Margo Woode Movies

Go, Johnny, Go! was second and last of a proposed trio of jukebox movies built around and co-produced by DJ Alan Freed. He plays himself in this rags-to-riches tale, told in flashback, of a young rock & roll singer named Johnny Melody (Jimmy Clanton), whose rise from life in an orphanage where no one wanted him to his "discovery" by Freed through an unsolicited demo recording sent to the disc jockey's office is told in 75 minutes, in a dramatic time frame that's impossible to determine. Along the way, Johnny meets a girl (Sandy Stewart) with whom he falls in love, and nearly gets himself arrested when it looks as though everything has turned against him. The plot is a threadbare reprise of the kind of juvenile delinquency-with-music stories that Elvis Presley had been doing, but it offers glimpses of several very worthwhile (and a couple of legendary) music acts of the era who were otherwise undocumented on film: Jimmy Clanton himself, who was one of the best white singers to come out of that New Orleans R&B/rock & roll sound; Sandy Stewart, who was (and is still, 40-plus years later) a serious vocal talent; Chuck Berry, in a pair of performing clips that are brilliant; Ritchie Valens, in his only film appearance, doing a hot rocking number called "Oh, My Head"; Harvey Fuqua of the Moonglows; the Cadillacs, in a pair of killer comic-relief numbers; Jo-Ann Campbell; and Jackie Wilson, showing how little Michael Jackson actually brought to performing that was new more than 20 years later. No, Go, Johnny, Go! isn't A Hard Day's Night, but it is a lot of fun to watch, and is easily the best of Freed's handful of feature films, before his downfall in the payola scandal. ~ Bruce Eder, All Movie Guide

When seen today, Bullwhip seems to be a dry run for the 1975 Jack Nicholson-Mary Steenburgen western Goin' South. To save himself from being hanged on a trumped-up murder charge, frontiersman Guy Madison agrees to marry whip-wielding spitfire Rhonda Fleming. Once the ceremony is over, Fleming wants nothing to do with her new husband, but he insists upon insinuating himself in her burgeoning fur-trading business. How long will it be before the heroine succumbs to Madison's rakish charms? When Shakespeare wrote this story, he called it Taming of the Shrew. ~ Hal Erickson, All Movie Guide

Also known as Bop Girl, this diverting musical time capsule features several of the best Calypso performers of the late 1950s. Real-life jazz musician Bobby Troup stars as a college music student, writing a graduate thesis on rock 'n' roll. For research purposes, Troup persuades nightclub singer Judy Tyler to perform one of her numbers to a calypso beat. Before you can say "Harry Belafonte", a brand-new musical craze is born. The veteran supporting cast includes Lucien Littlefield as Bobby Troup's professor mentor, former 20th Century-Fox starlet Margo Woode as a eugenics expert, and George "Joe McDoakes" O'Hanlon as comedy relief. Among the musical acts are the Mary Kaye Trio, The Goofers, the Lord Flea Calypsonians, Nino Tempo, The Titans and The Cubanos. Bop Girl Goes Calypso was the final film appearance of up-and-coming actress Judy Tyler, who was killed in a particularly nasty car accident shortly after filming wrapped. ~ Hal Erickson, All Movie Guide

Next to Slightly Scarlet, Silver Lode is the best of the many 1950s collaborations between producer Benedict Bogaeus and director Allan Dwan. Clearly inspired by High Noon, the story covers three hours in the lives of a group of westerners. As the townsfolk prepare for the Fourth of July celebration, stranger Dan Duryea rides into view, followed by three tough-looking hombres. Duryea claims to be as US marshal, and further claims that he has a warrant for the arrest of the town popular sheriff, John Payne. A few hours away from his marriage to Lizabeth Scott, Payne assumes that no one will believe the troublemaking Duryea, and that his spotless record will speak for itself. But since it is impossible to confirm or deny Duryea's allegations, the seeds of doubt are planted in the minds of the townspeople, and before long virtually all of Payne's "friends" have turned against him. It soon becomes clear to the movie audience that Duryea is lying, especially after he guns down one of his own men. But Duryea is able to pin the blame of the killing on Payne, and in a twinkling the sheriff is a hunted man. The only person willing to give Payne the benefit of the doubt is town trollop Dolores Moran (Mrs. Benedict Bogeaus), who hides the sheriff while telegrapher Frank Sully tries to find out if Duryea is telling the truth. Building slowly and methodically to a slam-bang climax, Silver Lode is an above-average psychological western--and, like many "guilt by supsicion" films of the 1950s, a thinly veiled attack on McCarthyism. Best line: when Duryea bursts into Dolores' boudoir to see if Payne is hiding under the bed, she moans "Oh, what is this? A French farce?" ~ Hal Erickson, All Movie Guide

After a number of overproduced, overlong western "specials," Wild Bill Elliot went back to basics with a series of Monogram/Allied Artists "B"s. In the 62-minute The Homesteaders, Mace Corbin (Elliot) is hired to pick up a consignment of dynamite on behalf of a group of Oregon homesteaders. But evil land-baron Kroger (James Seay), coveting the explosives for himself, lays a trap for Corbin. En route, Our Hero must contend not only with Indians and the elements, but also with his disreputable partner Clyde Moss (Robert Lowery), who is in league with Kroger. A strange, "cleansing" ending caps this interesting pocket western. ~ Hal Erickson, All Movie Guide

As was his custom, director Andrew L. Stone filmed most of Confidence Girl away from the studio on actual locations. The title character, Mary Webb (Hillary Brooke), is in league with sharpster Roger Kingsley (Tom Conway). The pair's latest scam is to pose as a clairvoyant and a detective while trimming their unwitting victims. After making a tidy profit, however, Mary has a change of heart. But Roger knows when he's got a good thing going, and he'll do anything--anything--to keep Mary from turning herself in and spilling the beans. The huge supporting cast of Confidence Girl includes such ever-reliables as Jack Kruschen, John Gallaudet, Walter Kingsford, Tyler McVey, Paul Guilfoyle, Edmund Cobb, Roy Engel and Duke York. Andrew Stone's wife Virginia handled the editing duties. ~ Hal Erickson, All Movie Guide

Self-centered Washington socialite Rosalind Russell joins the WACS in order to be near her boyfriend William Ching, a GI stationed in Paris. Russell is certain that her DC connections will enable her to get out of the service as easily as she got in. Unfortunately for her, Russell's ex-husband Paul Douglas decides to teach her a lesson by pulling a few strings himself. Several of the army-camp scenes are stolen by Marie Wilson as an amply proportioned chorus girl, who's joined the WACS to escape stage-door johnnies. Filmed in part on location at the Women's Army Corps training center at Fort Lee, Virginia, Never Wave at a WAC was produced by Rosalind Russell's husband, Frederick Brisson. The film was released in England as The Private Wore Skirts. ~ Hal Erickson, All Movie Guide

Ninety per cent of Little Big Horn takes place before Custer's Last Stand; thus, the emphasis is on character and suspense rather than spectacle (just as well, since spectacle was well out of the range of parsimonious Lippert Studios). Lloyd Bridges heads a small band of cavalrymen who desperately try to reach the Little Big Horn in time to warn Custer of a Sioux ambush. One by one, the men are picked off by Indian sharpshooters. The only survivors are Bridges and John Ireland, longtime enemies who may very well knock each other off before ever getting to Custer. Little Big Horn was the first directorial assignment for western-writer Charles Marquis Warren. It was hardly the last: Warren would later be one of the most prolific contributors to the Gunsmoke TV series of the 1950s, 1960s and 1970s. ~ Hal Erickson, All Movie Guide

Rudolph Mate directs this sentimental melodrama about a ridiculously self-sacrificing wife based on the book by Ruth Southard and starring a 12-year-old Natalie Wood. Mary Scott (Margaret Sullavan) is pregnant when she finds out that she has terminal cancer with only a few months left to live. She keeps this information a secret from her husband, Brad Scott (Wendell Corey), who is carrying on an affair with his assistant, Chris Radna (Viveca Lindfors). Mary encourages her husband to pursue Chris as a replacement wife and mother after she dies. While on a final vacation with Brad, Mary dies and leaves Chris at home babysitting their daughter, Polly (Natalie Wood). No Sad Songs for Me features an Oscar-nominated score by George Duning. ~ Andrea LeVasseur, All Movie Guide

Samuel Fuller wrote and directed this lively drama based on the real-life adventures of James Addison Reavis, one of the most ambitious swindlers of the 19th Century. In 1871, Reavis (played by Vincent Price) began hatching an elaborate scheme to claim the Arizona territory (then three decades away from statehood) as his own. At the time, land grants established during Spanish rule of Arizona were still valid, and one rainy evening Reavis visited Pepito Peralta (Vladimir Sokoloff) and his daughter Sofia (Karen Kester) with some exciting news. While working as a real estate clerk, Reavis found documents which granted ownership of nearly the whole of the Arizona territory to one Miguel Peralta, who was named Baron of the new land by Spain's rulers, and as his heir Sofia will become Baroness when she reaches adulthood, giving her claim to the territory. After giving Pepito and Sofia money and hiring a governess (Beulah Bondi) to educate the girl in a manner befitting the Barony, Reavis sailed for Spain on business; unknown to the Peraltas, Reavis posed first as a monk and then as a gypsy in order to revise old land grant documents to conform with his story. Several years later, Reavis returned to Pepito and Sofia's home, and asked the young woman (now played by Ellen Drew) to marry him. Once wed, Reavis presented his carefully forged paperwork to the Arizona authorities which gave him and his bride royal claim to the land; however, not everyone believed Reavis's elaborate tale, and John Griff (Reed Hadley), an expert in falsified documents, was brought in to examine the evidence. The Baron of Arizona gave Vincent Price a rare leading role in a non-horror vehicle, and he cited it as one of his favorite performances on film. ~ Mark Deming, All Movie Guide

By the standards of low-budget Lippert Productions, Everybody's Dancin' is an "A" picture. Country-western favorite Spade Cooley (who also co-produced and co-scripted) heads the enormous cast of this innocuous musical comedy. Setting the plot in motion is fast-talking Dick Lane, playing a phony entrepreneur who hopes to rescue a bankrupt ballroom called "Waltzland." The climax is the standard-issue Big Show, staged at the studios of Los Angeles television station KTLA (where Dick Lane was gainfully employed as a sportscaster). Featured acts include The Sons of the Pioneers, the Chuy Reyes Orchestra, The Flying Taylors, the Great Velardi and the Medians. Also thrown into the stew are a bunch of guest stars, including Roddy McDowall, western stars Jimmy Ellison , and Russell Hayden, and UPI columnist Virginia McPherson. ~ Hal Erickson, All Movie Guide

Those scurrilous Chinese communists are up to their old tricks in the 1949 flagwaver State Department - File 649. William Lundigan plays Ken, an operative of the U.S. Foreign Service stationed in North China. Ken is one of several people trapped in a remote village by evil warlord Yun Usu (Richard Loo), who intends to sell his services to the highest bidder, be they Red or otherwise. Our hero manages to get a message out to the Free World before the film's operatically self-sacrificial climax. The characterizations are of the cardboard variety and the dialogue is straight out of Fu Manchu. Still, State Department - File 649 is a fascinating encapsulation of postwar political propaganda. ~ Hal Erickson, All Movie Guide