Margo Winkler Movies

Night and the City is a remake of the 1950 Richard Widmark vehicle of the same name. Major changes: As played by Robert DeNiro, the Widmark character, one Harry Fabian, is no longer merely a two-bit tout but instead a two-bit lawyer; and the film is set in New York, as opposed to the London setting of the original. While embroiled in a lawsuit involving a boxer, Fabian becomes fascinated in the world of championship prizefights. Always susceptible to get-rich-quick schemes, Fabian tries to organize his own big boxing event, but to do that he needs the help of hardnosed promoter Alan King--and to get to King, Fabian uses the promoter's father, former boxer Jack Warden, to act as front man. Fabian scurries around lying and double-dealing in order to sell percentages of the upcoming bout, while King warns Fabian of the consequences should anything unfortunate happen to the ailing Warden. Disaster plagues Fabian as his boxers fail to pass their physicals, and Warden dies while setting up the big event. Pursued by King and his creditors, the terrified Fabian is urged by girlfriend Jessica Lange to get of town. Instead, Fabian decides to face up to his failings for the first time in his life, and stands his ground for the final, fatal confrontation. Like the earlier Widmark film, the 1992 Night and the City is based on a novel by Gerald Kersh. ~ Hal Erickson, All Movie Guide

Martin Scorsese explores the life of organized crime with his gritty, kinetic adaptation of Nicolas Pileggi's best-selling Wiseguy, the true-life account of mobster and FBI informant Henry Hill. Set to a true-to-period rock soundtrack, the story details the rise and fall of Hill, a half-Irish, half-Sicilian New York kid who grows up idolizing the "wise guys" in his impoverished Brooklyn neighborhood. He begins hanging around the mobsters, running errands and doing odd jobs until he gains the notice of local chieftain Paulie Cicero (Paul Sorvino), who takes him in as a surrogate son. As he reaches his teens, Hill (Ray Liotta) is inducted into the world of petty crime, where he distinguishes himself as a "stand-up guy" by choosing jail time over ratting on his accomplices. From that moment on, he is a part of the family. Along with his psychotic partner Tommy (Joe Pesci), he rises through the ranks to become Paulie's lieutenant; however, he quickly learns that, like his mentor Jimmy (Robert DeNiro), his ethnicity prevents him from ever becoming a "made guy," an actual member of the crime family. Soon he finds himself the target of both the feds and the mobsters, who feel that he has become a threat to their security with his reckless dealings. Goodfellas was rewarded with six Academy Award nominations including Best Picture; Pesci would walk away with Best Supporting Actor for his work. ~ Jeremy Beday, All Movie Guide

In this film, an aspiring young actor moves to Los Angeles from his New York home, hoping to make it big in show business. Idolizing actor Robert De Niro, the young man must learn to cope with the rejection and despair he experiences in his career struggle. ~ Iotis Erlewine, All Movie Guide

Martin Scorsese's satirical comedy/drama caustically explores the lengths to which a nobody will go to be as famous as his idol. Practicing his patter in his basement with cardboard cut-outs of his favorite celebrities, mediocre aspiring comedian Rupert Pupkin (Robert De Niro) believes that one appearance on the evening talk show of the Johnny Carson-esque Jerry Langford (Jerry Lewis) will be his ticket to stardom. After he helps Jerry escape the advances of amorous fan Masha (Sandra Bernhard), Rupert takes Jerry's patronizing brush-off as a true promise for an audition and begins haunting Jerry's office. Provoked by Masha's needling and a rejection from Jerry's smooth production exec Cathy Long (Shelley Hack), Rupert makes a disastrous trip to Jerry's country house with embarrassed date Rita (Diahnne Abbott), then hatches an even more outlandish scheme to get ahead. With Masha's help, Rupert kidnaps Jerry and demands as ransom the TV appearance that he believes will turn his fantasy into reality. ~ Lucia Bozzola, All Movie Guide

Martin Scorsese combined the splashy atmosphere of the old studio musical with an unromanticized marriage story in his valentine to Hollywood and the Big Band era. On V-J Day 1945, newly minted civilian saxophonist Jimmy Doyle (Robert De Niro) meets USO singer Francine Evans (Liza Minnelli) at a dance, but she rebuffs every advance that he makes. A day and a hotel lobby meeting later, Jimmy finally wins Francine over after she uses her pop instincts to save his too-jazzy audition at a nightclub. When she goes on tour with Frankie Harte (Georgie Auld) and his Orchestra, Jimmy tracks her down, taking a job with the orchestra to be with her. Together on stage, they make beautiful music; off stage they marry, but the struggle between two artists begins to take its toll. Unable to understand that Francine's needs and talents are just as important as his, and unwilling to compromise his music for security, Jimmy abandons Francine after their baby is born. Separately, the two succeed even more, as Francine becomes a music and movie star, while Jimmy has a top hit and opens a jazz club. When they are reunited several years later, the pair must decide if their relationship is worth another try. ~ Lucia Bozzola, All Movie Guide

Peter Hyams made his feature-film directing debut with this clumsily paced crime film concerning two Los Angeles vice-squad detectives. Michael Keneely (Eliott Gould) is the swaggering non-conformist and Patrick Farrel (Robert Blake) is the cocky follower. The two cops live for their work and spend most of their time busting call girls, massage parlor employees, and homosexuals. Keneely and Farrel eventually come to the conclusion that every criminal act in Los Angeles is due to the efforts of crime lord Carl Rizzo (Allen Garfield). The boys begin to harass Rizzo to the point of distraction, but their singular attempts to arrest Rizzo cause them to become the targets of, not only the criminal population, but the police force as well. ~ Paul Brenner, All Movie Guide

In this comedy, based on Jimmy Breslin's novel, a bungling gang of hoods make increasingly ludicrous attempts on the life of a Mafia boss. Each attempt ends in failure. ~ Sandra Brennan, All Movie Guide