Syd Walker Movies

A criminal trying to reform is forced to endure the most humiliating punishment of all -- hanging out with his son -- in this family comedy. Ray Gleason (Ted Danson) is a thief whose ambitions far outstrip both his skill and his intelligence; Ray is just bright enough to have realized this, and he's decided to go straight and open a bake shop (he learned how to decorate cakes during his last stay in prison). However, Ray needs to raise some working capital, so in association with his buddies Bobby (Saul Rubinek) and Carl (Gailard Sartain) he is planning his last heist, in which they hope to walk away with a highly valuable collection of rare coins. Ray also happens to have an 11-year-old son, Timmy (Macaulay Culkin), whose mother died several years ago; Timmy has been living with his aunt, but when she gets married and goes away on her honeymoon, Timmy ends up staying with Ray. Timmy is a lot smarter than his dad and quickly figures out what Ray and his cronies have been up to; he's long felt a great deal of resentment toward his father for not being around when he needed him, so Timmy steals the loot from the robbery and uses it to blackmail Ray into spending some quality time with him. Timmy also thinks that it's high time Ray settled down, so when he notices that Theresa (Glenne Headly), an undercover cop, has been following Ray's trail, Timmy tries to play matchmaker and bring them together. Getting Even with Dad would prove to be the next-to-last screen appearance for former pre-teen superstar Macaulay Culkin; he was 14 when this film was released, and within five years he was a married man attending the Rhode Island School of Design. ~ Mark Deming, All Movie Guide

In this quirky romantic comedy about soul transference, Alec Baldwin plays Peter Hoskins, the straight-laced head of the microfiche department at a company that publishes scientific journals. When he meets a free-spirited, sleep-deprived bartender named Rita (Meg Ryan), the opposites attract and launch into a round-the-clock romance characterized by private jokes and an intense connection that defies description. When the two decide to marry, however, an unforeseeable cosmic occurrence entirely alters the nature of their relationship. Those who claim that marriage changes a person couldn't be more right in this case, as a confused old man (Sydney Walker) wanders into the wedding reception and plants a single kiss on the lips of the new bride. Longing for the youthfulness he sees in the happy couple, the man inadvertently causes the two to switch bodies during the smooch. Thinking no one will believe the story, Rita (now hidden inside a cancer-ridden octogenarian) leaves the premises before causing any more of a stir, while the old man in Rita's body is whisked off with Peter on their honeymoon before anyone is the wiser. Soon, Peter begins noticing that his new bride is an entirely different person, but can't figure out why -- and wonders if it's just a natural dose of cold feet. When he can no longer ignore the total dissimilarity, Peter begins suspecting that something supernatural has occurred, and wondering how he can restore his wife to her former self, especially when her body's new occupant resists the effort and goes on the lam. ~ Derek Armstrong, All Movie Guide

Curiously listed as a 1991 theatrical production in some sources, Eye on the Sparrow was actually a made-for-TV movie, which first aired December 7, 1987. Mare Winningham plays a blind Missouri woman who marries sightless teacher David Carradine. He is resigned to a world of darkness, but she is bitter over her lot in life, especially after an operation all-too-temporarily restores her sight. Unable to conceive children, the couple tries to adopt: but this is the mid-1960s, and agencies are unwilling to entrust "normal" children to the visually impaired. The only children permitted into their household are the handicapped rejects from foster homes. During their 12-year struggle to prove themselves acceptable as adoptive parents, the woman grows spiritually, learning to shelve her own self-pity by caring for those less fortunate than herself. Based on fact, Eye on the Sparrow was written for television by Barbara Turner (the mother, incidentally, of actress Jennifer Jason Leigh). ~ Hal Erickson, All Movie Guide

In director Arthur Hiller's hit tearjerker -- based on Erich Segal's novella -- Ryan O'Neal plays Oliver Barrett IV, a comfortably off Harvard pre-law student who falls in love with Radcliffe music student Jenny Cavilleri (Ali MacGraw), a freewheeling, delightfully profane product of a blue-collar Italian-American family. Oliver's father (Ray Milland) heartily disapproves of the subsequent marriage and cuts off his son's allowance. Despite financial travails (the pampered Oliver actually has to go to work!), the couple is blissfully happy....until Jenny is diagnosed as having an unnamed disease that consigns her to an early death. The movie's tagline "Love means never having to say you're sorry" became an iconic American catchphrase, the film's theme a number one hit. One of the early products of Paramount guru Robert Evans, Love Story grossed more money than any Paramount production before it. This enormously successful film inspired a 1978 sequel, Oliver's Story. ~ Hal Erickson, All Movie Guide

In this drama, a Madison Avenue advertising executive has a mid-life crisis and leaves his wife and daughter to embark upon a series of love affairs. Among his conquests are a professional dancer, a television executive, and a married ex-girl friend. None of them are particularly satisfying, but this is small consolation to his wife who is devastated by the affairs and decides to get a divorce. The husband, looking for comfort, returns to the arms of the dancer who ends up having a mental breakdown. He then turns to his ex-girl friend, but she is too busy with her home life to bother with him. The husband suddenly feels tremendously relieved and decides that he doesn't need women as much as he thought he did. ~ Sandra Brennan, All Movie Guide