Naunton Wayne Movies

A battered houseboat on the Thames provides the setting for this romantic British comedy. Two newlyweds rent the leaky floating home. The trouble begins when the husband decides to move the scow to a better location. The rickety barge disrupts river traffic. Next the two get lost in a fog bank. When it finally lifts, they find themselves in France. Fortunately, their landlord's yacht is moored nearby and they are able to borrow some petrol. The landlord bets that he can beat them across the Channel with his yacht. The race begins. The yachtsman gets terribly drunk and his cannot stay on course. The newlyweds win the race. ~ Sandra Brennan, Rovi

While off on a drunken toot, three British naval officers attach an old baby carriage and a pawnbroker's sign to the stern of a foreign naval vessel. The next morning, a zealous officer spots the curious appendage and comes to the conclusion that the "pram" and sign are actually part of a sophisticated, top-secret radar device. Instantly, the British navy brass demands that their ships be outfitted with the same device -- and so it goes, with one bureaucratic misunderstanding after another snowballing into a major "international incident." You Know What Sailors Are top-bills Akim Tamiroff as the president of a mythical Foreign country, but the film belongs to Donald Sinden as the well-meaning young officer who precipitates the whole affair. ~ Hal Erickson, Rovi

Mr. Henry Lord (Stanley Holloway) and his wife Lilian (Kathleen Byron) have been asked to move from their home to make room for the 1950 Festival of Britain. But Mr. Lord, as the title makes clear, has no intention of doing so. The government tries all sorts of persuasion and coercion, but ends up stumbling over its own feet. What starts out as a minor legal skirmish snowballs into a nationwide cause celebre, as often happens in whimsical British comedies like Mr. Lord Says No. Based on Michale Clayton Hutton's The Happy Family, the film also features such delightful British supporting players as Naunton Wayne, Dandy Nichols, George Cole, Miles Malleson and the ubiquitous Laurence Naismith. ~ Hal Erickson, Rovi

A novel by Audrey Erskine Lindop was the source for the grim British drama Tall Headlines. The son of a middle-class family is executed for murder. The family does its best to kick over all the traces, moving to a different community under an assumed name and never speaking of their son. All of these preventative measures seem futile when the dead man's younger brother begins evincing the same antisocial traits that eventually destroyed his sibling. All suspicions seem to be confirmed when the brother's wife turns up dead. There are several plot twists that would lose their value if they were repeated in this space. An excellent all-character-actor cast includes Flora Robson and Andre Morrell as the grieving parents, Michael Denison as the brother and Mai Zetterling as the initial murder victim. ~ Hal Erickson, Rovi

Circle of Danger stars Ray Milland as an American at large in London, Wales and Scotland. During World War 2, Milland's brother had died in a commando raid. The details of his death were somewhat murky, and Milland would like to know the truth. The truth is murder in every sense of the word, though rather disappointingly, Milland himself is never in any peril. While Circle of Danger was produced by longtime Hitchcock associate Joan Harrison, the Master's touch is noticeably absent. ~ Hal Erickson, Rovi

The presence of Peter Lorre assured a modicum of American business for the British meller Double Confession. It all begins when the wife of Jim Medway (Derek Farr) turns up dead. Since the evidence points to murder, the embittered Medway does his best to pin the "killing" on his wife's lover, Charlie Durham (William Hartnell). But as Scotland Yard inspector Tenby (Naunton Wayne) finally proves, appearances are deceiving--if not downright fraudulent. Lorre's role is largely peripheral, but he does supply a few moments of genuine menace. Filmed in 1950, Double Confession was based on John Garden's novel All on a Summer's Day. ~ Hal Erickson, Rovi

In this comedy, two soldiers find themselves dishonorably discharged after they accidently allow a Nazi prisoner to escape. Later they open up a detective agency. They are constantly plagued by the Nazi who follows them on every case. In the climax, the trio plays a crazy cricket match using a ball with a diamond hidden within it. ~ Sandra Brennan, Rovi

Blacklisted in Hollywood, director Edward Dmytryk managed to find work in England. Dmytryk's Obsession is based on Alec Coppel's suspense play A Man About a Dog. Robert Newton stars as Dr. Clive Riordan, the insanely jealous husband of unfaithful Storm Riordan (Sally Gray). Aware that Storm is having a torrid affair with an American named Bill Kronin (Phil Brown), Riordan kidnaps the man and chains him up in a deserted building, intending to kill him with an acid bath. The wife's dog, however, turns up at the last minute and spoils his plot. Obsession was released in the U.S. as The Hidden Room. ~ Hal Erickson, Rovi

The first of three well-received "omnibus" films hosted by Somerset Maugham, Quartet features four of Maugham's most celebrated stories, each introduced by the author himself. In "The Facts of Life," a seemingly innocent British youth (Jack Watling) is targeted for a shakedown by a beautiful adventuress (Mai Zetterling), while Basil Radford and Naunton Wayne perform their usual brilliant byplay. In "The Alien Corn," a young aristocrat (Dirk Bogarde) hopes to become a professional concert pianist. "The Kite" tells the story of a preoccupied inventor (George Cole) who places his hobbies ahead of his wife (Susan Shaw) as an indirect means of defying his dominating mother (Hermione Badderly). The film concludes with "The Colonel's Lady," wherein the title character (Nora Swinburne) embarrasses her stuffy husband (Cecil Parker) by publishing a torrid volume of romantic poetry. Each of the short tales in Quartet possesses its own mood, pace and rhythm, and each is a gem in its own right. The popularity of Quartet resulted in two more Maugham compendiums, Trio and Encore, not to mention the multistoried American film O. Henry's Full House. ~ Hal Erickson, Rovi

Considered the greatest horror anthology film, the classic British chiller Dead of Night features five stories of supernatural terror from four different directors, yet it ultimately feels like a unified whole. The framing device is simple but unsettling, as a group of strangers find themselves inexplicably gathered at an isolated country estate, uncertain why they have come. The topic of conversation soon turns to the world of dreams and nightmares, and each guest shares a frightening event from his/her own past. Many of these tales have become famous, including Basil Dearden's opening vignette about a ghostly driver with "room for one more" in the back of his hearse. Equally eerie are Robert Hamer's look at a haunted antique mirror that gradually begins to possess its owner's soul, and Alberto Cavalcanti's ghost story about a mysterious young girl during a Christmas party. Legendary Ealing comedy director Charles Crichton lightens the mood with an amusing interlude about the spirit of a deceased golfer haunting his former partner, leaving viewers vulnerable to Cavalcanti's superb and much-imitated closing segment, about a ventriloquist (Michael Redgrave) slowly driven mad when his dummy appears to come to life. Deservedly acclaimed and highly influential, Dead of Night's episodic structure inspired an entire genre of lesser imitators. ~ Judd Blaise, Rovi

The phrase "Loose Lips Sink Ships" takes on a new and special meaning in the cautionary British war drama Next of Kin. In grade-school-primer fashion, the film shows how careless talk can have a devastating and tragic effect in times of war, sometimes boomeranging on the "talker" in the form of lost loved ones. Extra attention is paid the gossipy "Ma" Webster (Mary Clare), whose casual revelation of troop movements, culled from a recent visit by her son, has long-ranging, fatal consequences. American critics, unmoved by the melodramatic breast-beating of Next of Kin, suggested that the film might cause viewers to swear off moviemaking rather than talking. ~ Hal Erickson, Rovi

Rex Harrison astonished his fans by donning a Nazi uniform in the British suspenser Night Train (originally titled Night Train to Munich). Actually he's a British agent, working undercover to rescue a Czech inventor from the Gestapo. The inventor's daughter (Margaret Lockwood) becomes the unwitting pawn of a genuine Nazi (Paul von Hernreid, just before he became Paul Henreid) during a long train ride from Germany to France and back again. Director Carol Reed never denied that his inspiration for Night Train was Hitchcock's The Lady Vanishes (both films were written by Frank Launder and Sidney Gilliat). The homage was solidified by the presence in Night Train of two carryovers from the Hitchcock film: those ardent British cricket fans Charters and Caldicott (Basil Radford and Naunton Wayne). Night Train was liberally adapted from the Gordon Wellesley novel Report on a Fugitive. ~ Hal Erickson, Rovi