streetcar Named Desire is less a remake of the 1951 version than a companion piece--a praiseworthy alternate version of the same sturdy material. ~ Hal Erickson, All Movie Guide
- Starring:
- Ann-Margret, Treat Williams, (more)
In this routine story for a teen audience, Beckman (Judge Reinhold) is a buttoned-down, upwardly-mobile type suddenly stranded in a small Arizona town when his car damaged by local youths. It is Labor Day weekend when Beckman and Johnny (Willem Dafoe), the streetwise hitchhiker who has with him, are stranded in Bowman, Arizona waiting for their radiator to be fixed -- it was shot through by the vandals. While there, the two men play some pool, meet some attractive women, and learn from each other so that when the time comes to enter the big annual drag race, they are ready to even the score with the guys who killed off the radiator. Even for teens, this may be too dull -- except for Reinhold's interpretation and the many rock songs that jazz up the soundtrack. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Willem Dafoe, Judge Reinhold, (more)
Director Bob Fosse's fact-based tale of Playboy centerfold Dorothy Stratten's short life and gruesome death focuses less on Stratten (played by Mariel Hemingway) than on her husband/manager, sleazoid pornographer and all-around failure Paul Snider (Eric Roberts, ideally cast). He sees the young beauty as his meal ticket and sets out to pimp her in the adult entertainment business. He marries her and appoints himself her career manager; soon after, she attracts the attention of Playboy executives and wins a spot in the magazine. As her success increases however, so does Snider's alienation as he finds himself left out in the cold. His jealousy begins to consume him; she spurns him on the advice of her new friends; he goes berserk and confronts her. The same murder-suicide inspired the made-for-television Death of a Centerfold. This was choreographer/filmmaker Bob Fosse's final film. ~ Jeremy Beday, All Movie Guide
- Starring:
- Mariel Hemingway, Eric Roberts, (more)
- 1982
This superior ABC Theatre of the Month presentation is not so much about the reasons for divorce as it is about the tensions surrounding the actual litigation. Tom Selleck plays a topnotch Seattle divorce lawyer, juggling several delicate cases at once. Arrogantly secure in his legal prowess, Selleck suffers a major ego blow when his own wife (Jane Curtin) files for divorce. In a half-comic, half-serious manner, the travails of Selleck and Curtin are counterpointed with those of Selleck's clients. Donald Wrye and Linda Elstad's high-quality script for Divorce Wars: A Love Story bears a very faint resemblance to the recent movie hits Kramer vs. Kramer and Ordinary People--a resemblance pounced upon and amplified by the print ads for this TV movie. ~ Hal Erickson, All Movie Guide
In this biting comedy satirizing Hollywood cynicism from writer-director Blake Edwards, Felix Farmer (Richard Mulligan) is a motion picture director whose career is on the skids. Having just completed a family musical that is sure to be a $30 million flop, Felix knows that his days are numbered and tries unsuccessfully to commit suicide. When he recovers, Felix suddenly has a brainstorm and hatches a scheme to buy the film back from his studio and lens new scenes that will turn it into a pornographic movie with big stars, a sure-fire box office winner. In order to pull it off, he'll need to convince his female lead and wife, Sally Miles (Julie Andrews, not coincidentally the director's real-life wife) to defy her wholesome, squeaky-clean public image by baring her breasts on film. S.O.B. (1981) was the final film of legendary actor William Holden. ~ Karl Williams, All Movie Guide
- Starring:
- Julie Andrews, William Holden, (more)
- 1979
Jonah (Jeffrey Bravin) is a lonely deaf child who has been misdiagnosed as retarded. Jonah's mother (Sally Struthers) and father (James Woods) struggle to establish communication from their withdrawn son. As the specialists shake their heads and cluck their tongues, Jonah's parents finally manage to teach the child sign language, thereby opening up his world both intellectually and emotionally. And Your Name is Jonah is proof enough that Sally Struthers once had potential for greatness, and confirmation that James Woods was on the right artistic track as early as 1979. Despite competition from the network premiere of Taxi Driver, And Your Name is Jonah managed to post excellent ratings upon its original telecast. ~ Hal Erickson, All Movie Guide
- 1979
Son-Rise: A Miracle of Love is the true story of Barry and Suzi Kaufman and their autistic 3-year-old son Ruan. The boy is high-functioning but erratic, with long periods of hyperactivity followed by lengthy interludes of withdrawal. The "experts" give up, but the Kaufmans don't. They decide to monitor their son 24 hours a day to figure out what makes him tick, to discern his likes and dislikes, and to try to find some means of breaking into his nearly impenetrable private world. The superlative performances of James Farentino and Kathryn Harrold as the Kaufmans are matched by the portrayal of Ruan by twin child actors Michael and Casey Adams (the grandchildren of famed film director King Vidor). Son-Rise: A Miracle of Love was originally telecast as an "NBC Theater" presentation, as part of the network's 1978 "Year of the Child" celebration. ~ Hal Erickson, All Movie Guide
- Starring:
- James Farentino, Kathryn Harrold, (more)
- 1978
Kojak (Telly Savalas) and his team are summoned to a hospital, where a mysterious strangler is preying upon staff members as they go about their rounds. Hospital psychiatrist Ellen Page (Zohra Lampert) suspects that one of her patients is the elusive killer. But as the case progresses, Kojak unearths evidence that points in several radically different directions. ~ Hal Erickson, All Movie Guide
- 1978
Famed for their supporting performances in Sylvester Stallone's Rocky, Burt Young and Talia Shire struck while the iron was hot to star in the made-for-TV Daddy, I Don't Like It Like This. Young also wrote the screenplay for this middling domestic drama. He and Shire play an endlessly bickering middle-class couple; the husband, an ex-boxer, is frustrated by his inability to fulfill his dreams, while the wife is hampered by emotional and intellectual immaturity. Both Young and Shire take out their hostilities on their son (Doug McKeon), who reacts to the ongoing strife by retreating into his own imagination. Daddy, I Don't Like It Like This was the first directorial assignment for Adell Aldrich, daughter of "cult" director Robert Aldrich. ~ Hal Erickson, All Movie Guide
- 1975
The second and last TV pilot film to bear the Crime Club title, the 1975 Crime Club once again involves a state-of-the-art crime solving organization whose members are professional investigators from various public and private sectors. The principal characters are a detective (Scott Thomas), a reporter (Eugene Roche) and a criminal lawyer (Robert Lansing). The crime in question in this pilot concerned a social outcast who seeks public notoriety by confessing to a series of grisly ice pick murders. The three protagonists combine their brain power to solve the case, but their efforts failed to convince any network to pick up the project. Crime Club joined its 1973 predecessor in Universal's syndicated package of made-for-TV movies. ~ Hal Erickson, All Movie Guide
- Starring:
- Scott Thomas, Eugene Roche, (more)
- 1975
James Franciscus stars as a university professor with an eye on bigger things. Using his inherent promotional know-how, he launches a career in the record industry, eventually operating his own top-selling label. To insure that the local stations will run his artists' recordings, Franciscus crosses certain deejays' palms with silver. That's called payola, and that's against the law. His empire shattered, Franciscus is reduced to cabdriving to earn a living--and by the end of the film he's neither earning nor living. Singer Kenny Rogers makes his acting debut as one of Franciscus' clients; also featured is Rogers' former First Edition colleague Mickey Jones. Made for television, The Dream Makers has pretenses of profundity, but ultimately is as pointless as its abrupt climax. ~ Hal Erickson, All Movie Guide
Francis Ford Coppola's legendary continuation and sequel to his landmark 1972 film, The Godfather, parallels the young Vito Corleone's rise with his son Michael's spiritual fall, deepening The Godfather's depiction of the dark side of the American dream. In the early 1900s, the child Vito flees his Sicilian village for America after the local Mafia kills his family. Vito (Robert De Niro) struggles to make a living, legally or illegally, for his wife and growing brood in Little Italy, killing the local Black Hand Fanucci (Gastone Moschin) after he demands his customary cut of the tyro's business. With Fanucci gone, Vito's communal stature grows, but it is his family (past and present) who matters most to him -- a familial legacy then upended by Michael's (Al Pacino) business expansion in the 1950s. Now based in Lake Tahoe, Michael conspires to make inroads in Las Vegas and Havana pleasure industries by any means necessary. As he realizes that allies like Hyman Roth (Lee Strasberg) are trying to kill him, the increasingly paranoid Michael also discovers that his ambition has crippled his marriage to Kay (Diane Keaton) and turned his brother, Fredo (John Cazale), against him. Barely escaping a federal indictment, Michael turns his attention to dealing with his enemies, completing his own corruption. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Al Pacino, Robert Duvall, (more)
