Coley Wallace Movies
- 1989
- R
Set in the Manhattan street milieu that served him well in West Side Story, Robert Wise’s Rooftops tells the story of T, a quiet, soft-spoken teen-ager who has left his broken home and is living in a makeshift shelter in an old water tower on top of an abandoned tenement building. There are other kids like him, including Squeak, a talented graffiti artist who joins T after an altercation involving his mother’s boy friend. T and Squeak manage to scrape together what little money they need through minor sins (stripping cars, etc.), and at night all these street inhabitants get together in a vacant lot to “combat” dance, in which they use a combination of karate and dancing to force an opponent off of a platform. Into this mix comes Lobo, a drug dealer who moves into T’s building and turns it into a crack house. Lobo’s beautiful cousin Elana serves as his lookout – not because she wants to, but because her father’s heart attack has left her family in dire financial straits. T and Elana become interested in each other, but T and Lobo are at odds with each other – which fact leads to a showdown in which T must put his “combat” skills to good use. ~ Craig Butler, All Movie Guide
- Starring:
- Jason Gedrick, Troy Beyer, (more)
Martin Scorsese's brutal character study incisively portrays the true rise and fall and redemption of middleweight boxer Jake La Motta, a violent man in and out of the ring who thrives on his ability (and desire) to take a beating. Opening with the spectacle of the over-the-hill La Motta (Robert De Niro) practicing his 1960s night-club act, the film flashes back to 1940s New York, when Jake's career is on the rise. Despite pressure from the local mobsters, Jake trusts his brother Joey (Joe Pesci) to help him make it to a title bout against Sugar Ray Robinson the honest way; the Mob, however, will not cave in. Jake gets the title bout, and blonde teenage second wife Vickie (Cathy Moriarty), but success does nothing to exorcise his demons, even as he channels his rage into boxing. Alienating Vickie and Joey, and disastrously gaining weight, Jake has destroyed his personal and professional lives by the 1950s. After he hits bottom, however, Jake emerges with a gleam of self-awareness, as he sits rehearsing Marlon Brando's On the Waterfront speech in his dressing room mirror: "I coulda been a contender, I coulda been somebody." Working with a script adapted by Mardik Martin and Paul Schrader from La Motta's memoirs, Scorsese and De Niro sought to make an uncompromising portrait of an unlikable man and his ruthless profession. Eschewing uplifting Rocky-like boxing movie conventions, their Jake is relentlessly cruel and self-destructive; the only peace he can make is with himself. Michael Chapman's stark black-and-white photography creates a documentary/tabloid realism; the production famously shut down so that De Niro could gain 50-plus pounds. Raging Bull opened in late 1980 to raves for its artistry and revulsion for its protagonist; despite eight Oscar nominations, it underperformed at the box office, as audiences increasingly turned away from "difficult" films in the late '70s and early '80s. The Academy concurred, passing over Scorsese's work for Best Director and Picture in favor of Robert Redford and Ordinary People, although De Niro won a much-deserved Oscar, as did the film's editor, Thelma Schoonmaker. Oscar or no Oscar, Raging Bull has often been cited as the best American film of the 1980s. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Robert De Niro, Cathy Moriarty, (more)
- 1955
In this adventure, shrimp fishermen in Key West search for a sunken treasure. ~ Sandra Brennan, All Movie Guide
Coley Wallace plays the title role in The Joe Louis Story. Told in flashback, the film recounts the pugilistic career of "the Brown Bomber" from the early 1930s to his misguided comeback attempt opposite Rocky Marciano in 1951. The film's high point is Louis' defeat of Germany's Max Schmeling; its low point (dramatically, not quality-wise) is the breakup of Louis's marriage. Evidently for legal reasons, most of the character names in the film are fictional. Many of the fight scenes are culled from footage of the real Louis in action. Though the "race" angle in The Joe Louis Story is downplayed, Louis is treated on an equal par with the white characters, which resulted in the film being banned in certain Southern regions back in 1953. ~ Hal Erickson, All Movie Guide
- Starring:
- Coley Wallace, Paul Stewart, (more)
