Jean Wallace Movies

Based on a best-selling novel by John Christopher, this combination horror-movie, cautionary tale warns against the dangers of pollution. The tale is set in a futuristic Britain that has been decimated by the sudden onset of a terrible plague caused by environmental damage. Most of the devastation occurs in London. One family flees to the sanctuary of a friend's farm. The journey is treacherous and the clan must fight insane biker gangs and deal with their own personal problems, but eventually, they make it to the farm. Unfortunately, though they were especially invited, the owner's ruthless brother refuses to let them enter and so the desperate head of the family leads a brutal attack. ~ Sandra Brennan, All Movie Guide

Cornel Wilde co-produces, directs, and stars with his wife Jean Wallace in this uneven version of fabled King Arthur and the Knights of the Round Table. Wilde, a skilled fencer, is Lancelot and appropriately enough, Wallace is his lady-love Guinevere. This time around, their traditionally chaste romance (Guinevere marries King Arthur) takes on a more modern veneer as she and Lancelot become intimate. Aside from their love story, several battles on horseback keep the knights busy as King Arthur struggles to hold onto his throne in the face of a challenge from King Leodogran (John Longdon). ~ Eleanor Mannikka, All Movie Guide

Actor Cornel Wilde branched out into directing with The Devil's Hairpin--reserving the starring role for himself. Wilde plays a motor racing champion who ruins his career through his reprehensible behavior on and off the track. Thrown off the racing circuit in disgrace after crippling his brother in an accident, Wilde tries to make a comeback, and to compensate for his past recklessness. Jean Wallace, who was Mrs. Cornel Wilde at the time, plays the girl who supervises Wilde's redemption. The Devil's Hairpin set the standard for Cornel Wilde's later directorial efforts: Pedestrian dialogue sequences, first-rate action highlights. ~ Hal Erickson, All Movie Guide

Police Lt. Leonard Diamond (Cornel Wilde) is criticized by his superior Capt. Peterson (Robert Middleton) for his obsessive but fruitless investigation of organized crime boss Mr. Brown (Richard Conte). Peterson calls it a waste of the taxpayers' money motivated by Diamond's love for Brown's girlfriend Susan Lowell (Jean Wallace). Watched at all times by henchmen Mingo (Earl Holliman) and Fante (Lee Van Cleef), and masochistically drawn to Brown, Susan is unable to walk away from him. She overdoses on pills in a suicide attempt and, in her delirium, utters the name "Alicia." Diamond follows up on that new lead, and as he gets closer to defeating his adversary, the arrogant and sadistic Brown retaliates by capturing and torturing Diamond. Meanwhile Brown's former boss but now humiliated underling, Joe McClure (Brian Donlevy), believing that Brown has gone too far in his personal vendetta against Diamond, tries to enlist Mingo and Fante in overthrowing him. However, they remain loyal, and, in a chillingly silent scene visually punctuated by flashes of gunfire, they shoot the deaf McClure after Brown removes his hearing aid. Though superficially a story of good vs. evil, Joseph H. Lewis's film noir presents a complex world, visually captured by John Alton's stark photography, in which the lines between good/evil and love/hate are not always clear. ~ Steve Press, All Movie Guide

African-American playwright Richard Wright's 1940 novel Native Son was too explosive for any Hollywood studio in 1951. However, an enterprising Argentine filmmaking firm was able to attain American backing (and a few location shots filmed in Chicago) for a cheap but satisfying cinemazation of the novel. Author Wright himself is cast as Bigger Thomas, a young Chicago black man who chafes at the thought of never being considered an equal in a white-dominated society. Bigger gets a job as chauffeur for a wealthy white family, who hope in their own naïve fashion to help Thomas graduate from the ghetto. The family's daughter (Jean Wallace) talks Bigger into driving her to a labor rally so that she can rendezvous with her "radical" boy friend (in the novel, the boy was an avowed Marxist, but this aspect was toned down for the politically volatile early 1950s). On the way home, Bigger misinterprets the girl's kindnesses towards him as being sexually motivated. Later on, Bigger drives the girl home after she's been on a drunken binge. She awakens and screams at him; the confused Bigger, certain that he'll be accused of attempted rape, accidentally kills the girl. He hides the body, fearing that discovery of his crime will prompt a lynching. The girl's boyfriend is accused of kidnapping her, a suspicion that Bigger has a hand in fomenting. Once he is found out, Bigger takes it on the lam with his ghetto girlfriend (Gloria Madison). Partly out of rage over his station in life, and partly out of confusion over the series of events that have led to his current plight, Bigger kills again just before the cops close in. Richard Wright's thesis was that, while Bigger Thomas was certainly responsible for his crimes, his mixed-up behavior was a by-product of white society's ongoing suppression of blacks. This isn't quite as clear-cut in the film version of Native Son as it was in the novel (or the stage play, which was presented by Orson Welles' Mercury Theatre in 1941). ~ Hal Erickson, All Movie Guide

East Indian actor Sabu goes through his usual paces in Columbia's Song of India. Sabu plays Ramdar, prince of a jungle tribe, who comes into conflict with Indian maharajah Gopal (Turhan Bey). At the behest of the British government, Gopal has been trapping wild animals and selling them to zoos. Ramdar finds this offensive, and does his utmost to free the jungle beasts and undermine Gopal's activities. Leading lady Gail Russell plays Princess Tara, Gopal's beloved, whom Ramdar kidnaps and holds hostage to keep the maharajah at bay. Appropriately, the film's musical score is adapted from Rimsky-Korsakov's "Song of India." Original prints were released in Sepiatone. ~ Hal Erickson, All Movie Guide

Made on a miniscule budget primarily financed by its star Franchot Tone, Jigsaw is a strange little crime film. Howard Malloy (Tone), a crusading New York assistant district attorney, is dedicated to exposing a group of supposedly patriotic Americans who have murdered his friend after he discovered that they were truly a fascist "hate group." The group sends Barbara, (Jean Wallace) to seduce and compromise Malloy. Barbara regrets her actions and is murdered as she attempts to confess to Malloy. Malloy now is determined to expose the group. All the loose ends are tied up in the climax, which takes place in a modern art museum. Jigsaw is a competent, uninspired crime drama peppered with cameo appearances by top Hollywood stars including Marlene Dietrich, Henry Fonda, Burgess Meredith and John Garfield. ~ Linda Rasmussen, All Movie Guide

In this aerial melodrama, four brothers working as stunt pilots for a flying circus leave their jobs to become mail pilots. Because their job requires that they constantly travel, they are advised to not settle down with wives and kids. Still, one pilot falls in love and marries. Unfortunately, the woman dislikes his brothers and constantly worries that he will be killed during a flight. Her fears are not unfounded and much tragedy ensues as the story unfolds. ~ Sandra Brennan, All Movie Guide

This 20th Century-Fox cheapie stars Carole Landis as a pretty detective and Allyn Joslyn as a fast-talking reporter ever on the verge of losing his job. Landis is entrusted with a large, troublesome Doberman pinscher named Rodney, who is docile only around her. After numerous Disney-like complications with Rodney showing up where it shouldn't, Landis uses the dog to help her track down a gang of racketeers. Joslyn, who mistakenly believes that Landis and Rodney have recently participated in a hold-up, goes along for the ride, rescuing his lady love and getting a swell story in the bargain. ~ Hal Erickson, All Movie Guide

All that MGM's Ziegfeld Girl lacks is Technicolor; otherwise, the film has talent and "sock" entertainment value in abundance. The story focuses on three showbiz hopefuls-Judy Garland, Hedy Lamarr and Lana Turner-and the efforts to attain the lofty status of "Ziegfeld Girl." Garland is compelled to leave her family vaudeville act; she bids her dad Charles Winninger a tearful farewell, and later falls in love with Turner's brother Jackie Cooper. In her bid for success, Lana forgets all about her faithful boyfriend James Stewart, who turns to bootlegging to come up to the financial stature of Lana's new beau, socialite Ian Hunter. Lamarr nearly dumps her impoverished violinist husband Philip Dorn as she climbs the ladder of success. There are happy endings in store for two of the three female leads, but we'll let you watch the film yourselves to find out who wins and who loses. Featured in the cast are Tony Martin, Edward Everett Horton, Eve Arden, Dan Dailey, and, in a poignant cameo as a wardrobe woman, the "ever popular" Mae Busch. Song highlights include "Minnie from Trinidad", "You Never Looked So Beautiful Before", "I'm Always Chasing Rainbows", "Laugh? I Thought I'd Split My Side", "Caribbean Love Song", "Whispering", "Mr. Gallagher and Mr. Shean" (performed by Charles Winninger and the surviving half of the Gallagher-and-Shean duo, Al Shean-who happened to be the Marx Bros.' uncle), "You Stepped Out of a Dream" and "You Gotta Pull Strings." ~ Hal Erickson, All Movie Guide