Frank Windsor Movies

This British made-for-television movie tells the story of marital and familial abuse. Kevin Whately and Stella Gonet star, respectively, as Ian and Kate Armstrong. The Armstrong's have two children and from all accounts appear to be living a normal, country life. The family's security is destroyed though when Ian uncharacteristically and unexpectedly turns abusive. ~ Bernadette McCallion, Rovi

In the second episode of the three-part story "The Ghost Light," the Doctor (Sylvester McCoy) and Ace (Sophie Aldred) have arrived in Ace's home town of Perivale, in hopes of finding out the cause of the girl's horrible nightmares. Arriving in the village in the year 1883, the Doctor is plunged in the middle of a raging Evolution vs. Creationism controversy, and also discovers that all is not well at the Gabriel Chase house. Meanwhile, Ace meets several new friends -- if indeed, they are friends. Written by Marc Platt, "Ghost Light, Episode 2" originally aired on October 11, 1989. ~ Hal Erickson, Rovi

In this amusing comedy, Sharon (Sharon Fryer) is upset when her unemployed boyfriend Anthony (Gary Webster) announces his intention to join the police force. She ends up insulting the chief of police at a local dinner, following him into the men's room to finish her train of thought. When her friend Billy (Pete Lee-Wilson) lands in jail for using the phone at work to make a request to a disc jockey, she decides to help him get out. Cameos from popular British television stars are added effectively throughout the feature. ~ Dan Pavlides, Rovi

This British Merchant-Ivory look-alike was adapted from a novel by Isabel Colgate. In the summer before World War I, British nobleman James Mason invites an assorted group of acquaintances for a weekend shooting party on his huge estate. Among the participants are longtime rivals Edward Fox and Rupert Frazer, Fox's occasionally unfaithful wife Cheryl Campbell, and staunch anti-hunting advocate John Gielgud. The film unfolds in a carefully calculated but seemingly spontaneous fashion, in the manner of its 1938 ancestor Rules of the Game. Also like the earlier film, The Shooting Party casts a jaundiced eye towards class consciousness--and ends with a sudden, senseless but not altogether unexpected tragedy. ~ Hal Erickson, Rovi

Written by Terence Dudley and first telecast March 16, 1983, the conclusion of the two-part story "The King's Demons" finds the Doctor's old enemy, the Master (Anthony Ainley), attempting to alter the course of history (for the worst, of course). Hurtling himself back to the year 1215 A.D., the Master creates a shapeshifting robot to impersonate King John (Gerald Flood) at the signing of the Magna Carta -- while the Doctor (Peter Davison) races against time to prevent a disaster of far-reaching proportions. With "The King's Demons, Episode 2," Doctor Who wrapped up its 20th season on the air. ~ Hal Erickson, Rovi

In this comic-detective movie, Dangerous Davies, a bungling gumshoe uses archaic methods to solve his cases. This time he must solve a 15-year-old murder involving an adolescent girl. He finds himself on a convoluted trail surrounded by the lowest of the lowlife. It is not until the picture is almost over that he realizes that the solution to the mystery has been under his nose all along. ~ Sandra Brennan, Rovi

Max (Robert Morley) is a wealthy, world-class conoisseur of fine food, who cannot stop himself from eating when the food is first-class. His doctor has given him stern warnings that he must lose over one hundred pounds, or he will die of heart failure. The presence of so many four-star chefs in Europe is a hazard for him. When many of these same chefs are found murdered in inventive ways, each related to the chef's specialty, it begins to appear that Max is the prime suspect in their deaths. Meanwhile, the ex-wife (Jaqueline Bisset) of a fast-food tycoon (George Segal) has earned the right to cook the dessert course at a dinner billed as "the world's most fabulous meal." Despite their profound disagreements, he is worried that she will be one of the murderer's victims.This film, which was loved by some critics and hated by others, is based on the best-selling novel Someone is Killing the Great Chefs of Europe by Nan and Ivan Lyons. ~ Clarke Fountain, Rovi

The all-purpose title Assassin was trotted out for this 1973 thriller. Ian Hendry stars as an M15 agent, licensed to kill in the name of the Crown. His assignment: seek out and liquidate an elusive enemy agent. Hendry's target is one of several people working in the British Air Ministry. Hint: Edward Judd looms large (as he always did) in the supporting cast. Assassin was released minus a producer credit, so if you don't like it, we haven't the slightest idea whom you can blame. ~ Hal Erickson, Rovi

A Lancashire lass refuses to eat the meal her mother has prepared for her. Her thick-eared father (James Mason) insists that she ingest every bite. This seemingly minor incident snowballs into big trouble for everyone concerned. Hard to believe, but this was based on a very popular stage play by Bill Naughton. The comic edge is blunted by the film's use of real Bolton locations, which tend to make the exaggerated passions and gesticulations of Mason and his family seem more pathetic than humorous. ~ Hal Erickson, Rovi

Adapted by David Storey from his own novel, This Sporting Life stars Richard Harris as Frank, an athletic coal miner who aspires to the greener pastures of professional rugby. Soon establishing himself as one of the most brutal and arrogant players in the business, Frank begins to amass a fortune. He also falls in love with his landlady, Mrs. Hammond (Rachel Roberts), who initially resists his advances. When she finally gives in, their relationship hinges on sex alone, as Frank practically begs Mrs. Hammond to give of herself emotionally and she remains incapable. At the wedding ceremony for one of Frank's teammates, Mrs. Hammond unexpectedly lashes out at her swaggering lover. They split up, but Frank, who until now has equated happiness with wealth, is unable to get over the permanent loss. In the end, with nothing else left, all of Frank's self-worth becomes contingent on his rugby performances, though Frank and the other players are exploited to such a degree that this also proves disastrous. Widely regarded as one of the finest British feature films ever produced, the gritty and bleak This Sporting Life not only marked former documentary filmmaker Lindsay Anderson's first feature, but became one of the harbingers of the "Angry Young Man" school of filmmaking. ~ Hal Erickson, Rovi