Amelita Ward Movies

Ex-navy pilot Slattery (Richard Widmark) works for a dope-smuggling ring. When he's not in the air, Slattery is making time with Dolores (Veronica Lake), the somewhat put-upon secretary of the ring's leader. Only upon meeting Aggie (Linda Darnell), the wife of his old navy buddy Hobson (John Russell), does Slattery entertain thoughts of changing his ways. As the film's title indicates, Slattery redeems himself during an outsized hurricane. Based on a story by Herman Wouk, Slattery's Hurricane was largely shot on location in Florida. The film represented a comeback attempt by Veronica Lake, who was then married to director Andre de Toth. ~ Hal Erickson, Rovi

In this romantic musical, a clever young adman decides to create the perfect woman as none of his models quite measure up. To do so, he uses the best parts of several different women's photographs and deftly blends them together. Liking what he sees, he decides he must continue his search in hopes of finding the real McCoy. ~ Sandra Brennan, Rovi

Universal concluded their shoestring "Ape Woman" trilogy (beginning with Captive Wild Woman and continuing with Jungle Woman) with this passable installment, though without the participation of the sultry Acquanetta. Vicky Lane assays the role of the human-ape creature -- who died at the end of the previous film, but has again become the obsession of a mad scientist (Otto Kruger this time), who uses all the goofy monster-movie technology at his disposal to bring her back to life. Though it holds its own against its predecessors, there is little of interest not already covered by the other two films, and Kruger is the least-effective mad doc (after John Carradine and J. Carroll Naish, respectively) of the bunch. ~ Cavett Binion, Rovi

Republic's Swingin' on a Rainbow utilizes a plotline that had already done service in several of the studio's previous budget musicals. Would-be songwriter Lynn Ford (Jane Frazee) comes to the Big City, demanding $1000 from bandleader Jimmy Rhodes (Richard Davies). It seems that Rhodes has scored a hit with one of Lynn's songs, which he has plagiarized. While hunting Rhodes down, Lynn meets a personable young man named Steve Ames (Brad Taylor) -- who, unbeknownst to her, is the pen-pal lyricist with whom she's been collaborating for the past year. Former comedy great Harry Langdon makes his final film appearance in a Robert Benchley-esque supporting role; Langdon died while rehearsing a song-and-dance number for the film. ~ Hal Erickson, Rovi

The last and least of RKO Radio's B-series based on radio's "Great Gildersleeve", Gildersleeve's Ghost is a standard "scare" comedy redeemed by some enthusiastic performances. The barely relevant title comes from the fact that the film opens in a graveyard, where two spectral ancestors of Springfield water commissioner Throckmorton P. Gildersleeve (Harold Peary) discuss his chances in the upcoming mayoral election. The rest of the film takes place in a spooky old mansion, where mad scientists Wells (Frank Reicher) and Lennox (Joseph Vitale) are experimenting with an invisibility formula. Their unwilling subject is vivacious blonde Terry Vance (Marion Martin), whose ability to appear and disappear at will causes a lot of embarrassment for poor old Gildersleeve. The film doesn't miss a trick: there's even an extended bit involving a gorilla. Very basic stuff, Gildersleeve's Ghost admittedly delivers plenty of laughs. ~ Hal Erickson, Rovi

After a four-year absence, Fred Astaire returns to RKO Radio for the Ginger Rogers-less The Sky's the Limit. Astaire plays a war hero who wants to spend a quiet furlough in New York. Since the city is poised to give Astaire a ticker-tape welcome, he sneaks into town incognito. He meets photojournalist Joan Leslie, who assumes that Astaire is a slacker and a coward because of his apparent unwillingness to contribute to the war effort. Just as in the earlier Astaire-Rogers vehicles, all misunderstandings are swept away at the end. Robert Benchley shows up to deliver a variation on his old "Treasurer's Report" monologue, while Clarence Kolb, Eric Blore, Neil Hamilton and Peter Lawford make uncredited appearances. Entertaining though the Astaire-Leslie duets may be in The Sky's the Limit, Astaire wraps this one up with his solo One for My Baby and One for the Road. ~ Hal Erickson, Rovi

When an instructor dies mysteriously at an exclusive girl's school, Tom Lawrence (Tom Conway), a devil-may-care sleuth known as "The Falcon," reluctantly agrees to investigate. The death appears to have been induced by a heart attack, but the instructor's roommate (Rita Corday) had predicted that the victim would be murdered. The school's dean (Barbara Brown) dies shortly afterward, and suspicion falls upon the fencing instructor (Jean Brooks), who'd been in line to inherit the school. Other suspects include a foreign psychology professor (George Givot), who'd once courted the fencing teacher, and a meek music teacher (Isabel Jewell), to whom the foreign prof is secretly married. The murderer is revealed in a heart-stopping climactic scene played out on a perilous cliff overlooking the ocean. The Falcon and the Co-Eds is the sixth film in RKO Radio's "Falcon" series. ~ Hal Erickson, Rovi