Ann Wedgeworth Movies

A man channels his feelings through an obsession with wild birds in this independent drama based on a novel by Harry Crews. Fortysomething George Gattling (Paul Giamatti) is an emotionally stunted man who makes his living doing auto upholstery and lives with his sister, Precious (Rusty Schwimmer), and her autistic son, Fred (Michael Pitt). Though George has an on-and-off relationship with Betty (Michelle Williams), a constantly stoned young woman just edging out of her teens, one of the few ways in which his deeper feelings come to the surface is his interest in falcons. George loves to capture and train the birds, even if he isn't especially good at it and has lost nearly all the falcons he's tried to keep. When Fred dies in a drowning accident, his family is devastated, but George is incapable of expressing his grief. One day, George finds a striking red-tailed hawk, and he immediately becomes obsessed with the bird. As George struggles to keep the magnificent hawk in captivity and keep it safe while training it to obey his commands, he's finally able to connect with the sense of loss that has haunted him since Fred's passing. The Hawk Is Dying received its premiere at the 2006 Sundance Film Festival. ~ Mark Deming, All Movie Guide

Marilu Henner stars as a stalking victim in this made-for-TV movie based on a true story. Henner stars as Nancy Conn, a woman who becomes the obsession of stalker Richard Mark Ellard (Doug Savant). After she and her cousin are targeted by Ellard, both are savagely attacked and left for dead. Conn survives, Ellard is jailed, and over time Conn slowly puts her life back together and begins to heal physically and mentally. Astonishingly though, Ellard comes up for early parole and Conn makes it her mission to keep Ellard locked up for his crimes. ~ Bernadette McCallion, All Movie Guide

This made-for-television movie tells the story of Margaret Mitchell, the well-known author of Gone With The Wind. Young TV-star-turned-Hollywood-bad-girl Shannon Doherty stars as Pulitzer Prize-winner Mitchell, whose impulses and insecurity inspired her passionate work. John Clark Gable, son of legendary Gone With The Wind star Clark Gable, is also featured in this biopic, which was generally panned by critics for Doherty's portrayal of Mitchell. ~ Bernadette McCallion, All Movie Guide

This gentle baseball fantasy centers on a former ball player who has spent thirty years bitterly brooding over the fact that he has been overlooked by the Baseball Hall of Fame. He finally decides to take action when his long-lost best friend returns from the dead to talk to him. Just before he died, the friend was inducted into the famous museum. The rest of the story is comprised of touching and sometimes funny vignettes. ~ Sandra Brennan, All Movie Guide

William Petersen's High Horse Films produced this romantic comedy that endeavors to recall the glory days of Cary Grant and Irene Dunne. Petersen stars as Joey Coalter, a roving adventurer who has been married to his wife Chris (Sissy Spacek) for almost thirteen years but has rarely been home. During that time Chris has become fed up with Joey's cavalier ways. But it comes as a complete shock to Joey when, while talking to a group of cowpokes about Tahitian women somewhere on the prairie, he receives a wedding invitation sent by his daughter Beth (Olivia Burnette) that announces the wedding of Chris to dull business man Walter Humphrey (Brian Kerwin). Beth hopes the surprise wedding invitation will prod Joey to try to get back together with Chris. Chris hopes so too, as Joey drops what he is doing and takes off to stop Chris's pending nuptials. ~ Paul Brenner, All Movie Guide

Green Card fuses the template of a light romantic comedy with a classic fish-out-of-water scenario. In order to retain her beautiful rent-controlled Manhattan apartment, a beautiful, socially-conscious American woman (Andie MacDowell) has to be married, so she decides to marry a burly French composer (Gerard Depardieu), who is eager to earn a green card so he can stay and work in America. After the marriage, the couple doesn't live together, but when the government's Immigration agents begin to investigate the pair, they are forced to put up a charade to convince the authorities that they are truly in love. Of course, the charade eventually becomes reality. ~ Stephen Thomas Erlewine, All Movie Guide

A hot tamale tries to throw off a different sort of heat in this comedy of small-town manners. Carnelle Scott (Holly Hunter) is best-known in her hometown of Yazoo City, MS, for her unrepentant promiscuity. An orphan taken in by her genteel relatives, she idolizes her older cousin, Elain Rutledge (Mary Streenburgen), a former Fourth of July "Miss Firecracker" contest winner who is taking time out from her life as a pampered wife in Atlanta to give a speech on "My Life as a Beauty" at this year's pageant. Determined to follow in Elain's footsteps, Carnelle puts a damper on her libido and enlists the help of local seamstress Popeye Jackson (Alfre Woodard) in preparing for the pageant. She also implores Elain to let her borrow the red dress in which Elain won the contest in 1972. Meanwhile, Elain's brother, ne'er-do-well Delmount Williams (Tim Robbins), arrives with a get-rich-quick scheme that involves hocking the family estate. Into this mix steps Mac Sam (Scott Glenn), one of the men who contributed to Carnelle's scandalous past. Adapted by Beth Henley from her own play The Miss Firecracker Contest, Miss Firecracker finds Hunter reprising her stage role. The actress also starred in Henley's Crimes of the Heart on Broadway, although she did not appear in the 1986 film adaptation. Woodard and Steenburgen previously appeared together in Cross Creek. Miss Firecracker was shot on-location in real-life Yazoo City. ~ Brian J. Dillard, All Movie Guide

The title refers to those seemingly frail Southern belles who survive any and all deprivations through whims of iron. Robert Harling's original stage play was set exclusively in a Louisiana beauty parlor where an all-female cast of characters laughed, cried and compared menfolk. The film expands the playing field by including scenes at picnics, hospitals and the like, and by visually depicting the males who never appeared in the stage version. Dolly Parton plays the goodnatured beauty-shop owner, while Shirley MacLaine is the cantankerous town eccentric, decked out in grungy overalls and speaking fluent Trash. Well-to-do Sally Field bravely endures several assaults to her sensibilities, not the least of which is the illness (and subsequent death) of daughter Julia Roberts. The performances are first-rate, with the possible exception of Daryl Hannah's overemphatic portrayal of a gawky hairdresser. The film stumbles a bit in its depiction of the male characters as fools and deadheads, and in the final overlong hospital scenes involving the comatose Roberts, which play like a road company version of Terms of Endearment. Otherwise, Steel Magnolias is a prime example of ensemble filmmaking, lovingly coordinated by director Herbert Ross. (Sidebar: Herbert Ross was reportedly rather rough on Julia Roberts, deriding her lack of experience. The rest of the female cast rallied around Roberts and told the director to lay off or pay the price). ~ Hal Erickson, All Movie Guide

In this drama, the life of a San Francisco widow changes forever when she has a brief encounter with a younger man. ~ Sandra Brennan, All Movie Guide

Alan Rudolph directed this offbeat, boy-meets-girl romance in which boy dies, dead boy meets dead girl, dead boy loses dead girl, and dead boy tries to find dead girl again. The tale begins is a small Pennsylvania town, where Mike Shea (Timothy Hutton) dreams of escaping small town life and moving to California with his girlfriend Brenda (Mare Winningham). But Brenda leaves him with his motor running and Mike takes off alone. On the way, he rescues a woman and her children from an icy river but perishes himself. He finds himself in Heaven, where he is greeted by Aunt Lisa (Maureen Stapleton), who explains the rules and regulations. Once in the ethereal realm, Mike falls in love with a heavenly lass with flaxen locks named Annie (Kelly McGillis). But their love is torn asunder because Annie has not yet earned her wings on Earth; she must leave on a tour of duty and put in time inhabiting a human body. Mike is beside himself in despair, but the heavenly powers, in the form of Emmett (Debra Winger), chain-smoking and sporting an orange crewcut like a ghostly Laurie Anderson, offer him a deal. Mike can return to Earth, but only on the stipulation that neither he nor Annie will remember each other. They then have thirty years in which to find one another again. ~ Paul Brenner, All Movie Guide

Patsy Cline was one of the first great female stars of country music, and her best-known hits (such as "Sweet Dreams" and "Walking After Midnight") not only broadened the audience for country but brought a new sophistication to the Nashville sound. Cline was at the peak of her popularity when she died in a plane crash in 1963, and Sweet Dreams is a biopic which examines her life and career, with a particular focus on her troubled relationship with her second husband, Charlie Dick. Cline (played by Jessica Lange) is unhappily married and playing small-time gigs in West Virginia when she meets Dick (Ed Harris), whose charm and aggressive self-confidence catch her attention. In time, Cline leaves her husband to marry Dick, and she gives up music to focus on raising their children. But after Dick goes into the Army, Cline begins singing again, and after joining forces with manager Randy Hughes (David Clennon), Cline becomes a rising star on the country music scene. However, Cline's success fuels her self-confidence, much to Dick's annoyance, and he becomes increasingly abusive (both physically and emotionally) as she attempts to assert her independence. Rather than attempt to re-create Patsy Cline's vocals, Jessica Lange instead opted to lip-synch with Cline's original recordings. ~ Mark Deming, All Movie Guide

Christopher Collet stars as real-life teenager Richard Jahnke Jr. in the made-for-TV Right to Kill. After suffering years of torment and abuse from his father (Frederic Forrest), Jahnke can stand no more. Hiding in the closet of his Wyoming home, Jahnke hears the familiar sounds of his father beating his mother. "I just wanted to make him stop," Jahnke later explained to the authorities--after he killed his father with a rifle. Written for television by Joyce Eliason, it initially aired on May 22, 1985 ~ Hal Erickson, All Movie Guide

Set during Prohibition in a tiny Southern town filled with colorful characters, this all-star comedy follows the exploits of a hard-working sheriff who tries his darnedest to keep things peaceful and above board. ~ Sandra Brennan, All Movie Guide