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Peter Wyngarde Movies

Fans of the Austin Powers movies take note -- your favorite satirical character had a direct source: master spy Jason King as played by Peter Wyngarde. The stage, television, and movie veteran, whose work goes back to the 1940s, has played a multitude of roles in a vast range of works, but has found only one such part that ever took with the public -- that of the foppish author, investigator, and counter spy Jason King, first in the series Department S and then in his own series, Jason King. The glib, rakish King spent two seasons helping to solve mysteries and save the free world while juggling an array of women.

Born Cyril Lewis Goldbert in Marseilles in 1933, Wyngarde had a French mother and an English father who was in the diplomatic service. As the son of a diplomat, Wyngarde spent his childhood moving around the world. The turning point in his early life came in 1941, when he was left in the care of another family in Shanghai just as the Japanese captured the city; he spent four brutal years in the Lung-Hai prison camp and more than a year recovering after the British liberated him. Wyngarde tried to accede to his parents' wishes by attending university, but instead he was drawn to acting. As early as 1946, he had small roles in touring productions, and in the second half of the 1940s, he worked in such plays as Macbeth (with Peggy Mount and Frank Woodfield), Deep Are the Roots, and The Winslow Boy.

Wyngarde's movie and television careers were as uneven as his stage career was busy and crowded. After a promising start, much of his work in the Spanish-shot epic Alexander the Great (1956) was cut from the final release print. Wyngarde managed to get a role in the short-lived television series Epilogue to Capricorn at the end of the 1950s, but it was the stage that kept him most busy. His New York stage debut came in 1959, in the award-winning Duel of Angels with Vivien Leigh. Exposure from the play earned him various one-off television appearances. Wyngarde was very circumspect about his movie work after Alexander the Great, but among the films he did do in the 1960s were The Siege of Sidney Street (1960, based on the same incident that inspired the shoot-out at the end of Alfred Hitchcock's The Man Who Knew Too Much [1934]), produced by Monty Berman; Jack Clayton's The Innocents (1961); and Sidney Hayers' Burn, Witch, Burn! (1962). Among the more widely seen of his television appearances from the mid-'60s was his work in The Avengers episode "Epic," in which Wyngarde played an insane silent-era movie director who kidnaps Mrs. Emma Peel.

Lightning finally struck for Wyngarde in 1969 when he was cast in the ITC television series Department S, (produced by Monty Berman) in the role of Jason King, a well-spoken, sardonic, randy mystery author who works for a top-secret Interpol investigative unit. Sporting long hair and a flamboyant moustache, and clad in an array of late '60s/Swinging London-style cravats, ruffled shirts, crushed velvet outfits, kaftans, etc., Wyngarde was a veritable peacock. The character's eccentric mannerisms, coupled with his look, soon made Wyngarde the star of the show, eclipsing his two co-stars, Joel Fabiani and Rosemary Nicols; indeed, many viewers felt that Wyngarde's character dressed more flashily than Nicols' character did. When looked at today, Jason King's manner of dress, coupled with his fierce sex drive and even the occasional use of such period terms as "groovy" makes him the very obvious model for Austin Powers. That went double in the series that was spun out of Department S, simply called Jason King, in which he operated solo but worked from bed-to-bed with a succession of women in seemingly every episode, keeping up a pace that even Sean Connery's James Bond would have had a hard time matching.

Jason King lasted a single season, but it became something of a pop-culture phenomenon and also an albatross around Wyngarde's neck. He was a heartthrob for lots of women viewers -- especially British housewives -- but he was never able to get another series. He was too closely identified with the role of Jason King; even in the mid-'70s, years after the show aired, his name turned up as part of a gag in a Monty Python sketch, in which lunch with Peter Wyngarde is part of a prize in a contest aimed at housewives. He returned to the stage, where he was as busy as ever, and his work continued to be diverse, including a major success in Butley. He made some film appearances as well, but didn't return to series television until the mid-'80s, when he played the villain in a four-part Doctor Who story, "Planet of Fire." The production of the Austin Powers movies, however, and the reissue of Department S on DVD in England and Australia ensured that the character of Jason King would not soon be forgotten, even as Wyngarde headed toward his seventh decade as an actor. ~ Bruce Eder, Rovi
1992  
R  
An outwardly upstanding and inwardly corrupt politician provides the focus for this thriller. While campaigning the man espouses policies based on "traditional moral values," but he himself is a poor example of those values as an vengeful reporter soon discovers. With the help of an ex-hooker, the journalist learns that the politician is deeply involved in the underworld. ~ Sandra Brennan, Rovi

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1984  
 
While trying to take Turlough (Mark Strickson) to his home planet of Trion, the Doctor (Peter Davison) is unable to prevent the TARDIS from being drawn to the volcanic planet Sarn. This phenomenon is no accident -- in fact, it has been engineered by one of the Doctor's oldest and most malevolent adversaries. Nicola Bryant makes her first series appearance as Earth girl Perpugilliam "Peri" Brown, who sets the plot in motion while trying to sell an ancient artifact (actually an alien beacon), and whom Turlough has taken along for the ride on the TARDIS. Beginning its four-episode run on February 23, 1984, "Planet of Fire" was written by Peter Grimwade. ~ Hal Erickson, Rovi

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Starring:
Peter DavisonNicola Bryant, (more)
 
1984  
 
In the second episode of the four-part story "Planet of Fire," the Doctor's (Peter Davison) efforts to return Turlough (Mark Strickson) to his home planet Trion are stymied when the TARDIS is redirected to the volcanic planet Sarn. The Doctor's abduction has been engineered by his old enemy, the Master (Anthony Ainley), with the considerable assistance of the shape-shifting robot Kamelion. Written by Peter Grimwade, "Planet of Fire, Episode 2" first aired on February 24, 1984. ~ Hal Erickson, Rovi

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Starring:
Peter DavisonNicola Bryant, (more)
 
1984  
 
An old building falls victim to the wrecker's ball. When the dust clears, the demolition crew discovers the three-centuries-old remains of a satanic cult. Barbi Benton, Gareth Hunt and Brian Deacon (in a dual role) head the cast of this British TV movie. And the Wall Came Tumbling Down debuted in American over the USA cable network on January 5, 1985, in tandem with another British import, Last Video and Testament. ~ Hal Erickson, Rovi

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1984  
 
In the third episode of the four-part story "Planet of Fire," the Doctor (Peter Davison) tries to elude the clutches of his old adversary, the Master (Anthony Ainley), who has taken on a formidable henchman, the shape-shifting Kamelion. Meanwhile, Turlough (Mark Strickson) makes several startling discoveries about his home planet Trion. Written by Peter Grimwade, "Planet of Fire, Episode 3" first aired on March 1, 1984. ~ Hal Erickson, Rovi

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Starring:
Peter DavisonNicola Bryant, (more)
 
1984  
 
In the conclusion of the four-part story "Planet of Fire," Turlough (Mark Strickson) is reconciled with his past on the planet Trion, while the evil Master (Anthony Ainley) is again caught in one of his own traps. Now the Doctor (Peter Davison) must figure out a way to neutralize the pesky shape-shifting robot Kamelion -- with Kamelion's full permission. Nicola Bryant becomes a series regular as the Doctor's new American companion, Perpugilliam "Peri" Brown. Written by Peter Grimwade, "Planet of Fire, Episode 4" first aired on March 2, 1984. ~ Hal Erickson, Rovi

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Starring:
Peter DavisonNicola Bryant, (more)
 
1980  
PG  
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Heroic earthling Flash Gordon saves the world from the nefarious Ming the Merciless in this lavish, intentionally campy adaptation of the famous sci-fi comic strip. The story is as basic as space operas get: Ming (Max von Sydow) has developed a plan to destroy the Earth, and Flash (Sam J. Jones) and his attractive companion, Dale Arden (Melody Anderson), are called upon to stop him. Along the way, Flash must battle Ming's goons and the temptations of a luscious space princess. Previously the basis for a more straight-faced 1930s adventure serial, Flash's story is mined here for exaggerated, cartoon humor by screenwriter Lorenzo Semple Jr., a central figure in the similarly campy '60s Batman television series. The simplistic plot mainly serves as an excuse for spectacular sets and cartoonish action sequences, all set to an appropriately over-the-top rock score by Queen. Certainly not a film to turn to for serious excitement, fine performances, or character development, Flash Gordon has nevertheless developed an appreciative cult of fans who admire the film's humorous approach and the detailed, colorful production design. ~ Judd Blaise, Rovi

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Starring:
Sam JonesMelody Anderson, (more)
 
1971  
 
Jason King was a British espionage series that managed to intersect with elements of both James Bond and The Avengers, walking a fine line between action-adventure and satire. Peter Wyngarde, who had played the same role in a slightly different context in the earlier series Department 'S', portrayed King as a dedicated womanizer and hedonist. A novelist with a sometimes foppish demeanor and a talent for deduction, he was sort of the Swinging London answer to Sherlock Holmes or Nero Wolfe, but was in no way a cerebral aesthete or an indulgent shut-in -- King had an eye for the ladies and would much rather have pursued female companionship than put his life on the line for queen and country. As an author, King is best known as the author of the exploits of Mark Caine, whose work, apart from resembling aspects of Ian Fleming's James Bond, seems to parallel a good deal of King's exploits in the spy world. Indeed, there are moments in the first episode that might've made a good episode of Remington Steele one television generation later (which did, in fact, use one script co-authored by Jason King-creator Dennis Spooner), in terms of satirizing the nature of spy adventures, and directly referring to the influence of movies and popular culture sensibilities. As depicted in several episodes, he is cajoled -- in somewhat comic fashion, at least once involving s threatened tax audit -- by the British government's counter-intelligence agency into helping them. His work doesn't dilute King's concentration on style and fashion -- he was one of the fanciest dressed television heroes ever seen, with a wardrobe that was the height of late 1960's British fashion, Carnaby Street squared. And that was -- along with the sense of humor that told you none of this was being taken too seriously -- the appeal of the series, the presence of a peacock-like action hero who became a heart-throb of middle-aged female viewers without alienating male audiences. Wyngarde played it all with a droll, sometimes sardonic sense of humor, surrounded by gorgeous actresses in even more gorgeous outfits of the period. The series' stylish look was emphasized in its production design and art direction, and the handling by its directors -- although Roy Ward Baker, an excellent (and underrated) filmmaker, directed the first episode, most of those that followed were helmed by Jeremy Summers, a director who divided his time between low-budget feature films and television (especially action/adventure shows); Jason King may have been his finest hour. The series ran for only one season but was rerun in syndication for well over a decade, one of the very few short-run series to make a major impression of that kind on audiences, and not only in England but in America as well, where it developed a limited cult following. ~ Bruce Eder, Rovi

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Starring:
Peter Wyngarde
 
1969  
 
Monty Berman's 'cult' detective series Department S ran from March 1969 until April 1970. The show was a great departure, and very much an 'update', to the rather staid looking ITC mystery-adventure programmes The Saint and Man In A Suitcase that had gone before. The department in question was that of Interpol, a specialist group managed by the first of many black TV cops (here African, Dennis Alaba Peters. Indeed, it is no short call to claim that Department 'S' was the precursor to the popular X-Files series, as more often than not the characters would come up against variations of 'paradox' mysteries that the X-Files phenomenon has so often specialised in. However, alien abduction and UFOs are one such problem that the folks at Interpol never encountered. The cases they were up against were usually caused by a natural occurrence, a calamity, disaster or a spontaneous crime that were far beyond the deduction skills of the police. The agents: Jason King (Peter Wyngarde) was a best-selling crime novelist, who possessed wonderful reasoning akin to Sherlock Holmes; Joel Fabiani played the young American action-hero Stuart Sullivan and Anabelle King's (Rosemary Nicols) computer skills kept the research abreast with James Bond-ian gadgetry. King proved that a man could still be a man and care as much about clothes as the ladies, and his peacock attitude -- along with the decent scripts -- made the show essential viewing for 1969's tuned-in audiences. Fashion and action in one package! ~ Jon Mills, Rovi

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Starring:
Peter WyngardeRosemary Nicols, (more)
 
1967  
 
Originally written as the second episode of The Prisoner, "Checkmate" was then slated to be shown as episode #11. Instead, it was telecast out of chronological order as the 10th episode on December 3, 1967. One of the series' most fondly remembered installments ---and the one that posted the highest ratings when first broadcast in England --- this exercise in surrealism takes place on a giant chess board, wherein all the "pieces" are people. One of the participants is Number Six, who cannot determine if the other players are making moves of their own free will, or if they are being manipulated by a unseen force. Crucial players in this bizarre game are an icy psychiatrist (Patricia Jessel) and the (apparently) independently minded Queen (Rosalie Crutchley). As originally written by Gerald Kelsey), the script for "Checkmate" came up seven minutes short, compelling series star Patrick McGoohan to hastily compose an extra scene. The episode was restored to its proper Prisoner chronology when it was first shown in America on August 17, 1968. ~ Hal Erickson, Rovi

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1967  
 
Despite the silliness of its premise, this Avengers episode is a winner all the way, thanks in no small part to its top-drawer supporting cast. Lured to a deserted movie studio, Emma finds herself at the mercy of demented producer Z.Z. Von Schnerk (Kenneth J. Warren) and washed-up film idols Damita Syn (Isa Miranda) and Stewart Kirby (Peter Wyngarde). The terrible trio intend to use our heroine as "star" of their latest cinematic masterpiece: "The Destruction of Mrs. Emma Peel." This time around, Steed must rescue Emma from a buzzsaw, a sequence invoking fond memories of the tied-to-the-tracks denoument in the second-season installment "The Gravediggers." Written by (who else?) Brian Clemens, "Epic" was first broadcast in England on April 1, 1967, and in America on April 14 of that same year. ~ Hal Erickson, Rovi

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Starring:
Diana Rigg
 
1966  
 
A series of elaborate practical jokes result in humilation for a number of top British and Iron Curtain officials. When one of the jokes turns deadly, Steed and Emma are called upon to investigate. It turns out that the cause of all the trouble is an exclusive organization known as the Hellfire Club, obliging Steed to join up while Emma provides support from the sidelines. Written by Brian Clemens, "A Touch of Brimstone" was originally telecast in England on February 9, 1966. The episode was never shown on American network television, due in great part to the very provocative outfits worn by Emma Peel when she poses as "The Queen of Sin." ~ Hal Erickson, Rovi

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Starring:
Diana Rigg
 
1962  
 
Night of the Eagle was the second film version of Fritz Leiber Jr.'s Conjure Wife (the first was Weird Woman, perhaps the best of Universal's low-budget "Inner Sanctum" series of the 1940s). The film's title was possibly meant to invoke memories of the earlier Night of the Demon (58); both films involve a rational scientist (in the case of Night of the Eagle, Peter Wyngarde) forced to accept the existence of the supernatural. All evidence points to the conclusion that the scientist's American wife Janet Blair is the reincarnation of a witch, and a practitioner of voodoo. The actual villain is supposed to be a mystery, though the identity was made clear in the Leiber original and in both other film versions of Conjure Wife (there was a 1980 parody version titled Witches Brew). The supernatural aspect of Night of the Eagle is convincingly handled, including a knockout sequence with a wild eagle rampaging through the scientist's tranquil study. Adapted by Twilight Zone stalwarts Richard Matheson and Charles Beaumont, the British-made Night of the Eagle was released in the US as Burn, Witch, Burn. ~ Hal Erickson, Rovi

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Starring:
Janet BlairPeter Wyngarde, (more)
 
1961  
 
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In this lugubrious but brilliantly realized adaptation of Henry James' classic novella The Turn of the Screw, 19th century British governess Miss Giddens (Deborah Kerr) arrives at a bleak mansion to take care of Flora (Pamela Franklin) and Miles (Martin Stephens), the wealthy household's two children. Outwardly the children are little darlings, but the governess begins to feel that there's something unwholesome behind those beatific smiles. After several disturbing examples of the children's evil impulses, Miss Giddens gets information from the housekeeper (Megs Jenkins) that suggests that the children may be possessed by malign spirits -- or are all these events just the products of Miss Giddens's own imagination? The best and most frightening vignette in The Innocents occurs when the governess casually kisses young Miles, then recoils in horror when she realizes that someone other than Miles has kissed her back. Unlike many CinemaScope productions, The Innocents plays better in the claustrophobic confines of the TV screen. ~ Hal Erickson, Rovi

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Starring:
Deborah KerrMegs Jenkins, (more)
 
1961  
 
Aspiring artist Paul Roland (Peter Wyngarde) begins to wonder if he is truly talented when all of his portraits come out looking exactly the same. Even more vexing, the face on each portrait is that of a beautiful young girl whom he has never met. Rest assured, however, that Paul will one day confront the "mystery woman"--and it will be a paranormal event that will profoundly alter his life. This is one of several One Step Beyond episodes filmed in England. ~ Hal Erickson, Rovi

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1960  
 
A real-life incident became the basis for this highly fictionalized drama about a January 1911 confrontation between political anarchists and London police in that city's Whitechapel district that resulted in an infamous, blazing gun battle. Sara (Nicole Berger) is an orphaned Russian girl who works as a singer in a nightclub. There she meets Peter (Peter Wyngarde), anarchist leader of expatriate Latvians agitating for the independence of their home country following the failed revolt of 1905. At first, Sara is sympathetic to Peter and his cause, but she soon discovers that the rebels are using whatever means necessary, including robbery and murder, to raise money for their crusade, and that Peter himself has an overly pragmatic, callous attitude toward the taking of innocent life. The group's nefarious activities have attracted the attention of London police, and an inspector, Mannering (Donald Sinden) goes undercover with the anarchists in order to help bring them to justice. Mannering feels sympathy for Sara and befriends her, coming to understand her lonely attraction to Peter. The gang's violent onslaught continues unabated and results in a raid that pits gang members against hundreds of armed police. ~ Karl Williams, Rovi

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Starring:
Donald SindenNicole Maurey, (more)
 
1956  
 
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The short life and quick death of Alexander the Great is recounted in this literate historical epic. Decked out in a blonde wig, Richard Burton stars as the Grecian warrior who conquered the known world while only in his twenties, then wept because there were no more worlds left to conquer. While the film's 141 minutes are occasionally bogged down by near-existential dialogue sequences (What doth it profit a man etc. etc.), the battle sequences are among the best and most accurate ever filmed. Fredric March and Danielle Darieux costar as Alexander's parents Philip of Macedonia and Olympius, Claire Bloom does what she can with the nothing role of Alexander's wife Barsine, and Michael Hordern and Harry Andrews are cast as Demosthenes and Darrius, respectively. Lensed in Spain and Italy, Alexander the Great conquered no new worlds at the box-office, perhaps because Richard Burton, brilliant though he was, hadn't yet attained "saleability". ~ Hal Erickson, Rovi

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Starring:
Richard BurtonFredric March, (more)