Robert Walker, Jr. Movies

Aligok and Blubbo are two aspiring revolutionaries who live a lonely existence in a woodland cottage. Their plans for revolt are quickly changed when a beautiful blonde woman appears and sleeps with both of them. There is also a gander named Lenin pictured in the four seasons in this offbeat film, the first for director Peter Schneider. ~ Dan Pavlides, Rovi

Psychiatrist Alex (Art Garfunkel) becomes sexually obsessed with Milena (Theresa Russell), a woman whom he meets at a party. The pair become involved in an intense and mutually destructive love affair. The drama unfolds in a series of flashbacks, as Alex tells his story to police Inspector Netusil (Harvey Keitel) who is investigating Milena's apparent suicide attempt. Alex's obsession grows, but Milena stays slightly out of reach. Originally rated X, but somewhat toned down to accommodate an R rating, Bad Timing: A Sensual Obsession is an interesting exploration of the nature of sexual passion and jealousy. ~ Linda Rasmussen, Rovi

Cashing in on director Larry Hagman's fame as star of Dallas, a canny distributor reissued Beware! the Blob (aka Son of Blob) with the come-on line "The Film That J.R. Shot!" Picking up where the original Blob (1958) left off, the film begins as the pudding-like goo thaws out and begins wreaking havoc on the civilized world. Steve McQueen, star of the first Blob, is understandably absent; this time the heroics are handled by Robert Walker Jr., who takes on the Blob himself when the local authorities fail. ~ Hal Erickson, Rovi

A fictional tale of the death of Poe's lover Lenore. ~ Rovi

Tossing wristwatches away, two bikers hit the road to find America in Dennis Hopper's anti-establishment classic. After a major cocaine sale to an L.A. connection (Phil Spector), free-wheeling potheads Billy (Hopper) and Wyatt, aka Captain America (Peter Fonda, who also produced), motor eastward to party at Mardi Gras before "retiring" to Florida with the riches concealed in Wyatt's stars-and-stripes gas tank. As they ride through the Southwest, they take a hitchhiker (Luke Askew) to a struggling hippie commune before they get thrown in a small-town jail for "parading without a permit." Their cellmate, drunken ACLU lawyer George Hanson (Jack Nicholson, replacing Rip Torn), does them a "groovy" favor by getting them out of jail and then decides to join them. Babbling about Venusians, George discovers the joys of smoking grass, but an encounter with Southern rednecks soon proves how right he is about the danger posed by Billy's and Wyatt's unfettered life in a country that has lost its ideals. With the straight world closing in, Wyatt and Billy try to revel in New Orleans with some LSD and hookers (Karen Black and Toni Basil), but the acid trip is shot through with morbidity. Once they reach Florida, Billy raves about attaining the American dream; Wyatt, however, knows the truth: "We blew it."

Produced and directed by two Hollywood iconoclasts with under a half-million non-studio dollars, Easy Rider shook up the languishing movie industry when it grossed over 19 million dollars in 1969; it captured the spirit of the times as it woke Hollywood up to the power of young audiences and socially relevant movies, along with such other landmarks of the late '60s as Bonnie and Clyde, The Graduate, and 2001. Shot on location by Laszlo Kovacs, Easy Rider eschewed old-fashioned Hollywood polish for documentary-style immediacy, and it enhanced its casual feel with improvised dialogue and realistically "stoned" acting. With a soundtrack of contemporary rock songs by Jimi Hendrix, the Band, and Steppenwolf to complete the atmosphere, Easy Rider was hailed for capturing the increasingly violent Vietnam-era split between the counterculture and the repressive Establishment. Experiencing the "shock of recognition," youth audiences embraced Easy Rider's vision of both the attractions and the limits of dropping out, proving that audience's box-office power and turning Nicholson into a movie star. The momentarily hip Academy nominated Nicholson for the Best Supporting Actor Oscar, and Fonda, Hopper, and Terry Southern for their screenplay. Though none of its imitators would match its impact, Easy Rider remains one of the seminal works of late '60s Hollywood both for its trailblazing legacy and its sharply perceptive portrait of its chaotic times. ~ Lucia Bozzola, Rovi

In this jungle adventure, a downed Yankee flier must make his way alone through the dense Amazon jungle. At one point, he finds himself surrounded by unfriendly natives. He is just about to lose his life when a beautiful white woman, who is revered by the natives as a goddess, swoops down from the trees and saves his neck. The word of the jungle girl's existence gets around and the girl suffers dire consequences when she suddenly finds herself pursued by a wicked carney, a scientist, and the enraged natives, who believe she has betrayed them by rescuing the pilot. ~ Sandra Brennan, Rovi

Originally made for cable-television, this thriller centers on the attempts of an innocent teenage girl to prove that the boy she has her eye upon is not a ruthless serial killer. ~ Sandra Brennan, Rovi

It is doubtful that while acting in D. W. Griffith's Birth of a Nation back in 1914, Lillian Gish ever dreamed that seven decades later she'd be co-starring with a cute dog in something called Hambone and Hillie. It all begins at a busy airport, where octogenarian Hillie (Gish) is accidentally separated from her beloved bow-wow Hambone. In a twinkling, Hambone and Hillie find themselves on opposite coasts of the USA. The rest of the film charts the efforts of both mistress and mutt to find each other again. ~ Hal Erickson, Rovi

In this bizarre biker movie, set in 1919, a wandering group of bikers encounter two weird sisters from Nebraska. The siblings are hereditary witches, taught by their father. One of them uses her powers to kill many of the gang members. She spares the one she is attracted to. He begins staying on her farm while her sister and another biker take off to California. On video, it is also known as The Shrieking. ~ Sandra Brennan, Rovi

Three friends from a small North Carolina town face bleak economic futures in the years following World War II. Johnny (Robert Walker) takes to running moonshine after his discharge from military service. He tries to think of a way for a better life for wife Carol (Diane Varsi) and their young son. Johnny and Carol hook up with Roger (Dick Clark), an ex-army demolitions expert. They plan to blow up the safe of a bootlegger, steal $200,000 and head off for a new life in sunny California. Their plans are thwarted when Roger uses too many explosives and the noise draws the attention of a Federal agent. Johnny kills the agent in this backwoods crime drama. Merle Haggard has a bit part and sings a few songs with the help of his band The Strangers. Clark was the producer who, with Michael Fisher, is responsible for the story. ~ Dan Pavlides, Rovi

The autobiography of British prison-escapee John McVicar is given a no-frills screen treatment herein. Roger Daltrey, lead singer of the Who, plays McVicar, who after breaking out of prison reestablishes himself in London's seamy underworld. Another British singing star, Adam Faith, is second-billed as Probyn. Needless to say, McVicar contains quite a few songs--more than your usual gangster meller, anyway. In addition to starring, Roger Daltrey was one of the film's three producers. ~ Hal Erickson, Rovi

15 years ago, Jessica's cousin Anne (Shirley Jones was about to be married when her fiancé was murdered, ostensibly by Anne's mentally unbalanced brother, who was promptly locked up in an institution. Now, Jessica (Angela Lansbury) is in attendance when Anne decides to give matrimony a second chance. Unfortunately, Anne's new fiancé dies in a similar manner as her earlier beau--and by a bizarre coincidence, her brother has just been released from confinement! Look for a pre-3rd Rock from the Sun Joseph Gordon-Levitt in a bit role. ~ Hal Erickson, Rovi

In this suspenseful mystery, an English child sees an American soldier kill her mother, a prostitute. Years pass and the girl grows up and gets married. It is then she hears her dead mother's voice instruct her to start killing. In time she falls for one of the Americans helping to reconstruct the London Bridge. ~ Sandra Brennan, Rovi