Vania Vilers Movies

He Loves Me ... He Loves Me Not is a black comedy with a dramatic twist. Talented art student Angélique (Audrey Tautou) is wildly in love with Loïc (Samuel Le Bihan of Brotherhood of the Wolf), a married cardiologist whose wife, Rachel (Isabelle Carré) is expecting their first child. She sends him mash notes and gifts, and tells her friend, Héloïse (Sophie Guillemin of With a Friend Like Harry...) that, despite appearances, Loïc plans to leave his wife. Angélique also ignores the attentions of her lovesick friend, David (Clément Sibony), who begins to resent the way Loïc treats Angélique. As Angélique grows less discreet in her affections, Loïc's home life begins to fall apart. His wife grows suspicious, and then miscarries. His career is jeopardized when a patient accuses him of assault. All the while, Angélique is desperate to be by his side. About 40 minutes in, writer/director Laetitia Colombani's film reverses perspective, showing the preceding events from Loïc's (very different) point-of-view. ~ Josh Ralske, All Movie Guide

Pianist Nina (Juliet Stevenson) and cellist Jamie (Alan Rickman) played together and loved together. When they weren't making music with each other, they made love. It was an idyllic romantic and musical partnership, and when Jamie dies, Nina takes it very hard. The condolences of friends and relatives don't help much when everything in the apartment they shared reminds her of him. She's a real basket case, and can barely get on with her life. One day, while plunking dejectedly on the piano, Nina looks up to discover Jamie, in ghostly form, lively as ever and just as loving. With a few new wrinkles (such as parties which include Jamie's newfound ghost friends), they resume living their relationship almost as before. Nina's friends are puzzled at her change from suicidal despondency to giddy cheefulness, but Jamie has pledged Nina to secrecy about their renewed relationship. For that reason, she cannot find any good excuses for not responding to the romantic advances of a living man, Mark (Michael Maloney). Before long, she will have to choose between the two of them. ~ Clarke Fountain, All Movie Guide

Femmes De Personne is a French "feminist" film that comes off as slightly misogynistic (not to mention misanthropic) at times. Is it possible to be happy in business and still be happy in bed? The four leading ladies, all successful career women, don't seem particularly blissful. On the contrary, their boudoir activity seems to be as much a trial as going to work each morning. Femmes De Personne was directed by novelist Christopher Frank, most of whose books are variations on the theme "It's miserable at the top". ~ Hal Erickson, All Movie Guide

A young Swiss drug addict (Jacques Zanetti) has been imprisoned for robbery, and must wait and wait for his upcoming trial, all the while isolated and without hope of parole - the police are convinced he is a dealer and not just a user. He hears from his son that his girlfriend has a new man, and begins to despair of ever coming to trial, or of having another relationship like the one he lost. This fiction film is said to be based on a true story. ~ Eleanor Mannikka, All Movie Guide

Made for television, this film tells the story of a doctor who receives an ordinary Polaroid camera from a patient of his and keeps it when the patient dies. Soon he discovers that the camera makes death predictions. ~ Clarke Fountain, All Movie Guide

This French comedy is the sequel to the well-regarded Pardon Mon Affaire. This version centers on the sexual fantasies of a quartet of four married, middle-class men attempting to deal with the onset of middle-age. ~ Sandra Brennan, All Movie Guide

The boy in this film lived quite happily on his family's Indochinese rubber plantation. Then, during World War II, the plantation was occupied by the Japanese. The occupying officer, refusing to tell his men of the Emperor's surrender, retains control of his force and forces the boy's father to try to find a boat for him. The Japanese officer plans to return to Japan in it. When he fails, the family (except for the boy) is massacred. The story is told through flashbacks as the boy, now a man, returns to Asia to meet with the Japanese soldier who saved his life. ~ Clarke Fountain, All Movie Guide

In this provocative sci-fi drama from Alain Resnais, a man wakes up in a hospital after an attempted suicide. He has invented a time machine that has proven effective, but only transports the subject back in time for one minute. Upon his release, he gets his hands on the machine to go back to a time he fondly remembers spending with a woman he apparently has feelings about. The two stroll on the beach before she leaves for Scotland. He follows her, but tragedy ensues and it is not clear if he has killed her or if she died an accidental death. The time-machine angle of the film features a dreamlike series of flashbacks making it unclear if the action is presently unfolding or is merely a vague memory from the past. ~ Dan Pavlides, All Movie Guide