John Warren Movies

Comedian Pauly Shore headlines this goofy comedy caper as a rather dull-minded bank robber who suffers a change of heart and decides to give back the money. The trouble is, getting the money back into the bank proves much more difficult than taking it out. ~ Sandra Brennan, Rovi

Erika Eleniak and William McNamara star as a couple of young lovers on the run in this breezy road movie, based on James M. Cain's novella The Enchanted Isle. Mandy Baker (Erika Eleniak) is a bored 17-year-old looking for adventure outside of her small hometown of Paint Rock, Texas. She finds it at a bus station, as she is set to head out for Corpus Cristi. There she meets Rick Davis (William McNamara), a handsome and narcissistic dude in a cowboy outfit, whom Mandy lends $17 for a one-way ticket to the lay-over stop of Utopia. The two get familiar on the bus and, upon arriving in Utopia, she tags along with Rick as he meets his Uncle Pal (Michael Lerner), a two-bit crook, and his weird cohort Bud (Bud Cort). The three hatch a plan for a $5,000 bank robbery, and Mandy is talked into going along with them. The robbery itself is a failure, but Rick and Mandy manage to take off with the money, with Pal and Bud chasing after them. ~ Paul Brenner, Rovi

Sam Barlow (Gary Day) is a Vietnam veteran who runs a small store that caters to surfers in this action thriller. When his best friend is murdered, Sam takes on the mobsters to avenge the death. With the help of a beautiful blonde (Gosia Dobrowolska), Sam uncovers a sex scandal involving a high-ranking government official. Also implicated are a sadistic soldier of fortune (Rod Mullinar), and a corrupt cop (Tony Barry) who tries to impede the investigation. Although the hero sells surfing-related items, he is never actually seen surfing in the feature. ~ Dan Pavlides, Rovi

When a gang of London thieves, disguised as policemen, begin robbing other thieves....well, that's just not cricket. Benevolent burglar Peter Sellers, the man in charge of all "respectable" crooks in town (he even offers such incentives as a vacation plan and filmed training sessions!), sets about to ascertain how the renegade criminals have received inside information concerning upcoming robberies. He arranges a temporary truce with Scotland Yard so that both criminal and constable can work together in nabbing the miscreants. Alas, he must now contend with incompetent peacekeeper Lionel Jeffries, who poses an even greater threat than the "mole" who's been tipping off the phony cops (who is closer to Sellers than he'd ever suspect). Short, simple and sweet, the black-and-white Wrong Arm of the Law manages to pack more solid laughs than any three of Sellers' later overproduced Technicolor vehicles combined. ~ Hal Erickson, Rovi

This zany film marks the screen debut of Britain's popular comedy troupe, The Crazy Gang. The story begins as the gang are busy sweeping up for the almost bankrupt circus they work for. The owner of a rival carnival endeavors to put them out of business for good. The Crazies manage to foil his evil scheme after they find a magical oil lamp containing a helpful genie. Along the way, the troupe performs a variety of specialty acts including a comic trapeze act, juggling, magic, cornball jokes, and songs, which include: "Life is a Circus", "For You, For You", and "Underneath the Arches". ~ Sandra Brennan, Rovi

Up the Creek is a mirthsome remake of the classic Will Hay comedy Oh, Mr. Porter (1937). Whereas the Hay film concerned an inept railroad stationmaster, the hero of the remake, Lt. Fairweather David Tomlinson, is an inept naval officer. Transferred to the HMS Berkeley, a decrepit WW2-vintage destroyer where he can do the least amount of damage, Fairweather teams up with his new bosun Peter Sellers for a variety of slightly larcenous money-making schemes. Things come to an uproarious conclusion when the admiralty shows up for an inspection of the Berkeley. Surprisingly, Up the Creek was filmed with full permission of the Royal Navy. ~ Hal Erickson, Rovi

In this thriller, an American visits England and finds himself entangled with international spies after they kidnap a famous scientist and he ends up with a briefcase containing a secret formula. Rather than call the Yard, the fellow decides he will solve this by himself. But it is too much for him and eventually he teams up with the Yard inspectors and the case is solved. ~ Sandra Brennan, Rovi

The Boulting Brothers enjoyed one of their biggest box-office successes of the 1950s with the wry service comedy Private's Progress. Though billed fourth, Ian Carmichael plays the central character, feckless British soldier Stanley Windrush. Interrupting his college education to serve his country, Windrush flunks out of officer's candidate school and is demoted to private. Much of the humor arises from the bookish hero's confrontation with the ruder and cruder side of army life, as represented by rough-hewn fellow private Cox (Richard Attenborough). As Major Hitchcock, Terry-Thomas offers a brilliant parody of the "Mad Dogs and Englishmen" school of military service, while Dennis Price is equally amusing as a nonplussed commanding officer named Tracepurcel (!) Also worth watching is future "Dr. Who" star William Hartnell as a loudmouthed sergeant. Halfway through the film, the plot rears its ugly head as the protagonists become involved with the covert reclamation of art treasures confiscated by the Nazis during WW2. ~ Hal Erickson, Rovi

Ribald music hall comedian Frankie Howerd stars in the British laughspinner Jumping for Joy. Set in the rarefied world of dog racing, the film stars Howerd as trackboy Willie, who is unceremoniously booted from his job. Teaming up with con artist Jack (Stanley Holloway), Willie decides to get even by raising his own greyhound racer. Unfortunately, the dog Willie and Jack purchase has one paw in the grave. As our heroes nurse the pooch back to health, they are forced to spend their spare time keeping a narcotics gang at bay. The delightful harmonica score in Jumping for Joy is provided by American expatriate Larry Adler. ~ Hal Erickson, Rovi

To most outside observers, Bride of the Monster probably seems like a ridiculously inept horror film, and in many ways it is just that. To connoisseurs of the work of director Edward D. Wood Jr., however, it is the biggest budgeted film in his entire output, made with the resources of a normal B-movie (as opposed to his usual totally emaciated finances) and the most easily accessible of his three horror films. Bela Lugosi, in his final complete performance, portrays Dr. Eric Vornoff, a renegade Eastern European scientist with a plan to create a race of atomic supermen, giants charged with radioactivity. The problem is that the hapless hunters and other passersby at Lake Marsh, where he has set up shop with his hulking, mute assistant Lobo (Tor Johnson), whom the pair waylay, keep dying when he straps them in and switches on his atomic ray machine (which is a not-at-all disguised photographic enlarger). A dozen victims later, reporter Janet Lawson (Loretta King) goes out to investigate the disappearances -- attributed to a monster -- and falls into Vornoff's hands, with her police detective fiance Dick Craig (Tony McCoy) hot on her trail, and a devious spy (George Becwar) from Vornoff's former nation also nosing his way around the swamp and the old house. Vornoff dresses Lawson in a wedding gown and plans to irradiate her but Lobo refuses to allow it, straps Vornoff into the machine, and turns him into a radioactive giant (and into stuntman Eddie Parker, totally unconvincing in his doubling for Lugosi). ~ Bruce Eder, Rovi

Steve Fisher, best known for I Wake Up Screaming, wrote the story and screenplay for the British melodrama Terror Street. Dan Duryea plays Bill Rogers, an American jet pilot, who comes to England to find out why he hasn't heard from his wife lately. Upon his arrival, he learns that his wife has been murdered, and that he's the prime suspect. With only 36 hours at his disposal, Rogers takes it upon himself to track down the actual killer. Such familiar British-movie faces as Erich Pohlmann and Kenneth Griffith share screen time with relative newcomers like Elsy Albin and Ann Gudrun. Running 83 minutes, Terror Street was originally released in England in an 80-minute version titled 36 Hours. ~ Hal Erickson, Rovi