Polly Walker Movies

From Peter Greenaway, one of Britain's most controversial directors, 8 1/2 Women is a laconic black comedy that examines the age-old phenomenon of male sexual fantasy, its roots and consequences. A rich businessman from Geneva acquires eight and a half pachinko parlors in Kyoto, Japan. They are run by his son who is fascinated by earthquakes. When the father's beloved wife dies, the son takes him to see Federico Fellini's film 8 1/2 to distract him from his grief and rekindle some interest in the opposite sex. Inspired by Fellini's vision, they bring eight and a half women from Japan and Europe and turn the father's Geneva mansion into a private harem. Amanda Plummer, Toni Collette, Polly Walker and Vivian Wu (the protagonist of Greenaway's previous film The Pillow Book), head the cast of this multi-layered film that failed to reach the degree of critical acclaim of Greenaway's previous works. ~ Gönül Dönmez-Colin, Rovi

Best described as Dallas with a Latino flavor, the CBS drama series Cane dealt with a wealthy and powerful Cuban-American family, the Duques, who ran a luctrative rum-and-sugar business in South Florida. Sensing that he wasn't long for this world, patriarch Pancho Duque (Hector Elizondo) began making arrangements to turn over his business to a younger member of the family--but which one? The two leading contenders were Pancho's oldest biological son Frank (Nestor Carbonell) and his adopted son Alex (Jimmy Smits), who in his own sly-and-cunning way was the series' "J.R." character. As Frank and Alex fought tooth and nail over control of the Duque empire, Frank indicated a willingness to sell out to the rival Samuels family, if for no other reason than he was having an affair with Ellis Samuels (Polly Walker). Alex resisted the notion of a sell-out, not only out of loyalty to his adoptive father, but also because he was married to Pancho's biological daughter Isabel (Paola Turbay), making him son and son-in-law all in one! Befitting his status as the series' "hero-villain", Alex handled his business and personal affairs with equal ruthlessness, especially when it came to his dealings with his own son Jaime (Michael Trevino), who in the earliest episodes was being pressured to stay in college, though he himself was torn between joining the Army and making a commitment to his girlfriend Rebecca (Alona Tal). Cane premiered on September 25, 2007. ~ Hal Erickson, Rovi

 

The 1981 mythological fantasy adventure Clash of the Titans is resurrected in this remake from Incredible Hulk director Louis Leterrier. Discovered at sea as an infant by a weary fisherman, demigod Perseus (Sam Worthington) grows up with no real knowledge of his celestial origins until his watchful guardian, Io (Gemma Arterton), informs him that he is the offspring of Zeus (Liam Neeson). When Zeus' brother Hades (Ralph Fiennes) casually wipes out Perseus' family, the grieving son vows to show the gods just what kind of damage humankind can inflict on its creators. Before long, Perseus and a small group of soldiers are venturing out into the desert in order to find a way to stop the Kraken, a terrifying force of nature that an indignant Hades has vowed to unleash upon man should they fail to offer up beloved princess Andromeda (Alexa Davalos) as a sacrifice. Along the way, the soldiers encounter a trio of frightening witches with second sight, contend with Hades' devoted servant Calibos (Jason Flemyng), battle giant scorpions, and come face to face with Medusa (Natalia Vodianova), the dreaded gorgon whose gaze has the power to turn men into stone. ~ Jason Buchanan, Rovi

Adam Coleman directed this psychological thriller that opens as attorney David (Alan Rickman) and Alexis Weinberg (Polly Walker), trying to catch the last ferry to their island home, spot a man (Norman Reedus) alongside the rainswept road. He's bleeding from a beating by unknown assailants and will only accept assistance from David and Alexis if they agree not to call the police. The delay keeps the Weinbergs from boarding the final ferry, so they rent a motel room. Later, the nameless, mysterious man becomes a stowaway on the ferry and arrives on the island. After he once again bumps into the Weinbergs, they invite him to stay at their cottage. Is the couple a target? Or has the stranger been hired by one spouse to eliminate the other? Shown at the 1998 Seattle Film Festival and the 1998 Hamptons Film Festival. ~ Bhob Stewart, Rovi

Previously filmed in 1935 with Ann Harding, Enchanted April, a romantic novel by Elizabeth, was remade in 1992. The first film skips along superficially at 66 minutes: the second, directed by the always intriguing Mike Newell, runs 101 minutes, allowing for richer characterizations and a bottomless reserve of brilliant dialogue. Two cloistered, married English women (Josie Lawrence, Miranda Richardson) impulsively rent an Italian villa and embark upon a vacation without their spouses. They are joined by two other ladies: the high-flown aging widow Joan Plowright, and elegant upper-crust beauty Polly Walker) whom they've never met. Under the spell of an exotic new location, the foursome are in for quite a few life-altering experiences, many of them amusing, and not a few very surprising. Impeccably accurate in its recreation of European manners and mores in the 1920s, Enchanted April is sheer bliss from fade-in to fade-out. ~ Hal Erickson, Rovi

A troubled cop makes a discovery that really has him worried in this thriller. Mickey Hayden (Kiefer Sutherland), a police detective, is ordered to take a new look at a case he'd worked on ten years ago. A brilliant but demented serial killer known as Jabberwocky went on a killing spree before dropping out of sight; Hayden was never able to track him down, and the disappointment has left Hayden with more than his share of emotional scars; the detective has since become an alcoholic in a failed attempt to cope. After a decade of silence, Jabberwocky strikes again, sending the police a note suggesting Hayden be put back on his case. But this time around, Hayden notices something different as he investigates the killings; when he comes in contact with the evidence, he has troubling psychic visions that tell him more about the murders than he ever wanted to know. Originally produced for the premium cable network HBO, Eye of the Killer also stars Polly Walker and Henry Czerny. ~ Mark Deming, Rovi

Painter, sculptor, and printmaker Jasper Johns made art out of the everyday. His absurd images of flags and typically mundane subjects led to his establishment as one of the most well-known of the Expressionists. This program documents the life and work of this avant garde creator. After the debut of his first flag piece, Johns began to experiment with the surrealist and dadaist styles. Beginning in the late '60s, his work was increasingly complicated with symbolism and cross-hatching. Johns' ever-changing signatures became a noteworthy part of the entire post-abstract construct. ~ Sarah Ing, Rovi

Sho Kosugi stars (as well as produced) this picturesque and exciting swashbuckler, directed by Gordon Hessler. Kosugi plays Mayeda, a 17th-century Japanese samurai whose clan, headed by Lord Ieyasu (Toshiro Mifune), is waging a bloody battle with a rival clan. The rival clan has the advantage of using punk-burning muskets, which work fine unless it rains, rendering the firearms useless. Ieyasu sends Mayeda to Spain to one-up the rival clan by arranging the purchase of flintlock rifles, which are immune to rain. Mayeda is accompanied on his journey by Ieyasu's young heir Yorimune (Kane Kosugi), along with a traitor -- the clan's Catholic spiritual advisory Father Vasco (Norman Lloyd), who has made a deal with the rival clan to kill Mayeda and Yorimune and to make sure that the flintlock rifles never reach their destination. However, the plot fails. In the process, the gold to pay for the rifles falls overboard, and Mayeda arrives in Spain penniless at the court of King Philip (Christopher Lee). King Philip refuses to give Mayeda the rifles, until Mayeda saves his life during an attack of rebels. But even though Mayeda now has the king on his side, he has earned the wrath of his advisor Don Pedro (David Essex) by falling in love with his fiancee Cecilia (Polly Walker). Mayeda and Don Pedro eventually tangle in mortal combat. ~ Paul Brenner, Rovi

This British version of Lorna Doone is one of the more rewarding film adaptations of the venerable R. D. Blackmore novel. The plot remains as ever: Lorna (Polly Walker), a feisty 17th century Scots lass, falls in love with a much-despised landowner (Sean Bean). Lorna's father, a notorious brigand, foments a peasant rebellion against her lover. It turns out of course, that Lorna is actually a high-born heiress, kidnapped in infancy. Billie Whitelaw and Rachel Kempson costar in this made-for-television costume epic. ~ Hal Erickson, Rovi

This lavish historical drama based on the acclaimed novel by Rose Tremain won Oscars for Costume Design and Art Direction. Robert Downey, Jr. stars as Robert Merivel, a gifted medical student of the 17th century who ignores his studies in favor of pursuing debauched fun -- much to the consternation of his high-minded Quaker colleague John Pearce (David Thewlis). Merivel achieves the high societal status he covets when he's summoned by King Charles II (Sam Neill). Merivel is chagrined to find that he's expected to care for the king's ailing spaniel, but the dog rallies and Merivel joins court. When one of Charles' mistresses, Celia (Polly Walker) becomes uppity, Charles arranges her marriage to Merivel. In return for keeping Celia in a pretend marriage, he receives an estate and knighthood. Merivel, however, falls in love with Celia and, betrayed by an eccentric painter (Hugh Grant), inspires the king's wrath. Banished and stripped of his wealth, Merivel rediscovers love with an Irish mental patient (Meg Ryan). He also rediscovers his passion for medicine during London's Great Fire and the Black Plague. ~ Karl Williams, Rovi

The first season of the lush, lavish and frequently lewd and lascivious British historical drama Rome covers the years 52 to 44BCE, beginning with the return of Julius Caesar (Ciaran Hinds) from the Gallic wars and ending with the fateful "Ides of March". Though returning to a hero's welcome, Caesar realizes that he's stepping into a snake pit of deceit and corruption. The Patrician ruling class, worried that Caesar will make himself emperor and abolish the Republic, intend to strip him of his power. His scheming niece Atia (Polly Walker) is already undercutting her uncle by forcing her daughter Octavia (Kerry Condon) to marry Caesar's most influential nemesis, the aging Pompey (Kenneth Cranham). Playing one side against the other to keep Caesar at bay, Pompey proves so effective that Caesar must ask his friend Marc Antony (James Purefoy) to help him vanquish his foes, even if it means all-out civil war. Meanwhile, a pair of humble soldier, the virtuous family man Vorenus (Kevin McKidd) and the hedonistic Pullo (Ray Stevenson), simply try to stay out of everyone's way and survive--but instead find themselves at Ground Zero of virtually every major historical turning point during the series' turbulent eight-year timespan. Pullo in particular spends much of his time squeaking out of one death-trap after another, somehow managing to enrich or aggrandize himself without even trying. His main contribution during Season One consists of taking Atia's callow son Octavian (Max Pirkis) under his wing, teaching the boy the ways of warfare and women. Eventually Octavian will emerge as the greatest threat against the pro-Caesar forces of Antony after Caesar's assassination--and thus the redoubtable Pullo has once more unwittingly altered the course of history. Not only was Rome an international success during its first season on the air, but the series also garnered an Emmy award for its American run on HBO. ~ Hal Erickson, Rovi