Chill Wills Movies

Bar 20 Rides Again was the 3rd of William Boyd's Hopalong Cassidy flicks. As with most early entries in the Cassidy series, the film is longer than usual, with emphasis on dialogue and situation for the first 2/3 of the picture. This time, Hoppy runs up against cattle rustlers, headed by Harry Worth, a land baron with a Napoleonic complex. Had the film been made a few years later, Worth would have been depicted a sagebrush Hitler. The slowness of early reels is compensated for with a thrilling "race to the rescue" climax. Boyd's sidekicks in Bar 20 Rides Again are George Hayes (not yet "Gabby", but "Windy") and Jimmy Ellison; leading lady Jean Rouverol later became a prolific writer of children's books. ~ Hal Erickson, Rovi

Paramount's resident "big mouth" Martha Raye was afforded her first top-billed screen assignment in Hideaway Girl. The script would have us believe that rambunctious heroine Helen (Raye) is a high-society debutante with a fondness for singing. The plot is set in motion by a stolen necklace, apparently stolen by Helen. She's innocent, of course, as is another suspect named Mike (Robert Cummings) whom she pretends to marry to save him from arrest. The meaning of the film's title is clarified in the final scene, wherein Helen hides herself on the yacht of the actual thief (Monroe Owsley). In the tradition of Martha Raye's signature tune "Mister Paganini," Hideaway Girl serves up a forgettable little ditty called "Beethoven, Mendelsohn and Liszt." ~ Hal Erickson, Rovi

Lawless Valley is one of the best of George O'Brien's series westerns for RKO Radio. Falsely accused of orchestrating a stage robbery with his conveniently deceased father, O'Brien spends the rest of the film trying to clear his name. Along the way, he uncovers the perfidy of land baron Fred Kohler Sr. (in his last film role), who's been committing murders all over the place to grab up every piece of the surrounding territory. Kohler even tries to inveigle heiress Kay Sutton into a forced marriage with his son to strengthen his land holdings. Forcing a confession from corrupt sheriff Earle Hodgins, O'Brien is able to tighten the noose around Kohler's neck, but not before a fistic set-to reminiscent of the similar O'Brien-Kohler donnybrook in 1924's The Iron Horse. Adding to the enjoyment of Lawless Valley is the presence in of Fred Kohler Jr., appropriately cast as Fred Kohler Sr.'s offspring. At one point, Kohler Jr. stands up to his father, whereupon Kohler Sr. growls "Careful, son--you're talkin' to your dad, you know!" ~ Hal Erickson, Rovi

In keeping with its up-to-date title, the 1939 George O'Brien western Racketeers of the Range is set in "contemporary" Arizona. The villains are a band of brigands who've infiltrated the meat-packing industry. Cattle rancher O'Brien certainly has his hands full in this one, attempting to find out who's responsible for the wholesale rustling of his stock and contending with modern gangster methods. The climax is an incredible but somehow believable chase involving a horse and a high-speed train, with O'Brien leaping from his mount and landing on the hurtling locomotive with nary a hair out of place. Even more enjoyable is an early scene in which our stalwart hero is seen dancing the jitterbug with heroine Marjorie Reynolds. ~ Hal Erickson, Rovi

This formula western stars George O'Brien as a member of the Arizona Rangers, a quasi-vigilante society aimed at ridding the west of lawlessness. O'Brien is assigned to infiltrate a criminal gang in Arizona. For duty's sake, O'Brien must alienate himself with his sweetheart (Laraine Johnson, later known as Laraine Day) and pose as a ruthless bandit. The hero comes awfully close to meeting his doom before the crooks are roped and hog-tied. Arizona Legion represented the 60th screen appearance of veteran action star George O'Brien. ~ Hal Erickson, Rovi

Sorority House is based on Mary Coyle Chase's short story Chi House. Anne Shirley plays a middle-class college student who is pledged to a snooty sorority. As Shirley struggles to qualify for membership, she becomes disillusioned by the prospect when she realizes the shallowness of her wealthy future sorority sisters. She finally declines the invitation, but since she's fallen for campus jock James Ellison, her social life won't be too bleak. A loose reworking of RKO's earlier Finishing School (34), Sorority House was scripted by Dalton Trumbo, who'd later get into hot water with the HUAC for another screenplay about a group of ladies living together, Tender Comrade (43). ~ Hal Erickson, Rovi

In addition to being a fine Western in its own right, this film served to introduce perhaps Hollywood's oddest romantic couple: the gruff but lovable Wallace Beery and the tart but lovable Marjorie Main. Beery plays "Reb" Harkness who, with his Mexican pal Pete (Leo Carrillo), is almost caught red-handed attempting to rob a train carrying General Custer (Paul Kelly) and the cavalry. Double-crossed by his partner and with the cavalry in hot pursuit, Reb escapes to Wyoming where he finds shelter on a ranch belonging to orphaned Lucy Kinkaid (Anne Rutherford) and her kid brother Jimmy (Bobs Watson). The local ranchers are battling an unscrupulous empire builder, Buckley (Joseph Calleia), and Reb is involuntarily dragged into the feud. When plain-speaking blacksmith Mehitabel (Marjorie Main) loses her brother to Buckley's bullets, Reb takes matters into his own hands, and with the help of Custer's men, he manages to end Buckley's reign of terror. Casting plain-looking, twangy Marjorie Main as Beery's leading lady was a stroke of genius. The two actors complimented each other to the nth degree, and Main was seen as a worthy replacement of the late Marie Dressler. As a result, the former stage actress (Dead End) was put under a seven-year contract by MGM, who co-starred her with Beery in Barnacle Bill (1941), The Bugle Sounds (1941), Jackass Mail (1942), Rationing (1944), and Bad Bascomb (1946). Wyoming, which also benefitted from fine performances by Henry Travers as a sly sheriff and Stanley Fields as Buckley's chief henchman, was filmed on location at Jackson Hole, Wyoming, and the Grand Tetons National Park by a director, Richard Thorpe, who had worked in the Western field since the silent days. ~ Hans J. Wollstein, Rovi

The town of Vinegaroon, TX, is the home to Judge Roy Bean (Walter Brennan), who calls himself "The Only Law West of the Pecos." Bean keeps a saloon, where he also conducts trials, using his office to get fat on fines and the seizure of property, and hanging most of those who get in his way, sometimes more than one a day. Cole Hardin (Gary Cooper) is a saddle-tramp brought in on a charge of stealing a horse belonging to Bean's chief stooge, Chickenfoot (Paul Hurst). Hardin's conviction by a jury made up of Bean's hangers-on (with the undertaker, played with low-key comic zeal by Charles Halton, waiting eagerly for the verdict and the hanging) seems certain, despite his contention that he bought the horse from another man, until Hardin recognizes the judge's obsession with the English actress Lily Langtry. Hardin feigns having seen, met, and known Miss Langtry intimately, and he cons the judge into delaying the death sentence until Hardin can send for a lock of the actress' hair that he supposedly has in El Paso -- that's long enough for the real horse thief (Tom Tyler) to show up and get killed.

By the time the dust settles, the judge, for all of his warped sense of justice and corrupt nature, finds himself genuinely liking Hardin as something of a kindred spirit, as bold and daring as he was in his youth, and feeling something like friendship for him. But Bean also tries to shoot Hardin when he decides to cast his lot with the homesteaders, led by Jane-Ellen Mathews (Doris Davenport) and her father, Caliphet (Fred Stone), who have been fighting for survival against Bean and his cattle-rancher allies every step of the way. Hardin tries to appeal to the better nature within the judge, and also saves him from an attempted lynching, but when that fails, and a corn crop is burned and Mr. Mathews killed, he sees no choice but to take action. He gets an arrest warrant sworn out and is deputized by the county sheriff. Taking Bean in his saloon or anywhere in his town (renamed Langtry by the judge, in honor of the actress) is impossible, but then it's announced that Lily Langtry will be appearing in Texas, a long day's ride away from Bean's stronghold. The judge, dressed in his full Civil War regalia and with his men in tow, rides to see the performance while Hardin gets ready to try and arrest him. The kind of climactic shoot-out that follows has been done to death in the decades since, but it was something new and revelatory in a Western in 1940, and still plays beautifully on a dramatic level, capturing in full the complexity of the relationship between these two antagonists. ~ Bruce Eder, Rovi

The famous outlaw rides again in this fictionalized western that chronicles Billy's turn from criminal to fine upstanding citizen. The film received an Oscar nomination for its color cinematography. ~ Sandra Brennan, Rovi

Lionel Barrymore and Ronald Reagan star, respectively, as grandfather Henry Jones and grandson Gil Jones, two proprietors of a Mexican ranch, in The Bad Man. Gil is overjoyed to discover that his childhood sweetheart, Lucia (Laraine Day) has returned to town, but feels slightly dismayed by her marriage to Morgan Pell (Tom Conway), a Manhattan businessman. Later that day, Mexican outlaw Pancho Lopez (Wallace Beery rides into town and causes trouble for the good folks by rustling all of their cattle and injuring Gil. Meanwhile, Morgan admits to Lucia that he's worried about the possibility of her still being in love with Gil, but she reassures him that this isn't the case, and reminds him of her undying commitment to their marriage. One month later, Mr. Hardy (Henry Travers, a banker, arrives at the ranch, and acts suspiciously by revealing his overeagerness to foreclose. In a desperate move, Henry makes a feeble attempt to stave off Hardy's actions by trying to convince Gil to marry Hardy's daughter, Angela (Nydia Westman). Meanwhile, "Red" Giddings (Chill Wills secretly pines for Angela, who is the great love of his life.
Morgan then crops up and offers $20,000 for the ranch, alerting Henry to an ulterior motive -- he gets Morgan and Hardy to confess their suspicion of oil on the property. Gil hastily signs the deed that gives the ranch over to Morgan. Just when matters cannot seem to get any worse, Lopez turns up once again and takes everyone hostage, except for Gil, who has trekked off to the barn. Lopez makes none-too-subtle advances to Lucia and indicates his warm feelings toward Henry, as well as his innate dislike of Morgan and Hardy. When Henry decides to play off of this dislike by informing Lopez of both men's attempts to wrangle the ranch away from him, a bidding war ensues, and Lopez craftily attempts to determine how much ransom he can get for his captives. Gil then draws a gun on him, but is overcome by Lopez's men; Lopez prepares to hang Gil, but suddenly recognizes Gil as the same man who saved his life several years earlier. He then works toward fixing the financial problems that are plaguing the Joneses, and the romantic problems that are plaguing Gil, Lucia, Red and Angela. Based on a war-horse stage play by Porter Emerson Browne, The Bad Man had been previously filmed in 1923 and 1930; Boris Karloff starred as a Chinese warlord in a thinly disguised 1937 reworking of The Bad Man, titled West of Shanghai. ~ Hal Erickson, Rovi

20th Century-Fox's Western Union was loosely based on a story by Zane Grey. The basic historical facts behind the connecting of telegraph wires between Omaha and Salt Lake City serve as a backdrop for a fictional story straight out of Manhattan Melodrama. Randolph Scott and Barton MacLane are cast as brothers who pursue wildly divergent paths in adulthood: Scott, an ex-outlaw, goes to work for Western Union, while MacLane remains a criminal, leading a concerted effort to sabotage the telegraph company. The Indians, too often merely villains in films of this nature, are treated with relative sympathy. When they do attack the whites, it is principally because they have been falsely accused of crimes committed by MacLane and his bunch. Western Union was the second Technicolor western effort from director Fritz Lang; the first was the equally popular The Return of Frank James. ~ Hal Erickson, Rovi

Rear Admiral Stephen Thomas' (Charles Laughton) spoken tribute to "the finest Naval officer I knew" provides the framework for the wartime flag-waver Stand By For Action. Robert Taylor stars as Gregg Masterman, a flippant socialite who comes to realize his obligation to his country when he is called to active duty during WW II. Determined to get sea duty, Lt. Masterman is passed over by Admiral Thomas in favor of Lt. Cmdr. M. J. Roberts (Brian Donlevy), who, unlike our academy-trained hero, rose from the ranks to his present position of authority. Any differences between Masterman and Roberts are forgotten in the climactic attack against a formidable Japanese "super-battleship." Though there's precious little room for romance in this essentially all-male entertainment, Stand by for Action offers Robert Taylor a brief dalliance with up-and-coming MGM starlet Marilyn Maxwell. ~ Hal Erickson, Rovi

This final "Tarzan" entry from the MGM assembly line is arguably one the least effective of the series, though it certainly has its adherents. It all begins when Boy (Johnny Sheffield), adopted son of Tarzan (Johnny Weissmuller) and Jane (Maureen O'Sullivan), is kidnapped from the jungle by crooked circus promoters Rand (Charles Bickford) and Shields (Paul Kelly) and spirted off to America. This requires Tarzan and his mate to adopt "civilized" clothes and head to New York City, with the troublesome Cheeta the Chimpanzee along for the ride. There are some amusing moments as Tarzan tries to acclimate himself with the Big Apple, and some less amusing ones as Cheeta gets hold of a powder puff and lays waste to an expensive hotel room. The film's highlight, Tarzan's leap from the Brooklyn Bridge, comes at the film's halfway point, and accordingly things slow down considerably during the final reels. Tarzan's New Adventure works better as a stunt than as an official series entry, but it is still preferable to some of the so-so RKO Radio Tarzan films which were to follow. One racially questionable sequence involving black comedian Mantan Moreland has been understandably removed from some TV prints. ~ Hal Erickson, Rovi