Michel Boujenah Movies

Directed by Michel Boujenah, Pere et Fils (Father and Son) centers around retired traveling salesman Leo Serano's (Philippe Noiret) decision to become closer to his three children, albeit late in life. Leo's first son, David (Charles Berling), is a longtime overachiever who runs his own plumbing fixtures company and employs his youngest brother, Simon (Pascal Elbe), in the warehouse. Pot-smoking Simon is blissfully unconcerned when it comes to the intricacies of his family, but David hasn't spoken to his unemployed brother Max (Bruno Putzulu) in years, and isn't particularly keen to build a relationship with his long absent father. However, when Leo convinces the trio that he's slated for a risky heart surgery in a couple of weeks -- in fact, Leo's physician had declared him perfectly healthy -- the broken family decides to take a spontaneous trip to Montreal. The film also features Marie Tifo, Genevieve Brouillette, Pierre Lebeau, Jacques Boudet, and Matthieu Boujenah. ~ Tracie Cooper, Rovi

French TV star Nagui, described by Variety as "popular for his lowbrow-Letterman approach," portrays Zak, who learns about "the curse of Onan" experienced by males in his family. If Zak does not impregnate a woman before his 33rd birthday, the joys of sex evaporate forever. However, Zak's interest in married women creates a roadblock. Even his current girlfriend, art auctioneer Florence (Cristiana Reali) is a married mother of triplets. So Zak's rabbi cousin Joseph (Thomas Langmann) fixes him up with an attractive supermodel (Joanna Rhodes). It's a race against time before permanent impotence strikes. ~ Bhob Stewart, Rovi

Misunderstandings create romantic mayhem in this French comedy. Joanna Martin is an investigative television reporter who has lived happily with prominent lawyer Samuel Bosquier for over 15 years. The trouble begins when her station assigns Joanna to investigate the phony marriage/immigration racket. Wanting to prove that such bogus unions are absurdly easy to obtain, she steals the identity of her sister (a spinster) and 'marries" Pavel, a recently emigrated Hungarian laborer. Unfortunately, she says nothing of her assignment to Samuel. He never would have found out had he not run across a letter she had written on behalf of a colleague to help her escape her abusive husband. Reading the letter, poor Samuel begins believing that his beloved Joanna has been untrue. He suffers a breakdown and begins getting in trouble with the law. At the same time, Joanna develops her own problems when a government official begins suspects the reporter's marriage to Pavel is a sham. The dogged official so badgers them, they the two stage an elaborate scenario to prove themselves bonafide spouses. ~ Sandra Brennan, Rovi

This unique French offering is a compilation of 30 short films focused on AIDS. The mini-films were based on over 3,000 ideas put in by French school children and were made by filmmakers on a voluntary basis. Most of the vignettes deal with heterosexuality and AIDS, but one deals with drug-usage, and one with homosexuality. It took four production houses three years to create this inspirational and informative film. ~ Sandra Brennan, Rovi

François (Thierry Lhermitte) has convinced his wife and nearly everyone else that he is a pleasant, downtrodden civil servant who has been immured in a dead-end job. In reality, he is a very competent secret operative for the government. Meanwhile, Helene (Miou-Miou), the mother of his two children, has grown bored with her dull husband and is considering whether or not she should have an affair with an attractively sleazy used-car salesman who has been feeding her his standard seduction line: that he's a secret agent (which, in his case, is a lie). When François discovers this, he concocts a plan to teach his wife a lesson, which grows unexpectedly complicated when the two of them stumble across an international arms-smuggling cartel. ~ Clarke Fountain, Rovi

Seen through the filtered lens of boyhood memories, award-winning director Mohamed Lakhdar-Hamina crafted this half-fictional, half-autobiographical account of a brief period in the history of an Algerian village. It is 1940, and the quiet town is ruled by French colonialists appointed by the Vichy government. Algerians are being called up for service in the Vichy military, and Jews in the village are in danger of deportation. A beautiful young schoolteacher named Claire Boyer (Veronique Jannot) arrives in town and turns every male head within miles, including 14-year-old Mouloud (Merwan Lakhdar-Hamina, the director's son). Simon Attal (Michel Boujenah), a fellow teacher and a Jew, is also attracted to Claire, and so is Mouloud's older brother. Suddenly two murders occur in the village, Simon is in danger of being deported, and the tone shifts from the dreams of boyhood to the realities of manhood. ~ Eleanor Mannikka, Rovi

There are exactly 11 different slices of life in this comedic look primarily at the French and their mores. The series of 11 vignettes vary in length, in hilarity, in quality, and in content. In the segment on the changing culture of Paris, a French housewife has adapted to her neighborhood, dressing like an African and renaming her son Mohammed, she insists on the liberality of the neighborhood because the French (assuming erroneously that ethnic minorities are not also French) are accepted there. In another vignette, an average (gay) couple is interviewed on television about the social climate in their region. Other segments have varying success in their attempt to parody the world at large, making Tranches de Vie a somewhat uneven effort in the end. ~ Eleanor Mannikka, Rovi

In an amusing comedy that looks at the life and dreams and absurdities of a middle-class housewife, director John Berry has condensed everywoman's youthful experiences into the persona of Maryvonne (Myriam Boyer). The upbeat heroine works hard in a factory and one day meets and eventually falls for an attractive Arab co-worker. The two end up being a committed pair, especially after Maryvonne gives birth to their son. Meanwhile, the workers at the factory go on strike, and the young mother fantasizes that she is leading them a la Joan of Arc, or as a Russian revolutionary. When a journalist arrives to record the strike, he encourages Maryvonne to write her account of matters -- he has his ulterior motives, but she immediately sets pen to paper and comes up with several notebooks. The journalist is in Paimpol, and as Maryvonne makes the train to meet him, her dreams and his reality are set on a collision course. ~ Eleanor Mannikka, Rovi