Beverly Bonner Movies
Although it took eight years for cult director Frank Henenlotter to revisit the twisted world of Duane Bradley (Kevin Van Hentenryck) and his basket-bound, mutant former Siamese twin Belial, this sequel picks up the plot mere moments after the original Basket Case ended, finding the psychically-linked brothers mangled but very much alive after the rather aggressive tiff that pitched them out a Bowery flophouse window. They manage to elude the authorities, escape the hospital (to avoid having to explain the dozen-or-so murders committed by gnarled, lumpy Belial), and eventually find sanctuary at the palatial home of Granny Ruth (jazz songbird Annie Ross), an eccentric activist who rallies the cause of "Unique Individuals" like Belial who have been ostracized by society for their horrific appearance and behavior. (Unique, indeed... Ruth's tenants run the gamut from a boy with 18-inch teeth to a woman who looks like a
hammerhead shark in a summer frock.) Although the pair soon grow quite accustomed to their new home, they are eventually forced to confront their murderous past, thanks to a tabloid reporter and a cynical cop, both of whom come to regret sticking their noses into places where such appendages tend to get bitten off. Henenlotter deserves credit for exploring new terrain in this interesting follow-up, but his reliance on outrageous makeup effects diminishes the effectiveness of the "Monsters Are People Too" theme -- it's hard to work up much empathy toward Ruth's charges, depicted as mute automatons by actors wearing 70 pounds of foam latex on their heads. Not that Henenlotter doesn't return to grotesque form now and then -- particularly for the most disgusting love scene on record and the effective shock ending, which paves the way for yet another sequel. ~ Cavett Binion, Rovi
hammerhead shark in a summer frock.) Although the pair soon grow quite accustomed to their new home, they are eventually forced to confront their murderous past, thanks to a tabloid reporter and a cynical cop, both of whom come to regret sticking their noses into places where such appendages tend to get bitten off. Henenlotter deserves credit for exploring new terrain in this interesting follow-up, but his reliance on outrageous makeup effects diminishes the effectiveness of the "Monsters Are People Too" theme -- it's hard to work up much empathy toward Ruth's charges, depicted as mute automatons by actors wearing 70 pounds of foam latex on their heads. Not that Henenlotter doesn't return to grotesque form now and then -- particularly for the most disgusting love scene on record and the effective shock ending, which paves the way for yet another sequel. ~ Cavett Binion, Rovi
- Starring:
- Kevin Van Hentenryck, Annie Ross, (more)
- 1990
- R
Adventurous viewers not repelled by the title of this horror exploitation-comedy from Frank Henenlotter (director of the splatter cult classic Basket Case) will find a fair share of laughs on display, thanks to Henenlotter's typically energetic devil-may-care brand of gruesome humor. James Lorinz tears up acres of scenery as Jeffrey Franken, a neurotic electrician and aspiring mad scientist, who goes completely 'round the bend after his slightly pudgy girlfriend (former Penthouse pet, Patty Mullen) is shredded by his latest invention, a remote-control lawn mower. Preserving her head in his mom's freezer, he sets out to acquire shapely female parts to rebuild the rest of her, focusing his search on the city's red-light district. After watching a news feature on crack addiction among local prostitutes, Franken hits on the solution and invents a formula for "supercrack," which triggers the spontaneous detonation of anyone who smokes it. After blowing apart a hotel roomful of unfortunate ladies, he spirits their scattered limbs home to his garage laboratory, where his patchwork creation is eventually brought to life in a hilarious lift from The Bride of Frankenstein. Apparently, her brain spent too much time bobbing in the same preservative bath used for the hooker-parts, since she is instantly compelled to peddle her assets on every street corner in town, resulting in the high-voltage deaths of several johns (who are not entirely dissatisfied with their choice of demise). Her exploits reach the attention of sadistic pimp Zorro (Joseph Gonzalez), who, obsessed with finding the person responsible for blowing up his women, tracks her back to Franken's lab for the inevitable (and quite disgusting) confrontation. Basically a collection of crude but hilarious sight gags (Franken's predilection for plunging a power drill into his own skull; the pimp knocked senseless by flying severed limbs) and goofy throwaway dialogue, this may offer guilty pleasures for fans of Henenlotter's comic theater of the absurd. Frankenhooker is available on video in R and unrated versions, some featuring a suitably tacky slipcase, which, when pressed, screeches the words "Wanna date?" ~ Cavett Binion, Rovi
- Starring:
- James Lorinz, Patty Mullen, (more)
The poor social skills of a young yokel turn out to have a horrifying explanation in this low-budget splatterfest, which marks the debut of Frankenhooker director Frank Henenlotter. The film begins with a bloody prologue and the arrival of young Duane Bradley (Kevin Van Hentenryck) at a broken-down New York hotel full of drunks, hookers, and assorted weirdos. An upstate native with few big-city survival skills, the earnest Duane seems slightly off. He flashes lots of bills at the hotel manager, carries a large wicker basket with him, and seems bewildered at the variety of characters on display. Once he's alone, Duane's own behavior becomes bewildering as he talks incessantly to some unseen presence and drops prodigious quantities of fast food into his basket. After Duane visits a surgeon's office and the doctor gets rendered into a mangled corpse, all becomes clear; Duane is half of a pair of Siamese twins who were separated against their will in a brutal operation a decade earlier. Belial, his lumpen, beachball-sized brother, secretly survived the procedure and now wants to exact revenge on those who separated him from Duane. Things go according to plan except for one thing: Duane falls hard for coy, busty Sharon (Terri Susan Smith), the receptionist of one of the nefarious doctors. That doesn't sit well with the malformed Belial, who's as attracted to Sharon as he is jealous of Duane's romance with her. Although no sequel appeared for several years, Basket Case was eventually followed by Basket Case 2 and Basket Case 3: The Progeny; Hentenryck and Belial also make a cameo in the director's Brain Damage. ~ Brian J. Dillard, Rovi
- Starring:
- Kevin Van Hentenryck, Sean McCabe, (more)
