Andrew Whaley Movies

An American news crew travels to one of the most remote locations on the planet in hopes of capturing the savage serial killer rumored to have claimed over 300 lives in this white-knuckle horror-thriller starring Dominic Purcell and Orlando Jones, and based on actual events. As the intrepid documentarians cautiously make their way upriver, they soon find that the brutality inflicted on man by his own kind pales in comparison to the relentless viciousness of mother nature's most resilient predator. ~ Jason Buchanan, All Movie Guide

Two modern Zimbabwean women reminisce about their time as freedom fighters twenty years before. The story of Florence and Nyasha is told via flashback. It begins in Mozambique where the women have come to train as soldiers. At first the men reject their presence, making it plain that the two are second class citizens. One day though, Florence and Nyahsa who take on the names 'Flame' and 'Liberty' respectively are called to fight. They prove themselves courageous and determined. Flame is pregnant and loses her baby during a Rhodesian air strike, but this does not stop her. Eventually the story returns to the present where the two friends attend a reunion on Hero's Day. It is there that they realize that most of the freedom fighters, especially the women have been basically forgotten. ~ Sandra Brennan, All Movie Guide

This Zimbabwe drama explores the effect of AIDS in teenage relationships and ends with an earnest plea for more awareness and safer behavior. Thandiwe is the teenaged protagonist who begins looking for a boyfriend. Teenager David is deeply upset to discover that his former girl friend who left school when she got pregnant gave birth to a baby with AIDS. She contracted the disease from her uncle with whom she was sleeping. The uncle is now dead and David fears for his own life. Thandiwe is tired of her parents rigid rules and longs to break free. She sees David on the sly, engages in fisticuffs, and even gets drunk one night. At one point her friend demands that Thandiwe buy condoms even though the pharmacist gives her a hard time about buying them. ~ Sandra Brennan, All Movie Guide

John G. Avildsen, director of Rocky and The Karate Kid, adapts Bryce Courtenay's compassionate novel about the coming of age of a white anti-apartheid activist during the years of World War II in South Africa. Avildsen cumbersomely grafts Courtenay's tale of fighting apartheid onto a Hollywood-style fight-for-the-championship bout. Seven-year-old P.K. (Guy Witcher) is a white South African raised on his family's farm by his Zulu nanny. When his mother takes ill, he is sent away to an Afrikaner boarding school, where he is picked on and nearly killed by the school bully during a pep rally for Hitler. P.K. survives and is sent to live with his grandfather. He befriends Doc (Armin Mueller-Stahl), a jailed German musician, and a black inmate (Morgan Freeman), who teaches P.K. how to use his fists for some quick boxing moves. At 12, P.K. (now played by Simon Fenton), witnesses black inmates being cruelly humiliated by their racist white jailers. Taking note of P.K.'s fluidity for languages, his black mentor spreads the word that P.K. is the incarnation of the mythic Rain Maker, a messianic liberator who is destined to unite all the African tribes. By the time he's 18 years old, P.K. (now played by Stephen Dorff) is becoming the Great White Hope for the black Africans, boxing his way into their hearts and minds. He joins up with an old boxing foe (Alois Moyo), who is now a township activist, and takes up the apartheid struggle. But things get confusing when P.K. falls in love with the daughter (Fay Masterson) of an apartheid leader. ~ Paul Brenner, All Movie Guide

Schoolteacher Ben du Toit (Donald Sutherland) has been insulated all his life from the horrors of apartheid in his native South Africa. Perhaps he really didn't want to know. When the son of his black gardener is arrested and beaten as a result of a schoolboy protest in Soweto, at first he imagines the police must have had their reasons. However, the boy is picked up again, and this time he doesn't come back. Ben promises his servant that he will look into the incident, and discovers that the boy was killed simply to gratify the violent urges of Captain Stolz (Jurgen Prochnow), a "special branch" policeman. At long last he has gotten a glimpse into the truly arbitrary and violent nature of the system he has so long benefitted from, and he hires Ian Mackenzie (Marlon Brando) to prosecute the killer. It is a foregone conclusion that Stolz will not be punished, but Mackenzie rises to new heights of withering sarcasm and irony in the courtroom. This situation turns Ben into a radical firebrand, which alienates him from his white friends and neighbors, as well as members of his family. ~ Clarke Fountain, All Movie Guide

Described as a "biographical drama," the made-for-TV Mandela is the story of South African human-rights advocate Nelson Mandela, who at the time this film was made was in the 25th year of a prison sentence. Covering the years 1948 to 1987, the film traces Mandela's (Danny Glover) matriculation from young lawyer to fervent anti-Apartheid political activist. At first a proponent of nonviolence, Mandela is radicalized after the Sharpeville massacre of 1960. Thrown in jail by the white-dominated government in 1962, Mandela passes the cudgel to his wife Winnie (Alfre Woodard), who perseveres despite constant persecution from the powers-that-be. Understandably concentrating on Mandela's private life, the film is somewhat wanting in terms of personal glimpses, but this is a forgivable creative lapse. Likewise excusable is the partisan nature of Ronald Harwood's teleplay. Filmed on location in Zimbabwe, Mandela originally ran 139 minutes when it first aired September 20, 1977 over the HBO Cable service; it was subsequently shortened to 135 minutes when shown on network television. ~ Hal Erickson, All Movie Guide

The action in this routine adventure film would be modeled on the enormously successful Indiana Jones but it is too much, too fast, too deja vu. It all starts when Jessie Huston (Sharon Stone, before stardom) talks adventurer Allen Quatermain (Richard Chamberlain) into helping her find her father, an archaeologist. He has been kidnapped in Africa by a Turk (John Rhys-Davies) and a German colonel (Herbert Lom) who are determined to extract the secret location of King Solomon's mines from the stubborn man. As Jessie and Quatermain head off into the unknown, there are crocodiles, lions, and other human beasts to conquer before the father or the mines hove into view. A sequel was soon to follow. ~ Eleanor Mannikka, All Movie Guide